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281:- kneeling as he observes the heavens during the transition from night to dawn. He is high up on a balcony, supposedly in his observatory, near to cathedral in Frombork, surrounded by various astronomical instruments. By his side is his own heliocentric model drawn on a large flat board, based on an actual illustration from his
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The location depicted by
Matejko is fictional. Modern scholars are still looking for the exact location of the Copernicus observatory, and agree that Matejko's portrayal was more of a "romantic vision". Whereas Matejko shows Copernicus on top of a tower, in reality his small observatory was probably
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Matejko began work on this painting in 1871 in preparation for the 400th anniversary of
Copernicus's birth. He used research materials available in the Jagiellonian University, and made several preparatory pencil drawings and two oil sketches, prior to executing the painting. He began work on the
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include 16th-century costume and use of objects as part of a symbolic narrative. There is also the symmetrical focal point with atmospheric perspective around the subject, a radial balance of light arranged around a central element, and dramatic contrasts with dark colours on the periphery.
204:, Copernicus' home town then under German rule, approached Matejko with a view to purchasing it. He however refused their offer, possibly out of national pride, and opted instead to organize his own exhibition in Kraków. He was able to exhibit the picture in February 1873, in the
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anniversary in Kraków were indifferent to
Matejko's endeavours, and did not plan to exhibit his painting during the official festivities. Meanwhile, the town council of
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of the university. Matejko produced the painting as part of a series of paintings intended to capture and represent key moments in the
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Most of
Matejko's notable paintings consist of large group scenes. A scene with a single individual such as this, another being
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As of May 2021 the painting has been loaned by the
Jagiellonian University authorities for a period of four months to London's
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Wanda Małaszewska. "Matejko, Jan." Grove Art Online. Oxford Art Online. Oxford
University Press, accessed 28 May 2014,
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in the background. The canvas was purchased from a private owner by public subscription in Poland and hangs in the
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canvas in the summer of 1872 in the cramped conditions of his old apartment in Kraków. This he recorded in an
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for a temporary exhibition and is the first work by any Polish artist to be exhibited there.
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225 cm × 315 cm (89 in × 124 in)
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Copernicus's epiphany or ecstasy is captured through the use of quasi
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545:- an Exhibition. National Gallery, London, 21 May - 22 August 2021.
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Riopelle, Christopher; Gingerich, Owen; Szczerski, Andrzej (2021).
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http://www.oxfordartonline.com/subscriber/article/grove/art/T055919
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193:. The definitive work was completed in a new studio in early 1873.
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447:"Huge portrait of Copernicus to be seen in UK for first time"
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observing the heavens from a balcony in a tower with the
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at ground level, possibly in the garden of his house.
498:"Karol Levittoux - śmierć w płomieniach - Historia"
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Original manuscript of
Copernicus' heliocentric map
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917:Astronomer Copernicus, or Conversations with God
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543:Conversations with God, Jan Matejko's Copernicus
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273:and scientist Nicolaus Copernicus - he was a
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196:In the event the organizers of Copernicus'
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421:"Astronom Kopernik czyli Rozmowa z Bogiem"
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728:(1888–1889)
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587:Jan Matejko
457:24 November
316: [
300:composition
231:Description
121:Jan Matejko
50:Jan Matejko
983:Categories
922:Monuments
385:References
309:Copernicus
289:revelation
79:Dimensions
594:Paintings
379:(Holbein)
361:Mannerism
293:discovery
936:Montreal
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87:Location
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244:Vistula
188:parodic
155:History
119:artist
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859:Family
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117:Polish
109:Polish
71:Medium
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941:Toruń
814:Works
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275:canon
202:Toruń
525:2012
478:ISBN
459:2020
433:2012
141:aula
63:1873
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56:Year
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