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Dante's Satan

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is, in many ways, "the antithesis of Virgil; for he conveys at its sharpest the ultimate and universal pain of Hell: isolation." It is Virgil, Dante's guide through Hell, who tells Dante "that the inhabitants of the infernal region are those who have lost the good of intellect; the substance of evil, the loss of humanity, intelligence, good will, and the capacity to love." Satan stands at the center because he is the epitome of Dante's Hell.
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This immediately backfired on Satan. God sentenced him as a betrayer and banished him from Heaven. Dante uses this idea to create a physical place Satan created after his impact with the earth. According to Dante, the pit the Pilgrim climbs down to reach the center of Hell is literally the hole that
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The reason for Satan's eternal punishment was his desire to be as powerful as the Divine. When Satan was cast out of Heaven, he "excavated the underworld cosmos in which the damned are held". Satan's punishment is the opposite of what he was trying to achieve: power and a voice over God. Satan also
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Uncharacteristically of Dante, he remains silent in Satan's presence. Dante examines the sinners who are "covered wholly by ice, / showing like straw in glass – some lying prone, / and some erect, some with the head towards us, / the others with the bottoms of the feet; another like a bow bent feet
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Dante's Hell is divided into nine circles, the ninth circle being divided further into four rings, their boundaries only marked by the depth of their sinners' immersion in the ice; Satan sits in the last ring, Judecca. It is in the fourth ring of the ninth circle, where the worst sinners, the
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in Hell as the ultimate sinner. Dante illustrates a less powerful Satan than most standard depictions; he is slobbering, wordless, and receives the same punishments in Hell as the rest of the sinners. In the text, Dante vividly illustrates Satan's grotesque physical attributes.
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betrayers to their benefactors, are punished. Here, these condemned souls, frozen into the ice, are completely unable to move or speak and are contorted into all sorts of fantastical shapes as a part of their punishment.
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Dante's Satan remains a common image in popular portrayals. The answer to the question of how Satan wound up in the bottom of the pit in Dante's Inferno lies in Christian theological history. Some interpretations of the
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Unlike many other circles of Dante's Hell, these sinners remain unnamed. Even Dante is afraid to enter this last circle, as he nervously proclaimed, "I drew behind my leader’s back again."
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to face." This circle of Hell is a complete separation from any life and, for Dante, "the deepest isolation is to suffer separation from the source of all light and life and warmth."
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He wept with all six eyes, and the tears fell over his three chins mingled with bloody foam. The teeth of each mouth held a sinner,
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I will ascend to heaven; I will raise my throne above the stars of God; I will sit on the mount of assembly on the heights of
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William O'Grady has pointed out that those frozen in the ice perversely imitate God in the sense of being
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Satan made when he fell to earth. The extra earth formed Mount Purgatory on the other side of the Earth.
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The Holy Bible Revised Standard Edition. 1962. World Publishing Company. Cleveland.
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is portrayed as a giant demon, frozen up to the waist in ice at the center of
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Satan is trapped in the frozen central zone in the Ninth Circle of Hell,
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Cassell, Anthony K. "The Tomb, the Tower, and the Pit: Dante's Satan."
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Francesca da Rimini and Paolo Malatesta Appraised by Dante and Virgil
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Blake's Dante, the Complete Illustrations to the Divine Comedy
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The Wood of the Self-Murderers: The Harpies and the Suicides
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Cunningham, Lawrence S. "Satan: a Theological Meditation."
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The Holy Bible Revised Standard Edition, Isaiah 14:13–14
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And the right-hand one seemed 'twixt white and yellow;
472:. Notre Dame, IN: University of Notre Dame P, 2004. 518: 142: 1559:Après une Lecture de Dante: Fantasia quasi Sonata 234: 232: 230: 1883: 137:⁠So that three winds proceeded forth therefrom. 111:Two were the others, that were joined with this 451:. "Dante's Satan and Milton's "Byronic Hero"" 387:. University of Texas at Austin. 27 Jan. 2007. 227: 81:From his mid-breast forth issued from the ice; 504: 369:. New York, NY: Farrar, Straus, Giroux, 1994. 420:. New York, NY: New York University P, 1963. 127:Underneath each came forth two mighty wings, 115:⁠And they were joined together at the crest; 135:⁠Their fashion was; and he was waving them, 511: 497: 113:⁠Above the middle part of either shoulder, 99:Well may proceed from him all tribulation. 87:Consider now how great must be that whole, 85:Than do the giants with those arms of his; 460:Satan: an Instrument for Dante and Milton 176: 159:Contrappasso: the poetic justice of Satan 443:Portrayal of Heaven and Hell Through Art 180: 129:⁠Such as befitting were so great a bird; 119:⁠The left was such to look upon as those 91:Were he as fair once, as he now is foul, 18: 1447:Divine Comedy Illustrated by Botticelli 131:⁠Sails of the sea I never saw so large. 89:Which unto such a part conforms itself. 1884: 406:. London: Royal Academy of Arts, 2000. 340:: CS1 maint: archived copy as title ( 172:; thus he held three of them in agony. 103:When I beheld three faces on his head! 492: 133:No feathers had they, but as of a bat 1508:As I Was Going Down Sackville Street 438:. New York, NY: Harmony Books, 1980. 404:, the Drawings for the Divine Comedy 241: 101:O, what a marvel it appeared to me, 79:The Emperor of the kingdom dolorous 13: 485:. Syracuse, NY: Syracuse UP, 1957. 83:And better with a giant I compare 14: 1933: 1361:Dante's Inferno: An Animated Epic 1864: 1863: 445:." Boston College. 27 Jan. 2007. 248: 1656:A Place Where the Sun Is Silent 143:Description of the Ninth Circle 93:And lifted up his brow against 643:Gianni Schicchi de' Cavalcanti 352: 303: 294: 281: 272: 263: 1: 1723:Paolo and Francesca da Rimini 1248:Pape Satàn, pape Satàn aleppe 1345:The Deep and Dreamless Sleep 1255:Raphèl mai amècche zabì almi 220: 27:, Canto 34. Illustration by 7: 1922:Mythological anthropophages 1902:Demons in the Divine Comedy 105:The one in front, and that 10: 1938: 1516:The System of Dante's Hell 1101:Constance, Queen of Sicily 258:Henry Wadsworth Longfellow 1859: 1833: 1786: 1749: 1666: 1625: 1550: 1467: 1438: 1395: 1296: 1271: 1264: 1239: 1213: 1064: 926:Bonconte I da Montefeltro 884: 817: 761: 738:Ugolino della Gherardesca 578:Cavalcante de' Cavalcanti 541: 532: 121:⁠Who come from where the 396:51 (1994). 27 Jan. 2007. 16:Satan in Dante's Inferno 1907:Fiction about the Devil 1369:La commedia di Amos Poe 1096:Charles Martel of Anjou 971:Giovanna da Montefeltro 723:Ruggieri degli Ubaldini 434:Klonsky, Milton, comp. 413:. MLN 80 (1965): 11–26. 399:Foster, Micheal, comp. 188:depicting Dante's Satan 1912:Male literary villains 1031:Omberto Aldobrandeschi 966:Gherardo III da Camino 663:Guido I da Montefeltro 381:Circle 9, Cantos 31-34 256:in the translation by 207: 189: 177:Religious significance 174: 170:kept as by a flax rake 140: 63:Gaius Cassius Longinus 32: 1897:Christian iconography 1731:La barca de Aqueronte 1377:Dante's Hell Animated 1161:Mary, mother of Jesus 921:Bonagiunta Orbicciani 623:Farinata degli Uberti 376:56.4 (1979): 331–351. 199: 184: 166: 76: 22: 1846:English translations 1803:Devil May Cry series 1586:(Rachmaninoff, 1904) 1081:Bernard of Clairvaux 423:Jacoff, Rachel, ed. 418:Dante and His Comedy 363:The Inferno of Dante 59:Marcus Junius Brutus 1841:Cultural references 1707:The Barque of Dante 1675:The Barque of Dante 1591:Francesca da Rimini 1583:Francesca da Rimini 1578:(Tchaikovsky, 1876) 1575:Francesca da Rimini 1476:The Story of Rimini 1136:Hierarchy of angels 1121:Folquet de Marselha 633:Francesca da Rimini 479:Vittorini, Domenico 470:Understanding Dante 455:41 (1965): 139-149. 441:Korchak, Michael. " 289:The Origin of Satan 1851:In popular culture 1484:La Comédie humaine 1388:(2016 documentary) 1385:Botticelli Inferno 986:Jacopo del Cassero 906:Beatrice Portinari 713:Pope Boniface VIII 703:Pietro della Vigna 190: 125:falls valley-ward. 33: 1879: 1878: 1829: 1828: 1758:The Gates of Hell 1739:La Laguna Estigia 1678:(Delacroix, 1822) 1641:"Dante's Inferno" 1618:(Ronchetti, 2020) 1607:The Divine Comedy 1551:Music (classical) 1329:The Dante Quartet 1209: 1208: 1106:Cunizza da Romano 1026:Oderisi da Gubbio 991:Giovanna Visconti 880: 879: 718:Pope Nicholas III 668:Iacopo Rusticucci 411:The Sign of Satan 402:Sandro Botticelli 269:Cunningham, pg. 2 1929: 1867: 1866: 1726:(Rossetti, 1885) 1718:(Rossetti, 1868) 1702:(Flandrin, 1835) 1694:(Scheffer, 1835) 1594:(Zandonai, 1914) 1404:Demon Lord Dante 1289:(Terragni, 1938) 1269: 1268: 1151:John the Apostle 976:Guido Guinizelli 941:Conrad Malaspina 936:Cato the Younger 759: 758: 539: 538: 513: 506: 499: 490: 489: 483:The Age of Dante 462:." 27 Jan. 2007. 416:Gilbert, Allan. 409:Freccero, John. 359:Alighieri, Dante 346: 345: 339: 331: 329: 328: 322: 316:. 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Index


Gustave Doré
Dante
Inferno
Satan
Hell
Judas Iscariot
Marcus Junius Brutus
Gaius Cassius Longinus
Lucifer
eternity
his Maker
vermilion
Nile
kept as by a flax rake

William Blake
Book of Isaiah
Zaphon
unmoved movers




canto XXXIV
Henry Wadsworth Longfellow
"Archived copy"
the original
cite web
link

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