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192:, shown at the Royal Academy in 1836, said that, in the light of her civic portraits, "the least the Corporation of London could do, would be to present the fair delineator of their well-fed countenances with the freedom of the city, emblazoned on a rosewood palette".
162:
The portraits by Mrs. Pearson have ever an air of identity about them, and in the opinion of many, this, after all, in portraiture, is the only quality that the artist need to be so very solicitous to produce. The head of Lady Mostyn, however, is worthy of higher
139:, who later became the solicitor to the City of London and a member of parliament. Following her marriage, she continued her study of the old masters, as well as painting portraits and some landscapes. She won silver medals for views of the Rhine, and of
275:, Chamberlain of the City of London, "as he appeared in the act of presenting the freedom of the city, in a gold box, to the Earl Grey, in the Court of Common Council". (exhibited at the Royal Academy in 1834; Corporation of London).
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She did not show work at any of the major London exhibitions after 1842. In 1844 she presented a portrait of Lord Chief
Justice Denman to the Corporation of London. According to a report in
110:, and his wife Martha, daughter of John Comberbach of Haughton Hall. She had lessons with a drawing-master called Lewis. From 1813 she made copies from the old masters in the gallery of the
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She had a daughter, Mary Dutton
Pearson. She died on 15 April 1871, aged 72, at Brighton, and was buried with her husband in a large sarcophagus tomb at
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She was born on 18 June 1798 in
Birchin Lane in the City of London, daughter of Robert Dutton, a bookseller who also ran a circulating library in
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Her sister, a miniature painter (named in the catalogues simply as "Miss Dutton") showed portraits of her at the Royal
Academy in 1834 and 1852.
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154:, and exhibited 37 works at their gallery in Suffolk Street. Reviewing her portrait of Lady Mostyn, shown there in 1834, the critic of
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199:, at the time, her accompanying letter announced it as "the last picture of that magnitude which it is her intention to undertake."
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and daughter-in-law, Lady
Caroline Hill (both c.1836) belonging to the British Postal Museum and Archive are attributed to Pearson.
701:
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491:
A Dictionary of
Artists who have exhibited works in the principal London exhibitions of oil paintings from 1760 to 1880
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175:, the block of buildings constructed included both offices for himself, and a studio and gallery for his wife.
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after her portraits of Sir John Key, Edward Pryce Baron Mostyn, Richard
Grimshaw Lomax and David Salomons.
272:
451:
Illustrated
Catalogue (with Descriptive Notes) of the Permanent Collection of Paintings and Sculptures
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She painted numerous portraits of leading figures in the
Corporation of London, including several
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Some dates and spellings are corrected by in a letter to the editor on p, 303 of the same volume.
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520:
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The Royal
Academy: A Complete Dictionary of Contributors from its Foundations in 1769 to 1904
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The Royal Academy: A Complete Dictionary of Contributors from its Foundations in 1769 to 1904
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The Royal Academy: A Complete Dictionary of Contributors from its Foundations in 1769 to 1904
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J. Humphrey, M.P., Sheriff of London and Middlesex (exhibited at the Royal Academy in 1832).
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Elmes, the building's architect, describes Pearson as "the distinguished portrait-painter"
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Samuel Birch, Lord Mayor of London (1832; City of London Corporation).
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266:(1779–1854), Baron of Dovedale (c.1832; City of London Corporation).
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Thomas Kelly, Lord Mayor. (exhibited at the Royal Academy in 1837).
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287:, the Lord Mayor. (exhibited at the Royal Academy in 1836).
253:(Anna Maria Hall) (exhibited at the Royal Academy in 1830).
234:, 1st Viscount Combermere (1825; National Portrait Gallery)
22:(née Dutton) (1798 –1871) was an English portrait painter.
281:, the Lord Mayor (exhibited at the Royal Academy in 1835).
260:, the Lord Mayor (exhibited at the Royal Academy in 1831).
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Information on works shown at the Royal Academy is from
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She exhibited at the Royal Academy between 1830 and 1856
306:(Birmingham City Art Gallery); portraits of his son Sir
426:"Incidents, Marriages and Deaths, in and near London".
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of Drury Lane Theatre in the character of Ellen in the
297:, Lord Mayor (exhibited at the Royal Academy in 1842).
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between 1821 and 1842. She was an early member of the
394:. Vol. 4. London: J.G. Nichols and R.C. Nichols.
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She exhibited 31 works, almost all portraits, at the
583:. Vol. 2. London: Henry Graves. p. 397.
100:William Taylor Copeland, MP, Lord Mayor of London
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600:. Vol. 6. London: Henry Graves. p. 91.
475:. Vol. 6. London: Henry Graves. p. 91.
247:(1827: British Library India Office Collection)
667:11 artworks by or after Mary Martha Pearson
320:(shown at the Society of British Artists).
132:, were then hung alongside the originals.
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455:City of Birmingham Museum and Art Gallery
408:The County Families of the United Kingdom
240:(exhibited at the Royal Academy in 1825).
228:(exhibited at the Royal Academy in 1823).
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89:Stapleton Cotton, 1st Viscount Combermere
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167:When her husband developed a site in
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411:. London: Robert Hardwicke. p.
16:English portrait painter (1798–1871)
493:. London: George Bell. p. 191.
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596:Graves, Algernon (1905).
579:Graves, Algernon (1905).
550:. 11 May 1836. p. 7.
489:Graves, Algernon (1884).
471:Graves, Algernon (1905).
364:The Ladies Monthly Museum
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405:Walford, Edward (1860).
128:. This copy, and one of
642:"Search object details"
508:. 33 (New Series): 574.
285:William Taylor Copeland
245:William Joseph Eastwick
190:William Taylor Copeland
171:, on the south side of
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57:15 April 1871 (aged 72)
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102:by Mary Martha Pearson
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564:"Our Weekly Gossip".
519:Elmes, James (1858).
207:West Norwood Cemetery
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504:"Critical Notices".
457:. 1904. p. 188.
428:The Monthly Magazine
197:The Athenæum Journal
135:In 1817 she married
47:Birchin Lane, London
388:Nichols, John Gough
112:British Institution
29:Mary Martha Pearson
20:Mary Martha Pearson
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329:mezzotints
295:John Pirie
35:née Dutton
648:29 August
547:The Times
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258:John Key
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