424:, Neran Persaud and Ravinder Gill. "I wrote a play for BBC Radio set in the near future when Britain was being run by an extreme right-wing government. Everyone had to swear allegiance to the country and if they didn't adhere to British culture they were not welcome. The BBC tried to ban it until four producers stood by me and put their necks on the line for it. The critics said it was laughable, that it would never happen. But now we have an immigration policy and people do have to swear allegiance to the flag (the so-called Britishness test where applicants for citizenship have to demonstrate a knowledge and integration of British culture)."
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386:(1989). Bancil gained a reputation as a dynamic, uncompromising and controversial writer. He also acted in many plays, was the founder member of One Nation Under A Groove Innit (an umbrella organization that produced comedy), was one half of a comic double act called The Khrai Twins, based on two bumbling drunken Southall gangsters, and a member of a comedy trio called the Sycophantic Sponge Bunch. He was also part of a spoof rock band called The Dead Jalebies. Formed in 1987, they toured nationally and opened for
357:, in 1967 into an Indian Sikh family, the son of Sohan Singh Bancil and Amrit (Arjan) Kaur Bancil. He was the grandson of Sardar Jogindar Singh Bancil of JS Bancil Building Contractors of Moshi, Tanzania. His maternal grandfather was Sardar Jawala Singh of Messrs Milkha Singh and Jawala Singh Building Contractors and Saw Millers, of Arusha Tanzania. The family moved to London in 1968, where his mother died when he was two years old. He grew up in
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480:. It follows Jas, a young man trying to deal with the death of his mother by losing himself in a world of petty crime, until a tragic accident forces an estranged father and son to confront each other, but with sinister consequences. It was developed through 'Wild Lunch' with Sarah Kane and was directed by Vicky Featherstone, and received another
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re-staged and Bancil also began to become known as a cultural commentator, writing articles for magazines and newspapers, and often contributing to radio and television debate. He began to write and present TV documentaries and ventured into film and screen writing. In 2007 came another collaboration
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In 1986, aged 19, Bancil joined
Hounslow Arts Co-op. One of four professional British Asian theatre companies at the time, HAC was the only one to be telling stories from a second-generation British Asian perspective. While most were writing about partition, or leaving their homeland, Parv Bancil was
374:(1986). It portrays three young Asian men who while away their time drinking beer. Their effort to set up a sound system for a benefit gig is sabotaged by the local Southall gang. The play was followed by
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498:, initially commissioned as a 15-minute piece by the Red Room. It was first performed as a full-length play in October 1998. Set against the backdrop of the music industry and "cool Britannia",
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writing about his world, and tackling issues that were affecting
British Asian youth, such as gang culture, drugs, crime and identity. Bancil's first play, co-written with Ravinder Gill, was
542:, ready to go into production. After taking a year out to study film-making, Bancil began writing screenplays. He also became known as a cultural commentator. In a 2008 piece for
438:, a play about a young Sikh man's descent into a world of gangs, violence and drugs. The play had a huge impact on audiences, and lead to a residency at the
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magazine's
Critics Choice, and it was the first of its kind to spark a trend for a whole spate of Asian comedy that followed over the next 10 years.
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Bancil's next two plays were to define him as one of the "In Yer Face" writers that dominated the '90s. In 1997, he wrote
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627:"In living black and white; THEATRE Parv Bancil tells Alison Jones how events in Lozells inspired his latest play"
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521:(2000), a combined dance theatre piece with Darshan Singh Bhullar, followed. The next few years saw
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412:, about a young second-generation Asian man fresh out of prison. It was produced and directed by
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726:"Parv Bancil – Pioneer playwright who paved the way for next gen – obituary by Suman Bhuchar"
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Parv Bancil – Pioneer playwright who paved the way for next gen – obituary by Suman
Bhuchar
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looked at the idea of trading your cultural identity for success. This play received
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After HAC closed in 1990, Bancil became a freelance writer. In 1991 he won a
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345:(7 February 1967 – 1 April 2017) was a British-Asian playwright and actor.
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361:, leaving school at the age of 15. He began writing plays in 1985.
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548:, he asked: "What have multicultural arts policies done for us?"
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British Asian
Theatre: Dramaturgy, Process, and Performance
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in 1991 at the Camden
Underworld. They also supported the
90:. Unsourced material may be challenged and removed.
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652:"Tributes paid to 'hero' playwright Parv Bancil"
602:Companion to Contemporary Black British Culture
716:"Lozells race riots sparked writer's interest"
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53:Learn how and when to remove these messages
681:Parv Bancil | Authors | Faber & Faber
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230:Learn how and when to remove this message
212:Learn how and when to remove this message
150:Learn how and when to remove this message
722:, 29 June 2007, updated 12 October 2012.
175:This article includes a list of general
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494:The following year, Bancil then wrote
560:. He died in London on 1 April 2017.
460:. It was his first play to receive a
806:British male actors of Asian descent
408:Young Playwright Award for his play
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517:(1999), a farcical comedy, and
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42:or discuss these issues on the
796:People from Kilimanjaro Region
751:"Parv Bancil: An Appreciation"
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376:How's Your Skull Does It Fit
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600:. In Alison Donnell (ed.).
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579:. asianculturevulture.com.
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604:. Routledge. p. 26.
532:Find Me Amongst The Black
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16:British actor (1967–2017)
454:Papa Was A Bus Conductor
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596:Bhuchar, Suman (2002).
196:more precise citations.
506:Critics Choice twice.
434:In 1993, Bancil wrote
781:British Asian writers
730:Asian Culture Vulture
691:Parv Bancil's website
452:In 1995 Bancil wrote
372:Curse Of The Dead Dog
458:Goodness Gracious Me
414:Frances-Anne Solomon
388:Asian Dub Foundation
258:Parveen Singh Bancil
84:improve this article
736:The Stage: Obituary
631:Free Online Library
440:Royal Court Theatre
333:(divorced)
611:978-1-134-70025-7
530:with Bhullar for
515:Bollywood Or Bust
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776:2017 deaths
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536:Dead Leaves
478:Crazy Horse
471:Crazy Horse
406:BBC Radio 4
384:Bad Company
382:(1988) and
343:Parv Bancil
298:Nationality
248:Parv Bancil
194:introducing
765:Categories
704:Bush Green
564:References
510:Later work
422:Nina Wadia
365:HAC period
312:Playwright
306:Occupation
264:1967-02-07
202:April 2020
177:references
110:newspapers
39:improve it
742:Last Word
418:Rita Wolf
45:talk page
755:HuffPost
744:obituary
662:14 April
656:BBC News
636:14 April
540:Rude Boy
504:Time Out
482:Time Out
463:Time Out
378:(1987),
359:Hounslow
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190:improve
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519:Recall
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606:ISBN
538:and
525:and
523:Papa
279:Died
254:Born
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86:by
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