867:
This lasted without a break until the
November 1958 issue. Another bimonthly schedule, starting with January 1959, followed; the last King-Size Publications issue was September 1959, and it was followed by an October 1959 issue from Great American. The remaining five issues followed a regular monthly schedule; the last issue was March 1960. The volume numbering scheme was fairly regular; the first five volumes had six numbers each. Volume 6 had only five numbers, in order to get the new volume 7 to start with the new year, in 1957. This lasted until volume 10 was cut short at five numbers when the magazine returned to a bimonthly schedule at the end of 1958. Volume 11 had six numbers; volume 12 had five.
272:, the author of an early SF encyclopaedia, the magazine kept a fairly high quality through Merwin's departure after a year, and through the subsequent brief period of caretaker editorship by Beatrice Jones. The quality of the fiction is thought by Tuck to have fallen during Santesson's period at the helm, though this was not entirely his fault—there were a great many other magazines competing for stories by the top writers. Santesson himself, despite a modicum of controversy over his heavy use of UFO and related material, was kind and helpful to writers, and was well liked as a result. According to sf critic
29:
866:
The magazine was initially bimonthly. The first three issues were named with two months: "June–July 1953", and so on. At the end of 1953 the naming was changed to the odd numbered months; and then after
January, March, May, and July, the magazine went monthly, starting with the September 1954 issue.
102:
which began publishing in the 1950s. It ran for 69 issues, from June 1953 to March 1960, under two different publishers. It was part of the explosion of science fiction magazine publishing in the 1950s in the United States, and was moderately successful, outlasting almost all of its competitors. The
862:
stayed at that price for the rest of its life. The page count also dropped, to 160 pages with the fourth issue, then to 128 pages with the eighth issue, September 1954. The page count stayed at 128 through the rest of the digest period, and for the first five issues of the "glossy" period under the
243:
are unknown, since at that time circulation figures were not required to be published annually, as they were later. After the magazine folded, the publisher entertained plans to publish material bought for the magazine as a one-shot issue to be titled "Summer SF", but the issue never appeared.
857:
The magazine began as a 192-page digest, priced at 50 cents, giving it more pages than the competing magazines but also pricing it higher than any of them. The experiment did not last, presumably because sales figures were weak: the fourth issue, January 1954, cut the price to 35 cents, and
223:
King-Size
Publications was in debt by mid-1956, and in August Margulies sold his stake in the company to Herbert, telling a friend that in addition to the debt there were personality conflicts and that the company couldn't generate enough income for two investors. The editorship passed to
291:
In
October 1955, Santesson began contributing "Universe in Books", a regular book review column. When Santesson took over from Margulies as editor a year later, an immediate change was an increase in the number of articles about UFOs. Santesson ran several articles by writers such as
462:
Under King-Size
Publications, the magazine had had no artwork except small "filler" illustrations; now interior illustrations complementing the stories were introduced, and photographs and diagrams accompanied some of the articles. A fan column, by Belle C. Dietz, began, and
170:
becoming established. Along with the increase in science fiction in book form came a flood of new U.S. magazines: from a low of eight active magazines in 1946, the field expanded to twenty in 1950, and a further twenty-two had commenced publication by 1954.
304:. Del Rey, however, felt that Santesson was not a believer in UFOs: "So far as I could determine, Santessen was skeptical about such things, but felt that all sides deserved a hearing and also that the controversies were good for circulation."
198:
was in digest format, dated June–July 1953, and priced at 50 cents. This was higher than any of the competing magazines, but it also had the highest page count in the field at the time, with 192 pages. The initial editorial team was
219:
enjoyed good distribution from the start—a key factor in a magazine's success. Merwin left after three issues, and after a brief period in which
Beatrice Jones was editor, Margulies took over as editor with the May 1954 issue.
162:, who refused to carry the pulp magazines since they were no longer profitable; the loss of profitability was in turn associated with the rise in mass-market science fiction publishing, with paperback publishers such as
177:
was launched in the midst of this publishing boom. The publisher was King-Size
Publications, founded by Leo Margulies and H. L. Herbert. Margulies had been in the pulp industry since 1932, having worked for
280:"published second-rank work by many well-known writers", and was one of the "magazines that never seem to ... publish much worthwhile material", and sf critic and historian Brian Stableford describes
448:
appeared in the last few months of the magazine, "Two
Thousand Years of Space Travel", and "To Mars and Venus in the Gay Nineties", on early science fiction; these had been intended for publication in
1807:
229:
1812:
1792:
150:
The early 1950s saw dramatic changes in the world of U.S. science fiction (sf) publishing. At the start of 1949, all but one of the major magazines in the field were in
468:
232:, and it was significantly redesigned. The size was increased to that of a glossy magazine, although the magazine was still bound rather than
1802:
1771:
114:
The magazine is not highly regarded by science fiction historians, but some well-received stories appeared, including "Who?", by
182:
and then for Beacon
Magazines, where he had had overall responsibility for all their titles, including several sf pulps such as
1797:
1313:
1660:
1567:
1679:
1755:
1733:
1707:
1641:
1613:
1589:
1548:
1525:
1502:
1479:
1457:
475:'s "The Mind Thing" had begun serialization in that issue; it was eventually published in book form later that year.
130:. Under Santesson's tenure the quality declined somewhat, and the magazine became known for printing much
134:-related material. A collection of stories from the magazine, edited by Santesson, appeared in 1960 from
131:
451:
190:
99:
45:
233:
1689:
1623:
437:
404:
310:
published several significant stories during its seven-year history. These included stories from
154:
format; by the end of 1955, almost all sf magazines had either ceased publication or switched to
207:
as editor; this was a combination familiar to science fiction fans from their years together at
389:
342:
1512:
Ashley, Mike (1985b). "Satellite
Science Fiction". In Tymn, Marshall B.; Ashley, Mike (eds.).
1725:
1699:
1692:& Nicholls, Peter (1993). "Pulp magazines". In Clute, John & Nicholls, Peter (eds.).
1633:
349:
225:
159:
108:
1513:
1490:
1417:
1467:
1445:
8:
380:
319:
127:
1560:
The Rise of the Cyberzines: The Story of the Science-Fiction Magazines from 1991 to 2020
1537:
1489:
Ashley, Mike (1985a). "Fantastic Universe". In Tymn, Marshall B.; Ashley, Mike (eds.).
963:
361:
323:
123:
1344:
455:, one of the magazines Margulies had started when he left King-Size Publications, but
1751:
1729:
1703:
1693:
1675:
1656:
1637:
1627:
1609:
1603:
1585:
1563:
1544:
1521:
1514:
1498:
1491:
1475:
1453:
1391:
1196:
429:
293:
184:
1321:
1287:
1240:
1140:
1775:
1717:
315:
257:
167:
119:
989:
825:
showing volume and issue numbers. The colors identify the editors of each issue:
211:, which Merwin had edited from 1945 to 1951. King-Size Publications also produced
335:
118:, which formed the basis for Budrys's novel of that name, and several stories of
1743:
1720:(1981). "Fantastic Universe". In Nicholls, Peter & Nicholls, Peter (eds.).
1599:
1118:
888:
433:
425:
384:
311:
297:
261:
34:
1786:
1539:
Transformations: The Story of the Science Fiction Magazines from 1950 to 1970
904:
892:
472:
464:
445:
409:
373:
200:
151:
135:
104:
441:
397:
368:
265:
179:
115:
896:
417:
301:
269:
155:
1626:(1993). "Pulp magazines". In Clute, John & Nicholls, Peter (eds.).
1577:
900:
273:
204:
244:
Santesson did later edit an anthology drawn from the magazine, titled
228:
with the September 1956 issue. In late 1959 the magazine was sold to
158:
format. This change was largely the work of the distributors, such as
1605:
The World of Science Fiction and Fantasy: The History of a Subculture
163:
962:
Ashley, Mike; Stableford, Brian; Nicholls, Peter (March 12, 2019).
874:
June–July 1953 to October–November 1953: Sam Merwin Jr. (3 issues)
285:
1808:
Defunct science fiction magazines published in the United States
28:
883:
September 1956 to March 1960: Hans Stefan Santesson (38 issues)
863:
new publisher. The last issue cut the page count to 96 pages.
903:, and towards the end there was a long sequence of covers by
1520:. Westport, Connecticut: Greenwood Press. pp. 493–497.
1497:. Westport, Connecticut: Greenwood Press. pp. 250–254.
1472:
The History of the Science Fiction Magazine Part 4 1956–1965
1450:
The History of the Science Fiction Magazine Vol. 3 1946–1955
1748:
The Encyclopedia of Science Fiction and Fantasy: Volume 3
961:
1516:
Science Fiction, Fantasy, and Weird Fiction Magazines
1493:
Science Fiction, Fantasy, and Weird Fiction Magazines
877:
January 1954 to March 1954: Beatrice Jones (2 issues)
407:(December 1959). Formed the basis of Brunner's novel
356:
Other notable and widely reprinted stories included:
1286:
Nicholls, Jack; Nicholls, Peter (February 2, 2017).
424:
Other writers who appeared in the magazine included
371:(April 1955). Formed the basis for Budrys's novel,
1813:Bimonthly magazines published in the United States
1793:Science fiction magazines established in the 1950s
1536:
880:May 1954 to August 1956: Leo Margulies (26 issues)
471:. However, the March 1960 issue was the last one.
1784:
1285:
1119:"Bibliography: The Fantastic Universe Omnibus"
400:(October 1956). One of Asimov's robot stories.
1582:Science Fiction: The Illustrated Encyclopedia
467:wrote two detailed historical articles about
345:" (as "Conan, Man of Destiny", December 1955)
1415:
1389:
1342:
1311:
1238:
1194:
1138:
1095:
1093:
1091:
1089:
1087:
916:
1562:. Liverpool: Liverpool University Press.
1543:. Liverpool: Liverpool University Press.
1276:Stableford & Nicholls (1993), p. 405.
326:. Three of the stories were published in
251:
1084:
478:
387:(January 1956). The basis for the movie
364:(writing as Idris Seabright, July 1954).
16:U.S. science fiction magazine, 1953–1960
1034:
1032:
1030:
988:Edwards, Malcolm (September 12, 2022).
987:
1785:
1223:
1028:
1026:
1024:
1022:
1020:
1018:
1016:
1014:
1012:
1010:
459:had ceased publication in early 1959.
330:, two before the book, and one after:
145:
1772:Archived Fantastic Universe magazines
1385:
1383:
1272:
1270:
1163:
1161:
1750:. Chicago: Advent: Publishers, Inc.
1452:. Chicago: Contemporary Books, Inc.
1111:
1059:
1057:
1055:
1053:
957:
955:
256:The first issue included stories by
1722:The Encyclopedia of Science Fiction
1695:The Encyclopedia of Science Fiction
1629:The Encyclopedia of Science Fiction
1314:"Magazine Contents Lists: Page 752"
1292:The Encyclopedia of Science Fiction
1141:"Magazine Contents Lists: Page 749"
1007:
994:The Encyclopedia of Science Fiction
968:The Encyclopedia of Science Fiction
13:
1380:
1267:
1158:
14:
1824:
1765:
1672:Leo Margulies: Giant of the Pulps
1050:
952:
1803:Magazines disestablished in 1960
1584:. New York: Dorling Kindersley.
27:
1474:. London: New English Library.
1409:
1371:
1362:
1336:
1305:
1279:
1258:
1232:
1214:
1188:
1179:
1170:
1132:
1102:
1075:
1066:
559:
554:
1608:. New York: Ballantine Books.
1041:
981:
943:
934:
925:
246:The Fantastic Universe Omnibus
140:The Fantastic Universe Omnibus
126:to feature Howard's character
33:November 1954 issue; cover by
1:
1798:Magazines established in 1953
1655:. Basingstoke, UK: Palgrave.
910:
1377:Ashley (1985b), pp. 493–497.
1229:del Rey (1979), pp. 166–167.
1081:Sherman (2017), pp. 148–149.
1063:Ashley (1985a), pp. 250–254.
213:The Saint Detective Magazine
7:
1651:Shaw, Debra Benita (2000).
949:Ashley (1976), pp. 323–325.
922:Ashley (1976), pp. 105–106.
849: Hans Stefan Santesson
230:Great American Publications
55:Leo Margulies, H.L. Herbert
10:
1829:
1698:(2nd ed.). New York:
1653:Women, Science and Fiction
1632:(2nd ed.). New York:
1438:
1241:"Index by Name: Page 1591"
1197:"Index by Date: Page 1176"
1185:Stableford (1981), p. 209.
820:
1345:"Index by Name: Page 583"
1167:Ashley (1978), pp. 15–16.
1047:Ashley (2005), pp. 64–65.
1038:Tuck (1982), pp. 560–561.
964:"SFE: Fantastic Universe"
544:
541:
538:
452:Satellite Science Fiction
360:"Short in the Chest", by
83:
75:
67:
59:
51:
41:
26:
1670:Sherman, Philip (2017).
1416:Stephensen-Payne, Phil.
1390:Stephensen-Payne, Phil.
1343:Stephensen-Payne, Phil.
1312:Stephensen-Payne, Phil.
1239:Stephensen-Payne, Phil.
1195:Stephensen-Payne, Phil.
1139:Stephensen-Payne, Phil.
940:Nicholls (1993), p. 979.
847:
841:
835:
829:
403:"Curative Telepath", by
239:Circulation figures for
215:, which was popular, so
209:Thrilling Wonder Stories
191:Thrilling Wonder Stories
100:science fiction magazine
46:Science fiction magazine
1726:St. Martin's Press, Inc
1700:St. Martin's Press, Inc
1674:. Boston: Altus Press.
1634:St. Martin's Press, Inc
1072:Sherman (2017), p. 158.
314:, a collection of four
1368:Ashley (2005), p. 194.
1288:"SFE: Minority Report"
1220:Ashley (2005), p. 182.
1108:Ashley (2020), p. 405.
343:The Road of the Eagles
252:Contents and reception
194:. The first issue of
1558:Ashley, Mike (2022).
1535:Ashley, Mike (2005).
1176:Clute (1995), p. 103.
1099:Ashley (1978), p. 28.
990:"SFE: Margulies, Leo"
931:Ashley (1976), p. 88.
479:Bibliographic details
350:The Blood-Stained God
318:stories rewritten as
226:Hans Stefan Santesson
160:American News Company
109:Hans Stefan Santesson
1636:. pp. 978–980.
1418:"Magazine Data File"
1392:"Fantastic Universe"
837: Beatrice Jones
416:"The Large Ant", by
1264:Shaw (2000), p. 92.
843: Leo Margulies
444:. Two articles by
381:The Minority Report
284:as "the poor man's
146:Publication history
128:Conan the Barbarian
23:
1724:. St. Albans, UK:
870:The editors were:
860:Fantastic Universe
823:Fantastic Universe
362:Margaret St. Clair
328:Fantastic Universe
324:L. Sprague de Camp
308:Fantastic Universe
282:Fantastic Universe
278:Fantastic Universe
241:Fantastic Universe
217:Fantastic Universe
203:as publisher, and
196:Fantastic Universe
175:Fantastic Universe
124:L. Sprague de Camp
103:main editors were
95:Fantastic Universe
21:Fantastic Universe
19:
1718:Stableford, Brian
1690:Stableford, Brian
1662:978-1-349-40999-0
1569:978-1-80085-648-6
1324:on April 25, 2024
887:Cover art was by
855:
854:
430:Jorge Luis Borges
294:Ivan T. Sanderson
185:Startling Stories
122:'s, rewritten by
91:
90:
1820:
1776:Internet Archive
1761:
1739:
1713:
1685:
1666:
1647:
1619:
1595:
1573:
1554:
1542:
1531:
1519:
1508:
1496:
1485:
1463:
1433:
1432:
1430:
1428:
1422:Galactic Central
1413:
1407:
1406:
1404:
1402:
1396:Galactic Central
1387:
1378:
1375:
1369:
1366:
1360:
1359:
1357:
1355:
1349:Galactic Central
1340:
1334:
1333:
1331:
1329:
1320:. Archived from
1318:Galactic Central
1309:
1303:
1302:
1300:
1298:
1283:
1277:
1274:
1265:
1262:
1256:
1255:
1253:
1251:
1245:Galactic Central
1236:
1230:
1227:
1221:
1218:
1212:
1211:
1209:
1207:
1201:Galactic Central
1192:
1186:
1183:
1177:
1174:
1168:
1165:
1156:
1155:
1153:
1151:
1145:Galactic Central
1136:
1130:
1129:
1127:
1125:
1115:
1109:
1106:
1100:
1097:
1082:
1079:
1073:
1070:
1064:
1061:
1048:
1045:
1039:
1036:
1005:
1004:
1002:
1000:
985:
979:
978:
976:
974:
959:
950:
947:
941:
938:
932:
929:
923:
920:
850:
848:
844:
842:
838:
836:
832:
831: Sam Merwin
830:
483:
482:
420:(February 1960).
396:"First Law", by
338:" (October 1955)
316:Robert E. Howard
258:Arthur C. Clarke
168:Ballantine Books
120:Robert E. Howard
107:(1954–1956) and
31:
24:
18:
1828:
1827:
1823:
1822:
1821:
1819:
1818:
1817:
1783:
1782:
1768:
1758:
1744:Tuck, Donald H.
1742:
1736:
1728:. p. 209.
1716:
1710:
1702:. p. 405.
1688:
1682:
1681:978-161827298-0
1669:
1663:
1650:
1644:
1624:Nicholls, Peter
1622:
1616:
1600:del Rey, Lester
1598:
1592:
1576:
1570:
1557:
1551:
1534:
1528:
1511:
1505:
1488:
1482:
1468:Ashley, Michael
1466:
1460:
1446:Ashley, Michael
1444:
1441:
1436:
1426:
1424:
1414:
1410:
1400:
1398:
1388:
1381:
1376:
1372:
1367:
1363:
1353:
1351:
1341:
1337:
1327:
1325:
1310:
1306:
1296:
1294:
1284:
1280:
1275:
1268:
1263:
1259:
1249:
1247:
1237:
1233:
1228:
1224:
1219:
1215:
1205:
1203:
1193:
1189:
1184:
1180:
1175:
1171:
1166:
1159:
1149:
1147:
1137:
1133:
1123:
1121:
1117:
1116:
1112:
1107:
1103:
1098:
1085:
1080:
1076:
1071:
1067:
1062:
1051:
1046:
1042:
1037:
1008:
998:
996:
986:
982:
972:
970:
960:
953:
948:
944:
939:
935:
930:
926:
921:
917:
913:
846:
845:
840:
839:
834:
833:
828:
827:
481:
390:Minority Report
336:Hawks Over Shem
268:. According to
254:
148:
37:
17:
12:
11:
5:
1826:
1816:
1815:
1810:
1805:
1800:
1795:
1779:
1778:
1767:
1766:External links
1764:
1763:
1762:
1756:
1740:
1734:
1714:
1708:
1686:
1680:
1667:
1661:
1648:
1642:
1620:
1614:
1596:
1590:
1574:
1568:
1555:
1549:
1532:
1526:
1509:
1503:
1486:
1480:
1464:
1458:
1440:
1437:
1435:
1434:
1408:
1379:
1370:
1361:
1335:
1304:
1278:
1266:
1257:
1231:
1222:
1213:
1187:
1178:
1169:
1157:
1131:
1110:
1101:
1083:
1074:
1065:
1049:
1040:
1006:
980:
951:
942:
933:
924:
914:
912:
909:
889:Alex Schomburg
885:
884:
881:
878:
875:
853:
852:
818:
817:
815:
813:
811:
809:
807:
805:
803:
801:
799:
796:
793:
790:
786:
785:
782:
779:
776:
773:
771:
768:
766:
763:
761:
758:
756:
753:
749:
748:
746:
743:
740:
737:
734:
731:
728:
725:
722:
719:
716:
713:
709:
708:
705:
702:
699:
696:
693:
690:
687:
684:
681:
678:
675:
672:
668:
667:
664:
661:
658:
655:
652:
649:
646:
643:
640:
637:
634:
631:
627:
626:
623:
620:
617:
614:
611:
608:
605:
602:
599:
596:
593:
590:
586:
585:
582:
579:
576:
573:
571:
568:
566:
563:
561:
558:
556:
553:
549:
548:
546:
543:
540:
537:
535:
533:
531:
529:
527:
523:
522:
519:
516:
513:
510:
507:
504:
501:
498:
495:
492:
489:
486:
480:
477:
438:Harry Harrison
434:Clifford Simak
426:Harlan Ellison
422:
421:
414:
401:
394:
385:Philip K. Dick
377:
365:
354:
353:
352:" (April 1956)
346:
339:
312:Tales of Conan
298:Kenneth Arnold
262:Philip K. Dick
253:
250:
234:saddle-stapled
147:
144:
89:
88:
85:
81:
80:
77:
73:
72:
69:
65:
64:
63:June–July 1953
61:
57:
56:
53:
49:
48:
43:
39:
38:
35:Alex Schomburg
32:
15:
9:
6:
4:
3:
2:
1825:
1814:
1811:
1809:
1806:
1804:
1801:
1799:
1796:
1794:
1791:
1790:
1788:
1781:
1777:
1773:
1770:
1769:
1759:
1757:0-911682-26-0
1753:
1749:
1745:
1741:
1737:
1735:0-586-05380-8
1731:
1727:
1723:
1719:
1715:
1711:
1709:0-312-09618-6
1705:
1701:
1697:
1696:
1691:
1687:
1683:
1677:
1673:
1668:
1664:
1658:
1654:
1649:
1645:
1643:0-312-09618-6
1639:
1635:
1631:
1630:
1625:
1621:
1617:
1615:0-345-25452-X
1611:
1607:
1606:
1601:
1597:
1593:
1591:0-7894-0185-1
1587:
1583:
1579:
1575:
1571:
1565:
1561:
1556:
1552:
1550:0-85323-779-4
1546:
1541:
1540:
1533:
1529:
1527:0-313-21221-X
1523:
1518:
1517:
1510:
1506:
1504:0-313-21221-X
1500:
1495:
1494:
1487:
1483:
1481:0-450-03438-0
1477:
1473:
1469:
1465:
1461:
1459:0-8092-7842-1
1455:
1451:
1447:
1443:
1442:
1423:
1419:
1412:
1397:
1393:
1386:
1384:
1374:
1365:
1350:
1346:
1339:
1323:
1319:
1315:
1308:
1293:
1289:
1282:
1273:
1271:
1261:
1246:
1242:
1235:
1226:
1217:
1202:
1198:
1191:
1182:
1173:
1164:
1162:
1146:
1142:
1135:
1120:
1114:
1105:
1096:
1094:
1092:
1090:
1088:
1078:
1069:
1060:
1058:
1056:
1054:
1044:
1035:
1033:
1031:
1029:
1027:
1025:
1023:
1021:
1019:
1017:
1015:
1013:
1011:
995:
991:
984:
969:
965:
958:
956:
946:
937:
928:
919:
915:
908:
906:
905:Virgil Finlay
902:
898:
894:
893:Ed Emshwiller
890:
882:
879:
876:
873:
872:
871:
868:
864:
861:
851:
824:
819:
816:
814:
812:
810:
808:
806:
804:
802:
800:
797:
794:
791:
788:
787:
783:
780:
777:
774:
772:
769:
767:
764:
762:
759:
757:
754:
751:
750:
747:
744:
741:
738:
735:
732:
729:
726:
723:
720:
717:
714:
711:
710:
706:
703:
700:
697:
694:
691:
688:
685:
682:
679:
676:
673:
670:
669:
665:
662:
659:
656:
653:
650:
647:
644:
641:
638:
635:
632:
629:
628:
624:
621:
618:
615:
612:
609:
606:
603:
600:
597:
594:
591:
588:
587:
583:
580:
577:
574:
572:
569:
567:
564:
562:
557:
551:
550:
547:
536:
534:
532:
530:
528:
525:
524:
520:
517:
514:
511:
508:
505:
502:
499:
496:
493:
490:
487:
485:
484:
476:
474:
473:Fredric Brown
470:
466:
465:Sam Moskowitz
460:
458:
454:
453:
447:
446:Sam Moskowitz
443:
439:
435:
431:
427:
419:
415:
412:
411:
410:The Whole Man
406:
402:
399:
395:
392:
391:
386:
382:
378:
376:
375:
370:
366:
363:
359:
358:
357:
351:
347:
344:
340:
337:
333:
332:
331:
329:
325:
321:
317:
313:
309:
305:
303:
299:
295:
289:
287:
283:
279:
275:
271:
267:
263:
259:
249:
247:
242:
237:
235:
231:
227:
221:
218:
214:
210:
206:
202:
201:Leo Margulies
197:
193:
192:
187:
186:
181:
176:
172:
169:
165:
161:
157:
153:
143:
141:
137:
136:Prentice-Hall
133:
129:
125:
121:
117:
112:
111:(1956–1960).
110:
106:
105:Leo Margulies
101:
97:
96:
86:
82:
79:United States
78:
74:
70:
66:
62:
58:
54:
50:
47:
44:
40:
36:
30:
25:
22:
1780:
1747:
1721:
1694:
1671:
1652:
1628:
1604:
1581:
1559:
1538:
1515:
1492:
1471:
1449:
1425:. Retrieved
1421:
1411:
1399:. Retrieved
1395:
1373:
1364:
1352:. Retrieved
1348:
1338:
1326:. Retrieved
1322:the original
1317:
1307:
1295:. Retrieved
1291:
1281:
1260:
1248:. Retrieved
1244:
1234:
1225:
1216:
1204:. Retrieved
1200:
1190:
1181:
1172:
1148:. Retrieved
1144:
1134:
1122:. Retrieved
1113:
1104:
1077:
1068:
1043:
997:. Retrieved
993:
983:
971:. Retrieved
967:
945:
936:
927:
918:
886:
869:
865:
859:
856:
826:
822:
461:
456:
450:
442:Robert Bloch
423:
408:
405:John Brunner
398:Isaac Asimov
388:
372:
369:Algis Budrys
355:
327:
307:
306:
290:
281:
277:
266:Ray Bradbury
255:
245:
240:
238:
222:
216:
212:
208:
195:
189:
183:
180:Frank Munsey
174:
173:
149:
139:
116:Algis Budrys
113:
94:
93:
92:
20:
1578:Clute, John
897:Kelly Freas
418:Howard Fast
367:"Who?", by
322:stories by
302:Gray Barker
270:Donald Tuck
98:was a U.S.
68:Final issue
60:First issue
1787:Categories
911:References
901:Mel Hunter
821:Issues of
274:John Clute
205:Sam Merwin
71:March 1960
42:Categories
1427:April 25,
1401:April 23,
1354:April 25,
1328:April 25,
1297:April 25,
1250:April 25,
1206:April 26,
1150:April 26,
999:April 23,
973:April 23,
457:Satellite
164:Ace Books
138:, titled
52:Publisher
1746:(1982).
1602:(1979).
1580:(1995).
1470:(1978).
1448:(1976).
469:proto-sf
286:F&SF
84:Language
1774:on the
1439:Sources
1124:21 July
87:English
76:Country
1754:
1732:
1706:
1678:
1659:
1640:
1612:
1588:
1566:
1547:
1524:
1501:
1478:
1456:
899:, and
440:, and
383:", by
300:, and
264:, and
156:digest
798:12/5
795:12/4
792:12/3
789:1960
784:12/2
781:12/1
778:11/6
775:11/5
770:11/4
765:11/3
760:11/2
755:11/1
752:1959
745:10/5
742:10/4
739:10/3
736:10/2
733:10/1
712:1958
671:1957
630:1956
589:1955
552:1954
526:1953
320:Conan
1752:ISBN
1730:ISBN
1704:ISBN
1676:ISBN
1657:ISBN
1638:ISBN
1610:ISBN
1586:ISBN
1564:ISBN
1545:ISBN
1522:ISBN
1499:ISBN
1476:ISBN
1454:ISBN
1429:2024
1403:2024
1356:2024
1330:2024
1299:2024
1252:2024
1208:2024
1152:2024
1126:2007
1001:2024
975:2024
730:9/6
727:9/5
724:9/4
721:9/3
718:9/2
715:9/1
707:8/6
704:8/5
701:8/4
698:8/3
695:8/2
692:8/1
689:7/6
686:7/5
683:7/4
680:7/3
677:7/2
674:7/1
666:6/5
663:6/4
660:6/3
657:6/2
654:6/1
651:5/6
648:5/5
645:5/4
642:5/3
639:5/2
636:5/1
633:4/6
625:4/5
622:4/4
619:4/3
616:4/2
613:4/1
610:3/6
607:3/5
604:3/4
601:3/3
598:3/2
595:3/1
592:2/6
584:2/5
581:2/4
578:2/3
575:2/2
570:2/1
565:1/6
560:1/5
555:1/4
545:1/3
542:1/2
539:1/1
521:Dec
518:Nov
515:Oct
512:Sep
509:Aug
506:Jul
503:Jun
500:May
497:Apr
494:Mar
491:Feb
488:Jan
374:Who?
188:and
166:and
152:pulp
288:".
132:UFO
1789::
1420:.
1394:.
1382:^
1347:.
1316:.
1290:.
1269:^
1243:.
1199:.
1160:^
1143:.
1086:^
1052:^
1009:^
992:.
966:.
954:^
907:.
895:,
891:,
436:,
432:,
428:,
296:,
276:,
260:,
248:.
236:.
142:.
1760:.
1738:.
1712:.
1684:.
1665:.
1646:.
1618:.
1594:.
1572:.
1553:.
1530:.
1507:.
1484:.
1462:.
1431:.
1405:.
1358:.
1332:.
1301:.
1254:.
1210:.
1154:.
1128:.
1003:.
977:.
413:.
393:.
379:"
348:"
341:"
334:"
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.