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176:. He is also regarded as one of the best interpreters of French mélodies, of which he left many recordings, since reissued on CD, and of
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Histoire de la Maîtrise Saint-Evode . (Extraits de la brochure publiée en 1991). Dernier accès 18 juillet 2007
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on 14 January 1940, he went to create the following roles at the Opéra-Comique:
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from 1936 to 1939. He began his professional career as a singer in 1940 at the
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A dedicated teacher, he taught at the Paris
Conservatory until 1981.
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172:'s Pelléas, for which he took part in three complete recordings of
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His voice was typical of the baryton-martin range (between
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263:This article about a French opera singer is a
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22:(November 29, 1911 – January 21, 2010), born
226:Un demi-siècle d'Opéra-Comique (1900-1950).
184:. His repertoire extended back to music of
49:. After his debut as the Moine musicien in
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168:). He is famous for his interpretation of
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244:(Knowledge France, with discography)
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242:Camille Maurane, baryton français
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334:20th-century French male singers
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329:Conservatoire de Paris alumni
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267:. You can help Knowledge by
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196:and other contemporaries.
344:French opera singer stubs
339:French operatic baritones
228:André Bonne, Paris, 1953.
52:Le Jongleur de Notre-Dame
82:Le Oui des Jeunes Filles
154:La Chanson du mal-aimé
98:The Barber of Seville
324:Musicians from Rouen
174:Pelléas et Mélisande
144:Pelléas et Mélisande
35:Paris Conservatoire
16:French opera singer
75:Mon Oncle Benjamin
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319:2010 deaths
314:1911 births
188:through to
87:Un Soldat (
61:Nèle Dooryn
308:Categories
203:References
104:La Basoche
224:Wolff S.
194:Léo Ferré
149:oratorios
162:baritone
84:, 1949).
182:Requiem
170:Debussy
138:Werther
91:, 1952)
89:Dolorès
77:, 1942)
70:, 1942)
68:Ginevra
66:Doria (
63:, 1940)
186:Rameau
122:Louise
110:Carmen
178:Fauré
166:tenor
151:like
116:Lakmé
47:Paris
28:Rouen
265:stub
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