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Catullus 64

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The poem relies heavily on the theme of nostalgia as Catullus reflects on what he believes are better times in Roman history. He wrote the poem during a time of civil war in Rome, even referencing brothers' blood being drenched in brothers' blood in line 399. He looks back on the wedding of Peleus
95:, or the depiction of events on inanimate objects, the bulk of the poem details Ariadne's agonized solace. Her impassioned vituperations and eventual discovery by the wine-god 91:. Although the poem implies that Theseus and Ariadne were in love, in reality the text never explicitly states that Theseus even looked at Ariadne. Told through 1163: 1158: 1168: 1194: 341: 276: 401: 165: 68:. Catullus' longest poem, it retains his famed linguistic witticisms while employing an appropriately epic tone. 1199: 1189: 223:
Faber, Riemer (1998). "Vestis...variata (Catullus 64, 50-51) and the Language of Poetic Description".
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DeBrohun, J (1999). "Ariadne and the whirlwind of fate: figures of confusion in Catullus 64.149-57".
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and Thetis as a time where Gods may come to a wedding, unlike the modern times he lived in.
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Duban, Jeffrey (1980). "Verbal Links and Imagistic Undercurrent in Catullus 64".
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Tathan, G (1990). "Ariadne's mitra: a note on Catullus 64.1-4".
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considering it one of the greatest literary works ever written.
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Though ostensibly concerning itself with the marriage of
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Catullus' Indictment of Rome: The Meaning of Catullus 64
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The work is often cited as Catullus' masterpiece, with
409: 1181: 395: 1164:List of bibliographies of works on Catullus 402: 388: 1159:Codex Vaticanus Ottobonianus Latinus 1829 1169:List of English translations of Catullus 351:Putnam, MCJ (1961). "The Art of C. 64". 193: 18: 331: 163: 1182: 353:Harvard Studies in Classical Philology 350: 274: 245: 164:Higgins, Charlotte (October 6, 2007). 99:are some of the included plot events. 383: 310: 222: 46:, corresponding to the constellation 13: 14: 1221: 79:(parents of the famed Greek hero 61:or "little epic" poem written by 42:. Ariadne is being crowned with 336:. Amsterdam: Adolf M. Hakkert. 187: 1195:Cultural depictions of Theseus 157: 1: 150: 34:, where she was abandoned by 7: 38:after helping him kill the 10: 1226: 1154:List of poems by Catullus 1146: 969: 799: 713: 535: 422: 296:10.1017/S0009838800034327 260:10.1017/S0009838800043196 239:10.1163/1568525982611641 114:of epic poetry, such as 106:The poem is written in 51: 16:Latin poem by Catullus 801:Hendecasyllabic verse 715:Unusual poetic meters 166:"In love's labyrinth" 22: 1200:Works about weddings 26:being discovered by 332:Konstan, D (1977). 284:Classical Quarterly 248:Classical Quarterly 196:Classical Philology 1190:Poetry by Catullus 275:Thomas, R (1983). 108:dactylic hexameter 75:and the sea-nymph 52: 1177: 1176: 556: 343:978-90-256-0742-5 145:Charlotte Higgins 87:by the legendary 30:on the island of 1217: 971:Elegiac couplets 552: 404: 397: 390: 381: 380: 376: 347: 328: 307: 281: 271: 242: 219: 181: 180: 178: 176: 161: 1225: 1224: 1220: 1219: 1218: 1216: 1215: 1214: 1180: 1179: 1178: 1173: 1142: 965: 795: 709: 555: 537:Invective poems 531: 418: 412:poems (Carmina) 408: 344: 279: 190: 185: 184: 174: 172: 162: 158: 153: 17: 12: 11: 5: 1223: 1213: 1212: 1207: 1202: 1197: 1192: 1175: 1174: 1172: 1171: 1166: 1161: 1156: 1150: 1148: 1144: 1143: 1141: 1140: 1137: 1134: 1131: 1128: 1125: 1122: 1119: 1116: 1113: 1110: 1107: 1104: 1101: 1098: 1095: 1090: 1087: 1084: 1081: 1078: 1075: 1072: 1069: 1066: 1063: 1060: 1057: 1054: 1051: 1048: 1043: 1038: 1035: 1032: 1029: 1026: 1023: 1020: 1017: 1014: 1011: 1008: 1005: 1002: 999: 996: 993: 990: 985: 982: 979: 975: 973: 967: 966: 964: 963: 958: 955: 952: 949: 946: 943: 940: 937: 932: 929: 926: 923: 918: 915: 910: 907: 904: 901: 896: 893: 890: 887: 884: 881: 878: 875: 872: 869: 864: 861: 858: 855: 850: 845: 842: 839: 834: 831: 826: 821: 816: 811: 805: 803: 797: 796: 794: 793: 788: 783: 780: 777: 774: 771: 768: 763: 760: 757: 754: 751: 748: 745: 742: 739: 736: 733: 728: 725: 719: 717: 711: 710: 708: 707: 704: 701: 698: 695: 692: 689: 686: 683: 680: 677: 674: 671: 668: 665: 662: 659: 656: 653: 650: 647: 644: 641: 638: 635: 632: 629: 626: 623: 618: 615: 612: 609: 604: 601: 598: 595: 592: 589: 586: 583: 580: 577: 574: 571: 568: 565: 560: 557: 553: 550: 545: 541: 539: 533: 532: 530: 529: 526: 523: 520: 517: 514: 511: 506: 501: 498: 495: 492: 489: 486: 483: 478: 475: 470: 467: 462: 457: 454: 449: 444: 439: 434: 428: 426: 420: 419: 407: 406: 399: 392: 384: 378: 377: 365:10.2307/310836 348: 342: 329: 319:(4): 778–800. 308: 272: 254:(2): 560–561. 243: 233:(2): 210–215. 220: 208:10.1086/449456 202:(4): 419–430. 189: 186: 183: 182: 155: 154: 152: 149: 15: 9: 6: 4: 3: 2: 1222: 1211: 1208: 1206: 1203: 1201: 1198: 1196: 1193: 1191: 1188: 1187: 1185: 1170: 1167: 1165: 1162: 1160: 1157: 1155: 1152: 1151: 1149: 1147:Related links 1145: 1138: 1135: 1132: 1129: 1126: 1123: 1120: 1117: 1114: 1111: 1108: 1105: 1102: 1099: 1096: 1094: 1091: 1088: 1085: 1082: 1079: 1076: 1073: 1070: 1067: 1064: 1061: 1058: 1055: 1052: 1049: 1047: 1044: 1042: 1039: 1036: 1033: 1030: 1027: 1024: 1021: 1018: 1015: 1012: 1009: 1006: 1003: 1000: 997: 994: 991: 989: 986: 983: 980: 977: 976: 974: 972: 968: 962: 959: 956: 953: 950: 947: 944: 941: 938: 936: 933: 930: 927: 924: 922: 919: 916: 914: 911: 908: 905: 902: 900: 897: 894: 891: 888: 885: 882: 879: 876: 873: 870: 868: 865: 862: 859: 856: 854: 851: 849: 846: 843: 840: 838: 835: 832: 830: 827: 825: 822: 820: 817: 815: 812: 810: 807: 806: 804: 802: 798: 792: 789: 787: 784: 781: 778: 775: 772: 769: 767: 764: 761: 758: 755: 752: 749: 746: 743: 740: 737: 734: 732: 729: 726: 724: 721: 720: 718: 716: 712: 705: 702: 699: 696: 693: 690: 687: 684: 681: 678: 675: 672: 669: 666: 663: 660: 657: 654: 651: 648: 645: 642: 639: 636: 633: 630: 627: 624: 622: 619: 616: 613: 610: 608: 605: 602: 599: 596: 593: 590: 587: 584: 581: 578: 575: 572: 569: 566: 564: 561: 558: 551: 549: 546: 543: 542: 540: 538: 534: 527: 524: 521: 518: 515: 512: 510: 507: 505: 502: 499: 496: 493: 490: 487: 484: 482: 479: 476: 474: 471: 468: 466: 463: 461: 458: 455: 453: 450: 448: 445: 443: 440: 438: 435: 433: 430: 429: 427: 425: 421: 417: 413: 405: 400: 398: 393: 391: 386: 385: 382: 374: 370: 366: 362: 358: 354: 349: 345: 339: 335: 330: 326: 322: 318: 314: 309: 305: 301: 297: 293: 289: 285: 278: 273: 269: 265: 261: 257: 253: 249: 244: 240: 236: 232: 228: 227: 221: 217: 213: 209: 205: 201: 197: 192: 191: 171: 167: 160: 156: 148: 146: 141: 139: 138: 133: 129: 128: 123: 122: 117: 113: 109: 104: 100: 98: 94: 90: 86: 82: 78: 74: 69: 67: 64: 60: 56: 49: 45: 41: 37: 33: 29: 25: 21: 790: 424:Lesbia poems 356: 352: 333: 316: 312: 287: 283: 251: 247: 230: 224: 199: 195: 188:Bibliography 173:. Retrieved 170:The Guardian 169: 159: 142: 135: 125: 119: 105: 101: 70: 54: 53: 55:Catullus 64 1184:Categories 290:: 92–113. 151:References 63:Latin poet 50:("crown"). 304:170886892 268:170373084 226:Mnemosyne 216:162274099 93:ecphrasis 416:Catullus 325:41531939 175:July 27, 81:Achilles 66:Catullus 59:epyllion 40:Minotaur 28:Dionysos 1205:Ariadne 313:Latomus 127:Odyssey 97:Bacchus 89:Theseus 85:Ariadne 36:Theseus 24:Ariadne 1210:Thetis 373:310836 371:  340:  323:  302:  266:  214:  137:Aeneid 132:Virgil 110:, the 77:Thetis 73:Peleus 57:is an 48:Corona 369:JSTOR 321:JSTOR 300:S2CID 280:(PDF) 264:S2CID 212:S2CID 121:Iliad 116:Homer 112:meter 44:stars 32:Naxos 410:The 338:ISBN 177:2017 130:and 124:and 1139:116 1136:115 1133:114 1130:113 1127:112 1124:111 1121:110 1118:109 1115:108 1112:107 1109:106 1106:105 1103:104 1100:103 1097:102 1093:101 1089:100 961:58b 860:14b 706:116 703:113 700:112 697:111 694:110 691:108 688:103 528:109 525:107 522:104 414:of 361:doi 292:doi 256:doi 235:doi 204:doi 134:'s 118:'s 1186:: 1086:99 1083:98 1080:97 1077:96 1074:95 1071:94 1068:93 1065:92 1062:91 1059:90 1056:89 1053:88 1050:87 1046:86 1041:85 1037:84 1034:83 1031:82 1028:81 1025:80 1022:79 1019:78 1016:77 1013:76 1010:75 1007:74 1004:73 1001:72 998:71 995:70 992:69 988:68 984:67 981:66 978:65 957:58 954:57 951:56 948:55 945:54 942:53 939:50 935:49 931:48 928:47 925:46 921:45 917:43 913:42 909:41 906:40 903:38 899:36 895:35 892:33 889:32 886:28 883:27 880:26 877:24 874:23 871:21 867:16 863:15 857:14 853:13 848:12 844:10 819:2b 791:64 786:63 782:62 779:61 776:60 773:59 770:52 766:51 762:44 759:39 756:37 753:34 750:31 747:30 744:29 741:25 738:22 735:17 731:11 685:98 682:97 679:95 676:93 673:90 670:89 667:88 664:84 661:80 658:78 655:77 652:74 649:73 646:71 643:69 640:60 637:59 634:57 631:54 628:53 625:52 621:49 617:47 614:44 611:43 607:42 603:41 600:40 597:39 594:33 591:30 588:29 585:28 582:25 579:24 576:23 573:22 570:21 567:17 563:16 559:15 554:14 548:12 544:10 519:92 516:91 513:87 509:86 504:85 500:83 497:79 494:76 491:75 488:72 485:70 481:68 477:58 473:51 469:37 465:36 460:11 437:2b 367:. 357:65 355:. 317:39 315:. 298:. 288:33 286:. 282:. 262:. 252:40 250:. 231:51 229:. 210:. 200:94 198:. 168:. 140:. 841:9 837:7 833:6 829:5 824:3 814:2 809:1 727:8 723:4 456:8 452:7 447:5 442:3 432:2 403:e 396:t 389:v 375:. 363:: 346:. 327:. 306:. 294:: 270:. 258:: 241:. 237:: 218:. 206:: 179:.

Index


Ariadne
Dionysos
Naxos
Theseus
Minotaur
stars
Corona
epyllion
Latin poet
Catullus
Peleus
Thetis
Achilles
Ariadne
Theseus
ecphrasis
Bacchus
dactylic hexameter
meter
Homer
Iliad
Odyssey
Virgil
Aeneid
Charlotte Higgins
"In love's labyrinth"
doi
10.1086/449456
S2CID

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