73:", Williams was captivated by "those gothic images and rigid doctrines". "An absolute scale of values and vision is insinuated into one's mind" which may account "for the number of Catholics who become writers or artists". While at St Peter's College, Williams started writing poetry and while there he entered a poetry contest judged by old boy poet
142:(1990) against the "violent dualities" of New Zealand culture and the "binary habits of New Zealand criticism" and advocate instead independence, difference, continuities, and "complex wholeness". In November 2012, with his wife and fellow Victoria academic,
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Williams is one of the first academics to focus his publications predominantly on contemporary New
Zealand writing. His work is also informed by a strong international context which has enabled him to argue in
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poet, writer, academic, critic, editor of contemporary New
Zealand literature. He holds a MA (Hons) from the University of Auckland and a Ph.D (1983) from the University of British Columbia. He is
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in 2008 and became
Professor of English there. Williams' research focused on New Zealand and modern literature. He was on the editorial boards of numerous scholarly journals, including the
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background. "To me, on coming from a radically iconoclastic
Protestant sect, the holy pictures and statues the
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involved long periods of kneeling". Although he feels he escaped "the deep imprinting on the psyche of
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Mark
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where he was a lecturer and associate professor. He joined the
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had crammed on every wall seemed utterly bizarre". "At midday we all knelt for the
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Williams, Victoria University of Wellington (accessed 14 May 2010)
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Williams returned to New
Zealand from his doctoral studies at the
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Leaving the
Highway: Six Contemporary New Zealand Novelists
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The Source of the Song; New Zealand Writers on Catholicism
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Fracture: The reception of the 'other' author in Aotearoa
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New Zealand poet, writer, academic critic and editor
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Academic staff of Victoria University of Wellington
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