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Gregorio de Laferrère

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20: 143:("Barranco's Girls"), which premiered on April 24, 1908. The play, a work of social criticism dealing with a military officer's death and his nearly destitute widow's efforts to marry her three daughters off to moneyed bachelors, ran for 146 performances, and in 1921, was staged for a 139:("Into the Clutches"), a tragedy dealing with the consequences of malicious gossip, Laferrère secured congressional funding for the Lavardén Dramatic Conservatory, the first of its type in Argentina. The group produced his fourth and most successful play, 158:'s company. The comedy, centered on an otherwise ordinary shopkeeper's sudden obsession with ghosts, was less successful than its predecessors, however. He joined Honorio Luque and Dr. Pedro Luro (who had earlier developed what became the 303: 81:, a newly established town west of Buenos Aires; taking office after a heated campaign, he reportedly arrived at City Hall for his inaugural in disguise. He resigned his post in 1892, and approached the new leader of the 125:
among its audience during its May 30 premiere, and went on to become a box office success. He was reunited with the prestigious Jerónimo Podestá Theatre Company for the May 6, 1905, premiere of his second play,
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Laferrère had, from an early age, written as a hobby, without having published his work. Long a patron of the former San Martín Theatre on Buenos Aires' downtown Esmeralda Street, he first had a play,
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Following a brief illness, however, Gregorio de Laferrère died in Buenos Aires in 1913, at age 46. His business partners subsequently renamed the new settlement in his honor.
62:, he lost his father to a sudden illness while in the French capital; there, however, he became acquainted with the theatre after attending a number of performances of 132:("Summer Madness"). The satire on prevailing social mores was also successful, and ran for eighty consecutive showings (unusual for the time in the local theatre). 162:
section of Buenos Aires) in a real estate venture southwest of the rapidly growing capital in 1911. The location capitalized on the imminent arrival of the
104:. Laferrère relied on his membership in the elite Officers' Association, by virtue of his family ties, to organize a public forum facing the institution's 328: 318: 93:
Legislature in 1893, and in 1897, established the splinter Independent National Party; on this latter ticket, Laferrère was elected to the
298: 283: 308: 323: 224: 288: 89:, in search of alliance that ultimately did not materialize. He was elected on the centrist National Party ticket to the 248: 293: 201: 163: 108:, where he held forth almost daily, and heard appeals, both personal and of a policy nature, from the city's poor. 47: 313: 94: 59: 73:
Returning to Argentina, he joined a friend, writer José María Miró, as an active member of the ruling
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Immersed in his work, the noted playwright retired from Congress in 1908, and in 1911, produced
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Reelected in 1902, the following year he established the "Popular Association," advocating
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briefly under the pseudonym of "Abel Stewart Escalada." Joining his family for a visit to
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landowner. One of three brothers, he earned his secondary school education at the
252: 228: 30:(March 8, 1867 — November 30, 1913) was an Argentine politician and playwright. 304:
Members of the Argentine Chamber of Deputies elected in Buenos Aires Province
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to Mercedes Pereda, a local heiress, and Alfonso de Laferrère, a prominent
39: 159: 122: 118: 105: 63: 19: 117:("Evil Eye"), staged in 1904. The slice of life comedy, written in a 50:. He began a career in journalism, and wrote for the satirical 144: 55: 222:: El creador de la inmortal “María Barranco” (21 June 2008) 192:, volume VIII. Buenos Aires: Guillermo Kraft, 1957. 166:line, and was a modest success in its early years. 265: 16:Argentine politician and playwright (1867–1913) 77:, and in 1891, was elected the first Mayor of 241: 239: 329:Argentine male dramatists and playwrights 236: 214: 212: 18: 184: 182: 266: 209: 319:Argentine dramatists and playwrights 179: 190:Historia de la literatura argentina 85:, universal male suffrage activist 13: 299:Argentine people of French descent 38:Gregorio de Laferrère was born in 14: 340: 135:Following the 1906 production of 284:Businesspeople from Buenos Aires 164:Buenos Aires and Pacific Railway 48:Colegio Nacional de Buenos Aires 33: 324:Burials at La Recoleta Cemetery 195: 1: 309:Mayors of Morón, Buenos Aires 289:Politicians from Buenos Aires 172: 7: 121:format, included President 10: 345: 294:Writers from Buenos Aires 75:National Autonomist Party 95:Lower House of Congress 58:on the occasion of the 314:Argentine male writers 227:6 October 2008 at the 24: 106:palatial headquarters 91:Buenos Aires Province 28:Gregorio de Laferrère 23:Gregorio de Laferrère 22: 246:Laferrere: historia 83:Radical Civic Union 251:2014-12-08 at the 25: 87:Hipólito Yrigoyen 68:Comédie-Française 60:1889 World's Fair 336: 258: 257: 243: 234: 233: 216: 207: 206: 202:Teatro Cervantes 199: 193: 188:Rojas, Ricardo. 186: 102:direct democracy 66:'s works by the 44:French Argentine 344: 343: 339: 338: 337: 335: 334: 333: 264: 263: 262: 261: 255: 253:Wayback Machine 244: 237: 231: 229:Wayback Machine 217: 210: 204: 200: 196: 187: 180: 175: 141:Las de Barranco 129:Locos de verano 36: 17: 12: 11: 5: 342: 332: 331: 326: 321: 316: 311: 306: 301: 296: 291: 286: 281: 276: 260: 259: 235: 208: 194: 177: 176: 174: 171: 152:Los invisibles 35: 32: 15: 9: 6: 4: 3: 2: 341: 330: 327: 325: 322: 320: 317: 315: 312: 310: 307: 305: 302: 300: 297: 295: 292: 290: 287: 285: 282: 280: 277: 275: 272: 271: 269: 254: 250: 247: 242: 240: 230: 226: 223: 221: 215: 213: 203: 198: 191: 185: 183: 178: 170: 167: 165: 161: 157: 156:Pablo Podestá 153: 148: 146: 142: 138: 137:Bajo la garra 133: 131: 130: 124: 120: 116: 115: 109: 107: 103: 98: 96: 92: 88: 84: 80: 76: 71: 69: 65: 61: 57: 53: 49: 45: 41: 34:Life and work 31: 29: 21: 256:(in Spanish) 232:(in Spanish) 219: 205:(in Spanish) 197: 189: 168: 151: 149: 140: 136: 134: 127: 112: 110: 99: 72: 51: 40:Buenos Aires 37: 27: 26: 279:1913 deaths 274:1867 births 114:¡Jettatore! 268:Categories 173:References 160:Villa Luro 123:Julio Roca 119:vaudeville 220:La Nación 147:revival. 97:in 1898. 52:El Fígaro 249:Archived 225:Archived 64:Molière 154:with 145:Paris 79:Morón 56:Paris 270:: 238:^ 211:^ 181:^ 70:.

Index


Buenos Aires
French Argentine
Colegio Nacional de Buenos Aires
Paris
1889 World's Fair
Molière
Comédie-Française
National Autonomist Party
Morón
Radical Civic Union
Hipólito Yrigoyen
Buenos Aires Province
Lower House of Congress
direct democracy
palatial headquarters
¡Jettatore!
vaudeville
Julio Roca
Locos de verano
Paris
Pablo Podestá
Villa Luro
Buenos Aires and Pacific Railway


Teatro Cervantes


La Nación: El creador de la inmortal “María Barranco” (21 June 2008)

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