2639:/ Sarastro. ... Hr. Gerl. / Tamino. ... Hr. Schack. / Speaker. ... Hr. Winter / {First, Second, Third} priest {...} {Hr. Schikaneder the elder. Hr. Kistler. Hr. Moll.} / Queen of the Night ... Mad. Hofer. / Pamina, her daughter. ... Mlle. Gottlieb. / {First, Second, Third} lady. ... {Mlle. Klöpfer. Mlle. Hofmann. Mad. Schack.} / Papageno. ... Hr. Schikaneder the younger. / An old woman . ... Mad. Gerl. / Monostatos a Moor. ... Hr. Nouseul. / {First, Second, Third} slave. ... {Hr. Gieseke. Hr. Frasel. Hr. Starke.} / Priests, slaves, retinue. / The music is by Herr Wolfgang Amade Mozart, Kapellmeister, an actual I and R Chamber Composer. Herr Mozart, out of respect for a gracious and honourable public, and from friendship for the author of this piece, will today direct the orchestra in person. / The book of the opera, furnished with two copper-plates, on which is engraved Herr Schikaneder in the costume he wears for the role of Papageno, may be had at the box office for 30 kr. / Herr Gayl, theatre painter, and Herr Nesslthaler as designer, flatter themselves that they have worked with the utmost artistic zeal according to the prescribed plan of the piece. / Prices of admission are as usual. / To begin at 7 o'clock. (According to English translation from
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1147:" / This path leads you to your goal). Tamino approaches the right-hand entrance (the Temple of Reason) and is denied access by voices from within. The same happens when he goes to the entrance on the left (the Temple of Nature). But from the entrance in the middle (the Temple of Wisdom), a senior priest appears. (The priest is referred to as "The Speaker" in the libretto, but his role is sung.) He tells Tamino that Sarastro is benevolent, not evil, and that he should not trust the Queen of the Night. With a hidden male chorus, he promises that Tamino's confusion will be lifted when he approaches the temple in a spirit of friendship, and that Pamina is alive. Tamino plays his magic flute. Animals appear and dance, enraptured, to his music. Tamino hears Papageno's pipes sounding offstage, and hurries off to find him (aria: "
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1386:" / All feel the joys of love) He is about to kiss her, when the Queen of the Night appears. Monostatos hides. Waking, Pamina tells her that Tamino is joining Sarastro's brotherhood and that she is thinking of accompanying him. The Queen is not pleased. She explains that her husband, the previous owner of the temple, on his deathbed gave the ownership to Sarastro instead of to her, rendering the Queen powerless (this is in the original libretto, but is usually omitted from modern productions). She gives Pamina a dagger, ordering her to kill Sarastro with it and threatening to disown her if she does not. (Aria: "
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1543:" / Papagena! Papagena! Papagena! Dear woman, dear dove, my beauty) He hesitates, counting to three, but more and more slowly. The three boys appear and stop him. They remind him he can play his magic bells to summon Papagena. She appears and, united, the happy couple stutter in astonishment and make bird-like courting sounds at each other. They plan their future and dream of the many children they will have together (Duet: "Pa... pa... pa..."). The scenes change without a break, leading into scene 9.
1097:/ You will go to free her). The Queen and the ladies leave and Papageno can only hum to bemoan the padlock on his mouth. (Quintet: "Hm! Hm! Hm! Hm!"). The ladies return and remove the padlock with a warning not to lie any more. They give Tamino a magic flute which has the power to change sorrow into joy, and Papageno magic bells for protection, telling him to go with Tamino. The ladies tell of three boys who will guide Tamino and Papageno to Sarastro's temple. Together Tamino and Papageno set forth.
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1067:" / The birdcatcher am I indeed). Tamino introduces himself to Papageno, thinking Papageno killed the serpent. Papageno happily takes the credit â claiming he strangled it with his bare hands. The three ladies suddenly reappear and instead of giving Papageno wine, cake and figs, they give him water and a stone, and padlock his mouth closed as a warning not to lie. They give Tamino a portrait of the Queen of the Night's daughter Pamina, with whom Tamino falls instantly in love (aria:
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1127:" / Just come in, you fine little dove!). Monostatos and Papageno are each terrified by the other's strange appearance and both flee, each thinking the other is the devil. Papageno returns and announces to Pamina that her mother has sent Tamino to save her. Pamina rejoices to hear that Tamino is in love with her. She offers sympathy and hope to Papageno, who longs for a wife. Together they reflect on the joys and sacred value of marital love (duet: "
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1464:" / A girl or a woman). The elderly woman reappears and warns him that unless he immediately promises to marry her, he will be imprisoned forever. When Papageno promises to love her faithfully (muttering that he will only do this until something better comes along), she is transformed into the young and pretty Papagena. Papageno rushes to embrace her, but the priests drive him back, telling him that he is not yet worthy of her.
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1186:" / Long live Sarastro!) Pamina falls at Sarastro's feet and confesses that she tried to escape because Monostatos had forced his attentions on her. Sarastro receives her kindly and assures her that he wishes only for her happiness, but he refuses to return her to her mother, whom he describes as a proud, headstrong woman, and a bad influence on those around her. Pamina, he says, must be guided by a man.
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1523:" / Oh God, look down from heaven). Tamino declares that he is ready to be tested. Pamina calls to him from offstage. The men in armour assure him that the trial by silence is over and he is free to speak with her. Pamina enters and declares her intention to undergo the remaining trials with him. She hands him the magic flute to help them through the trials ("
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1020:" / Die, monster, by our might!). He faints, and three ladies, attendants of the Queen of the Night, appear and kill the serpent. They find the unconscious prince extremely attractive, and each of them tries to persuade the other two to leave her alone with him. After arguing, they reluctantly decide to leave together.
1372:" / How, how, how) Papageno cannot resist answering the ladies, but Tamino remains aloof, angrily instructing Papageno not to listen to the ladies' threats and to keep quiet. Seeing that Tamino will not speak to them, the ladies withdraw in confusion. The Speaker and a priest return and lead Tamino and Papageno away.
1394:" / Hell's vengeance boils in my heart). She leaves. Monostatos returns and tries to force Pamina's love by threatening to reveal the Queen's plot, but Sarastro enters and drives him off. Pamina begs Sarastro to forgive her mother and he reassures her that revenge and cruelty have no place in his domain (Aria: "
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Monostatos brings in Tamino. The two lovers see one another for the first time and embrace, causing indignation among
Sarastro's followers. Monostatos tells Sarastro that he caught Papageno and Pamina trying to escape, and demands a reward. Sarastro ironically "rewards" Monostatos with a beating and
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has the greatest variety of orchestral color that the eighteenth century was to know; the very lavishness, however, is paradoxically also an economy as each effect is a concentrated one, each oneâPapageno's whistle, the Queen of the Night's coloratura, the bells, Sarastro's trombones, even the
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Tamino and
Papageno are led in by priests, who remind them that they must remain silent. Papageno complains of thirst. An old woman enters and offers Papageno a cup of water. He drinks and teasingly asks whether she has a boyfriend. She replies that she does and that his name is Papageno. She
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and concerns the initiation of Prince Tamino. Enlisted by the Queen of the Night to rescue her daughter Pamina from the high priest
Sarastro, Tamino comes to admire the high ideals of Sarastro. He and Pamina both join Sarastro's community, while the Queen and her allies are vanquished.
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Der
Zauberflöte zweyter Theil unter dem Titel: Das Labyrinth oder der Kampf mit den Elementen. Eine groĂe heroisch-komische Oper in zwey AufzĂŒgen von Emanuel Schikaneder. In Musik gesetzt von Herrn Peter Winter, Kapellmeister in Churpfalz-bayrischen Diensten. VollstĂ€ndiges Textbuch.
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The ladies return and tell Tamino that Pamina has been captured by
Sarastro, whom they describe as a powerful, evil demon. Tamino vows to rescue Pamina. The Queen of the Night appears and promises Tamino that Pamina will be his if he rescues her from Sarastro (Recitative:
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The opera was the culmination of a period of increasing involvement by Mozart with
Schikaneder's theatrical troupe, which since 1789 had been the resident company at the Theater auf der Wieden. Mozart was a close friend of one of the singer-composers of the troupe, tenor
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1180:" / That sounds so splendid). Papageno and Pamina hear the sound of Sarastro's retinue approaching. Papageno is frightened and asks Pamina what they should say. She answers that they must tell the truth. Sarastro enters, with a crowd of followers. (chorus: "
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1415:" / We welcome you a second time). Tamino begins to play the flute, which summons Pamina. She tries to speak with him, but Tamino, bound by his vow of silence, cannot answer her, and Pamina begins to believe that he no longer loves her. (Aria: "
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1446:" / O Isis and Osiris). Pamina is brought in and Sarastro instructs Pamina and Tamino to bid each other farewell before the greater trials ahead, alarming them by describing it as their "final farewell". (Trio: Sarastro, Pamina, Tamino â "
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The opera celebrated its 100th performance in
November 1792, though Mozart did not have the pleasure of witnessing this milestone, as he had died on 5 December 1791. The opera was first performed outside Vienna (21 September 1792) in
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423:. It then made "triumphal progress through Germany's opera houses great and small", and with the early 19th century spread to essentially all the countries of Europeâand eventually, everywhere in the worldâwhere opera is cultivated.
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The overture, composed after the other parts of the opera were complete, begins with a solemn three-chord sequence from the brass, associated with the
Priests of the Temple of Wisdom. (The number three is highly significant in
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1557:" / Just quiet, quiet) and the Queen confirms her promise to give Pamina to Monostatos, but suddenly, with thunder and lightning, they are cast out into eternal night. The scene changes without a break, leading into scene 10.
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Although there were no reviews of the first performances, it was immediately evident that Mozart and
Schikaneder had achieved a great success, the opera drawing immense crowds and reaching hundreds of performances during the
1174:" / Swift steps, ready courage). They are recaptured by Monostatos and his slaves. Papageno plays his magic bells, causing Monostatos and his slaves to dance off the stage, mesmerised by the beauty of the music (chorus: "
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1452:" / Shall I see you no more, dear one? â Note: In order to preserve the continuity of Pamina's suicidal feelings, this trio is sometimes performed earlier in act 2, preceding or immediately following the chorus "
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Tamino wakes up, and is surprised to find himself still alive and the serpent dead. Papageno enters dressed as a bird. He describes his life as a bird-catcher, complaining he has no wife or girlfriend (aria:
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260:(the first Tamino), and had contributed to the compositions of the troupe, which were often collaboratively written. Mozart's participation increased with his contributions to the 1790 collaborative opera
288:, written by Schikaneder, is thought by scholars to be based on many sources. Some works of literature current in Vienna in Schikaneder's day that may have served as sources include the medieval romance
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This is known from testimony by Ignaz von
Seyfried (1776â1841), a composer who later (1798) became the musical director at the same theatre. According to Seyfried's memories (which he published in the
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Tamino and Papageno are led in by two priests for the first trial. The two priests advise Tamino and Papageno of the dangers ahead of them, warn them of women's wiles and swear them to silence (Duet: "
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The three boys hail the dawn. They observe Pamina, who is contemplating suicide because she believes Tamino has abandoned her. The boys restrain her and reassure her of Tamino's love. (Quartet: "
406:. "I have this moment returned from the opera, which was as full as ever", he wrote on 7 October, listing the numbers that had to be encored. "But what always gives me the most pleasure is the
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Lemberg, today the Ukrainian city of Lviv, was at the time a provincial center of the Austrian Empire. The Lviv performance was brought to the attention of musical scholarship only recently by
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sends him away. He announces that Tamino and Pamina must both undergo trials to be purified. The priests declare that virtue and righteousness will sanctify life and make mortals like gods ("
522:. Likewise, the literature repeatedly addresses the fact that the central theme of the work is not only "love", but also becoming a better person by overcoming trials (similar to Wagner's
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Sarastro announces the sun's triumph over the night and the fraudulent power of hypocrites. The chorus hails the newly consecrated Tamino and Pamina, and gives thanks to Isis and Osiris.
1366:" / Keep yourselves from women's tricks). The three ladies appear and remind Tamino and Papageno of what the Queen has said about Sarastro, trying to tempt them into speaking. (Quintet: "
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I & R priv Wieden Theatre / Today, Friday 30 September 1791. / The actors of the Imperial and Royal privileged Theatre on the Wieden will have the honour to perform /
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The Queen is sometimes referred to by the name "Astrifiammante", an Italian translation of the German adjective "sternflammende" ("star-blazing") in the original libretto
1498:(One mountain has a waterfall, the other emits fire.) Two men in armor lead Tamino in. They promise enlightenment to those who successfully overcome the fear of death ("
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183:, a popular form during the time it was written that included both singing and spoken dialogue. The work premiered on 30 September 1791 at Schikaneder's theatre, the
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in E-flat major. Halfway through, there is a false ending. After another three-chord brass sequence, the fugue resumes in E-flat minor, returning to E-flat major.
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The three boys lead Tamino to Sarastro's temple, promising that if he remains patient, wise and steadfast, he will succeed in rescuing Pamina (Quartet: "
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312:. The libretto is also a natural continuation of a series of fairy tale operas produced at the time by Schikaneder's troupe, including an adaptation of
890:(instrument of steel) to perform Papageno's magic bells. This instrument has since been lost to history, though modern day scholars believe it to be a
374:. Mozart conducted the orchestra and Schikaneder himself played Papageno, while the role of the Queen of the Night was sung by Mozart's sister-in-law
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and chief of the slaves, orders them to chain her and leave her alone with him. Papageno, sent ahead by Tamino to help find Pamina, enters (Trio: "
815:(at right), which does not give full names; "Hr." = Herr, Mr.; "Mme." = Madame, Mrs.; "Mlle." = Mademoiselle, Miss.
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822:, the playbill for the premiere performance referred to all of the female singers as "sopranos". The casting of the roles relies on the actual
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also echoes Salieri's music in that Papageno's whistle is based on a motif borrowed from Salieri's Concerto for Clavicembalo in B-flat major.
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410:! You can see how this opera is becoming more and more esteemed." ... He went to hear his opera almost every night, taking along relatives.
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For instance, in the videotaped performance from the Bayerisches Staatsoper, Munich, 19 September 1983, available from Deutsche Grammophon
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disappears as Papageno asks for her name, and the three boys bring in food, the magic flute, and the bells, sent from Sarastro (Trio: "
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1458:".) They exit and Papageno enters. The priests grant his request for a glass of wine and he expresses his desire for a wife. (Aria: "
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3153:, 4 vols. (London and New York, 1992), Volume 4, pp. 1215â1218, and in "Mozart" in volume III of the same dictionary, pp. 489â503.
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2568:(A grand opera). Mozart entered the work in his personal catalog as a "German opera", and the first printed libretto called it a
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published this text in the first full-score edition (Bonn, 1814), claiming that it was "in accordance with Mozart's own wishes" (
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elements, although some scholars hold that the Masonic influence is exaggerated. Schikaneder and Mozart were Freemasons, as was
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On 28 December 1791, three and a half weeks after Mozart's death, his widow Constanze offered to send a manuscript score of
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The priests celebrate Tamino's successes so far, and pray that he will succeed and become worthy of their order (Chorus: "
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in Vienna, just two months before the composer's death. It was the last opera that Mozart composed. Still a staple of the
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The Magic Flute unveiled: esoteric symbolism in Mozart's masonic opera. An interpretation of the libretto and the music
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documents, the earlier performances were often of highly altered, sometimes even mutilated, versions of the opera (see
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was a fairy-tale opera and can be considered a kind of precursor; it employed much the same cast in similar roles.
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The Opera Goers' Complete Guide: Comprising Two Hundred and Sixty-Eight Opera Plots with Musical Numbers and Casts
350:. Both are centred around musical-textual playfulness with humorous bird-like utterances of pseudo-Italian words.
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appearing as Papageno. He wears his pipes and carries his magic bells; both instruments are essential to the plot.
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518:, who banned Freemasonry from Austria. Still others see the Roman Catholic Church itself, which was and still is
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Tamino, a handsome prince lost in a distant land, is pursued by a serpent and asks the gods to save him (aria: "
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1164:. Pamina appears at left, Papageno at right. In the background are the temples of Wisdom, Reason, and Nature.
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Pamina (Tiffany Speight) and Papageno (Richard Burkhard) sing "Bei MĂ€nnern, welche Liebe fĂŒhlen" in a 2006
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Monostatos appears with the Queen of the Night and her three ladies. They plot to destroy the temple ("
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1490:" / To herald the morning, soon will shine). The scene changes without a break, leading into scene 7.
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The genre of the work is hard to specify. The programme at the premiere performance announced it as
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As Mozart's letters show, he was very pleased to have achieved such a success. Solomon continues:
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Mozart and Others: Representing the Image of the Other and Its Meaning in Mozart's Comic Operas
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344:. The first is that the PapagenoâPapagena duet is similar to the Cucuzze cavatina in Salieri's
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270:), including the duet ("Nun liebes Weibchen", K. 625/592a) among other passages. Like
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tradition of the Viennese popular theatre. Many scholars also acknowledge an influence of
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3614:"Mozart, Kirnberger, and the idea of musical purity: Revisiting two sketches from 1782"
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The Authentic Magic Flute Libretto: Mozart's Autograph or the First Full Score Edition?
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Roles, voice types as originally written and contemporary classification, premiere cast
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Papageno despairs at having lost Papagena and decides to hang himself (Aria/Quartet: "
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Mozart ve'Acherim: Hatsagat Dmut Ha'acher 'Umashma'uta Ba'operot Hakomiot shel Mozart
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2789:(1997). "Mozart and the Theater auf der Wieden: New attributions and perspectives1".
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1. Introduction: "Zu Hilfe! Zu Hilfe! Sonst bin ich verloren" â Tamino, Three Ladies
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3683:"Wolfgang Amadeus Mozart (composer) â Discography of American Historical Recordings"
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The Magic Flute â Wolfgang Amadeus Mozart, Emanuel Schikaneder, Carl Ludwig Giesecke
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farewell in scene 1 for clarinets and pizzicato stringsâa single dramatic stroke."
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19. Terzet: "Soll ich dich, Teurer, nicht mehr seh'n?" â Pamina, Tamino, Sarastro
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12. Quintet: "Wie? Ihr an diesem Schreckensort?" â Three Ladies, Tamino, Papageno
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2905:(2005). "Three Posthumous Reports Concerning Mozart in His Late Viennese Years".
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Pamina is dragged in by Sarastro's slaves, having tried to escape. Monostatos, a
583:
382:
341:
318:
257:
3085:
2331:"Tamino mein! ... Triumph, Triumph! du edles Paar! Besieget hast du die Gefahr!"
1118:
882:
for several numbers (notably the finales of each act). Mozart also called for a
4722:
3649:
3136:
2755:
2527:. Since then there have been many recordings, in both audio and video formats.
2516:
1299:
Josef Greindl, RIAS-Symphonie-Orchester, RIAS Kammerchor, Ferenc Fricsay (1953)
1050:
980:
875:
403:
309:
305:
300:
4260:
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3630:
3613:
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2802:
502:, engraver and printer of the first libretto. The opera is also influenced by
5393:
5219:
5042:
4868:
4794:
4788:
4714:
4376:
4140:
4123:
Erstveröffentlichung nach den zeitgenössischen Quellen und mit einem Nachwort
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3196:
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2926:
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1512:
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1323:(soprano), Orchester des Deutschen Opernhauses, Berlin, conducted in 1938 by
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901:
712:
663:
636:
618:
515:
499:
375:
313:
197:
4234:
1779:
6. Terzet: "Du feines TĂ€ubchen, nur herein!" â Monostatos, Pamina, Papageno
1160:
Arrival of Sarastro on a chariot pulled by lions, from a 1793 production in
979:
and recurs as the number of ladies, boys and temples.) It transitions in an
5383:
5132:
4800:
4776:
4770:
2764:
2662:
2524:
1275:
859:
511:
248:
192:
4487:
3182:
2635:: / Die Zauberflöte. / A grand opera in 2 acts, by Emanuel Schikaneder. /
1105:
1000:
510:. The Queen of the Night is seen by some to represent a dangerous form of
5022:
3764:
2995:
2948:
1477:
976:
851:
823:
495:
331:
4217:
3286:
2726:. Black Dog & Leventhal Pub. : Distributed by Workman Pub. Co.
402:, who with her sister Sophie was spending the second week of October in
2346:"Die Strahlen der Sonne vertreiben die Nacht ... Es siegte die StÀrke"
1546:
966:
819:
567:
555:
370:
The opera was premiered in Vienna on 30 September 1791 at the suburban
4317:
3644:
3226:
5210:
3877:
3372:
2665:
but also sometimes by mature women, particularly in studio recordings
2291:
20. Aria: "Ein MĂ€dchen oder Weibchen" (A girl or a woman) â Papageno
327:
179:
65:
2002:
11. Duet: "Bewahret euch vor WeibertĂŒcken" â Second Priest, Speaker
398:
Mozart's delight is reflected in his last three letters, written to
5072:
3771:. Translated by Stewart Spencer. New Haven: Yale University Press.
3218:
2844:
Shaked, Guy (2015). "Mozart's Competition with Antonio Salieri and
2688:
867:
847:
598:
524:
170:
2953:"1 October 1791: The earliest published report on the premiere of
1809:
7. Duet: "Bei MĂ€nnern, welche Liebe fĂŒhlen" â Pamina and Papageno
4093:. Translated by Richard Salinger. New York: Dodd, Mead & Co.
3888:(2nd ed.). Stanford, California: Stanford University Press.
2611:
1355:
955:
895:
871:
863:
855:
839:
613:
326:. Especially for the role of Papageno, the libretto draws on the
1136:
3322:
2336:"Papagena! Weibchen, TÀubchen, meine Schöne ... Pa-Pa-Pa-Pa-Pa"
1504:" / He who walks this path weighed down with cares â sung to a
1343:
200:
oder Der Kampf mit den Elementen. Der Zauberflöte zweyter Theil
2156:
16. Terzet: "Seid uns zum zweitenmal willkommen" â Three Boys
1540:
Papagena! Papagena! Papagena! Weibchen, TÀubchen, meine Schöne
1380:
Pamina is asleep. Monostatos creeps in and ogles her. (Aria: "
818:
While the female roles in the opera are assigned to different
5062:
3456:
984:
879:
835:
578:
290:
162:
53:
5378:
4119:(1992). JahrmÀrker, Manuela; Waidelich, Till Gerrit (eds.).
1516:
1476:
Tamino and Pamina undergo their final trial; watercolor by
1339:
1161:
843:
811:
The names of the performers at the premiere are taken from
455:
416:
228:
2825:
2186:
17. Aria: "Ach, ich fĂŒhl's, es ist verschwunden" â Pamina
1403:
3426:
3001:
2976:
2974:
904:
has remarked on the character of Mozart's orchestration:
191:, its popularity was reflected by two immediate sequels,
1849:"Schnelle FĂŒĂe, rascher Mut ... Das klinget so herrlich"
1168:
Papageno and Pamina enter, searching for Tamino (trio: "
2062:
13. Aria: "Alles fĂŒhlt der Liebe Freuden" â Monostatos
1749:
5 Quintet: "Hm Hm Hm" â Tamino, Papageno, Three Ladies
1578:
Overture. The overture is frequently played on its own.
1100:
308:, and the essay "On the mysteries of the Egyptians" by
215:
The allegorical plot was influenced by Schikaneder and
4069:. Rochester, Vermont: Inner Traditions International.
2971:
2947:
1493:
1421:" / Oh, I feel it, it is gone) She leaves in despair.
442:
is among the most frequently performed of all operas.
5367:
4932:
3593:
2661:
The three child-spirits are often portrayed by young
1972:
10. Aria with chorus: "O Isis und Osiris" â Sarastro
2326:"Der, welcher wandert diese StraĂe voll Beschwerden"
2321:
21. Finale 2: "Bald prangt, den Morgen zu verkĂŒnden"
1547:
Scene 9: A rocky landscape outside the temple; night
995:
70:
The arrival of the Queen of the Night. Stage set by
3468:
1501:
Der, welcher wandert diese Strasse voll Beschwerden
3965:
3931:
1560:
2126:15. Aria: "In diesen heil'gen Hallen" â Sarastro
1651:2. Aria: "Der VogelfĂ€nger bin ich ja" â Papageno
1278:, RIAS-Symphonie-Orchester, Ferenc Fricsay (1953)
5391:
4477:Introduction and Variations on a Theme by Mozart
2883:
1532:
514:, by others to represent Roman Catholic Empress
4262:Animated score, full performance (2hrs 35 mins)
340:appears to have two references to the music of
2754:
1839:8. Finale 1: "Zum Ziele fĂŒhrt dich diese Bahn"
1356:Scene 2: The courtyard of the Temple of Ordeal
381:On the reception of the opera, Mozart scholar
4918:
4503:
4303:
4016:Which Craft?: W.A. Mozart and The Magic Flute
3934:The Classical Style: Haydn, Mozart, Beethoven
3333:
3307:
2492:and played by the Victor Grand Concert Band.
1137:Finale. Scene 3: A grove in front of a temple
884:
506:philosophy and can be regarded as advocating
3909:Mozart, Haydn and early Beethoven, 1781â1802
3783:with supplementary footnotes by Cliff Eisen.
3487:"The otherworldly feeling of Mozart's magic"
2866:
2563:
1552:
1538:
1524:
1499:
1485:
1467:
1459:
1453:
1447:
1441:
1433:Papageno and Papagena; from a production at
1416:
1410:
1395:
1387:
1381:
1367:
1361:
1347:
1333:
1233:"O Isis und Osiris", and subsequent dialogue
1191:
1181:
1175:
1169:
1148:
1142:
1128:
1122:
1092:
1091:/ Oh, tremble not, my dear son! â and aria:
1082:
1077:/ This portrait is enchantingly beautiful).
1068:
1062:
1015:
1009:
42:
4517:
3339:
3199:(January 1992). "Fairy-Tale Literature and
1209:"March of the Priests" (beginning of act 2)
366:Libretto cover design by Peter Hoffer, 1959
4925:
4911:
4510:
4496:
4310:
4296:
4230:Frontispiece of the first edition libretto
3842:
3624:(2). Cambridge University Press: 235â252.
3523:"Mozart's Magic Flute, Magick and Masonry"
3462:
3432:
3162:
3037:
3024:
3019:For extensive discussion of the spread of
3007:
2831:
2721:
2582:
2488:s overture was issued around 1903, by the
701:; Anselm Handelgruber; Franz Anton Maurer
64:
4207:International Music Score Library Project
3629:
3413:
3051:"Top 10 Most Popular Operas in the world"
813:a preserved playbill for this performance
357:
3996:Batley, E. M. (1967). "Textual Unity in
3852:. New York: Cambridge University Press.
3732:The Metropolitan Guide to Recorded Opera
3520:
1471:
1428:
1424:
1226:, 2006, conducted by Trisdee na Patalung
1155:
1104:
999:
535:
361:
242:
227:
4679:
4043:, Masonic Opera, and Other Fairy Tales"
3960:
3866:
3821:
3474:
3245:, Masonic Opera, and Other Fairy Tales"
3102:
3086:"First full-score edition (Bonn, 1814)"
2980:
2640:
2581:For detailed discussion of sources see
2545:
1449:Soll ich dich, Teurer, nicht mehr sehn?
1404:Scene 4: A hall in the Temple of Ordeal
1094:"Du, Du, Du wirst sie zu befreien gehen
668:M Klöpfer, M Hofmann, Elisabeth Schack
14:
5392:
5193:Der Hölle Rache kocht in meinem Herzen
4359:Der Hölle Rache kocht in meinem Herzen
4019:. Berkeley, California: Regent Press.
3902:
3729:
3611:
3599:
3569:
3551:Kennedy Center for the Performing Arts
3521:DuQuette, Lon Milo (30 January 2013).
3329:from the original on 11 December 2021.
2856:(2). National Opera Association: 3â20.
2843:
2499:was of a live performance at the 1937
2094:Der Hölle Rache kocht in meinem Herzen
1390:Der Hölle Rache kocht in meinem Herzen
804:Priests, women, people, slaves, chorus
4906:
4491:
4291:
3926:
3786:
3759:
3504:
3370:
3069:"The 20 greatest operas ever written"
2889:
2722:Foil, David; Berger, William (2007).
2619:
1261:"Der Hölle Rache", Queen of the Night
1017:Stirb, Ungeheuer, durch uns're Macht!
724:
202:(1798) and a fragmentary libretto by
144:
27:1791 opera by Wolfgang Amadeus Mozart
3195:
3023:and its performance traditions, see
2901:
2785:
1844:"Wie stark ist nicht dein Zauberton"
1487:Bald prangt, den Morgen zu verkĂŒnden
1418:Ach, ich fĂŒhl's, es ist verschwunden
1375:
1101:Scene 2: A room in Sarastro's palace
445:
3825:Guide to Operatic Roles & Arias
1494:Scene 7: At the Mountains of Ordeal
1412:Seid uns zum zweiten Mal willkommen
1153:" / How strong is thy magic tone).
1014:" / Help! Help!, segued into trio "
894:, which is usually replaced with a
24:
4953:Die Schuldigkeit des ersten Gebots
3988:
3579:. University of California Press.
3308:Joshua Borths (22 November 2016).
3276:
1568:
1150:Wie stark ist nicht dein Zauberton
928:
829:
25:
5466:
5445:Operas set in mythological places
5440:Operas by Wolfgang Amadeus Mozart
5202:Dies Bildnis ist bezaubernd schön
4352:Dies Bildnis ist bezaubernd schön
4237:from 2006 Opera Gold production,
4148:
3612:Rathey, Markus (September 2016).
3371:Stark, Jonathan (31 March 2022).
3163:Macpherson, Jay (October 2007). "
3146:The New Grove Dictionary of Opera
3036:For discussion and examples, see
2699:For the origin of this duet, see
1683:Dies Bildnis ist bezaubernd schön
1589:
1435:Texas A&M UniversityâCommerce
1072:Dies Bildnis ist bezaubernd schön
996:Scene 1: A rough, rocky landscape
5377:
5265:O zittre nicht, mein lieber Sohn
4887:
4886:
4747:Maria Anna Thekla Mozart (BĂ€sle)
4345:O zittre nicht, mein lieber Sohn
4239:Goldsmiths, University of London
4224:Libretto and English translation
4214:, synopsis, libretto, highlights
2495:The first complete recording of
2449:
2431:
2413:
2395:
2377:
2359:
2304:
2274:
2244:
2199:
2169:
2139:
2109:
2075:
2045:
2015:
1985:
1955:
1921:
1903:
1885:
1867:
1822:
1792:
1762:
1732:
1717:O zittre nicht, mein lieber Sohn
1698:
1664:
1634:
1600:
1521:Ach Gott, vom Himmel sieh darein
1400:" / Within these sacred halls).
1310:
1306:"Ach, ich fĂŒhl's", Pamina, act 2
1289:
1265:
1237:
1213:
1086:O zittre nicht, mein lieber Sohn
1032:
965:Problems playing this file? See
944:
565:Premiere cast, 30 September 1791
217:Mozart's interest in Freemasonry
32:The Magic Flute (disambiguation)
4864:BeethovenâHaydnâMozart Memorial
4196:Facsimile of Mozart's autograph
3873:Mozart: a documentary biography
3734:. London: Thames & Hudson.
3723:
3693:
3675:
3638:
3605:
3563:
3540:
3514:
3480:
3438:
3407:
3390:
3364:
3301:
3270:
3252:
3233:
3189:
3170:University of Toronto Quarterly
3156:
3129:
3096:
3088:. Eda Kuhn Loeb Music Library,
3078:
3062:
3043:
3030:
3013:
2986:
2951:; David Black (16 March 2015).
2941:
2895:
2693:
2677:
2668:
2655:
2646:
2625:
2594:
1899:"Schnelle FĂŒĂe ... Das klinget"
1561:Scene 10: The Temple of the Sun
1526:Tamino mein, o welch ein GlĂŒck!
1144:Zum Ziele fĂŒhrt dich diese Bahn
1130:Bei MĂ€nnern welche Liebe fĂŒhlen
1124:Du feines TĂ€ubchen, nur herein!
878:. It also requires a four-part
465:Allgemeine musikalische Zeitung
372:Freihaus-Theater auf der Wieden
347:Prima la musica e poi le parole
185:Freihaus-Theater auf der Wieden
177:. The work is in the form of a
5238:Madamina, il catalogo Ăš questo
2860:
2837:
2779:
2748:
2715:
2575:
2556:
2490:Victor Talking Machine Company
1363:Bewahret euch von WeibertĂŒcken
223:
13:
1:
5410:1791 in the Holy Roman Empire
5405:1791 in the Habsburg monarchy
5303:Die EntfĂŒhrung aus dem Serail
5083:Die EntfĂŒhrung aus dem Serail
3553:. Retrieved 2 February 2016.
2708:
2481:The first known recording of
2467:
1533:Scene 8: A garden with a tree
1383:Alles fĂŒhlt der Liebe Freuden
1193:Wenn Tugend und Gerechtigkeit
5256:O, wie will ich triumphieren
4773:(paternal great-grandfather)
4616:Concert arias, songs, canons
4246:with Nick Reveles: Mozart's
3972:. New York: Harper Collins.
3802:. p. 41. Archived from
3347:The Wordsworth Book of Opera
2445:"Die Strahlen ... Es siegte"
1660:"Der VogelfÀnger bin ich ja"
1250:, RIAS-Symphonie-Orchester,
1196:" / If virtue and justice).
1133:" / In men, who feel love).
898:in modern-day performances.
695:treble, alto, mezzo-soprano
7:
5450:Operas set in ancient Egypt
4753:Franz Xaver Wolfgang Mozart
4735:Maria Anna Mozart (Nannerl)
4275:Drottningholm Court Theatre
3446:"Synopsis: Die Zauberflöte"
2867:Litai-Jacoby, Ruth (2008).
2683:The hymn was translated by
2588:Libretto of The Magic Flute
2530:
2409:"Papagena! ... Pa-Pa-Pa..."
2391:"Tamino mein! ... Triumph!"
2300:"Ein MĂ€dchen oder Weibchen"
2135:"In diesen heil'gen Hallen"
2096:" â The Queen of the Night
1719:" â The Queen of the Night
1285:"In diesen heil'gen Hallen"
1224:Siam Philharmonic Orchestra
921:
916:
834:The work is scored for two
798:, Herr Frasel, Herr Starke
494:is noted for its prominent
146:[diËËtsaÊbÉËflĂžËtÉ]
102:30 September 1791
10:
5471:
3938:. New York: W. W. Norton.
3912:. New York: W. W. Norton.
3752:
3730:Gruber, Paul, ed. (1993).
3547:"The Magic Flute Overture"
2961:, no. 158, 7 October 1791"
2603:Neue Zeitschrift fĂŒr Musik
2471:
2165:"Seid uns zum zweiten Mal"
1338:The council of priests of
1171:Schnelle FĂŒĂe, rascher Mut
1064:Der VogelfÀnger bin ich ja
1028:Der VogelfÀnger bin ich ja
1004:Tamino charms the animals.
956:Musopen Symphony Orchestra
570:: Wolfgang Amadeus Mozart
484:
475:
454:to the electoral court in
204:Johann Wolfgang von Goethe
29:
5435:Operas adapted into films
5340:
5284:
5174:
4941:
4882:
4859:Mozart in popular culture
4846:
4810:
4713:
4671:Relationship with G minor
4606:
4525:
4448:
4429:
4386:
4368:
4331:
3822:Boldrey, Richard (1994).
3787:Anon. (25 October 2014).
3631:10.1017/S1478570616000063
3589:– via Google Books.
3492:The Sydney Morning Herald
3360:– via Google Books.
3103:Freyhan, Michael (2009).
2919:10.1017/S147857060500028X
2803:10.1017/S0954586700004808
1715:4. Recitative and aria: "
1553:
1539:
1525:
1500:
1486:
1468:Finale. Scene 6: A garden
1461:Ein MĂ€dchen oder Weibchen
1460:
1454:
1448:
1442:
1417:
1411:
1397:In diesen heil'gen Hallen
1396:
1388:
1382:
1368:
1362:
1348:
1334:Scene 1: A grove of palms
1192:
1182:
1176:
1170:
1149:
1143:
1129:
1123:
1093:
1083:
1069:
1063:
1016:
1010:
870:(alto, tenor, and bass),
802:
775:
767:
759:
740:
727:
645:
612:
577:
540:Playbill for the premiere
471:
97:
89:
79:
63:
52:
41:
4588:Appearance and character
4013:Besack, Michael (2002).
3646:RIAS Symphonie-Orchester
3618:Eighteenth-Century Music
3489:by Louise Schwartzkoff,
3420:Encyclopaedia Britannica
3311:The secrets of Mozart's
3249:(PDF download available)
3075:, 19 July 2022. Number 7
2907:Eighteenth-Century Music
2616:Johann Baptist Henneberg
1942:9. March of the Priests
1199:
1047:RIAS-Symphonie-Orchester
1043:Dietrich Fischer-Dieskau
990:
531:
209:The Magic Flute Part Two
4935:Wolfgang Amadeus Mozart
4874:Mozart Monument, Vienna
4519:Wolfgang Amadeus Mozart
4319:Wolfgang Amadeus Mozart
3350:. Wordsworth Editions.
2791:Cambridge Opera Journal
1352:/ O Isis and Osiris").
1325:Hans Schmidt-Isserstedt
1254:, Ferenc Fricsay (1953)
1177:Das klinget so herrlich
728:Johann Michael Kistler
625:The Queen of the Night
268:The Philosopher's Stone
167:Wolfgang Amadeus Mozart
74:for an 1815 production.
72:Karl Friedrich Schinkel
5425:German-language operas
5415:18th century in Vienna
5330:The Marriage of Figaro
5123:The Marriage of Figaro
5113:Der Schauspieldirektor
4993:Mitridate, re di Ponto
4767:(paternal grandfather)
4472:Mozart and Freemasonry
3652:; et al. (1955).
3557:6 October 2016 at the
3373:"Tamino, Who Are You?"
2564:
2373:"Der, welcher wandert"
1481:
1437:
1165:
1114:
1005:
933:
914:
885:
706:Speaker of the temple
541:
508:enlightened absolutism
487:Mozart and Freemasonry
468:, 13 September 1815).
433:Ludwig Wenzel Lachnith
412:
392:
367:
358:Premiere and reception
252:
240:
135:
113:Theater auf der Wieden
43:
5053:Thamos, King of Egypt
4973:Bastien und Bastienne
4277:Orchestra, 1992; see
4235:Brief programme notes
3658:, complete recording"
3576:Mozart and His Operas
3264:mozart2051.tripod.com
3183:10.3138/utq.76.4.1072
2965:Mozart: New Documents
2270:Soll ich dich, Teurer
1475:
1432:
1425:Scene 5: The pyramids
1159:
1108:
1003:
932:
906:
683:Johann Joseph Nouseul
539:
520:strongly anti-Masonic
396:
387:
365:
246:
231:
5184:Canzonetta sull'aria
5033:La finta giardiniera
5013:Il sogno di Scipione
4963:Apollo et Hyacinthus
4666:Compositional method
4646:Works for solo piano
4244:San Diego OperaTalk!
4113:Schikaneder, Emanuel
3687:adp.library.ucsb.edu
3279:"Brother Mozart and
3057:. 14 September 2016.
2546:Notes and references
1951:March of the Priests
1788:"Du feines TĂ€ubchen"
796:Karl Ludwig Giesecke
765:Second armoured man
324:Der Stein der Weisen
276:Der Stein der Weisen
263:Der Stein der Weisen
30:For other uses, see
5229:LĂ ci darem la mano
5153:La clemenza di Tito
4765:Johann Georg Mozart
4700:Neue Mozart-Ausgabe
4693:Alte Mozart-Ausgabe
4411:Magic Flute Diaries
4226:, Aria-Database.com
4220:, soundfiles (MIDI)
4218:Opera in a nutshell
4186:diplomatic editions
4172:Neue Mozart-Ausgabe
3868:Deutsch, Otto Erich
3828:. Dallas: Pst Inc.
3809:on 25 November 2015
3465:, pp. 145â151.
3402:Neue Mozart-Ausgabe
3344:(21 October 1996).
3135:See, for instance,
3107:. Scarecrow Press.
2877:Bar-Ilan University
2701:Emanuel Schikaneder
2643:, pp. 407â408)
2521:Berlin Philharmonic
2509:Vienna Philharmonic
1981:"O Isis und Osiris"
1854:"Es lebe Sarastro"
1574:
1011:Zu Hilfe! Zu Hilfe!
886:stromento d'acciaio
733:First armoured man
604:Emanuel Schikaneder
548:
233:Emanuel Schikaneder
175:Emanuel Schikaneder
84:Emanuel Schikaneder
4759:Karl Thomas Mozart
4464:Works inspired by
3800:Metropolitan Opera
3711:. Presto Classical
3450:opera.stanford.edu
3377:starkconductor.com
3167:and Freemasonry".
2758:(19 August 2011).
2633:For the first time
2537:Works inspired by
2513:Vienna State Opera
1694:"Dies Bildnis ..."
1573:
1554:Nur stille, stille
1482:
1438:
1321:Aulikki Rautawaara
1166:
1115:
1006:
934:
892:keyed glockenspiel
632:coloratura soprano
544:
542:
368:
296:Chrétien de Troyes
253:
241:
5365:
5364:
4983:La finta semplice
4900:
4899:
4729:Anna Maria Mozart
4709:
4708:
4485:
4484:
4430:Other adaptations
4182:critical editions
4117:von Winter, Peter
4061:Chailley, Jacques
4048:Acta Musicologica
3919:978-0-393-06634-0
3844:Branscombe, Peter
3798:(Program notes).
3416:"The Magic Flute"
3289:on 14 August 2003
3277:Condee, Newcomb.
3206:Acta Musicologica
2850:The Opera Journal
2687:in 1524 from the
2501:Salzburg Festival
2465:
2464:
2454:
2436:
2418:
2400:
2382:
2364:
2309:
2279:
2249:
2240:O Isis und Osiris
2218:O Isis und Osiris
2204:
2195:"Ach, ich fĂŒhl's"
2174:
2144:
2114:
2105:"Der Hölle Rache"
2080:
2050:
2020:
1990:
1960:
1926:
1917:"Es lebe Sarasto"
1908:
1890:
1872:
1827:
1797:
1767:
1737:
1703:
1669:
1639:
1605:
1455:O Isis und Osiris
1443:O Isis und Osiris
1376:Scene 3: A garden
1349:O Isis und Osiris
1315:
1294:
1270:
1242:
1218:
1183:Es lebe Sarastro!
1111:New Zealand Opera
1037:
949:
838:(one doubling on
809:
808:
745:Urban Schikaneder
446:First publication
161: 620, is an
121:
120:
16:(Redirected from
5462:
5382:
5381:
5373:
5358:
5351:
5333:
5324:
5315:
5306:
5297:
5277:
5268:
5259:
5250:
5241:
5232:
5223:
5214:
5205:
5196:
5187:
5167:
5157:
5147:
5137:
5127:
5117:
5107:
5097:
5087:
5077:
5067:
5057:
5047:
5037:
5027:
5017:
5007:
4997:
4987:
4977:
4967:
4957:
4927:
4920:
4913:
4904:
4903:
4890:
4889:
4779:(brother-in-law)
4741:Constanze Mozart
4687:Köchel catalogue
4677:
4676:
4661:Violin concertos
4512:
4505:
4498:
4489:
4488:
4312:
4305:
4298:
4289:
4288:
4263:
4205:: Scores at the
4168:
4137:
4108:
4105:Internet Archive
4080:
4056:
4030:
4009:
4002:The Music Review
3983:
3971:
3962:Solomon, Maynard
3957:
3937:
3923:
3899:
3882:Peter Branscombe
3876:. Translated by
3863:
3839:
3818:
3816:
3814:
3808:
3797:
3782:
3746:
3745:
3727:
3721:
3720:
3718:
3716:
3697:
3691:
3690:
3679:
3673:
3672:
3669:Internet Archive
3666:
3664:
3642:
3636:
3635:
3633:
3609:
3603:
3597:
3591:
3590:
3567:
3561:
3544:
3538:
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3484:
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3466:
3460:
3454:
3453:
3442:
3436:
3430:
3424:
3423:
3411:
3405:
3394:
3388:
3387:
3385:
3383:
3368:
3362:
3361:
3340:Jacobs, Arthur;
3337:
3331:
3330:
3305:
3299:
3298:
3296:
3294:
3285:. Archived from
3274:
3268:
3267:
3256:
3250:
3248:
3237:
3231:
3230:
3193:
3187:
3186:
3177:(4): 1080â1083.
3160:
3154:
3133:
3127:
3126:
3100:
3094:
3093:
3082:
3076:
3066:
3060:
3058:
3047:
3041:
3034:
3028:
3017:
3011:
3005:
2999:
2990:
2984:
2978:
2969:
2968:
2959:MĂŒnchner Zeitung
2945:
2939:
2938:
2899:
2893:
2887:
2881:
2880:
2864:
2858:
2857:
2841:
2835:
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2783:
2777:
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2774:
2772:
2752:
2746:
2745:
2719:
2703:
2697:
2691:
2681:
2675:
2672:
2666:
2659:
2653:
2650:
2644:
2629:
2623:
2598:
2592:
2579:
2573:
2567:
2565:Eine grosse oper
2560:
2505:Arturo Toscanini
2487:
2456:
2455:
2438:
2437:
2420:
2419:
2402:
2401:
2384:
2383:
2366:
2365:
2345:
2340:
2335:
2330:
2325:
2311:
2310:
2281:
2280:
2251:
2250:
2230:
2206:
2205:
2176:
2175:
2146:
2145:
2116:
2115:
2082:
2081:
2052:
2051:
2022:
2021:
1992:
1991:
1962:
1961:
1928:
1927:
1910:
1909:
1892:
1891:
1874:
1873:
1853:
1848:
1843:
1829:
1828:
1799:
1798:
1769:
1768:
1739:
1738:
1728:"O zittre nicht"
1705:
1704:
1671:
1670:
1641:
1640:
1607:
1606:
1596:
1592:
1575:
1572:
1556:
1555:
1542:
1541:
1528:
1527:
1503:
1502:
1489:
1488:
1463:
1462:
1457:
1456:
1451:
1450:
1445:
1444:
1420:
1419:
1414:
1413:
1399:
1398:
1393:
1392:
1385:
1384:
1371:
1370:
1365:
1364:
1351:
1350:
1317:
1316:
1296:
1295:
1272:
1271:
1244:
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1220:
1219:
1195:
1194:
1185:
1184:
1179:
1178:
1173:
1172:
1152:
1151:
1146:
1145:
1132:
1131:
1126:
1125:
1096:
1095:
1090:
1089:
1076:
1075:
1066:
1065:
1039:
1038:
1019:
1018:
1013:
1012:
951:
950:
931:
888:
699:Anna Schikaneder
650:Franz Xaver Gerl
549:
547:
543:
460:Nikolaus Simrock
235:, librettist of
156:
155:
154:
148:
143:
133:
109:
107:
68:
46:
39:
38:
21:
5470:
5469:
5465:
5464:
5463:
5461:
5460:
5459:
5400:The Magic Flute
5390:
5389:
5388:
5376:
5368:
5366:
5361:
5354:
5349:Da Ponte operas
5347:
5336:
5327:
5321:The Magic Flute
5318:
5309:
5300:
5291:
5280:
5274:Se vuol ballare
5271:
5262:
5253:
5244:
5235:
5226:
5217:
5208:
5199:
5190:
5181:
5170:
5163:The Magic Flute
5160:
5150:
5140:
5130:
5120:
5110:
5103:Lo sposo deluso
5100:
5093:L'oca del Cairo
5090:
5080:
5070:
5060:
5050:
5040:
5030:
5020:
5010:
5003:Ascanio in Alba
5000:
4990:
4980:
4970:
4960:
4950:
4937:
4931:
4901:
4896:
4878:
4842:
4823:Catholic Church
4806:
4803:(sister-in-law)
4797:(sister-in-law)
4791:(sister-in-law)
4785:(mother-in-law)
4705:
4675:
4641:Piano concertos
4602:
4521:
4516:
4486:
4481:
4466:The Magic Flute
4458:The Magic Flute
4444:
4438:The Magic Flute
4425:
4419:The Magic Flute
4403:The Magic Flute
4395:The Magic Flute
4382:
4364:
4327:
4324:The Magic Flute
4316:
4280:The Magic Flute
4273:conducting the
4261:
4256:San Diego Opera
4248:The Magic Flute
4202:Die Zauberflöte
4192:Die Zauberflöte
4166:
4164:critical report
4156:Die Zauberflöte
4151:
4146:
4134:
4111:
4101:
4083:
4077:
4059:
4041:Die Zauberflöte
4033:
4027:
4012:
3998:Die Zauberflöte
3995:
3991:
3989:Further reading
3986:
3980:
3946:
3920:
3896:
3860:
3849:Die Zauberflöte
3836:
3812:
3810:
3806:
3795:
3791:Die Zauberflöte
3779:
3755:
3750:
3749:
3742:
3728:
3724:
3714:
3712:
3707:The Magic Flute
3703:Die Zauberflöte
3699:
3698:
3694:
3681:
3680:
3676:
3662:
3660:
3656:Die Zauberflöte
3643:
3639:
3610:
3606:
3598:
3594:
3587:
3568:
3564:
3559:Wayback Machine
3545:
3541:
3531:
3529:
3527:Life Force Arts
3519:
3515:
3503:
3499:
3485:
3481:
3473:
3469:
3463:Branscombe 1991
3461:
3457:
3444:
3443:
3439:
3433:Branscombe 1991
3431:
3427:
3414:Betsy Schwarm.
3412:
3408:
3395:
3391:
3381:
3379:
3369:
3365:
3358:
3338:
3334:
3306:
3302:
3292:
3290:
3281:The Magic Flute
3275:
3271:
3258:
3257:
3253:
3243:Die Zauberflöte
3239:
3238:
3234:
3201:Die Zauberflöte
3194:
3190:
3165:The Magic Flute
3161:
3157:
3141:Die Zauberflöte
3134:
3130:
3115:
3101:
3097:
3090:Harvard Library
3084:
3083:
3079:
3073:Classic FM (UK)
3067:
3063:
3049:
3048:
3044:
3038:Branscombe 1991
3035:
3031:
3025:Branscombe 1991
3021:The Magic Flute
3018:
3014:
3008:Branscombe 1991
3006:
3002:
2998:and David Black
2991:
2987:
2979:
2972:
2955:Die Zauberflöte
2946:
2942:
2900:
2896:
2888:
2884:
2865:
2861:
2846:The Magic Flute
2842:
2838:
2832:Branscombe 1991
2830:
2826:
2784:
2780:
2770:
2768:
2760:"Top 50 operas"
2753:
2749:
2734:
2720:
2716:
2711:
2706:
2698:
2694:
2682:
2678:
2673:
2669:
2660:
2656:
2651:
2647:
2630:
2626:
2610:, the faithful
2599:
2595:
2583:Branscombe 1991
2580:
2576:
2561:
2557:
2548:
2539:The Magic Flute
2533:
2519:conducting the
2507:conducting the
2497:The Magic Flute
2485:
2483:The Magic Flute
2479:
2475:The Magic Flute
2470:
2461:
2460:
2459:
2458:
2457:
2450:
2447:
2441:
2440:
2439:
2432:
2429:
2423:
2422:
2421:
2414:
2411:
2405:
2404:
2403:
2396:
2393:
2387:
2386:
2385:
2378:
2375:
2369:
2368:
2367:
2360:
2357:
2343:
2342:
2338:
2337:
2333:
2332:
2328:
2327:
2323:
2322:
2316:
2315:
2314:
2313:
2312:
2305:
2302:
2286:
2285:
2284:
2283:
2282:
2275:
2272:
2256:
2255:
2254:
2253:
2252:
2245:
2242:
2220:
2211:
2210:
2209:
2208:
2207:
2200:
2197:
2181:
2180:
2179:
2178:
2177:
2170:
2167:
2151:
2150:
2149:
2148:
2147:
2140:
2137:
2121:
2120:
2119:
2118:
2117:
2110:
2107:
2087:
2086:
2085:
2084:
2083:
2076:
2073:
2057:
2056:
2055:
2054:
2053:
2046:
2043:
2027:
2026:
2025:
2024:
2023:
2016:
2013:
2011:"Bewahret euch"
1997:
1996:
1995:
1994:
1993:
1986:
1983:
1967:
1966:
1965:
1964:
1963:
1956:
1953:
1941:
1933:
1932:
1931:
1930:
1929:
1922:
1919:
1913:
1912:
1911:
1904:
1901:
1895:
1894:
1893:
1886:
1883:
1881:"Wie stark ..."
1877:
1876:
1875:
1868:
1865:
1863:"Zum Ziele ..."
1851:
1850:
1846:
1845:
1841:
1840:
1834:
1833:
1832:
1831:
1830:
1823:
1820:
1804:
1803:
1802:
1801:
1800:
1793:
1790:
1774:
1773:
1772:
1771:
1770:
1763:
1760:
1744:
1743:
1742:
1741:
1740:
1733:
1730:
1710:
1709:
1708:
1707:
1706:
1699:
1696:
1676:
1675:
1674:
1673:
1672:
1665:
1662:
1646:
1645:
1644:
1643:
1642:
1635:
1632:
1620:
1612:
1611:
1610:
1609:
1608:
1601:
1598:
1594:
1590:
1571:
1569:Musical numbers
1563:
1549:
1535:
1509:chorale prelude
1496:
1470:
1427:
1406:
1378:
1358:
1336:
1331:
1330:
1329:
1328:
1327:
1318:
1311:
1308:
1302:
1301:
1300:
1297:
1290:
1287:
1281:
1280:
1279:
1273:
1266:
1263:
1257:
1256:
1255:
1252:RIAS Kammerchor
1245:
1238:
1235:
1229:
1228:
1227:
1221:
1214:
1211:
1202:
1139:
1103:
1058:
1057:
1056:
1055:
1054:
1040:
1033:
1030:
998:
993:
972:
971:
963:
961:
960:
959:
958:
952:
945:
942:
935:
929:
924:
919:
909:Die Zauberflöte
832:
830:Instrumentation
792:bass, 2 tenors
789:speaking roles
584:Benedikt Schack
566:
562:classification
561:
545:
534:
492:The Magic Flute
489:
483:
480:The Magic Flute
474:
452:The Magic Flute
448:
440:The Magic Flute
408:silent approval
383:Maynard Solomon
360:
352:The Magic Flute
342:Antonio Salieri
338:The Magic Flute
285:The Magic Flute
272:The Magic Flute
258:Benedikt Schack
237:Die Zauberflöte
226:
189:opera repertory
165:in two acts by
150:
149:
141:
137:Die Zauberflöte
129:
125:The Magic Flute
117:
116:
110:
105:
103:
75:
48:The Magic Flute
47:
44:Die Zauberflöte
35:
28:
23:
22:
15:
12:
11:
5:
5468:
5458:
5457:
5452:
5447:
5442:
5437:
5432:
5427:
5422:
5417:
5412:
5407:
5402:
5387:
5386:
5363:
5362:
5360:
5359:
5352:
5344:
5342:
5338:
5337:
5335:
5334:
5325:
5316:
5307:
5298:
5294:CosĂŹ fan tutte
5288:
5286:
5282:
5281:
5279:
5278:
5269:
5260:
5251:
5247:Non piĂč andrai
5242:
5233:
5224:
5215:
5206:
5197:
5188:
5178:
5176:
5172:
5171:
5169:
5168:
5158:
5148:
5143:CosĂŹ fan tutte
5138:
5128:
5118:
5108:
5098:
5088:
5078:
5068:
5058:
5048:
5038:
5028:
5018:
5008:
4998:
4988:
4978:
4968:
4958:
4947:
4945:
4939:
4938:
4930:
4929:
4922:
4915:
4907:
4898:
4897:
4895:
4894:
4883:
4880:
4879:
4877:
4876:
4871:
4866:
4861:
4856:
4850:
4848:
4844:
4843:
4841:
4840:
4835:
4830:
4825:
4820:
4814:
4812:
4808:
4807:
4805:
4804:
4798:
4792:
4786:
4780:
4774:
4768:
4762:
4756:
4750:
4749:(first cousin)
4744:
4738:
4732:
4726:
4723:Leopold Mozart
4719:
4717:
4711:
4710:
4707:
4706:
4704:
4703:
4696:
4689:
4683:
4681:
4674:
4673:
4668:
4663:
4658:
4653:
4648:
4643:
4638:
4633:
4628:
4626:Horn concertos
4623:
4618:
4612:
4610:
4604:
4603:
4601:
4600:
4595:
4590:
4585:
4580:
4575:
4570:
4565:
4560:
4555:
4550:
4545:
4540:
4535:
4529:
4527:
4523:
4522:
4515:
4514:
4507:
4500:
4492:
4483:
4482:
4480:
4479:
4474:
4469:
4461:
4452:
4450:
4446:
4445:
4443:
4442:
4433:
4431:
4427:
4426:
4424:
4423:
4415:
4407:
4399:
4390:
4388:
4384:
4383:
4381:
4380:
4372:
4370:
4366:
4365:
4363:
4362:
4355:
4348:
4341:
4335:
4333:
4329:
4328:
4315:
4314:
4307:
4300:
4292:
4286:
4285:
4258:
4241:
4232:
4227:
4221:
4215:
4209:
4198:
4189:
4175:
4150:
4149:External links
4147:
4145:
4144:
4132:
4109:
4099:
4081:
4075:
4057:
4035:Buch, David J.
4031:
4026:978-1587900136
4025:
4010:
3992:
3990:
3987:
3985:
3984:
3978:
3968:Mozart: A Life
3958:
3944:
3928:Rosen, Charles
3924:
3918:
3904:Heartz, Daniel
3900:
3894:
3864:
3858:
3840:
3835:978-1877761645
3834:
3819:
3784:
3778:978-0300072235
3777:
3761:Abert, Hermann
3756:
3754:
3751:
3748:
3747:
3740:
3722:
3692:
3674:
3650:Ferenc Fricsay
3637:
3604:
3602:, p. 284.
3592:
3585:
3562:
3539:
3513:
3497:
3495:, 28 July 2009
3479:
3467:
3455:
3437:
3435:, p. 148.
3425:
3406:
3389:
3363:
3356:
3342:Sadie, Stanley
3332:
3300:
3269:
3251:
3232:
3219:10.2307/932991
3197:Buch, David J.
3188:
3155:
3137:Julian Rushton
3128:
3113:
3095:
3077:
3061:
3042:
3029:
3012:
3010:, p. 162.
3000:
2985:
2983:, p. 487.
2970:
2940:
2913:(1): 125â129.
2903:Buch, David J.
2894:
2882:
2879:. p. 247.
2859:
2836:
2824:
2797:(3): 195â232.
2787:Buch, David J.
2778:
2756:Fiona Maddocks
2747:
2732:
2713:
2712:
2710:
2707:
2705:
2704:
2692:
2689:eleventh Psalm
2676:
2667:
2654:
2645:
2624:
2593:
2574:
2554:
2547:
2544:
2543:
2542:
2532:
2529:
2517:Thomas Beecham
2472:Main article:
2469:
2466:
2463:
2462:
2448:
2443:
2442:
2430:
2425:
2424:
2412:
2407:
2406:
2394:
2389:
2388:
2376:
2371:
2370:
2358:
2353:
2352:
2351:
2350:
2349:
2347:
2344:21. Finale 2:
2339:21. Finale 2:
2334:21. Finale 2:
2329:21. Finale 2:
2324:21. Finale 2:
2318:
2317:
2303:
2298:
2297:
2296:
2295:
2294:
2292:
2288:
2287:
2273:
2268:
2267:
2266:
2265:
2264:
2262:
2258:
2257:
2243:
2238:
2237:
2236:
2235:
2234:
2232:
2213:
2212:
2198:
2193:
2192:
2191:
2190:
2189:
2187:
2183:
2182:
2168:
2163:
2162:
2161:
2160:
2159:
2157:
2153:
2152:
2138:
2133:
2132:
2131:
2130:
2129:
2127:
2123:
2122:
2108:
2103:
2102:
2101:
2100:
2099:
2097:
2089:
2088:
2074:
2069:
2068:
2067:
2066:
2065:
2063:
2059:
2058:
2044:
2039:
2038:
2037:
2036:
2035:
2033:
2029:
2028:
2014:
2009:
2008:
2007:
2006:
2005:
2003:
1999:
1998:
1984:
1979:
1978:
1977:
1976:
1975:
1973:
1969:
1968:
1954:
1949:
1948:
1947:
1946:
1945:
1943:
1935:
1934:
1920:
1915:
1914:
1902:
1897:
1896:
1884:
1879:
1878:
1866:
1861:
1860:
1859:
1858:
1857:
1855:
1836:
1835:
1821:
1816:
1815:
1814:
1813:
1812:
1810:
1806:
1805:
1791:
1786:
1785:
1784:
1783:
1782:
1780:
1776:
1775:
1761:
1756:
1755:
1754:
1753:
1752:
1750:
1746:
1745:
1731:
1726:
1725:
1724:
1723:
1722:
1720:
1712:
1711:
1697:
1692:
1691:
1690:
1689:
1688:
1686:
1678:
1677:
1663:
1658:
1657:
1656:
1655:
1654:
1652:
1648:
1647:
1633:
1628:
1627:
1626:
1625:
1624:
1622:
1614:
1613:
1599:
1585:
1584:
1583:
1582:
1581:
1579:
1570:
1567:
1562:
1559:
1548:
1545:
1534:
1531:
1511:, inspired by
1495:
1492:
1469:
1466:
1426:
1423:
1405:
1402:
1377:
1374:
1357:
1354:
1335:
1332:
1319:
1309:
1304:
1303:
1298:
1288:
1283:
1282:
1274:
1264:
1259:
1258:
1246:
1236:
1231:
1230:
1222:
1212:
1207:
1206:
1205:
1204:
1203:
1201:
1198:
1138:
1135:
1102:
1099:
1051:Ferenc Fricsay
1041:
1031:
1026:
1025:
1024:
1023:
1022:
997:
994:
992:
989:
962:
953:
943:
938:
937:
936:
927:
926:
925:
923:
920:
918:
915:
831:
828:
807:
806:
800:
799:
793:
790:
787:
783:
782:
777:
774:
770:
769:
766:
762:
761:
758:
755:
754:speaking role
752:
748:
747:
742:
739:
738:Second Priest
735:
734:
730:
729:
726:
723:
719:
718:
715:
710:
707:
703:
702:
696:
693:
690:
686:
685:
680:
677:
674:
670:
669:
666:
660:
657:
653:
652:
647:
644:
640:
639:
634:
629:
626:
622:
621:
616:
611:
607:
606:
601:
596:
591:
587:
586:
581:
576:
572:
571:
563:
558:
553:
533:
530:
476:Main article:
473:
470:
447:
444:
359:
356:
310:Ignaz von Born
306:Jean Terrasson
301:Life of Sethos
225:
222:
119:
118:
111:
101:
99:
95:
94:
91:
87:
86:
81:
77:
76:
69:
61:
60:
50:
49:
26:
9:
6:
4:
3:
2:
5467:
5456:
5453:
5451:
5448:
5446:
5443:
5441:
5438:
5436:
5433:
5431:
5428:
5426:
5423:
5421:
5418:
5416:
5413:
5411:
5408:
5406:
5403:
5401:
5398:
5397:
5395:
5385:
5380:
5375:
5374:
5371:
5357:
5356:Derived works
5353:
5350:
5346:
5345:
5343:
5339:
5332:
5331:
5326:
5323:
5322:
5317:
5314:
5313:
5308:
5305:
5304:
5299:
5296:
5295:
5290:
5289:
5287:
5285:Discographies
5283:
5275:
5270:
5266:
5261:
5257:
5252:
5248:
5243:
5239:
5234:
5230:
5225:
5221:
5220:Il mio tesoro
5216:
5212:
5207:
5203:
5198:
5194:
5189:
5185:
5180:
5179:
5177:
5173:
5165:
5164:
5159:
5155:
5154:
5149:
5145:
5144:
5139:
5135:
5134:
5129:
5125:
5124:
5119:
5115:
5114:
5109:
5105:
5104:
5099:
5095:
5094:
5089:
5085:
5084:
5079:
5075:
5074:
5069:
5065:
5064:
5059:
5055:
5054:
5049:
5045:
5044:
5043:Il re pastore
5039:
5035:
5034:
5029:
5025:
5024:
5019:
5015:
5014:
5009:
5005:
5004:
4999:
4995:
4994:
4989:
4985:
4984:
4979:
4975:
4974:
4969:
4965:
4964:
4959:
4955:
4954:
4949:
4948:
4946:
4944:
4940:
4936:
4928:
4923:
4921:
4916:
4914:
4909:
4908:
4905:
4893:
4885:
4884:
4881:
4875:
4872:
4870:
4869:Mozart effect
4867:
4865:
4862:
4860:
4857:
4855:
4852:
4851:
4849:
4845:
4839:
4836:
4834:
4831:
4829:
4826:
4824:
4821:
4819:
4816:
4815:
4813:
4809:
4802:
4799:
4796:
4795:Aloysia Weber
4793:
4790:
4789:Josepha Weber
4787:
4784:
4783:CĂ€cilia Weber
4781:
4778:
4775:
4772:
4769:
4766:
4763:
4760:
4757:
4754:
4751:
4748:
4745:
4742:
4739:
4736:
4733:
4730:
4727:
4724:
4721:
4720:
4718:
4716:
4712:
4702:
4701:
4697:
4695:
4694:
4690:
4688:
4685:
4684:
4682:
4678:
4672:
4669:
4667:
4664:
4662:
4659:
4657:
4654:
4652:
4649:
4647:
4644:
4642:
4639:
4637:
4634:
4632:
4629:
4627:
4624:
4622:
4619:
4617:
4614:
4613:
4611:
4609:
4605:
4599:
4596:
4594:
4591:
4589:
4586:
4584:
4581:
4579:
4576:
4574:
4571:
4569:
4566:
4564:
4561:
4559:
4556:
4554:
4551:
4549:
4546:
4544:
4541:
4539:
4536:
4534:
4531:
4530:
4528:
4524:
4520:
4513:
4508:
4506:
4501:
4499:
4494:
4493:
4490:
4478:
4475:
4473:
4470:
4468:
4467:
4462:
4460:
4459:
4454:
4453:
4451:
4447:
4440:
4439:
4435:
4434:
4432:
4428:
4421:
4420:
4416:
4413:
4412:
4408:
4405:
4404:
4400:
4397:
4396:
4392:
4391:
4389:
4385:
4379:
4378:
4377:Das Labyrinth
4374:
4373:
4371:
4367:
4360:
4356:
4353:
4349:
4346:
4342:
4340:
4337:
4336:
4334:
4330:
4326:
4325:
4320:
4313:
4308:
4306:
4301:
4299:
4294:
4293:
4290:
4283:
4281:
4276:
4272:
4271:Arnold Ăstman
4268:
4264:
4259:
4257:
4253:
4249:
4245:
4242:
4240:
4236:
4233:
4231:
4228:
4225:
4222:
4219:
4216:
4213:
4210:
4208:
4204:
4203:
4199:
4197:
4193:
4190:
4187:
4183:
4179:
4176:
4174:
4173:
4165:
4161:
4157:
4153:
4152:
4143:
4142:
4141:Das Labyrinth
4135:
4133:9783795206949
4129:
4126:. Schneider.
4125:
4124:
4118:
4114:
4110:
4106:
4102:
4100:9781297599934
4096:
4092:
4091:
4086:
4082:
4078:
4076:9780892813582
4072:
4068:
4067:
4062:
4058:
4055:(2): 193â219.
4054:
4050:
4049:
4044:
4042:
4036:
4032:
4028:
4022:
4018:
4017:
4011:
4007:
4003:
3999:
3994:
3993:
3981:
3979:9780060190460
3975:
3970:
3969:
3963:
3959:
3955:
3951:
3947:
3945:0-393-31712-9
3941:
3936:
3935:
3929:
3925:
3921:
3915:
3911:
3910:
3905:
3901:
3897:
3895:9780804702331
3891:
3887:
3883:
3879:
3875:
3874:
3869:
3865:
3861:
3859:9780521319164
3855:
3851:
3850:
3845:
3841:
3837:
3831:
3827:
3826:
3820:
3805:
3801:
3794:
3792:
3785:
3780:
3774:
3770:
3766:
3762:
3758:
3757:
3743:
3741:0-500-01599-6
3737:
3733:
3726:
3710:
3708:
3704:
3696:
3688:
3684:
3678:
3670:
3659:
3657:
3651:
3647:
3641:
3632:
3627:
3623:
3619:
3615:
3608:
3601:
3596:
3588:
3586:9780520228986
3582:
3578:
3577:
3572:
3571:Cairns, David
3566:
3560:
3556:
3552:
3548:
3543:
3528:
3524:
3517:
3510:
3506:
3501:
3494:
3493:
3488:
3483:
3476:
3471:
3464:
3459:
3451:
3447:
3441:
3434:
3429:
3421:
3417:
3410:
3404:
3403:
3398:
3397:Score (roles)
3393:
3378:
3374:
3367:
3359:
3357:9781853263705
3353:
3349:
3348:
3343:
3336:
3328:
3324:
3320:
3316:
3315:
3312:
3304:
3288:
3284:
3282:
3273:
3265:
3261:
3255:
3246:
3244:
3236:
3228:
3224:
3220:
3216:
3212:
3208:
3207:
3202:
3198:
3192:
3184:
3180:
3176:
3172:
3171:
3166:
3159:
3152:
3151:Stanley Sadie
3148:
3147:
3142:
3138:
3132:
3124:
3120:
3116:
3114:9780810869677
3110:
3106:
3099:
3091:
3087:
3081:
3074:
3070:
3065:
3056:
3052:
3046:
3039:
3033:
3026:
3022:
3016:
3009:
3004:
2997:
2994:
2989:
2982:
2977:
2975:
2966:
2962:
2960:
2956:
2950:
2944:
2936:
2932:
2928:
2924:
2920:
2916:
2912:
2908:
2904:
2898:
2891:
2886:
2878:
2875:] (PhD).
2874:
2870:
2863:
2855:
2851:
2847:
2840:
2833:
2828:
2820:
2816:
2812:
2808:
2804:
2800:
2796:
2792:
2788:
2782:
2767:
2766:
2761:
2757:
2751:
2743:
2739:
2735:
2733:9781579127596
2729:
2725:
2718:
2714:
2702:
2696:
2690:
2686:
2685:Martin Luther
2680:
2671:
2664:
2658:
2649:
2642:
2638:
2634:
2628:
2621:
2617:
2613:
2609:
2605:
2604:
2597:
2590:
2589:
2585:, as well as
2584:
2578:
2571:
2566:
2559:
2555:
2553:
2552:
2541:
2540:
2535:
2534:
2528:
2526:
2522:
2518:
2514:
2510:
2506:
2502:
2498:
2493:
2491:
2484:
2478:
2476:
2446:
2428:
2410:
2392:
2374:
2356:
2355:"Bald prangt"
2348:
2320:
2319:
2301:
2293:
2290:
2289:
2271:
2263:
2260:
2259:
2241:
2233:
2228:
2224:
2219:
2216:18. Chorus: "
2215:
2214:
2196:
2188:
2185:
2184:
2166:
2158:
2155:
2154:
2136:
2128:
2125:
2124:
2106:
2098:
2095:
2091:
2090:
2072:
2071:"Alles fĂŒhlt"
2064:
2061:
2060:
2042:
2034:
2031:
2030:
2012:
2004:
2001:
2000:
1982:
1974:
1971:
1970:
1952:
1944:
1940:
1937:
1936:
1918:
1900:
1882:
1864:
1856:
1852:8. Finale 1:
1847:8. Finale 1:
1842:8. Finale 1:
1838:
1837:
1819:
1818:"Bei MĂ€nnern"
1811:
1808:
1807:
1789:
1781:
1778:
1777:
1759:
1751:
1748:
1747:
1729:
1721:
1718:
1714:
1713:
1695:
1687:
1684:
1680:
1679:
1661:
1653:
1650:
1649:
1631:
1623:
1619:
1616:
1615:
1597:
1588:
1580:
1577:
1576:
1566:
1558:
1544:
1530:
1522:
1518:
1514:
1513:Martin Luther
1510:
1507:
1491:
1479:
1474:
1465:
1436:
1431:
1422:
1401:
1391:
1373:
1369:Wie, wie, wie
1353:
1345:
1341:
1326:
1322:
1307:
1286:
1277:
1262:
1253:
1249:
1248:Josef Greindl
1234:
1225:
1210:
1197:
1187:
1163:
1158:
1154:
1134:
1120:
1112:
1107:
1098:
1087:
1078:
1073:
1052:
1048:
1044:
1029:
1021:
1002:
988:
986:
982:
978:
970:
968:
957:
954:Performed by
941:
913:
910:
905:
903:
902:Charles Rosen
899:
897:
893:
889:
887:
881:
877:
873:
869:
865:
861:
857:
853:
849:
845:
841:
837:
827:
826:of the part.
825:
821:
816:
814:
805:
801:
797:
794:
791:
788:
786:Three slaves
785:
784:
781:
778:
772:
771:
764:
763:
756:
753:
751:Third Priest
750:
749:
746:
743:
737:
736:
732:
731:
722:First Priest
721:
720:
716:
714:
713:bass-baritone
711:
708:
705:
704:
700:
697:
694:
691:
688:
687:
684:
681:
678:
675:
672:
671:
667:
665:
664:mezzo-soprano
661:
658:
656:Three ladies
655:
654:
651:
648:
642:
641:
638:
637:Josepha Hofer
635:
633:
630:
627:
624:
623:
620:
619:Anna Gottlieb
617:
615:
609:
608:
605:
602:
600:
597:
595:
592:
589:
588:
585:
582:
580:
574:
573:
569:
564:
559:
557:
554:
551:
550:
538:
529:
527:
526:
521:
517:
516:Maria Theresa
513:
509:
505:
504:Enlightenment
501:
500:Ignaz Alberti
497:
493:
488:
482:
481:
469:
467:
466:
461:
457:
453:
443:
441:
437:
435:
434:
429:
424:
422:
418:
411:
409:
405:
401:
395:
391:
386:
384:
379:
377:
376:Josepha Hofer
373:
364:
355:
353:
349:
348:
343:
339:
335:
333:
329:
325:
321:
320:
316:'s Singspiel
315:
314:Sophie Seyler
311:
307:
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297:
293:
292:
287:
286:
283:libretto for
279:
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269:
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259:
250:
245:
239:, as Papageno
238:
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205:
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199:
198:Das Labyrinth
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33:
19:
5329:
5320:
5312:Don Giovanni
5311:
5302:
5293:
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5141:
5133:Don Giovanni
5131:
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5101:
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5051:
5041:
5031:
5021:
5011:
5001:
4991:
4981:
4971:
4961:
4951:
4854:Georg Nissen
4801:Sophie Weber
4777:Joseph Lange
4771:Franz Mozart
4698:
4691:
4593:Pet starling
4465:
4457:
4456:Libretto of
4436:
4417:
4409:
4401:
4393:
4375:
4323:
4322:
4279:
4247:
4201:
4191:
4170:
4155:
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4121:
4103:– via
4089:
4065:
4052:
4046:
4040:
4015:
4005:
4001:
3997:
3967:
3933:
3908:
3886:Jeremy Noble
3872:
3848:
3824:
3811:. Retrieved
3804:the original
3790:
3769:W. A. Mozart
3768:
3731:
3725:
3713:. Retrieved
3706:
3702:
3695:
3686:
3677:
3667:– via
3661:. Retrieved
3655:
3640:
3621:
3617:
3607:
3595:
3575:
3565:
3542:
3530:. Retrieved
3526:
3516:
3500:
3490:
3482:
3475:Boldrey 1994
3470:
3458:
3449:
3440:
3428:
3419:
3409:
3400:
3392:
3380:. Retrieved
3376:
3366:
3346:
3335:
3318:
3314:
3310:
3303:
3291:. Retrieved
3287:the original
3280:
3272:
3263:
3254:
3242:
3235:
3213:(1): 32â36.
3210:
3204:
3200:
3191:
3174:
3168:
3164:
3158:
3144:
3140:
3131:
3104:
3098:
3080:
3064:
3054:
3045:
3032:
3020:
3015:
3003:
2988:
2981:Solomon 1995
2964:
2958:
2954:
2943:
2910:
2906:
2897:
2885:
2872:
2868:
2862:
2853:
2849:
2845:
2839:
2827:
2794:
2790:
2781:
2769:. Retrieved
2765:The Guardian
2763:
2750:
2723:
2717:
2695:
2679:
2670:
2657:
2648:
2641:Deutsch 1966
2636:
2632:
2627:
2601:
2596:
2586:
2577:
2569:
2558:
2550:
2549:
2538:
2525:compact disc
2496:
2494:
2482:
2480:
2474:
2427:"Nur stille"
2341:"Nur stille"
2231:" â Priests
1938:
1758:"Hm, hm, hm"
1617:
1564:
1550:
1536:
1497:
1483:
1439:
1407:
1379:
1359:
1337:
1276:Rita Streich
1188:
1167:
1140:
1116:
1079:
1059:
1007:
983:to a lively
973:
964:
908:
907:
900:
883:
852:basset horns
833:
817:
810:
803:
780:Barbara Gerl
717:Herr Winter
560:Contemporary
523:
512:obscurantism
491:
490:
479:
478:Libretto of
463:
451:
449:
439:
438:
431:
425:
413:
407:
397:
393:
388:
380:
369:
351:
345:
337:
336:
323:
317:
299:
298:, the novel
289:
284:
280:
275:
271:
267:
261:
254:
249:Markus Werba
236:
214:
207:
196:
193:Peter Winter
178:
169:to a German
136:
124:
123:
122:
58:W. A. Mozart
36:
18:Zauberfloete
5420:1791 operas
5023:Lucio Silla
4828:Freemasonry
4553:Nationality
4533:Biographies
4339:Discography
4282:discography
4212:Opera Guide
4167:(in German)
4085:Melitz, Leo
3813:24 November
3765:Cliff Eisen
3715:19 December
3600:Heartz 2009
3313:Magic Flute
3293:18 December
3055:opera sense
2996:Dexter Edge
2949:Dexter Edge
2663:boy singers
2637:Characters.
2477:discography
2221: [
2092:14. Aria: "
1685:" â Tamino
1630:"Zu Hilfe!"
1480:(1868â1932)
1478:Max Slevogt
977:Freemasonry
824:vocal range
820:voice types
689:Three boys
673:Monostatos
659:3 sopranos
528:later on).
332:Freemasonry
322:as well as
224:Composition
5455:Singspiele
5394:Categories
4933:Operas by
4811:Influences
4656:Symphonies
4543:Grand tour
4538:Birthplace
3954:1029266214
3532:5 November
3507:, p.
3505:Rosen 1997
3260:"Libretto"
2890:Anon. 2014
2709:References
2620:Abert 2007
2468:Recordings
1681:3. Aria: "
1119:blackamoor
1113:production
967:media help
850:(doubling
760:Herr Moll
662:sopranos,
556:Voice type
485:See also:
428:Branscombe
419:, then in
142:pronounced
106:1791-09-30
80:Librettist
5211:Dove sono
4818:Beethoven
4563:Scatology
4558:Residence
4526:Biography
4441:(musical)
4138:see also
3878:Eric Blom
3870:(1966) .
3701:"Mozart:
3382:16 August
3123:665842164
3059:Number 3.
2935:162890801
2927:1478-5714
2819:193162027
2811:1474-0621
2742:145431789
2570:Singspiel
868:trombones
848:clarinets
773:Papagena
679:baritone
643:Sarastro
590:Papageno
568:Conductor
400:Constanze
328:Hanswurst
247:Baritone
180:Singspiel
131:âčSee Tfdâș
5073:Idomeneo
4892:Category
4737:(sister)
4731:(mother)
4725:(father)
4680:Editions
4568:Smallpox
4178:Libretto
4087:(1913).
4063:(1992).
4037:(2004).
4008:: 81â92.
3964:(1995).
3930:(1997).
3906:(2009).
3846:(1991).
3763:(2007).
3705:, K620 (
3663:10 March
3573:(2006).
3555:Archived
3327:Archived
3040:, ch. 7.
3027:, ch. 7.
2834:, ch. 2.
2622:, 1246).
2531:See also
1587:Overture
940:Overture
922:Overture
917:Synopsis
866:, three
864:trumpets
856:bassoons
776:soprano
692:soprano
628:soprano
599:baritone
525:Parsifal
385:writes:
171:libretto
134:German:
115:, Vienna
98:Premiere
90:Language
5341:Related
4847:Related
4838:Salieri
4651:Sonatas
4449:Related
4267:YouTube
4169:in the
3767:(ed.).
3753:Sources
3319:YouTube
2612:Pylades
2608:SĂŒĂmayr
2503:, with
1506:Baroque
896:celesta
876:strings
872:timpani
854:), two
842:), two
840:piccolo
614:soprano
610:Pamina
575:Tamino
496:Masonic
417:Lemberg
206:titled
104: (
5430:Operas
5370:Portal
5166:(1791)
5156:(1791)
5146:(1790)
5136:(1787)
5126:(1786)
5116:(1786)
5106:(1784)
5096:(1783)
5086:(1782)
5076:(1781)
5066:(1780)
5056:(1779)
5046:(1775)
5036:(1775)
5026:(1772)
5016:(1772)
5006:(1771)
4996:(1770)
4986:(1769)
4976:(1768)
4966:(1767)
4956:(1767)
4943:Operas
4743:(wife)
4715:Family
4636:Operas
4631:Masses
4621:Dances
4583:Prague
4578:Berlin
4422:(2022)
4414:(2008)
4406:(2006)
4398:(1975)
4369:Sequel
4154:
4130:
4097:
4073:
4023:
3976:
3952:
3942:
3916:
3892:
3856:
3832:
3775:
3738:
3583:
3354:
3323:TED-Ed
3227:932991
3225:
3149:, ed.
3121:
3111:
2933:
2925:
2817:
2809:
2771:9 June
2740:
2730:
2041:"Wie?"
1344:Osiris
1053:(1953)
981:adagio
880:chorus
862:, two
858:, two
846:, two
836:flutes
725:tenor
676:tenor
472:Themes
421:Prague
390:1790s.
319:Oberon
93:German
5384:Opera
5175:Arias
5063:Zaide
4833:Haydn
4761:(son)
4755:(son)
4608:Music
4598:Death
4573:Italy
4387:Films
4332:Music
4252:UC-TV
4160:Score
3807:(PDF)
3796:(PDF)
3223:JSTOR
3143:" in
2931:S2CID
2871:[
2815:S2CID
2551:Notes
2486:'
2229:]
1939:Act 2
1618:Act 1
1595:]
1591:[
1200:Act 2
991:Act 1
985:fugue
860:horns
844:oboes
768:bass
757:bass
741:bass
709:bass
646:bass
579:tenor
552:Role
532:Roles
404:Baden
291:Yvain
163:opera
54:Opera
4548:Name
4254:and
4162:and
4128:ISBN
4095:ISBN
4071:ISBN
4021:ISBN
3974:ISBN
3950:OCLC
3940:ISBN
3914:ISBN
3890:ISBN
3884:and
3854:ISBN
3830:ISBN
3815:2015
3773:ISBN
3736:ISBN
3717:2012
3665:2024
3581:ISBN
3534:2023
3384:2022
3352:ISBN
3295:2009
3119:OCLC
3109:ISBN
2923:ISSN
2807:ISSN
2773:2024
2738:OCLC
2728:ISBN
2511:and
1517:hymn
1342:and
1340:Isis
1162:Brno
874:and
594:bass
456:Bonn
281:The
4321:'s
4265:on
4000:".
3626:doi
3509:254
3215:doi
3203:".
3179:doi
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2915:doi
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