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Samuel Peploe

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At his second exhibition in the Scottish Gallery in 1909 Peploe adopted a new style which did not please the dealers, with all sixty paintings were bought by McOmish Dott of Aitken Dott for a total of £450. The dealer George Proudfoot offered only £50 for 22 canvasses. Peploe was persuaded by his
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at 39 Manor Place, he was the son of a bank manager, Robert Luff Peploe (1828–1884). He left school at 14 and was initially apprenticed as a trainee lawyer to Scott, Bruce and Glover WS at 1 Hill Street in Edinburgh. Around 1889 he began studying art at the Trustees Academy in Edinburgh.
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and dark backgrounds with strong lighting. Returning to Scotland in 1912 he found that his usual dealer refused his work and Peploe was obliged to stage his own exhibition. In 1913 he was back in France with his wife and young son, painting with J.D. Fergusson and
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In 1910, Peploe married Margaret MacKay (1873–1958), whom he had known since 1894. He also moved to Paris in 1910, a period which saw him concentrate increasingly on still life and landscape painting. His still-life works show the influence of
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Peploe was strongly influenced by French painting throughout his life. Although his work never became overly abstract, it was notable for its use of strong colour, tight composition, and meticulous execution. Influences are said to include
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during the summer. After his return to Scotland on the outbreak of war, Peploe went on regular painting trips with friends to many parts of the country, and during the 1920s he spent several summers with
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in London for £937,250, is one of the most expensive Scottish paintings sold at auction. The previous record for a work by Peploe was £623,650 for
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Peploe was the first of the Scottish Colourists to have a one-man-show: in 1903 at Aitken & Dott in Edinburgh, at which he sold 19 paintings.
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in Edinburgh. His name is listed near the end of several names on a stone to the north side of the main east–west path, towards the west end.
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Not until December 1915 did Peploe have his second one-man-show: organised by the dealer Alexander Reid at his St Vincent Street Gallery in
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A painting which might or might not be by Peploe (the question is only resolved at the end of the book) plays a central role in the novel
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where a grandson of the painter makes a brief appearance. A Peploe painting also plays a small role in the novel
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sold for £225,000. The painting had been relegated to a spare room because the owner's wife did not like it.
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sold Peploe's first work to America in 1905 - to Charles Kurtz of the Albright Art Gallery in
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at a small profit to Reid of around 6%. Also in 1926, Robert Wemyss Honeyman of
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bought "Still Life with Roses" for £70 and "Cafe and Liquer" for £98, each from
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works and for being one of the group of four painters that became known as the
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began to collect Peploes, beginning with an Iona seascape for only £20.
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followed his father's career. Peploe is buried in the family plot in
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holds the largest collection of Peploe's paintings aside from the
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Meet the West Enders: Edinburgh World Heritage publications
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in Paris, where he shared a room with the Scottish painter
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Peploe 591:200 artworks by or after Samuel Peploe 507: 446: 444: 442: 528: 501: 540: 439: 13: 649:20th-century Scottish male artists 644:19th-century Scottish male artists 14: 700: 601:Works in the Aberdeen Art Gallery 584: 535:£1m coffee pot smashes art record 404:Grave inscription: Dean Cemetery 339:Kirkcaldy Museum and Art Gallery 639:20th-century Scottish painters 634:19th-century Scottish painters 492: 483: 463: 430: 421: 407: 398: 389: 343:National Galleries of Scotland 146:Art Gallery of New South Wales 1: 508:Michie, David (28 May 1993). 382: 348: 121: 106:. The other colourists were 16:Scottish painter (1871–1935) 7: 674:Royal Scottish Academicians 10: 705: 469:Billcliffe, Roger (2024), 310:Still Life with Coffee Pot 142:Still life: apples and jar 18: 654:Académie Colarossi alumni 312:, sold on 26 May 2011 at 303: 79: 67: 49: 37: 30: 510:"Obituary: Denis Peploe" 460:, accessed December 2012 669:Painters from Edinburgh 664:British modern painters 456:4 February 2013 at the 359:by the Scottish writer 308:Peploe's 1905 painting 98:painter, noted for his 684:Scottish male painters 659:Académie Julian alumni 361:Alexander McCall Smith 335: 300: 161:Royal Scottish Academy 159:Peploe studied at the 148: 134: 330: 295: 140: 129: 108:John Duncan Fergusson 297:Stormy Weather, Iona 44:self portrait (1904) 679:Scottish Colourists 131:A Rocky Shore, Iona 104:Scottish Colourists 554:. 26 October 2012. 471:J.D. Fergusson 150 356:44 Scotland Street 336: 301: 169:Académie Colarossi 149: 135: 96:Post-Impressionist 92:Samuel John Peploe 54:Samuel John Peploe 369:Rosamunde Pilcher 221:Anne Estelle Rice 200:Buffalo, New York 144:, circa 1912–16, 89: 88: 696: 689:Society of Eight 578: 577: 575: 573: 562: 556: 555: 544: 538: 532: 526: 525: 523: 521: 505: 499: 496: 490: 487: 481: 467: 461: 448: 437: 434: 428: 425: 419: 418: 411: 405: 402: 396: 393: 331:Peploe's grave, 187:with his friend 133:by Samuel Peploe 42: 28: 27: 704: 703: 699: 698: 697: 695: 694: 693: 614: 613: 587: 582: 581: 571: 569: 564: 563: 559: 546: 545: 541: 533: 529: 519: 517: 514:The Independent 506: 502: 497: 493: 488: 484: 468: 464: 458:Wayback Machine 449: 440: 435: 431: 426: 422: 413: 412: 408: 403: 399: 394: 390: 385: 377:Liam McIlvanney 365:Winter Solstice 351: 306: 248:William Burrell 165:Académie Julian 124: 75: 72: 71:11 October 1935 63: 58: 57:27 January 1871 56: 55: 45: 33: 24: 17: 12: 11: 5: 702: 692: 691: 686: 681: 676: 671: 666: 661: 656: 651: 646: 641: 636: 631: 626: 612: 611: 603: 598: 586: 585:External links 583: 580: 579: 568:. Fife Council 557: 539: 527: 500: 491: 482: 462: 438: 429: 420: 406: 397: 387: 386: 384: 381: 350: 347: 305: 302: 230:Francis Cadell 196:Alexander Reid 189:J.D. Fergusson 123: 120: 112:Francis Cadell 87: 86: 81: 77: 76: 73: 69: 65: 64: 59: 53: 51: 47: 46: 43: 35: 34: 31: 15: 9: 6: 4: 3: 2: 701: 690: 687: 685: 682: 680: 677: 675: 672: 670: 667: 665: 662: 660: 657: 655: 652: 650: 647: 645: 642: 640: 637: 635: 632: 630: 627: 625: 622: 621: 619: 609: 608: 604: 602: 599: 596: 592: 589: 588: 567: 561: 553: 549: 543: 536: 531: 515: 511: 504: 495: 486: 480: 479:9781912900831 476: 472: 466: 459: 455: 452: 447: 445: 443: 433: 424: 416: 410: 401: 392: 388: 380: 378: 374: 370: 366: 362: 358: 357: 346: 344: 340: 334: 333:Dean Cemetery 329: 325: 323: 319: 315: 311: 298: 294: 290: 288: 287:Dean Cemetery 284: 279: 277: 273: 269: 265: 259: 257: 253: 249: 246:In July 1926 244: 242: 237: 235: 231: 226: 222: 217: 213: 207: 203: 201: 197: 192: 190: 186: 182: 178: 174: 173:Robert Brough 170: 166: 162: 157: 154: 147: 143: 139: 132: 128: 119: 117: 116:Leslie Hunter 113: 109: 105: 101: 97: 93: 85: 82: 78: 70: 66: 62: 52: 48: 41: 36: 32:Samuel Peploe 29: 26: 22: 21:Samuel Peploe 606: 593: at the 570:. 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Index

Samuel Peploe

Edinburgh
Scottish
Post-Impressionist
still life
Scottish Colourists
John Duncan Fergusson
Francis Cadell
Leslie Hunter


Art Gallery of New South Wales
Edinburgh
Royal Scottish Academy
Académie Julian
Académie Colarossi
Robert Brough
Rembrandt
Frans Hals
Hebrides
J.D. Fergusson
Alexander Reid
Buffalo, New York
Manet
impasto
Anne Estelle Rice
Cassis
Francis Cadell
Iona

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