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Italo Tajo

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The war over, his career quickly took an international turn, with debuts in Paris, London, Edinburgh and Buenos Aires. In 1946, he made his debut at the
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and studied violin and voice at the Music Conservatory of Turin with Nilde Stichi-Bertozzi. He made his stage debut in 1935, as Fafner (
244:, where he was largely responsible for the establishment of an opera workshop. One of his notable pupils was baritone 433: 403: 476: 248:. He continued singing until well into his seventies, mostly at the Metropolitan Opera in character roles such as 98:, a role he would sing numerous times during his career. In 1961, the bass performed in the world premiere of 471: 71: 60: 89: 241: 201: 193: 249: 223: 27: 341: 300: 142: 134: 364:
during the Metropolitan Opera Centennial Celebration in October 1983. In 1988, he appeared in
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Although he made a specialty of comic roles, he sang a fair number of dramatic roles, notably
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as Count Rostov and Field-Marshal Kutuzov in the near-complete Italian-language premiere of
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Tajo made relatively few recordings, the most famous being the acclaimed 1950
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in Milan, where he sang regularly until 1956. He appeared with the
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In 1939, he returned to Italy, where he became a member of the
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Le guide de l'opéra, les indispensables de la musique
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In the late 1940s, Tajo appeared in film versions of
428:, R. Mancini & J-J. Rouvereux, (Fayard, 1986), 357:in 1955, released as a Hardy Classic Video (DVD). 74:, in 1942 taking part in the Italian premiere of 453: 351:, as well as in television productions such as 360:As a special guest, Tajo sang an excerpt from 221:in the role of Emile de Becque in the musical 59:. At Busch's invitation, he followed him to 314:. Tajo can be heard in live broadcasts of 482:20th-century Italian male opera singers 133:); his other roles at the Met included 454: 115:, and 1948 saw his debut at both the 382:. It was released on Kultur video. 13: 240:In 1966, he began teaching at the 14: 493: 439: 26:, particularly acclaimed for his 184:, as well as roles in operas by 396: 200:. In 1953, he appeared at the 1: 176:. He also created Samuel in 123:in New York (Don Basilio in 7: 393:in 1993, at the age of 77. 10: 498: 419: 231:, later also appearing in 90:Maggio Musicale Fiorentino 446:Interview with Italo Tajo 92:in 1942, as Leporello in 84:. In 1940, he joined the 242:University of Cincinnati 202:Teatro Comunale Florence 477:Italian operatic basses 301:The Marriage of Figaro 404:The Barber of Seville 337:The Barber of Seville 217:In 1957, he replaced 126:The Barber of Seville 113:Chicago Opera Company 472:People from Pinerolo 16:Italian opera singer 412:The Legend of Faust 348:Lucia di Lammermoor 328:; and the Florence 298:. He also recorded 117:San Francisco Opera 448:, October 23, 1982 366:Francesca Zambello 121:Metropolitan Opera 380:Luciano Pavarotti 368:'s production of 131:Giuseppe Valdengo 105:Intolleranza 1960 86:Teatro alla Scala 37:Tajo was born in 489: 342:L'elisir d'amore 326:Victor de Sabata 497: 496: 492: 491: 490: 488: 487: 486: 452: 451: 442: 422: 399: 324:, conducted by 294:, conducted by 151:Gianni Schicchi 141:, Don Basilio, 17: 12: 11: 5: 495: 485: 484: 479: 474: 469: 464: 450: 449: 441: 440:External links 438: 437: 436: 421: 418: 417: 416: 408: 398: 395: 296:Renato Cellini 284:Leonard Warren 178:Darius Milhaud 15: 9: 6: 4: 3: 2: 494: 483: 480: 478: 475: 473: 470: 468: 465: 463: 460: 459: 457: 447: 444: 443: 435: 434:2-213-01563-5 431: 427: 424: 423: 414: 413: 409: 406: 405: 401: 400: 394: 392: 388: 385:Tajo died in 383: 381: 377: 376:Mirella Freni 373: 372: 367: 363: 358: 356: 355: 350: 349: 344: 343: 338: 333: 331: 330:War and Peace 327: 323: 319: 318: 313: 309: 308: 303: 302: 297: 293: 289: 285: 281: 280: 276: 271: 269: 268: 263: 262:the Sacristan 259: 255: 251: 247: 243: 238: 236: 235: 234:Kiss Me, Kate 230: 226: 225: 224:South Pacific 220: 215: 213: 212: 211:War and Peace 207: 203: 199: 195: 191: 187: 183: 179: 175: 174:Boris Godunov 171: 167: 163: 159: 154: 152: 148: 144: 140: 136: 132: 128: 127: 122: 118: 114: 109: 108:, in Venice. 107: 106: 101: 97: 96: 91: 87: 83: 82: 77: 73: 68: 66: 62: 58: 54: 53: 52:Das Rheingold 48: 44: 40: 35: 33: 29: 25: 21: 425: 410: 402: 384: 369: 362:Don Pasquale 361: 359: 354:Don Pasquale 352: 346: 340: 336: 334: 329: 322:Maria Callas 315: 307:Don Giovanni 305: 299: 277: 272: 265: 239: 232: 222: 216: 209: 181: 155: 147:Don Pasquale 124: 110: 103: 95:Don Giovanni 93: 79: 69: 61:Glyndebourne 50: 36: 19: 18: 467:1993 deaths 462:1915 births 397:Filmography 320:, opposite 288:Erna Berger 65:comprimario 57:Fritz Busch 456:Categories 387:Cincinnati 292:Jan Peerce 275:RCA Victor 219:Ezio Pinza 170:Mussorgsky 100:Luigi Nono 72:Rome Opera 20:Italo Tajo 371:La bohème 279:Rigoletto 270:in 1991. 258:Alcindoro 206:Prokofiev 194:Malipiero 143:Dulcamara 139:Leporello 55:), under 229:Broadway 43:Piedmont 39:Pinerolo 420:Sources 317:Macbeth 282:, with 250:Geronte 246:Tom Fox 129:, with 81:Wozzeck 67:roles. 34:roles. 32:Rossini 432:  415:(1949) 407:(1947) 345:, and 260:, and 254:Benoit 190:Lualdi 168:, and 162:Attila 135:Figaro 28:Mozart 312:Cetra 267:Tosca 186:Berio 182:David 166:Banco 158:Verdi 47:Italy 430:ISBN 391:Ohio 378:and 310:for 304:and 290:and 198:Nono 196:and 164:and 149:and 119:and 76:Berg 30:and 24:bass 227:on 208:'s 180:'s 172:'s 160:'s 102:'s 78:'s 458:: 389:, 339:, 332:. 286:, 256:, 252:, 237:. 214:. 192:, 188:, 153:. 145:, 137:, 45:, 41:,

Index

bass
Mozart
Rossini
Pinerolo
Piedmont
Italy
Das Rheingold
Fritz Busch
Glyndebourne
comprimario
Rome Opera
Berg
Wozzeck
Teatro alla Scala
Maggio Musicale Fiorentino
Don Giovanni
Luigi Nono
Intolleranza 1960
Chicago Opera Company
San Francisco Opera
Metropolitan Opera
The Barber of Seville
Giuseppe Valdengo
Figaro
Leporello
Dulcamara
Don Pasquale
Gianni Schicchi
Verdi
Attila

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