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had been occupied by the
Spanish, Protestants, who did not want to convert to Catholicism, were ordered to sell their homes and immoveable possessions and depart. Within four years many Flemish cities lost half of their population emigrating to the north. It is possible the family moved in an earlier
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and his wife having a miscarriage after seven months. The next day, on 29 October, around ten in the evening the baby was carried to the church by his servant Jan, accompanied by two other men, most probably the undertakers. On 1 November his wife
Leonora died at 5.30 in the morning, having been ill
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to Jan J. Hinlopen. It is based on the Old
Testament story. During a banquet the wife of the Persian King Ahasuerus, the Jew Esther accuses the king's favourite Haman of plotting to destroy her people. This painting may be one of the few paintings by Rembrandt whose provenance can be traced back to
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The history of this painting is well-known, except for between the years 1666 and 1706. In 1662 Jan Vos published a poem about this painting, belonging to Jan J. Hinlopen. Most of Jan
Hinlopen's collection passed to his daughters. In 1680, after the burial of his brother and guardian
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Van Eeghen, I.H. (1976) De familiestukken van Metsu van 1657 en van De Witte van 1678 met vier levensgeschiedenissen (Gillis
Valckenier, Nicolaas Listing, Jan Zeeuw en Catharina van de Perre; In: Jrb Amstelodamum, pp. 78-82. (In Dutch.) Valckenier being the Dutch form of
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the local theatre director, gave five performances including accompanying poems for the occasion. Every show consisted of at least thirty to forty scenes portrayed in an allegorical manner, for example on the despairs of
Amsterdam during the
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Van Gent, J. (1998) Portretten van Jan
Jacobsz Hinlopen en zijn familie door Gabriël Metsu en Bartholomeus van der Helst. In: Oud Holland 112, pp. 127-138. (In Dutch.) Not. Justus van der Ven, 16 oktober 1663; Getty Provenance Index,
748:, dated 1661, may depict the family Hinlopen. According to Walter Liedtke there is some general resemblance. The scene is set in an imaginary room. The chimney resembles the one in the former Amsterdam townhall, also painted by
1073:
Van Gent, p. 134-135, notes 20, 22. See also note 4 and check provenance. The "extraordinary pretty" painting was sold as no. 2 on 18 May 1706, bringing up 435 guilders (for most people in those days a year's
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family ceased to exist in the early 19th century, the traces to the real origins were lost. The Swiss family
Tschiffely sold the painting in 1832. In the end of the 19th century it was known as depicting the
1011:
Groeneweg, I. (1995) Regenten in het zwart: vroom en deftig? In: R. Falkenburg, e.a. (red) Beeld en zelfbeeld in de
Nederlandse kunst, 1550-1750, pp. 200-4 (Nederlands Kunsthistorisch Jaarboek, dl. 46) (In
218:, if he had not died at the age of forty, an age considered acceptable to be eligible. He was a prominent patron of the arts in his time, and there is some speculation on being an influential protector of
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and the family, depicted by Metsu on the painting in Berlin. Additionally she discovered support for her view in
Hinlopens will. Nevertheless, the painting is still and erroneously referred to as:
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of Lucia, himself and the hunting dogs, but showing his deceased first wife and children in the background. Jan J. Hinlopen, rather stockily built, died at the age of forty. He was buried in the
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and House-Pride, enjoying plays. Caution, Cleverness, Politeness and Reasonableness stand at one side of the throne; Charm, Kindness, Pity and Wakefulness at the other...
524:, then a superintendent of a nearby elderly peoples home. Lucia gave birth to a stillborn child on 11 November 1665. In 1666 he commissioned a painting from
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Hofstede de Groot, C. (1907) Beschreibendes und kritisches Verzeichnis der Werke des hervorragendsten holländischen Maler des XVII. Jahrhunderts, p. 327.
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Dudok van Heel, S.A.C., (1996) Een opmerkelijke dikzak. Jan Hinlopen door Bartholomeus van der Helst, In: Maandblad Amstelodamum, p. 161-166. (In Dutch.)
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Montias, J. M & J. Loughman (2000) Public and Private Spaces: Works of Art in Seventeenth-Century Dutch Houses, p. 113; Zandvliet, K. (2006)
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reciting the paintings in his house and members of the family. These paintings are spread all over the world, the poems nearly forgotten.
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the year 1662. In that year Jan Vos published a poetry book in which there were sundry poems based on the paintings of Jan J. Hinlopen.
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Dudok van Heel, S.A.C. (1969) De Rembrandt's in de verzamelingen Hinlopen. In: Maandblad Amstelodamum, pp. 233-237. (In Dutch.)
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Jan Vos (1726) Alle de gedichten van Jan Vos, pp. 360-3; see also pp. 388, 516, 536. (In Dutch.) Jan Vos also praised the
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and an art lover. There is a sketch by her father for the arrangement of the chairs for the main room in his house on
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On 3 April 1657 Jan J. Hinlopen married Leonore Huydecoper of Maarseveen (1631–1663), the daughter of a rich mayor,
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his paintings were divided in lots and given to his daughters but none of the paintings or painters are mentioned.
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parrot. Another reason to doubt the classification is that, according to the Amsterdam City Archives, burgomaster
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There is still some confusion among art historians about the history of one of the paintings by Metsu, now in the
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brewer and burgomaster and herself the owner of a brewery, the Hinlopen brothers inherited a mansion designed by
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Translated from W. Frijhoff & M. Spies (1999) Bevochten eendracht 1650, p. 456-7. (In Dutch.)
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was inherited by his second wife Lucia Wijbrants. Furthermore, he had a painting of flowers by
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Judith van Gent discovered that there was a resemblance with Hinlopen's on the works of
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for seven days. His only son Jacob died at Pijnenburg, when his father was not present.
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was sent out of the city for a day. In 1656 he was appointed as a city official in the
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Fock, W. (red.) et al. (2001) Het Nederlandse interieur in beeld 1600-1900, p. 31.
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belonging to Hinlopen does depict the Hinlopen family. That one is in the Berlin
508:. At some time Hinlopen moved from a house in Doelenstraat, which he rented from
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Jan Hinlopen made distinct notes as to time of birth and date of baptism in the
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Tyazehlov, V.N. (2008) The Pushkin State Museum of Fine Arts, Room 10, p. 310.
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Liedtke, W. (2007) Dutch Paintings in The Metropolitan Museum of Art, p. 463.
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RAU 67-59. Familiearchief Huydecoper, on 11/7/1679, 12/8/1679 and 2/22/1680.
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in the town hall, as well as its removal a couple of months later.
970:(In German.) Gelfing should be understood as the family Geelvinck.
279:" and very close to the harbour. The name of house has to do with
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Os, H. van (2002) Beeldenstorm in het Paleis op de Dam, p. 28-33.
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Dealing in real estate, cloth, juridical advisor in the city hall
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Deeds of purchase by Jan or Jacob Hinlopen in the City Archives
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on the table and the floor. The dog in the painting could be a
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Wishing to make a career in city politics, Jan enrolled in the
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B. Haak (1984) Hollandse schilders in de Gouden Eeuw, p. 490.
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on 10 September 1666, next to his first wife and their baby.
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182:(Cata)lijntje (1619), Jacob (1621), Sara (1623), Frans (1628)
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is also depicting Hinlopen and his wife is still not clear.
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was opened on 29 July, Jan was participating in a parade on
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After coming of age, Jan J. Hinlopen lived with his brother
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and a keen art collector. He would have been elected as a
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had six children at the time of the painting's creation.
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Israel, J.I. (1995) The Dutch Republic, p. 219, 308.
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Jan J. Hinlopen was born as the son of the merchant
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Johanna Maria (16 April 1659 – 15 June 1706),
302:. The brothers made money from a cloth business in
222:and it is likely that he had good connections with
354:in 1651-1653 and in 1655. He served under captain
191:(10 May 1626 – 4 September 1666) was a rich
480:Geertrui (1 January 1662 – 14 August 1663).
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689:describes it as depicting the Geelvinck family.
652:. Besides it is not clear if this painting is a
557:, by Rembrandt (1660). Pushkin Museum, Moscow
149:1) Leonore Huydecoper of Maarseveen (1657-63)
267:stage to the North and in 1572 escaped from
947:An impression of the painting can be found
735:The Family of burgomaster Gillis Valckenier
298:, not far from their parents, who moved to
47:Jan J. Hinlopen in 1666, with his new wife
681:. Remarkably he described the painting as
600:Simon in the temple with Christ as a child
568:Ahasuerus and Haman at the feast of Esther
370:were discharged, but not that his brother
306:and through building cheap housing in the
669:. In 1907 the known Dutch art-historian
637:. Whether or not the one in the New York
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575:In his collection were two paintings by
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386:. On 1 February 1661 Jan was elected as
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477:(12 June 1660 – 16 June 1749) and
318:, nicely situated in the woods between
163:Jacob, Johanna Maria, Sara and Geertrui
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968:Meyers Konversationlexicon (1885-1892)
617:, which she inherited from her father
358:, also an art collector. When the new
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460:Jan and Leonore had four children:
226:. Hinlopen, like his father-in-law,
1146:Burials at the Oude Kerk, Amsterdam
938:Houbraken 1718-1721, vol. 3, p. 41.
500:On 6 January 1665 Jan remarried to
250:(1582–1629), who traded spices and
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1044:De 250 rijksten van de Gouden Eeuw
536:Hinlopen's collection of paintings
392:The Conspiracy of Claudius Civilis
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1136:17th-century Dutch businesspeople
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784:, for more on Sara and the family
414:epidemic in the years 1652-1657:
202:, a real estate developer in the
399:Johan Huydecoper van Maarsseveen
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254:. The family origins were in
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629:One of the two paintings by
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731:Bartholomeus van der Helst
685:(= boring). In 1984 also
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526:Bartholomeus van der Helst
445:Metropolitan Museum of Art
53:Bartholomeus van der Helst
782:Museum Geelvinck-Hinlopen
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606:. In his salon he showed
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840:The Visit to the Nursery
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234:because of the poems by
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189:Jan Jacobszoon Hinlopen
34:Jan Jacobszoon Hinlopen
1083:Vos, J. (1662) p. 654.
915:by Jan Lievens (1631)"
913:The raising of Lazarus
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27:Dutch cloth merchant
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639:Metropolitan Museum
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954:2007-02-05 at the
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590:. The painting by
588:Christ in the tomb
565:sold the painting
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449:J. Pierpont Morgan
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174:& Sara de Wael
898:Frederick William
770:Jacob J. Hinlopen
724:Gillis Valckenier
711:Gillis Valckenier
679:Familie Geelvinck
671:Hofstede de Groot
522:Jacob J. Hinlopen
514:Kloveniersburgwal
510:Pieter Carpentier
382:Jan was promoted
316:Philips Vingboons
288:Jacob J. Hinlopen
248:Jacob J. Hinlopen
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300:Herengracht
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273:Nieuwendijk
258:, then the
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216:burgomaster
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654:genre work
490:Westerkerk
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384:lieutenant
380:schutterij
364:Dam Square
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68:1626-05-10
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744:, called
662:Geelvinck
563:Rembrandt
546:Ahasuerus
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360:town hall
328:Hilversum
275:, named "
220:Rembrandt
179:Relatives
155:(1664-66)
146:Spouse(s)
138:poems by
93:Amsterdam
76:Amsterdam
1074:salary).
1000:falconer
952:Archived
776:See also
754:seascape
703:In 1976
687:Bob Haak
658:portrait
277:Hinlopen
262:. After
208:alderman
160:Children
125:Employer
1033:N-1706.
1012:Dutch.)
789:Sources
583:Lazarus
518:Jan Six
504:in the
494:measles
451:in 1917
427:, then
419:He had
407:Jan Vos
388:schepen
312:Haarlem
308:Jordaan
290:on the
269:Naarden
264:Antwerp
256:Brabant
236:Jan Vos
210:in the
204:Jordaan
140:Jan Vos
716:falcon
675:parrot
615:Rubens
610:Cupids
554:Esther
456:Family
429:Pallas
425:Themis
421:Apollo
412:plague
403:Singel
368:salvos
352:ensign
350:as an
334:Career
168:Parent
894:amber
656:or a
550:Haman
372:Jacob
324:Soest
320:Baarn
193:Dutch
112:Dutch
949:here
548:and
475:Sara
423:and
326:and
242:Life
83:Died
62:Born
613:by
602:by
151:2)
1117::
764:.
737:.
621:.
579:,
405:.
330:.
322:,
206:,
1002:.
958:.
928:.
911:"
900:.
70:)
66:(
20:)
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