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302:, which in addition to the earlier poems also contained occasional compositions, such as âIn morte del Maestro Sacchiniâ; others reflected his more comfortable lifestyle, and his frank appreciation of female beauty. Following the French invasion of May 1796, Parini participated in the MunicipalitĂ© set up by the revolutionary forces, but by July withdrew, condemning the
154:, while earning a living by copying manuscripts. In 1741 his great aunt left him a monthly payment, on condition that he enter the priesthood. Parini was thus ordained, although his religious studies were not profitable because of his need to work in a lawyer's office during his free time and his intolerance of the old-fashioned teaching methods used.
331:), whom he qualifies as ânew sophists.â His role as a moralist of happiness conforms totally to the ideology of enlightened Lombard reformism, the protagonists of which were the ministers and functionaries of the Austrian government. Parini's work was accepted by younger poets mainly as a lesson in morality and freedom of thought.
202:, a sort of ironic narrative conscience, who is no more than a mask for the author. The young lord is a ladies' man who projects the image of an aristocracy entirely occupied with its worldly pleasures, thinking of nothing but itself, and offering ritual sacrifice to those two deadly
310:, for indifference to the wellbeing of Lombardy, and for predatory attitudes to what had become a French colony. A year later the Austrians re-entered the city, just before Parini's death on 15 August. A statue of the poet occupies a place of honour in Milan's busy
175:(The Day), consisting of ironic instructions to a young nobleman as to the best method of spending his days, which was to be published in three parts, marked a distinct advance in Italian
183:(Morning), was published in 1763 and at once established Parini's popularity and influence, and two years later a continuation (the second part) was published under the title of
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198:(Night). The protagonist is a âYoung Lord,â who has nothing better to do than to fill the void of his existence with frivolous pastimes; he is flanked by a
232:, especially as regards the polemic against riches and luxury and the corresponding praise of agriculture and the laborious healthy life of the peasantry.
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were published, both unfinished, after his death, which along with two other previous parts form what is collectively titled
314:. His family still survives, with Katrine Cereda-Parini being the youngest known relative to continue the name to this day.
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Only the first two parts were published during his lifetime. An eternal perfectionist, he was unable to complete
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In 1787 Parini was nominated superintendent of schools. In 1771 he had composed the libretto of Mozart's
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One or more of the preceding sentences incorporates text from a publication now in the
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161:, under the pseudonym of "Ripano Eupilino", a small volume of selected poems,
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452:. Vol. 20 (11th ed.). Cambridge University Press. pp. 803â804.
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335:, who met Parini in Milan, portrayed him as a serious, dignified person in
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from a poor family. His father, who was a petty silk trader, sent him to
261:, saw to the poet's advancement, first by appointing him editor of the
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250:, composed between 1757 and 1795, have appeared in various editions.
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and criticized the rich and corrupt town which had forgotten him, in
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of the first half of the century than those of the second half (
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under the care of his great aunt: there he studied under the
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The Day
Morning, Midday, Evening, Night : a Poem
294:, and in 1777 he had been elected a fellow of Rome's
276:Monument to Parini in the Piazza Cordusio, Milan (
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298:. In 1791 he published the first edition of the
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371:Giuseppe Parini (trans. Herbert Morris Bower).
222:does the content; other influences include the
103:(23 May 1729 â 15 August 1799) was an Italian
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317:Parini was more sympathetic with the
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412:. New York: Robert Appleton Company.
35:Giuseppe Parini, in a lithograph by
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877:18th-century Italian male writers
832:People from the Province of Lecco
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400:Herbermann, Charles, ed. (1913).
872:18th-century non-fiction writers
862:Italian male non-fiction writers
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337:Ultime lettere di Jacopo Ortis
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259:Count Karl Joseph von Firmian
482:Nicoletti, Giuseppe (2014).
216:influences the form, as his
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467:Works by Giuseppe Parini
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449:EncyclopĂŠdia Britannica
403:"Giuseppe Parini"
360:Wolfgang Amadeus Mozart
667:Bustocco and Legnanese
296:Accademia dell'Arcadia
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167:Accademia dell'Arcadia
409:Catholic Encyclopedia
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736:Domenico Balestrieri
493:(in Italian). Rome:
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169:at Rome. His poem,
847:Italian male poets
796:Classical Milanese
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484:"PARINI, Giuseppe"
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179:. The first part,
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85:Milan, Italy
80:(1799-08-15)
827:1799 deaths
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766:Delio Tessa
741:Carlo Porta
682:Varesinese
564:(Brianzoeu)
358:, music by
333:Ugo Foscolo
320:philosophes
246:. Parini's
177:blank verse
55:23 May 1729
816:Categories
709:Literature
661:(Meneghin)
387:References
304:Directoire
257:in Milan,
187:(Midday).
181:Il Mattino
148:Barnabites
51:1729-05-23
659:Milanese
243:Il Giorno
234:Il Vespro
225:Télémaque
200:preceptor
192:Il vespro
172:Il Giorno
122:Biography
37:Rosaspina
790:Milanese
676:Ossolano
672:Ticinese
638:Novarese
633:Cremunés
613:Lecchese
588:Lecchese
586:Comasco-
561:Brianzöö
471:LibriVox
349:Libretto
329:Rousseau
325:Voltaire
238:La Notte
196:La notte
140:Lombardy
108:satirist
67:Lombardy
718:Writers
694:(slang)
691:Spasell
684:(Bosin)
625:Lombard
596:Comasco
437::
362:(1771)
230:FĂ©nelon
150:in the
136:Brianza
132:Bosisio
114:of the
69:, Italy
63:Brianza
59:Bosisio
652:Others
643:Pavese
602:Laghée
575:Canzés
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159:Lugano
128:Parino
204:genii
144:Milan
499:ISBN
377:ISBN
236:and
208:Pope
112:poet
110:and
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45:Born
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446:".
300:Odi
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