554:(2005), though these works are numerous and it is difficult to identify an exemplar. The dots in these paintings evoke brightly colored price-stickers sometimes seen at garage sales, thrift stores or placed on retail items during a sale. Indeed, these stickers appear to have been the inspiration for the method. Describing his initial intuitive leap in this direction, Baldessari said, "I just had these price stickers I was using for something else, in some graphic way and I put them on all the faces and I just felt like it leveled the playing field." The dot-faced works may sometimes be described as paintings, collages, or may be released as print editions.
360:. An early attempt of Baldessari's included the hand-painted phrase "Suppose it is true after all? WHAT THEN?" (1967) on a heavily worked painted surface. However, this proved personally disappointing because the form and method conflicted with the objective use of language that he preferred to employ. Baldessari decided the solution was to remove his own hand from the construction of the image and to employ a commercial, lifeless style so that the text would impact the viewer without distractions. The words were then physically lettered by sign painters, in an unornamented black
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619:, represented a major shift in Baldessari's approach to presentation, allowing a more complex relationship between his found imagery. In both prints, Baldessari expertly contrasts unrelated photographs to suggest a mysterious and/or ominous undercurrent. In the 1990s Baldessari began working with Mixografia Workshop to create three-dimensional prints utilizing their unique process of printing from metal molds. Baldessari's interest in dimensionality has carried over to recent editions from
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741:(2007), a series of 6 resin, fiberglass, bronze, aluminum, and electronics components in the form of a gigantic bronze trumpet extending off an oversized ear sculpted on the wall. The sculpture was produced with Beyer Projects. When the viewer speaks into the trumpet, the sounds causes a short recital of a phrase from a Beethoven string quartet. Baldessari has gone on to create sculptural works that often incorporate resin, bronze, and steel, such as the approximately 2.4 m carrot (
327:. While at CalArts, Baldessari taught "the infamous Post Studio class", which he intended to "indicate people not daubing away at canvases or chipping away at stone, that there might be some other kind of class situation." The class, which operated outside of medium-specificity, was influential in informing the context for addressing a student's art practice at CalArts, and established a tradition of conceptual critique at CalArts that was carried on by artists such as
393:. The ashes from these paintings were baked into cookies and placed into an urn, and the resulting art installation consists of a bronze commemorative plaque with the destroyed paintings' birth and death dates, as well as the recipe for making the cookies. Through the ritual of cremation Baldessari draws a connection between artistic practice and the human life cycle. Thus the act of disavowal becomes generative as with the work of
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533:, directing the action while having no direct hand in it, and these paintings are typically read as questioning the idea of artistic authorship. The amateur artists have been analogized to sign painters in this series, chosen for their pedestrian methods that were indifferent to what was being painted. Baldessari critiques formalist assessments of art in a segment from his video
508:. This work was published in 1973 by a young Italian publisher: Giampaolo Prearo that was one of the first to believe and invest in the work of Baldessari. He printed two series one in 2000 copies and a second more precious reserved to the publisher in 500 copies. Following Baldessari's seminal statement "I will not make any more boring Art", he conceived the work
599:, Halifax. The lithograph was created in conjunction with the now renowned exhibition for which – at Baldessari's request – students endlessly wrote the phrase "I will not make any more boring art" on the gallery walls. The artist has since worked internationally with premier publishers including Arion Press of San Francisco, Brook Alexander Editions of New York,
703:(1971), Baldessari stands facing the camera; for nearly 20 minutes, he strikes and then holds various poses — crossing his arms over his chest or swinging one arm out to one side or pointing directly at the lens, for example — and with each new gesture, he states "I am making art." In a 1972 tribute to fellow artist
500:(1973), in which the artist attempted to do just that, photographing the results, and eventually selecting the "best out of 36 tries", with 36 being the determining number just because that is the standard number of shots on a roll of 35mm film. The writer eldritch Priest ties John Baldessari's piece
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that claimed it was nothing more than pointing. Beginning with photos of a hand pointing at various objects, Baldessari then hired amateur yet technically adept artists to paint the pictures. He then added a caption "A painting by " to each finished painting. In this instance, he has been likened to
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series (1966–1968), which paired photographic images with lines of text from an amateur photography book, aiming at the violation of a set of basic "rules" on snapshot composition. In one of the works, Baldessari had himself photographed in front of a palm precisely so that it would appear that the
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Circular adhesive dots covering up the faces of photographed and painted portraits are a prevailing motif in
Baldessari's work from the mid-1980s onward. The artist himself suspected that, despite the broad array of approaches he's taken over the course of his career, he will be best remembered as
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Initially a painter, Baldessari began to incorporate texts and photography into his canvases in the mid-1960s. In 1970 he began working in printmaking, film, video, installation, sculpture and photography. He created thousands of works which demonstrate—and, in many cases, combine—the narrative
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Baldessari has expressed that his interest in language comes from its similarities in structure to games, as both operate by an arbitrary and mandatory system of rules. In this spirit, many of his works are sequences showing attempts at accomplishing an arbitrary goal, such as
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Baldessari is best known for works that blend photographic materials (such as film stills), take them out of their original context and rearrange their form, often including the addition of words or sentences. Related to his early text paintings were his
537:(1973), entitled "Examining Three 8d Nails", in which he gives obsessive attention to minute details of the nails, such as how much rust they have, or descriptive qualities such as which appears "cooler, more distant, less important" than the others.
479:) on a single canvas, further altering the appropriated picture plane by overlaying his own hand-painted color additions. Baldessari then names only one of his two artistic "collaborators" on each canvas's lower edge, such as
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Metaphor Problem Again: A Conversation Moderated by Beatrix Ruf. Heidelberg, Germany: Springer-Verlag, 2006. Transcription of a conversation with John Baldessari, Liam Gillick, Lawrence Weiner, Beatrix Ruf, and Cristina
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Throwing a Ball Once to Get Three
Melodies and Fifteen Chords, John Baldessari: 1973. Berkeley, California: Regents of the University of California; and Irvine, California: Art Gallery, University of California at
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In 1959, Baldessari began teaching art in the San Diego school system. He taught for nearly three decades, in schools and junior colleges and community colleges, and eventually at the university level. When the
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Everything is Purged... (1966–68), Tips for
Artists Who Want to Sell (1966–68), Bloody Sundae (1987), Frames and Ribbons (1988), Noses & Ears, Etc.: Blood, Fist, And Head (With Nose And Ear) (2006)
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Much of
Baldessari's work involves pointing, in which he tells the viewer not only what to look at but how to make selections and comparisons, often simply for the sake of doing so. Baldessari's
512:(1972–73), composed of 30 photographs of the artist swinging and hitting with a golf club objects excavated from a dump, as a parody of cataloging rather than a thorough straight classification.
684:, first attempted to realize Baldessari’s idea in 2011 and the resulting paperwork of failed attempts to procure a willing male cadaver was displayed in the exhibition "11 Rooms" at the
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In 1990, Baldessari purchased a bungalow in the coastal Ocean Park neighborhood of Santa Monica and enlisted architects Ron
Godfredsen and Danna Sigal for a redesign. He also owned a
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Baldessari: Koen van den Broek: This an Example of That. Gemeenteplein (Belgium): bkSM (beeldende kunst Strombeek/Mechelen), 2008. Collaborative work with Koen van den Broek.
371:(1967–68) presented the viewer theoretical instructions on how to view it and on the importance of context and continuity with previous works. This work referenced art historian
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Brutus Killed Caesar. Akron, Ohio: Emily H. Davis Art
Gallery, University of Akron; in cooperation with Sonnabend Gallery, New York, and Ohio State University, Columbus, Ohio.
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opened its John
Baldessari Art Studio Building, which features approximately 7,000 square feet of space—much of it used as studio space for art students and faculty.
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Again the
Metaphor Problem and Other Engaged Critical Discourses about Art: A Conversation Between John Baldessari, Liam Gillick and Lawrence Weiner, Moderated by
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726:(2013) a room is repainted by a performer in a different colour every day for the duration of the exhibition, carefully following the instructions of the artist.
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would have visitors look through a peep-hole and see a dead male body laid out with its feet towards them inside a climate-controlled vitrine, made to resemble
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John Baldessari: Alejandro Cesarco: Retrospective. Cologne:Verlag der Buchhandlung Walther König, 2007. Collaborative work with Alejandro Cesarco.
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Throwing Three Balls in the Air to Get a Straight Line (Best of Thirty-Six Attempts). Milan: Giampaolo Prearo Editore S.r.L.; and Galleria Toselli
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364:. The first of this series presented the ironic statement "A TWO-DIMENSIONAL SURFACE WITHOUT ANY ARTICULATION IS A DEAD EXPERIENCE" (1967).
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John Baldessari: A Catalogue Raisonne of Prints and Multiples, 1971–2007, by Sharon Coplan Hurowitz, published by Hudson Hills Press, 2009.
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he designed the large-scale image (176 m (1,890 sq ft)) "Graduation" for the ongoing series "Safety Curtain", conceived by
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Fable - A Sentence of Thirteen Parts (With Twelve Alternate Verbs) Ending in FABLE. Hamburg, West Germany: Anatol AV und Filmproduktion
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John Baldessari: A Print Retrospective from the Collections of Jordan D. Schnitzer and his Family Foundation, July 11–November 8, 2009
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Baldessari was in over 200 solo shows and 1,000 group shows in his six-decade career. He had his first gallery solo exhibition at the
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Yours in Food, John Baldessari: With Meditations on Eating by Paul Auster, John Baldessari, David Byrne, Dave Eggers, David Gilbert,
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In 1970, Baldessari and five friends burnt all of the paintings he had created between 1953 and 1966 as part of a new piece, titled
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707:, Baldessari sang lines from LeWitt's thirty-five statements on conceptual art to the tune of popular songs. Other films include
331:. He quit teaching at CalArts in 1986, moving on to teach at UCLA, which he continued until 2008. At UCLA, his students included
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990:, Michael More, Glenn O’Brien, Francine Prose, Peter Schjeldahl, Lynne Tillman. New York: Princeton Architectural Press, 2004.
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in 1994, and the artist was invited to curate the exhibition "Ways of Seeing: John Baldessari Explores the Collection" at the
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The Life and Opinions of Tristram Shandy. Images by John Baldessari, text by Laurence Sterne, Arion Press, San Francisco, CA.
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The Metaphor Problem Again. Collaboration with Lawrence Weiner. Ink-Tree Kunsnacht and Mai 35 Galerie Zurich, Switzerland.
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2003 "2nd Place Best Show Commercial Gallery National by US Art Critics Association for exhibit at Margo Leavin, 2003
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880:, Manchester, and traveled to London, Stuttgart, Ljubljana, Oslo, and Lisbon in 1995-96 entitled "This Not That"; and
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In "Double Bill", a 2012 series of large inkjet prints, Baldessari paired the work of two selected artists (such as
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Ingres and Other Parables. Texts in English, French, German, and Italian. London: Studio International Publications
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Baldessari began making prints in the early 1970s and continued to produce editions. He created his first print –
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1273:-designed vacation home in Venice, California. He operated a studio on Main Street in Santa Monica alongside
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within the boundaries of the work of art. His art has been featured in more than 200 solo exhibitions in the
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Prima Facie: Marilyn's Dress, A Poem (In Four Parts). Cologne: Verlag Der Buchhandlung Walther König, 2006.
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of Los Angeles, Mixografia of Los Angeles, Multiples, Multi Editions of Los Angeles, Inc. of New York, and
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By 1966, Baldessari was using photographs and text, or simply text, on canvas. His early major works were
287:. In 1970, Baldessari moved to Santa Monica, where he met many artists and writers, and began teaching at
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and Galerie Greta Meert. Since 2021, the artist's estate has been working with SprĂĽth Magers worldwide.
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546:"the guy who puts dots over peoples faces." Examples of the "dot portraits" would include—for example—
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Brown and Green and Other Parables. Reykjavik, Iceland: i8 and Reykjavik Art Museum, Iceland, 2001.
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Parse. Zurich: JRP|Ringier, 2010. Artist's book version of the Ringier Annual Report 2009 project.
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Lamb. Images by John Baldessari, story by Meg Cranston. Valencia, Spain: IVAM Centre Julio Gonzlez
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in Los Angeles in 1968. His first retrospective exhibition in the U.S. in 1981 was mounted by the
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2006 Certificate of Recognition, the Los Angeles Convention and Visitors Bureau, Los Angeles, CA.
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1999 Spectrum-International Award for Photography of the Foundation of Lower Saxony, Germany
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745:, 2016) and an elongated bronze figure trapped wearing a wooden barrel in a nod to Giacometti (
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known for his work featuring found photography and appropriated images. He lived and worked in
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2485:"THE UNCERTAINTY PRINCIPLE. Communication and ambiguity in the work of John Baldessari", 2010
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of Los Angeles, Crown Point Press of San Francisco, Edition Jacob Samuel of Santa Monica,
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Kaspar MĂĽhlemann Hartl, museum in progress; Dominique Meyer, Vienna State Opera (Ed.):
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famous attributed observation that "Sometimes a cigar is just a cigar", as well as to
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decided to open up a campus in San Diego, the new head of the Visual Art Department,
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Close-Cropped Tales. CEPA Gallery and Albright—Knox Art Gallery, Buffalo, NY, 1981.
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1997 Governor's Award for Lifetime Achievement in the Visual Arts, California.
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CURTAIN – VORHANG. A Living Museum Space – The Vienna State Opera Safety Curtain
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524:(1969) series took the idea of pointing literally, after he read a criticism of
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paintings that were empty but for painted statements derived from contemporary
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631:(2006–2007) in which screen-printed images are constructed in three layers on
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Four Events and Reactions. Florence: Centro Di; and Paris: Galerie Sonnabend.
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agreed to represent him worldwide. In 1999, after twenty-six years with the
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The Telephone Book (With Pearls). Gent, Belgium: Imschoot, Uitgevers for IC.
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Museo d'Arte Moderna Contemporanea di Trento e Rovereto, Trento (2000–2001)
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Boring Formless Nonsense: Experimental Music and The Aesthetics of Failure
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Baldessari set a personal auction record when his acrylic-on-canvas piece
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Another of Baldessari's series juxtaposed an image of an object such as a
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Solo presentations of his work at museums have included exhibitions at:
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John Baldessari: A Catalogue Raisonne of Prints and Multiples 1971-2007
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John Baldessari Rises from His Artistic Ashes and Finds That He's Hot
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Baldessari has been the recipient of numerous awards, among others:
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Zorro (Two Gestures and one Mark). Oktagon Verlag, Cologne, Germany.
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for "Magritte and Contemporary Art: The Treachery of Images" at the
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portfolio, a set of prints in a limited edition of 150 published by
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Longtime Home of Conceptual Artist John Baldessari Hits the Market
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Longtime Home of Conceptual Artist John Baldessari Hits the Market
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Review: 'John Baldessari' is joyously more than sum of its sources
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Los Angeles Institute for the Humanities Fellow, sponsored by the
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Throwing four balls in the air to get a square (best of 36 tries)
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John Baldessari: Pure Beauty, 13 October 2009 – 10 January 2010
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A Situation Where Art Might Happen: John Baldessari on CalArts
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John Baldessari: Double Bill (Part 2), May 12 - June 30, 2012
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419:(1969) created physical forms that resembled the letters in "
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State of the Arts: California Artists Talk About Their Work.
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Ed Ruscha’s exit leaves no artists on MOCA board of trustees
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Why MOCA is honoring artist John Baldessari at Saturday gala
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CalArts names new art studio building after John Baldessari
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Oral history interview with John Baldessari, 1992 Apr. 4-5
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Oral history interview with John Baldessari, 1992 Apr. 4-5
460:"… a woman is only a woman, but a good cigar is a smoke."
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Art Is Who I Am. An interview with John Baldessari, 2016
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John Baldessari: Early Work, 28 February – 11 April 2015
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Award, Golden Lion for Lifetime Achievement, awarded by
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There was an "Artist's Choice: John Baldessari" at the
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with hand painting. A 2007 publication from Gemini is
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Throwing Three Balls in the Air to Get a Straight Line
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Fellows of the American Academy of Arts and Sciences
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Art project using a human cadaver could still happen
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John Baldessari: Double Bill, April 6 - May 12, 2012
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tree were growing out of his head. His photographic
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Members of the American Academy of Arts and Letters
2063:, Vienna: Verlag fĂĽr moderne Kunst 2017, pp. 16-21.
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College Art Associations Lifetime Achievement Award
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The Artist Hitting Various Objects with a Golf Club
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The Shape of Time: Remarks on the History of Things
1201:Anhiel Foundation, Member of the Board of Trustees
153:(June 17, 1931 – January 2, 2020) was an American
1262:Between 1960 and 1984, Baldessari was married to
1143:53rd International Art Exhibition Venice Biennale
1004:. Vienna and New York: SpringerWienNewYork, 2007.
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3291:The International Association of Blacks in Dance
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939:Choosing: Green Beans. Milan: Edizioni Toselli
595:(1971) - as an edition to raise funds for the
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1691:Departmental Ditties and Barrack Room Ballads
1617:"Can Artists Really Disown their Early Work?"
1502:No More Boring Art: John Baldessari’s crusade
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734:Baldessari created his first ever sculpture,
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2073:Exhibition page "Safety Curtain. Graduation"
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1583:: CS1 maint: location missing publisher (
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1223:(1966–1968) was sold for $ 4.4 million at
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3389:University of California, Berkeley alumni
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856:Retrospectives of his work were shown at
2156:"John Baldessari. (American, born 1931)"
1210:Lucelia Artist Award, Member of the Jury
1133:Rolex Mentor and Protégé Arts Initiative
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181:and Europe. His work influenced that of
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2255:. American Academy of Arts and Sciences
2250:"Book of Members, 1780–2010: Chapter B"
2178:"The Guggenheim Museums and Foundation"
1927:Police Drawing by John Baldessari, 1971
1184:Museum of Contemporary Art, Los Angeles
1159:(City of Goslar's Kaiser Ring), Germany
1141:2009 Golden Lion Lifetime Achievement,
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1103:USA Best Show Awards, 2001/2002 Season.
1099:2002 "Best Web-Based Original Art,"
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1908:Elizabeth Fortescue (April 16, 2013),
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1083:1996 Oscar Kokoschka Prize, Austria
780:His work has since been exhibited in:
16:American conceptual artist (1931–2020)
3354:People from National City, California
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2182:The Guggenheim Museums and Foundation
2007:"John Baldessari's Enduring Presence"
1121:American Academy of Arts and Sciences
1058:Hirshhorn Museum and Sculpture Garden
909:Hirshhorn Museum and Sculpture Garden
866:Hirshhorn Museum and Sculpture Garden
836:Museum Moderner Kunst Stiftung Ludwig
656:Unrealised Proposal for Cadavre Piece
597:Nova Scotia College of Art and Design
221:University of California, Los Angeles
3051:The Doris Duke Charitable Foundation
2242:
2088:John Baldessari: Books by the Artist
769:, Cincinnati, the CAM, Houston, the
665:The Lamentation over the Dead Christ
1929:Electronic Arts Intermix, New York.
1500:Calvin Tomkins (October 18, 2010),
1177:
888:, London, in 2009 and travelled to
736:Beethoven's Trumpet (with Ear) Opus
627:series (2005) and the print series
593:I Will Not Make Any More Boring Art
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3404:American people of Italian descent
2958:Washington Performing Arts Society
2424:Wendy Bowman (November 11, 2021),
2405:Wendy Bowman (November 11, 2021),
2041:Mary M. Lane (September 6, 2013),
1949:San Francisco Museum of Modern Art
1876:Fine Arts Museums of San Francisco
1854:A Brief History of John Baldessari
1832:A Brief History of John Baldessari
1805:"John Baldessari: Connecting Dots"
1735:Margo Leavin Gallery, Los Angeles.
1538:East of Borneo. November 19, 2011.
1436:Michael Small (October 12, 1990),
1192:, Member of the Board of Overseers
1054:: 267 works (as of 18 August 2021)
1042:: 113 works (as of 18 August 2021)
490:
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215:University of California, Berkeley
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3399:American people of Danish descent
3384:San Diego State University alumni
2778:National Medal of Arts recipients
2460:
1766:, Bloomsbury Academic, 2013, p. 5
1475:Karen Wright (October 23, 2009),
1365:Lance Esplund (August 17, 2010),
1198:, Member of the Artists Committee
1186:, Member of the Board of Trustees
1125:2005 Lifetime Achievement Award,
1110:University of Southern California
860:, Los Angeles, which traveled to
765:in New York, and traveled to the
686:Manchester International Festival
2106:Coplan Hurowitz, Sharon (2009).
1939:John Baldessari sings Sol LeWitt
1887:Marina Cashdan (July 13, 2011),
1599:For Baldessari, Art Imitates Art
1597:Paul Levy (September 30, 2011),
1257:
1205:John Simon Guggenheim Foundation
1190:California Institute of the Arts
1172:California Institute of the Arts
1152:, Los Angeles, November 5, 2011.
1052:Los Angeles County Museum of Art
1048:: 2 works (as of 18 August 2021)
1036:: 5 works (as of 18 August 2021)
922:For the 2017/2018 season at the
917:Los Angeles County Museum of Art
586:Los Angeles County Museum of Art
3016:Billie Tsien & Tod Williams
2452:Interview with Fabian Stech in
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1338:"John Baldessari | Artist"
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718:A riff on his 1977 color video
2456:No. 5, 2012, pp. 143–146.
2389:Artists back the digital route
2370:Artists back the digital route
2303:David Ng (November 29, 2013),
2043:Photos, Scissors And Wry Humor
1716:Marian Goodman Gallery, Paris.
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898:The Metropolitan Museum of Art
816:Cornerhouse, Manchester (1995)
763:New Museum of Contemporary Art
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739:# 127, 130, 131, 132, 133, 135
695:documents a 1971 performance,
672:, the co-director of London’s
654:Originally conceived in 1970,
611:of New York. His 1988 prints,
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3111:Eugene O'Neill Theater Center
2813:Jacob's Pillow Dance Festival
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2321:Jori Finkel (July 16, 2012),
1516:Jori Finkel (June 20, 2010),
1284:
1242:. He was also represented by
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724:Thirteen Colorful Inside Jobs
709:Teaching a Plant the Alphabet
291:. His first classes included
173:and the associative power of
2136:The Art Institute of Chicago
1794:. LA Weekly. August 5, 2010.
1792:"John Baldessari: Point Man"
1744:David Pagel (May 18, 2012),
1367:Much Less Than Meets the Eye
1166:, Los Angeles, May 31, 2015.
1129:, New York, October 11, 2005
911:in 2006, and he created the
729:
405:Juxtaposing text with images
200:
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3364:American postmodern artists
3359:American conceptual artists
2882:United Service Organization
1553:Seven Days in the Art World
552:Stonehenge with Two Persons
515:
121:Carol Ann Wixom (1960–1984)
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3288:The Billie Holiday Theatre
3080:University Musical Society
2487:A conversation/podcast by
1975:Kaldor Public Art Projects
1164:Museum of Contemporary Art
900:, New York, through 2011.
876:, Montreal in 1990–92; at
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720:Six Colourful Inside Jobs
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1675:attributed in Bartlett,
1420:Archives of American Art
1034:Art Institute of Chicago
874:Musée d'Art Contemporain
787:V (1972) and VII (1982)
767:Contemporary Arts Center
715:videos, also from 1972.
571:Art Institute of Chicago
273:University of California
3369:Artists from California
2636:Virginia Lee Montgomery
2226:"John Baldessari - Bio"
2047:The Wall Street Journal
1893:New York Times Magazine
1603:The Wall Street Journal
1371:The Wall Street Journal
540:
504:as an early example of
449:The Treachery of Images
385:Disowning of early work
265:San Diego State College
251:Baldessari was born in
240:Chouinard Art Institute
227:San Diego State College
208:San Diego State College
151:John Anthony Baldessari
45:John Anthony Baldessari
2343:Americans for the Arts
2110:. Hudson Hills Press.
1712:March 8, 2014, at the
1196:Americans for the Arts
1127:Americans for the Arts
829:, Hannover (1999–2000)
799:Carnegie International
697:Police Drawing Project
629:Noses & Ears, Etc.
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417:California Map Project
261:Sweetwater High School
135:La Biennale di Venezia
131:National Medal of Arts
3274:Judith Francisca Baca
2469:from the Smithsonian
1534:Knight, Christopher.
1238:, Baldessari went to
1150:LACMA Art + Film Gala
1079:Guggenheim Fellowship
1027:permanent collections
773:, Eindhoven, and the
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391:The Cremation Project
247:Early life and career
143:Guggenheim Fellowship
3374:American printmakers
3131:Santiago Jiménez Jr.
3001:Maxine Hong Kingston
1994:. 13 September 2021.
1889:Live From Manchester
1207:, Member of the Jury
1040:Museum of Modern Art
905:Museum of Modern Art
852:, Mexico City (2017)
759:Molly Barnes Gallery
747:Giacometti Variation
650:Performance and film
348:Early text paintings
3254:Julia Louis-Dreyfus
2868:Emily Rauh Pulitzer
2445:Isenberg, Barbara.
1677:Familiar Quotations
1620:The Huffington Post
1551:(2 November 2009).
1391:on October 22, 2012
1157:Goslarer Kaiserring
1119:2004 Fellow of the
896:, Los Angeles; and
844:Deutsche Guggenheim
609:Peter Blum Editions
506:post-conceptual art
369:Painting for Kubler
257:Southern California
139:Goslarer Kaiserring
3223:Earl A. Powell III
2996:Jeffrey Katzenberg
2731:Krzysztof Wodiczko
2571:Doris Totten Chase
2093:2011-07-22 at the
2077:museum in progress
1970:2013-12-15 at the
1944:2014-02-01 at the
1659:2012-05-18 at the
1637:2011-07-21 at the
1622:. August 11, 2010.
1443:2014-02-02 at the
1275:Richard Diebenkorn
1227:New York in 2007.
986:, Andy Grundberg,
928:museum in progress
924:Vienna State Opera
691:Baldessari's film
680:, the director of
674:Serpentine Gallery
670:Hans Ulrich Obrist
625:Person with Guitar
617:Object (with Flaw)
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425:Binary Code Series
234:Otis Art Institute
163:Venice, California
80:, California, U.S.
35:Baldessari in 2009
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3239:Bruce Springsteen
2780:2010s & 2020s
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2309:Los Angeles Times
2291:Los Angeles Times
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1914:The Art Newspaper
1762:eldritch Priest,
1750:Los Angeles Times
1696:Project Gutenberg
1688:"The Betrothed,"
1650:John Baldessari,
1522:Los Angeles Times
1463:"John Baldessari"
1385:"John Baldessari"
1236:Sonnabend Gallery
1046:Guggenheim Museum
913:exhibition design
641:Artists for Obama
535:How We Do Art Now
465:Giovanni di Paolo
458:Rudyard Kipling's
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197:among others.
195:Barbara Kruger
146:
145:
127:
123:
122:
119:
115:
114:
111:
107:
106:
103:
97:
96:
94:conceptual art
87:
86:Known for
83:
82:
76:
74:(aged 88)
68:
64:
63:
57:
44:
42:
38:
37:
34:
26:
25:
22:
15:
9:
6:
4:
3:
2:
3421:
3410:
3407:
3405:
3402:
3400:
3397:
3395:
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3390:
3387:
3385:
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3357:
3355:
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3347:
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3342:
3341:
3339:
3324:
3321:
3319:
3316:
3314:
3311:
3309:
3306:
3304:
3303:Complete list
3301:
3300:
3297:
3290:
3287:
3285:
3282:
3280:
3279:Fred Eychaner
3277:
3275:
3272:
3270:
3267:
3265:
3262:
3260:
3257:
3255:
3252:
3250:
3247:
3245:
3244:Gladys Knight
3242:
3240:
3237:
3236:
3234:
3230:
3224:
3221:
3219:
3216:
3214:
3211:
3209:
3206:
3204:
3201:
3200:
3198:
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3188:
3185:
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3180:
3178:
3175:
3173:
3172:Alison Krauss
3170:
3169:
3167:
3163:
3157:
3154:
3152:
3149:
3147:
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3142:
3139:
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3134:
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3117:
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3096:
3092:
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3083:
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3078:
3076:
3073:
3071:
3070:Meredith Monk
3068:
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3063:
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3058:
3056:
3053:
3050:
3048:
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3040:
3038:
3035:
3034:
3032:
3028:
3022:
3021:James Turrell
3019:
3017:
3014:
3012:
3009:
3007:
3004:
3002:
2999:
2997:
2994:
2992:
2989:
2987:
2986:Bill T. Jones
2984:
2981:
2979:
2976:
2974:
2973:Julia Alvarez
2971:
2970:
2968:
2964:
2957:
2955:
2952:
2950:
2947:
2945:
2942:
2940:
2937:
2935:
2932:
2930:
2927:
2925:
2924:Ernest Gaines
2922:
2920:
2919:Renée Fleming
2917:
2915:
2912:
2910:
2907:
2905:
2902:
2901:
2899:
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2860:
2857:
2855:
2852:
2851:
2849:
2845:
2839:
2836:
2834:
2831:
2829:
2828:Sonny Rollins
2826:
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2677:
2674:
2672:
2669:
2667:
2666:Nam June Paik
2664:
2662:
2659:
2657:
2654:
2652:
2651:Shirin Neshat
2649:
2647:
2644:
2642:
2641:Shana Moulton
2639:
2637:
2634:
2632:
2631:Eric Millikin
2629:
2627:
2626:Steve McQueen
2624:
2622:
2621:Paul McCarthy
2619:
2617:
2614:
2612:
2609:
2607:
2604:
2602:
2599:
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2455:
2451:
2448:
2444:
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2421:
2414:
2413:
2408:
2402:
2395:
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2377:
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2371:
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2341:
2336:
2329:
2328:
2324:
2318:
2311:
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2300:
2293:
2292:
2288:
2282:
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2251:
2245:
2231:
2227:
2221:
2207:
2203:
2197:
2183:
2179:
2173:
2162:September 12,
2157:
2151:
2137:
2133:
2127:
2119:
2113:
2109:
2102:
2096:
2092:
2089:
2084:
2078:
2074:
2069:
2062:
2056:
2049:
2048:
2044:
2038:
2030:
2026:
2020:
2012:
2008:
2001:
1993:
1989:
1983:
1976:
1973:
1969:
1966:
1964:
1957:
1950:
1947:
1943:
1940:
1935:
1928:
1923:
1916:
1915:
1911:
1905:
1903:
1895:
1894:
1890:
1884:
1877:
1874:
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1847:
1834:
1833:
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1793:
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1772:
1765:
1759:
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1734:
1730:
1727:
1722:
1715:
1711:
1708:
1703:
1697:
1693:
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1678:
1672:
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1662:
1658:
1655:
1653:
1646:
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1633:
1628:
1621:
1618:
1612:
1605:
1604:
1600:
1594:
1586:
1580:
1572:
1568:
1564:
1562:9780393337129
1558:
1554:
1550:
1544:
1537:
1531:
1524:
1523:
1519:
1513:
1506:
1503:
1497:
1495:
1493:
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1478:
1472:
1464:
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1446:
1442:
1439:
1433:
1431:
1429:
1421:
1418:
1413:
1411:
1409:
1407:
1395:September 14,
1390:
1386:
1380:
1373:
1372:
1368:
1362:
1360:
1352:
1347:
1339:
1333:
1326:
1321:
1319:
1303:
1299:
1293:
1289:
1282:
1280:
1279:James Turrell
1276:
1272:
1267:
1265:
1258:Personal life
1255:
1253:
1250:(from 1998),
1249:
1248:SprĂĽth Magers
1246:(1984–2013),
1245:
1241:
1237:
1233:
1228:
1226:
1222:
1209:
1206:
1203:
1200:
1197:
1194:
1191:
1188:
1185:
1182:
1181:
1175:
1173:
1170:In 2013, the
1165:
1161:
1158:
1154:
1151:
1147:
1144:
1140:
1137:
1134:
1131:
1128:
1124:
1122:
1118:
1115:
1114:
1111:
1107:
1106:
1102:
1098:
1097:
1093:
1092:
1088:
1085:
1082:
1080:
1076:
1075:
1074:
1064:
1061:
1059:
1056:
1053:
1050:
1047:
1044:
1041:
1038:
1035:
1032:
1031:
1030:
1028:
1015:
1012:
1009:
1006:
1003:
999:
996:
992:
989:
985:
981:
978:
975:
972:
969:
966:
963:
960:
957:
954:
950:
947:
944:
941:
938:
937:
931:
929:
925:
920:
918:
914:
910:
906:
901:
899:
895:
892:, Barcelona;
891:
887:
883:
879:
875:
871:
867:
863:
859:
851:
848:
846:Berlin (2004)
845:
841:
837:
834:
831:
828:
825:
822:
818:
815:
814:
813:
807:
803:
800:
796:
793:
789:
786:
783:
782:
781:
778:
776:
772:
768:
764:
760:
750:
748:
744:
740:
737:
727:
725:
721:
716:
714:
710:
706:
702:
698:
694:
689:
687:
683:
679:
675:
671:
667:
666:
662:’s painting,
661:
657:
647:
646:
645:Gemini G.E.L.
642:
638:
634:
630:
626:
622:
621:Gemini G.E.L.
618:
614:
610:
606:
605:Gemini G.E.L.
602:
598:
594:
587:
583:
579:
572:
568:
564:
555:
553:
549:
548:Bloody Sunday
538:
536:
532:
531:choreographer
527:
523:
513:
511:
507:
503:
499:
488:
486:
482:
478:
474:
473:Fernand LĂ©ger
470:
469:David Hockney
466:
461:
459:
455:
451:
450:
445:
444:René Magritte
441:
437:
432:
430:
426:
422:
418:
413:
402:
400:
399:Jean Tinguely
396:
392:
382:
380:
379:
374:
373:George Kubler
370:
365:
363:
359:
355:
340:
338:
334:
330:
329:Michael Asher
326:
322:
321:Matt Mullican
318:
317:Barbara Bloom
314:
313:James Welling
310:
306:
302:
298:
294:
290:
286:
282:
278:
274:
268:
266:
262:
258:
254:
242:, Los Angeles
241:
238:
236:, Los Angeles
235:
231:
228:
224:
222:
218:
216:
212:
209:
205:
204:
198:
196:
192:
188:
184:
183:Cindy Sherman
180:
176:
172:
169:potential of
166:
164:
160:
156:
152:
144:
140:
136:
132:
128:
124:
120:
116:
112:
108:
104:
98:
95:
91:
88:
84:
79:
69:
65:
60:
55:June 17, 1931
43:
39:
32:
27:
20:
3249:Mindy Kaling
3208:Ricky Skaggs
3156:Jack Whitten
3121:Philip Glass
3085:Tobias Wolff
3065:Stephen King
3060:Ann Hamilton
3047:MĂriam ColĂłn
3036:
2939:George Lucas
2934:Tony Kushner
2838:James Taylor
2833:Meryl Streep
2818:Quincy Jones
2721:Wolf Vostell
2696:Diana Thater
2671:Sondra Perry
2661:Tony Oursler
2646:Bruce Nauman
2586:Valie Export
2566:Peter Campus
2561:Chris Burden
2545:
2541:Vito Acconci
2453:
2446:
2440:Bibliography
2428:
2420:
2410:
2401:
2391:
2383:
2373:
2364:
2350:
2335:
2325:
2317:
2307:
2299:
2289:
2281:
2269:
2257:. Retrieved
2244:
2233:. Retrieved
2229:
2220:
2209:. Retrieved
2205:
2196:
2185:. Retrieved
2181:
2172:
2160:. Retrieved
2150:
2139:. Retrieved
2135:
2126:
2107:
2101:
2083:
2068:
2060:
2055:
2045:
2037:
2028:
2019:
2010:
2000:
1991:
1982:
1962:
1956:
1934:
1922:
1912:
1891:
1883:
1868:
1858:, retrieved
1853:
1846:
1836:, retrieved
1831:
1824:
1813:. Retrieved
1811:. 2012-10-08
1808:
1799:
1786:
1771:
1763:
1758:
1748:
1740:
1721:
1702:
1690:
1684:
1676:
1671:
1651:
1645:
1627:
1619:
1611:
1601:
1593:
1555:. New York.
1552:
1543:
1530:
1520:
1512:
1504:
1479:
1471:
1457:
1447:
1393:. Retrieved
1389:the original
1379:
1369:
1353:Tate Modern.
1346:
1332:
1306:. Retrieved
1304:. 2020-01-05
1301:
1292:
1268:
1264:Montessorian
1261:
1244:Margo Leavin
1229:
1220:
1218:
1169:
1072:
1024:
988:John Haskell
934:Publications
921:
902:
881:
855:
811:
779:
756:
746:
742:
738:
735:
733:
723:
719:
717:
712:
708:
700:
696:
692:
690:
663:
655:
653:
636:
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624:
616:
612:
592:
590:
581:
566:
551:
547:
544:
534:
521:
519:
509:
501:
497:
494:
485:…AND DUCHAMP
484:
480:
462:
447:
433:
424:
416:
411:
408:
390:
388:
376:
368:
366:
351:
337:Analia Saban
309:Tony Oursler
305:Ken Feingold
269:
250:
229:, California
210:, California
167:
159:Santa Monica
150:
149:
101:Notable work
72:(2020-01-02)
3349:2020 deaths
3344:1931 births
3151:Luis Valdez
3141:Ralph Lemon
3126:Berry Gordy
3055:Sally Field
2991:John Kander
2982:Joan Harris
2949:Laurie Olin
2904:Herb Alpert
2888:André Watts
2854:Will Barnet
2808:Donald Hall
2798:Van Cliburn
2726:Andy Warhol
2611:Mike Kelley
2601:Arthur Jafa
2581:Tony Conrad
1809:artwrite 49
1654:(1966-1968)
1271:Frank Gehry
1069:Recognition
1021:Collections
1002:Beatrix Ruf
984:Tim Griffin
886:Tate Modern
882:Pure Beauty
878:Cornerhouse
850:Museo Jumex
753:Exhibitions
743:Fake Carrot
429:binary code
301:Mike Kelley
293:David Salle
285:David Antin
187:David Salle
3338:Categories
3213:Mary Costa
3203:Toby Keith
3187:Jon Voight
3101:Mel Brooks
3042:Ping Chong
2944:Elaine May
2909:Lin Arison
2877:Mel Tillis
2823:Harper Lee
2716:Bill Viola
2681:Walid Raad
2606:Joan Jonas
2576:Tony Cokes
2235:2021-08-18
2211:2021-08-18
2187:2021-08-18
2141:2021-08-18
1860:2018-05-29
1838:2018-05-29
1815:2018-05-29
1679:, 15th Ed.
1308:2020-01-05
1285:References
1225:Christie's
1215:Art market
838:Wien, the
801:(1985–86)
705:Sol LeWitt
550:(1987) or
481:…AND MANET
421:California
358:art theory
277:Paul Brach
51:1931-06-17
3264:Vera Wang
2864:Al Pacino
2859:Rita Dove
2596:Gary Hill
2591:Terry Fox
2525:Video art
2478:Video by
2206:lacma.org
1579:cite book
1571:489232834
1230:In 1972,
994:Bechtler.
821:Albertina
804:the 47th
785:Documenta
777:, Essen.
749:, 2018).
730:Sculpture
713:Inventory
573:, in 2023
477:Max Ernst
201:Education
2706:Wu Tsang
2656:Yoko Ono
2091:Archived
1968:Archived
1942:Archived
1781:, Paris.
1729:Archived
1710:Archived
1657:Archived
1635:Archived
1441:Archived
1077:1986
872:and the
711:and the
682:MoMA PS1
668:(1480).
637:God Nose
516:Pointing
232:1957–59
213:1954–55
175:language
90:Painting
3218:Nick Ut
2533:Artists
2430:ARTnews
2412:ARTnews
808:(1997)
794:(1983)
397:artist
289:CalArts
2409:
2372:
2158:. Moma
2114:
1965:(1977)
1694:, Ed.
1569:
1559:
1449:People
952:Irvine
868:, the
864:, the
862:SFMOMA
842:, and
633:sintra
582:Studio
558:Prints
354:canvas
323:, and
193:, and
171:images
126:Awards
118:Spouse
78:Venice
61:, U.S.
3323:2010s
3318:2000s
3313:1990s
3308:1980s
2884:(USO)
2259:9 May
2253:(PDF)
2011:Ocula
1992:Ocula
1664:LACMA
1652:Wrong
1155:2012
894:LACMA
890:MACBA
722:, in
475:with
471:, or
467:with
436:glass
412:Wrong
219:1955
129:2014
110:Style
3232:2021
3196:2020
3165:2019
3094:2015
3030:2014
2966:2013
2897:2012
2847:2011
2786:2010
2449:2005
2261:2011
2164:2012
2112:ISBN
1585:link
1567:OCLC
1557:ISBN
1397:2012
1277:and
1101:AICA
858:MOCA
819:the
797:the
790:the
676:and
615:and
541:Dots
440:wood
362:font
335:and
281:UCSD
263:and
179:U.S.
161:and
67:Died
41:Born
483:or
446:'s
3340::
2228:.
2204:.
2180:.
2134:.
2075:,
2027:.
2009:.
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1807:.
1581:}}
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1489:^
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2433:.
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2345:.
2330:.
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2238:.
2214:.
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2166:.
2144:.
2120:.
2050:.
2031:.
2013:.
1977:.
1951:.
1917:.
1896:.
1878:.
1818:.
1753:.
1606:.
1587:)
1573:.
1525:.
1507:.
1484:.
1465:.
1452:.
1422:.
1399:.
1374:.
1340:.
1311:.
53:)
49:(
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