31:
540:
508:
525:
2076:
97:
1122:
281:
2088:
1287:
186:, London, dated 1526, seems to be the earliest Italian independent portrait at full length, all the more unexpected as the subject, though clearly a wealthy nobleman, shows no sign of being from a princely ruling family. This format, and the background of an exterior largely closed off by a column the man leans on, was taken up by his main assistant
116:
249:. Moretto excelled more in sedate altarpieces than in narrative action, and more in oil painting than in fresco, although he painted fine frescoes depicting the idle daughters of Count Martinengo in one of the palaces near Brescia. In 1521, he worked with
173:; many remain in the churches they were painted for. The majority of these are on canvas, but a considerable number, including some large pieces, are created on wood panels. There are only a few surviving drawings from the artist.
1344:
561:
434:
Il
Moretto was stated to have been a man of great personal piety, preparing himself by prayer and fasting for any great act of sacred art, such as the painting of the Virgin-mother.
2050:
1424:
679:
1512:
771:
1568:
841:
1696:
1033:
1360:
577:
507:
1480:
733:
153:, where he also mostly worked. His dated works span the period from 1524 to 1554, but he was already described as a master in 1516. He was mainly a painter of
1608:
888:
1688:
1010:
1616:
1552:
1528:
903:
825:
794:
1624:
1600:
1576:
918:
873:
857:
539:
1270:
Della Vita delle pitture di
Lattanzio Gambara; Memorie Storiche aggiuntevi brevi notizie intorno a' più celebri ed eccelenti pittori Bresciani
1137:
1544:
810:
524:
1672:
1664:
1318:
1281:, an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on Brescia (see index)
995:
972:
1142:
423:". Though there is some uncertainty regarding his studio, he took on a number of pupils, the most important of whom was the portraitist
1747:
1648:
956:
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933:
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1536:
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748:
702:
1400:
1392:
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609:
349:
225:
and modelled his earlier portrait-painting on the
Venetian style. On the other hand, the style also resembles that of
1241:
341:
2006:
1472:
1311:
718:
193:
He was a prominent and pious citizen of the small city of
Brescia, belonging to at least two of the most prominent
1886:
2128:
2123:
1740:
1223:
391:, with infant angels and other figures above the clouds, and below, amid a rich landscape, two priests; in the
333:
302:
1640:
1496:
1376:
948:
710:
593:
493:
407:
and the
Central Italian schools. Simultaneously he looked at the form and colour of Venetian artists such as
1704:
1408:
1304:
1018:
640:
467:
353:
285:
178:
146:
2066:
2034:
2024:
1928:
1448:
1416:
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664:
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190:, who painted mainly portraits and was one of the most important portraitists of the mid-16th century.
1998:
1733:
455:
443:
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187:
105:
1979:
481:
30:
1943:
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786:
472:
318:
258:
1881:
1811:
1456:
1352:
694:
569:
477:
1127:
One or more of the preceding sentences incorporates text from a publication now in the
403:. Throughout his career his works display an internal oscillation between the traditions of
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1957:
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601:
357:
1795:
1247:
1237:
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404:
250:
238:
217:. His brothers Pietro and Jacopo were also painters. He may have been apprenticed to
157:
that tend towards sedateness, mostly for churches in and around
Brescia, but also in
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1891:
1826:
1756:
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451:
392:
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214:
176:
He also painted a few portraits, but these are more influential. A full-length
2102:
1991:
1906:
1866:
1841:
1133:
1128:
298:
194:
36:
1251:
233:. He conceived a great enthusiasm for Raphael, though he never travelled to
2039:
1780:
372:
96:
280:
1146:. Vol. 18 (11th ed.). Cambridge University Press. p. 831.
115:
1345:
Enthroned
Madonna and Child with Saint James the Great and Saint Jerome
562:
Enthroned
Madonna and Child with Saint James the Great and Saint Jerome
242:
154:
1279:
Painters of reality: the legacy of
Leonardo and Caravaggio in Lombardy
1965:
1901:
1896:
1775:
1335:
1296:
226:
137: – possibly 22 December 1554), more commonly known as
237:; on the other hand, his classical serenity resembles that shown by
1725:
344:. Another work, with two small children depicted, is his canvas of
1785:
420:
416:
306:
158:
150:
1790:
1286:
485:
408:
387:, and a large votive picture (one of the master's best) of the
222:
218:
206:
166:
109:
60:
2087:
415:
whilst his classicising, sweet intensity earned him the name "
274:
162:
1218:, (2nd edn.)1987, Thames & Hudson (US Harry N Abrams),
234:
1569:
Adoration of the
Shepherds with Saints Nazarius and Celsus
1182:
1180:
842:
Adoration of the Shepherds with Saints Nazarius and Celsus
1697:
Christ with the Eucharist and Saints Bartholomew and Roch
1265:
1034:
Christ with the Eucharist and Saints Bartholomew and Roch
1513:
The Deaf-Mute Filippo Viotti's Vision of the Virgin Mary
1361:
The Dead Christ Adored by Saint Jerome and Saint Dorothy
772:
The Deaf-Mute Filippo Viotti's Vision of the Virgin Mary
578:
The Dead Christ Adored by Saint Jerome and Saint Dorothy
1481:
Madonna and Child with Saint Martin and Saint Catherine
1177:
1165:
1082:
1070:
734:
Madonna and Child with Saint Martin and Saint Catherine
1609:
Christ with the Eucharist and Saints Cosmas and Damian
1155:
1153:
889:
Christ with the Eucharist and Saints Cosmas and Damian
2064:
1425:
Madonna and Child with Saint Roch and Saint Sebastian
680:
Madonna and Child with Saint Roch and Saint Sebastian
442:
Moretto is represented in the following collections:
346:
St Nicholas of Bari presenting two children to Virgin
381:
Madonna Enthroned between Sts. Anthony and Sebastian
360:
in the decoration of the dome of Brescia Cathedral.
1150:
1094:
1617:Madonna and Child with Four Doctors of the Church
904:Madonna and Child with Four Doctors of the Church
293:, 1526, the earliest Italian full-length portrait
209:, in Brescian territory, and studied first under
2100:
1274:. Spinelli e Valgiti, Brescia. pp. 139–141.
1601:Christ in Glory with Saint Peter and Saint Paul
874:Christ in Glory with Saint Peter and Saint Paul
245:. He may have consulted with his contemporary
1741:
1545:Chiesa di San Giovanni Evangelista Organ Case
1312:
811:Chiesa di San Giovanni Evangelista Organ Case
119:Nicholas of Bari with two children and Virgin
1236:. Vol. I. London: National Gallery Co.
348:(1539) originally painted for the church of
531:The Holy Family with Saint Anthony of Padua
1748:
1734:
1649:Portrait of Fortunato Martinengo Cesaresco
1319:
1305:
957:Portrait of Fortunato Martinengo Cesaresco
515:Portrait of Fortunato Martinengo Cesaresco
323:Coronation of the Madonna with four saints
29:
1689:Supper in the House of Simon the Pharisee
1202:
1186:
1171:
1011:Supper in the House of Simon the Pharisee
1159:
1132:
1115:
1113:
1111:
1109:
279:
114:
95:
1553:Madonna and Child Enthroned with Saints
1529:The Assassination of Saint Peter Martyr
1234:The sixteenth century Italian paintings
826:Madonna and Child Enthroned with Saints
795:The Assassination of Saint Peter Martyr
2101:
1326:
261:of Brescia, where Moretto completed a
241:and his followers in Lombardy such as
1729:
1537:Portrait of a Gentleman with a Letter
1300:
1228:
1106:
1100:
1088:
1076:
803:Portrait of a Gentleman with a Letter
437:
1755:
273:. He was active during 1522–1524 in
1505:Coronation of the Virgin Altarpiece
1465:St Anthony of Padua with Two Saints
757:Coronation of the Virgin Altarpiece
703:St Anthony of Padua with Two Saints
383:; in the Berlin Museum, a colossal
35:Portrait of Moretto da Brescia, by
16:Italian painter (c. 1498 – c. 1554)
13:
1673:Mystic Marriage of Saint Catherine
1665:Madonna and Child with Four Saints
1266:Federico Nicoli Cristiani (1807).
1259:
1216:History of Italian Renaissance Art
1207:. Penguin Books. pp. 367–373.
996:Madonna and Child with Four Saints
973:Mystic Marriage of Saint Catherine
14:
2145:
2086:
2074:
1473:St Justina of Padua with a Donor
1285:
1120:
719:St Justina of Padua with a Donor
538:
523:
518:, 1542, London, National Gallery
506:
499:
1887:Antonio da Sangallo the Younger
1633:Madonna and Child with an Angel
934:Madonna and Child with an Angel
213:. Others state he trained with
401:St Bernardino and Other Saints
145:(the Moor of Brescia), was an
1:
2119:16th-century Italian painters
1970:
1933:
1641:Christ with Moses and Solomon
1625:Madonna and Child with Saints
1577:Madonna and Child with Saints
1377:Standard of Our Lady of Mercy
1203:Freedberg, Sydney J. (1993).
1063:
1053:
1038:
1023:
1000:
977:
949:Christ with Moses and Solomon
938:
923:
919:Madonna and Child with Saints
908:
893:
878:
858:Madonna and Child with Saints
815:
776:
761:
738:
723:
684:
669:
614:
594:Standard of Our Lady of Mercy
494:Museum of Fine Arts, Budapest
326:
309:. In Brescia, he completed a
131:
52:
2134:Italian Renaissance painters
1205:Painting in Italy, 1500–1600
200:
7:
1705:Portrait of an Ecclesiastic
1441:Lament over the Dead Christ
1019:Portrait of an Ecclesiastic
649:Lament over the Dead Christ
468:Pinacoteca Tosio Martinengo
354:Pinacoteca Tosio Martinengo
147:Italian Renaissance painter
10:
2150:
2035:Johann Joachim Winckelmann
2025:Art patronage of Julius II
1196:
385:Adoration of the Shepherds
2017:
1920:
1804:
1763:
1489:Massacre of the Innocents
1334:
749:Massacre of the Innocents
315:Assumption of the Madonna
313:and his masterpiece, the
84:
76:
68:
44:
28:
21:
1401:Assumption of the Virgin
1393:Our Lady of Mount Carmel
1388:(1521–1524 or 1527–1528)
625:Assumption of the Virgin
610:Our Lady of Mount Carmel
605:(1521–1524 or 1527–1528)
554:
456:Kunsthistorisches Museum
444:National Gallery, London
425:Giovanni Battista Moroni
365:Kunsthistorisches Museum
350:Santa Maria dei Miracoli
342:Santa Maria delle Grazie
188:Giovanni Battista Moroni
106:Kunsthistorisches Museum
1449:Sant'Eufemia Altarpiece
1143:Encyclopædia Britannica
657:Sant'Eufemia Altarpiece
545:Posthumous portrait of
482:National Gallery of Art
464:Gallerie dell'Accademia
356:. He collaborated with
255:Cappella del Sacramento
1986:Sistine Chapel ceiling
1951:San Pietro in Montorio
1857:Bernardino delle Croci
1628:(London, c. 1540–1545)
294:
120:
112:
103:, adored by the donor
2129:Painters from Brescia
2124:Italian male painters
1882:Sebastiano del Piombo
1812:Mariotto Albertinelli
1457:Assumption Altarpiece
1353:Christ with the Cross
1294:at Wikimedia Commons
695:Assumption Altarpiece
570:Christ with the Cross
478:Pinacoteca Ambrosiana
427:. He also influenced
297:He painted alongside
283:
143:Il Moretto da Brescia
118:
99:
1980:St. Peter's Basilica
1847:Antonio da Correggio
1764:Principal proponents
1713:Christ and the Angel
1593:Pralboino Altarpiece
1433:Orzinuovi Altarpiece
1049:Christ and the Angel
866:Pralboino Altarpiece
633:Orzinuovi Altarpiece
334:Santi Nazaro e Celso
332:) for the church of
303:Santa Maria Maggiore
267:Elijah in the Desert
211:Fioravante Ferramola
124:Alessandro Bonvicino
49:Alessandro Bonvicino
1912:Antonio Vassilacchi
1497:Saint Anthony Abbot
1369:Holy Cross Standard
1091:, pp. 154–156.
1079:, pp. 145–147.
711:Saint Anthony Abbot
586:Holy Cross Standard
547:Girolamo Savonarola
448:Metropolitan Museum
311:Five Virgin Martyrs
1877:Baldassare Peruzzi
1832:Moretto da Brescia
1817:Pellegrino Aretusi
1657:Luzzago Altarpiece
1561:Rovelli Altarpiece
1385:Salvation Triptych
1328:Moretto da Brescia
1292:Moretto da Brescia
965:Luzzago Altarpiece
834:Rovelli Altarpiece
602:Salvation Triptych
496:, amongst others.
454:, St. Petersburg;
438:Public collections
371:(once ascribed to
358:Floriano Ferramola
317:for the church of
295:
121:
113:
23:Moretto da Brescia
2062:
2061:
2007:The Last Judgment
1796:Leonardo da Vinci
1723:
1722:
1409:Portrait of a Man
1290:Media related to
641:Portrait of a Man
405:Venetian painting
389:Madonna and Child
379:, Frankfurt, the
352:, but now in the
286:Portrait of a Man
251:Girolamo Romanino
179:Portrait of a Man
94:
93:
2141:
2091:
2090:
2079:
2078:
2077:
2070:
2030:Jacob Burckhardt
1975:
1974: 1502–1516
1972:
1938:
1937: 1492–1498
1935:
1892:Andrea del Sarto
1827:Ludovico Beretta
1757:High Renaissance
1750:
1743:
1736:
1727:
1726:
1417:Supper at Emmaus
1321:
1314:
1307:
1298:
1297:
1289:
1275:
1255:
1212:Hartt, Frederick
1208:
1190:
1184:
1175:
1169:
1163:
1157:
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1147:
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1123:
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1080:
1074:
1058:
1055:
1043:
1040:
1028:
1025:
1005:
1002:
982:
979:
943:
942: 1540–1550
940:
928:
927: 1540–1545
925:
913:
912: 1540–1545
910:
898:
895:
883:
880:
820:
817:
781:
778:
766:
763:
743:
740:
728:
725:
689:
686:
674:
671:
665:Supper at Emmaus
619:
616:
542:
527:
510:
490:Ashmolean Museum
393:National Gallery
331:
328:
291:National Gallery
247:Girolamo Savoldo
184:National Gallery
141:, or in Italian
136:
133:
89:High Renaissance
57:
54:
33:
19:
18:
2149:
2148:
2144:
2143:
2142:
2140:
2139:
2138:
2099:
2098:
2097:
2085:
2075:
2073:
2065:
2063:
2058:
2013:
1999:Transfiguration
1973:
1936:
1929:The Last Supper
1916:
1872:Maffeo Olivieri
1852:Piero di Cosimo
1837:Gasparo Cairano
1800:
1771:Donato Bramante
1759:
1754:
1724:
1719:
1330:
1325:
1262:
1260:Further reading
1244:
1230:Penny, Nicholas
1199:
1194:
1193:
1185:
1178:
1170:
1166:
1158:
1151:
1136:, ed. (1911). "
1121:
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1118:
1107:
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1095:
1087:
1083:
1075:
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1066:
1056:
1041:
1026:
1003:
980:
941:
926:
911:
896:
881:
818:
779:
764:
741:
726:
687:
672:
617:
557:
550:
543:
534:
533:, oil on panel.
528:
519:
511:
502:
440:
429:Callisto Piazza
413:Palma the Elder
329:
205:He was born at
203:
195:confraternities
134:
104:
64:
58:
55:
51:
50:
40:
24:
17:
12:
11:
5:
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2116:
2111:
2096:
2095:
2083:
2060:
2059:
2057:
2056:
2055:
2054:
2045:Giorgio Vasari
2042:
2037:
2032:
2027:
2021:
2019:
2015:
2014:
2012:
2011:
2003:
1995:
1989:
1983:
1977:
1962:
1954:
1948:
1940:
1924:
1922:
1918:
1917:
1915:
1914:
1909:
1904:
1899:
1894:
1889:
1884:
1879:
1874:
1869:
1864:
1862:Girolamo Genga
1859:
1854:
1849:
1844:
1839:
1834:
1829:
1824:
1822:Fra Bartolomeo
1819:
1814:
1808:
1806:
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1801:
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1718:
1717:
1709:
1701:
1693:
1685:
1677:
1669:
1661:
1653:
1645:
1637:
1636:(c. 1540–1550)
1629:
1621:
1620:(c. 1540–1545)
1613:
1605:
1597:
1589:
1581:
1580:(Verona, 1540)
1573:
1565:
1557:
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1533:
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1493:
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1261:
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1256:
1242:
1226:
1209:
1198:
1195:
1192:
1191:
1189:, p. 368.
1187:Freedberg 1993
1176:
1174:, p. 367.
1172:Freedberg 1993
1164:
1149:
1134:Chisholm, Hugh
1105:
1103:, p. 145.
1093:
1081:
1068:
1067:
1065:
1062:
1061:
1060:
1045:
1030:
1015:
1007:
992:
984:
969:
961:
953:
945:
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915:
900:
885:
870:
862:
861:(Verona, 1540)
854:
846:
838:
830:
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807:
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783:
768:
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556:
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552:
551:
544:
537:
535:
529:
522:
520:
512:
505:
501:
498:
484:, Washington;
460:Staedel Museum
439:
436:
397:Central London
377:Staedel Museum
367:, Vienna is a
215:Vincenzo Foppa
202:
199:
92:
91:
86:
82:
81:
78:
77:Known for
74:
73:
70:
66:
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59:
48:
46:
42:
41:
34:
26:
25:
22:
15:
9:
6:
4:
3:
2:
2146:
2135:
2132:
2130:
2127:
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2122:
2120:
2117:
2115:
2112:
2110:
2107:
2106:
2104:
2094:
2089:
2084:
2082:
2072:
2071:
2068:
2053:
2052:
2048:
2047:
2046:
2043:
2041:
2038:
2036:
2033:
2031:
2028:
2026:
2023:
2022:
2020:
2016:
2009:
2008:
2004:
2001:
2000:
1996:
1993:
1992:Raphael Rooms
1990:
1987:
1984:
1981:
1978:
1968:
1967:
1963:
1960:
1959:
1955:
1952:
1949:
1946:
1945:
1941:
1931:
1930:
1926:
1925:
1923:
1919:
1913:
1910:
1908:
1907:Palma Vecchio
1905:
1903:
1900:
1898:
1895:
1893:
1890:
1888:
1885:
1883:
1880:
1878:
1875:
1873:
1870:
1868:
1867:Lorenzo Lotto
1865:
1863:
1860:
1858:
1855:
1853:
1850:
1848:
1845:
1843:
1842:Giulio Clovio
1840:
1838:
1835:
1833:
1830:
1828:
1825:
1823:
1820:
1818:
1815:
1813:
1810:
1809:
1807:
1805:Other artists
1803:
1797:
1794:
1792:
1789:
1787:
1784:
1782:
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1777:
1774:
1772:
1769:
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1746:
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1710:
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1706:
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1160:Chisholm 1911
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500:Further works
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299:Lorenzo Lotto
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271:Fall of Manna
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72:December 1554
71:
67:
62:
47:
43:
38:
37:Carlo Ridolfi
32:
27:
20:
2049:
2040:Leonardeschi
2005:
1997:
1964:
1956:
1942:
1927:
1831:
1781:Michelangelo
1711:
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1521:Annunciation
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1423:
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832:
824:
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793:
787:Annunciation
785:
770:
755:
747:
732:
717:
709:
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693:
678:
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639:
631:
623:
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584:
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560:
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513:
473:Annunciation
471:
450:, New York;
441:
433:
400:
388:
384:
380:
373:Il Pordenone
368:
362:
345:
337:
322:
319:San Clemente
314:
310:
296:
284:
270:
266:
262:
254:
204:
192:
177:
175:
142:
138:
127:
123:
122:
2114:1554 deaths
2109:1498 births
2093:Visual arts
2010:(1536–1541)
2002:(1516–1520)
1994:(1509–1524)
1988:(1508–1512)
1982:(1506–1513)
1961:(1501–1504)
1947:(1498–1499)
1921:Major works
1684:(1543–1544)
1644:(1541–1542)
1596:(1540–1545)
1556:(1536–1537)
1540:(1535–1540)
1532:(1535–1540)
1524:(1535–1540)
1500:(1530–1534)
1492:(1531–1532)
1460:(1529–1530)
1452:(1526–1530)
1444:(1526–1530)
1436:(1525–1530}
1404:(1524–1526)
1380:(1520–1522)
1372:(1520–1521)
1364:(1520–1521)
1138:Moretto, Il
1057: 1550
1042: 1545
1027: 1545
1004: 1543
990:(1543–1544)
981: 1543
952:(1541–1542)
897: 1540
882: 1540
869:(1540–1545)
829:(1536–1537)
819: 1535
806:(1535–1540)
798:(1535–1540)
790:(1535–1540)
780: 1534
765: 1534
752:(1531–1532)
742: 1530
727: 1530
714:(1530–1534)
698:(1529–1530)
688: 1528
673: 1526
660:(1526–1530)
652:(1526–1530)
636:(1525–1530)
628:(1524–1526)
618: 1522
597:(1520–1522)
589:(1520–1521)
581:(1520–1521)
470:, Brescia (
330: 1525
263:Last Supper
155:altarpieces
135: 1498
101:St. Justina
56: 1498
2103:Categories
1224:0500235104
1101:Penny 2004
1089:Penny 2004
1077:Penny 2004
1064:References
492:, Oxford;
466:, Venice;
458:, Vienna;
375:); in the
369:St Justina
243:Bramantino
128:Buonvicino
2051:The Lives
1966:Mona Lisa
1902:Tamagnino
1897:Il Sodoma
1776:Giorgione
1716:(c. 1550)
1708:(c. 1545)
1700:(c. 1545)
1681:Pentecost
1676:(c. 1543)
1668:(c. 1543)
1612:(c. 1540)
1604:(c. 1540)
1548:(c. 1535)
1516:(c. 1534)
1508:(c. 1534)
1484:(c. 1530)
1476:(c. 1530)
1428:(c. 1528)
1420:(c. 1526)
1396:(c. 1522)
1336:Paintings
988:Pentecost
922:(London,
488:, Paris;
480:, Milan;
452:Hermitage
338:St Joseph
227:Giorgione
201:Biography
2081:Painting
1252:57388272
1232:(2004).
336:; and a
269:, and a
239:Leonardo
229:or late
85:Movement
80:Painting
2067:Portals
2018:Related
1786:Raphael
1197:Sources
1131::
421:Brescia
417:Raphael
399:, is a
363:In the
307:Bergamo
257:in the
253:in the
231:Bellini
182:in the
159:Bergamo
151:Brescia
139:Moretto
63:, Italy
1953:(1500)
1791:Titian
1692:(1544)
1660:(1542)
1652:(1542)
1588:(1540)
1585:Salomé
1572:(1540)
1564:(1539)
1468:(1530)
1412:(1526)
1356:(1518)
1348:(1517)
1250:
1240:
1222:
1125:
1014:(1544)
968:(1542)
960:(1542)
853:(1540)
850:Salomé
845:(1540)
837:(1539)
706:(1530)
644:(1526)
573:(1518)
565:(1517)
486:Louvre
409:Titian
223:Venice
219:Titian
207:Rovato
169:, and
167:Verona
126:(also
110:Vienna
61:Rovato
39:(1654)
1958:David
1944:Pietà
555:Works
275:Padua
171:Asola
163:Milan
149:from
1248:OCLC
1238:ISBN
1220:ISBN
549:1524
411:and
340:for
321:; a
235:Rome
69:Died
45:Born
1140:".
476:);
419:of
305:in
301:at
221:in
130:) (
2105::
1971:c.
1934:c.
1246:.
1214:,
1179:^
1152:^
1108:^
1054:c.
1039:c.
1024:c.
1001:c.
978:c.
939:c.
924:c.
909:c.
894:c.
879:c.
816:c.
777:c.
762:c.
739:c.
724:c.
685:c.
670:c.
615:c.
446:;
431:.
395:,
327:c.
289:,
277:.
265:,
197:.
165:,
161:,
132:c.
108:,
53:c.
2069::
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1969:(
1939:)
1932:(
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1254:.
1162:.
1059:)
1052:(
1044:)
1037:(
1029:)
1022:(
1006:)
999:(
983:)
976:(
944:)
937:(
929:)
914:)
907:(
899:)
892:(
884:)
877:(
821:)
814:(
782:)
775:(
767:)
760:(
744:)
737:(
729:)
722:(
690:)
683:(
675:)
668:(
620:)
613:(
325:(
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