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Il giorno (poem)

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231: 340: 326: 171:(The Morning), Parini writes about the beginning of a young man's day. It begins with his waking up and continues with the breakfast and the choice of it. The young man can choose between several drinks, from chocolate (if he needs to digest the dinner of the last night) to coffee (if he tends to become fat). It continues with some welcome and unwelcome meetings, the 291:
The ostensible purpose of this poem is to give instructions, in immense detail, about how to fill the "simple day" of a young aristocratic man. It clearly gives an ironic vision of this class, as Parini ostensibly exalts the aristocracy but in reality gives a critical vision of them. (When the young
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The two lovers go to a meeting. In this phase the author describes people in the hall and makes some comments about them. Then, all the people play cards together and at the end of this, the day of the young man is concluded. He will go to sleep at the dead of night to get up late the following
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The young man, on arriving at the lady's house, eats with her and meets the husband of the lady, who appears bored and frigid, but not in the least resentful of the presence of the lover (he probably has a mistress of his own somewhere). Lunch is followed by coffee and games.
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The effect of the poem depends on the comic contrast between the banality and futility of the day of the young man and the exalted epic style of the writing used by the author to describe it, drawing heavily on
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and the reading of some letters. Then he gets out to meet his lady (aristocratic ladies of this period of time had both a husband and a gallant, called a
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man visits the baths, he may feel some faint suspicion, swiftly dismissed, that he is the same type of creature as men of common clay.)
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The young man and the lady meet friends and wander about the streets with a carriage while they speak about several things.
381: 278: 252: 260: 368:"Ove pennello industre l'imagin tua ritrasse": i gusti e gli studi del Giovin Signore nell'Italia del Settecento 256: 241: 245: 121:(1729–1799), first published in 1763. It is an ironic and satirical representation of the 406: 401: 144:("Morning", "Midday" and "Evening"). The last part was later divided into two separate parts, 306: 8: 396: 70: 48: 118: 35: 353: 311: 304:(70 BC – 19 BC). The technique is somewhat similar to that of 390: 345: 331: 122: 125:
of his time. His poem represents the beginning of polite literature in
105: 230: 177: 339: 371:, "Rivista storica italiana", 128, 1 (aprile 2016), pp. 106-148 301: 297: 126: 60: 100: 321: 382:This and other poems of Parini in Italian on line 184: 388: 132:It was originally divided into three parts: 259:. Unsourced material may be challenged and 279:Learn how and when to remove this message 389: 257:adding citations to reliable sources 224: 117:" ("The Day") is a poem written by 13: 14: 418: 375: 338: 324: 229: 359: 1: 160: 199: 16:1763 poem by Giuseppe Parini 7: 317: 209: 10: 423: 300:(ca. 8th century BC) and 181:, to pass the day with). 152:("Evening" and "Night"). 99: 91: 76: 66: 56: 42: 32: 21: 220: 155: 307:The Rape of the Lock 253:improve this section 314:(1688–1744). 365:Alessandro Cont, 289: 288: 281: 111: 110: 414: 348: 343: 342: 334: 329: 328: 327: 284: 277: 273: 270: 264: 233: 225: 87: 85: 77:Publication date 52: 38: 28: 19: 18: 422: 421: 417: 416: 415: 413: 412: 411: 387: 386: 378: 362: 344: 337: 330: 325: 323: 320: 285: 274: 268: 265: 250: 234: 223: 214: 204: 193: 165: 158: 119:Giuseppe Parini 83: 81: 46: 36:Giuseppe Parini 33: 26: 22: 17: 12: 11: 5: 420: 410: 409: 404: 399: 385: 384: 377: 376:External links 374: 373: 372: 361: 358: 357: 356: 354:1763 in poetry 350: 349: 335: 319: 316: 312:Alexander Pope 287: 286: 237: 235: 228: 222: 219: 213: 208: 203: 198: 192: 186:Il mezzogiorno 183: 164: 159: 157: 154: 138:Il mezzogiorno 109: 108: 103: 97: 96: 93: 89: 88: 78: 74: 73: 68: 64: 63: 58: 54: 53: 44: 43:Original title 40: 39: 30: 29: 15: 9: 6: 4: 3: 2: 419: 408: 407:Italian poems 405: 403: 402:1763 in Italy 400: 398: 395: 394: 392: 383: 380: 379: 370: 369: 364: 363: 355: 352: 351: 347: 346:Poetry portal 341: 336: 333: 322: 315: 313: 309: 308: 303: 299: 293: 283: 280: 272: 262: 258: 254: 248: 247: 243: 238:This section 236: 232: 227: 226: 218: 212: 207: 202: 197: 191: 187: 182: 180: 179: 174: 170: 163: 153: 151: 147: 143: 139: 135: 130: 128: 124: 120: 116: 107: 104: 102: 98: 94: 90: 79: 75: 72: 69: 65: 62: 59: 55: 50: 45: 41: 37: 31: 25: 20: 367: 360:Bibliography 332:Italy portal 305: 294: 290: 275: 269:January 2012 266: 251:Please help 239: 215: 210: 205: 200: 194: 189: 185: 176: 172: 168: 166: 161: 149: 145: 141: 137: 133: 131: 114: 112: 23: 123:aristocracy 47:Il giorno ( 27:("The Day") 397:1763 poems 391:Categories 310:(1712) by 169:Il mattino 162:Il mattino 134:Il mattino 240:does not 217:morning. 201:Il vespro 146:Il vespro 115:Il giorno 106:563480692 24:Il giorno 318:See also 211:La notte 190:Meriggio 178:cicisbeo 173:toeletta 150:La notte 67:Language 261:removed 246:sources 188:or the 142:La sera 82: ( 71:Italian 57:Country 49:Italian 302:Vergil 298:Homer 221:Style 127:Italy 92:Pages 61:Italy 244:any 242:cite 156:Plot 148:and 140:and 101:OCLC 84:1763 80:1763 255:by 167:In 34:by 393:: 136:, 129:. 95:62 282:) 276:( 271:) 267:( 263:. 249:. 113:" 86:) 51:)

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Giuseppe Parini
Italian
Italy
Italian
OCLC
563480692
Giuseppe Parini
aristocracy
Italy
cicisbeo

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