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a few years before. Zacharie remained in the choir until 1424, and after an absence of ten years joined again for a few months in 1434; his whereabouts between those two periods is unknown.
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On stylistic evidence, all three of his surviving compositions were probably written around the same time, most likely between 1415 and around 1430.
114:, in a great hurry" it is presumed he was already active as a composer prior to coming to Florence in 1420. Just a few months later – June 1 –
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or somewhere nearby, on the evidence of papal archives. The earliest solid record of his life is
February 7, 1420, when he was employed at
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Fallows: "Zacharie, Nicolaus", Grove Music Online, ed. L. Macy (Accessed January 20, 2006),
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hired him during a trip to
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Only three works by
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At the end of his life he was a chaplain at the church of Santa Maria in
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or before – 1466) was an
Italian composer of the early
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Cathedral as a singer; on the evidence of his motet
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217:. New York, W.W. Norton & Co., 1954.
186:Letetur plebs fidelis/Pastor qui revelavit
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192:Già per gran nobeltà trihumpho et fama
153:. It begins with a long passage in
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100:Brindisi
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147:ballata
112:Taranto
45:, Italy
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39:Origin
174:Works
143:motet
137:Music
219:ISBN
120:Rome
94:Life
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26:Born
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