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Polly Anne Reed

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schoolteacher for New Lebanon children. Her penmanship was recognized for its beauty even during her lifetime; she was often requested to act as a scribe, and created many manuscript hymnals using "letteral notation", a system for notating music which the Shakers had invented. Her stitchery was also well-regarded. She was recognized during her teaching career for introducing girls to the tannery and the botanical garden, among other industries which supported the Mount Lebanon Shakers, and for allowing organized play in the classroom. In 1855 she was appointed an Eldress, and in 1869 she became a member of the Ministry, serving in the latter position until her death.
94:, and drawings produced by the two women share many similarities. Close to fifty of Reed's drawings are extant. Most are small cutouts of hearts or leaves, covered with text, but a half-dozen are fully developed works of art combining calligraphy with images of doves, flowers, and more fanciful items. Some incorporate Masonic imagery. Several of her pieces were created as "rewards of merit" for her students. Works by Reed can be found in the collections of the 82:
Reed entered the First Order of the Church at New Lebanon, the most important of the "families" in the community, in December 1825. She spent much of her life as a "tailoress", and was recognized as "a great worker with her hands". Educated entirely within the society, she herself later became a
210: 63:, New York with him, and was allowed to do so by her parents. The story of her conversion was well known even outside Shaker circles, becoming the subject of the 1909 novel 200: 274: 90:, Reed became one of a handful of Shakers, mostly women, to produce "gift drawings" based on their visionary experiences; another was her associate 178: 317: 332: 322: 95: 327: 312: 243: 145: 264: 99: 21: 201:"Online Exhibit - Break every yoke: Shakers, gender equality, and women's suffrage - Eldress Polly Reed (1818–1881)" 55:. When she was eight, her family was visited by Shaker missionary Calvin Green; she requested to return to the 56: 269: 205: 173: 103: 337: 168: 233: 87: 72: 60: 307: 302: 91: 8: 68: 48: 44:
artist. She is considered one of the most accomplished artists in the Shaker community.
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Shaker Autobiographies, Biographies and Testimonies, 1806–1907
238:. Vol. 2. Taylor & Francis. p. 325. 129: 294: 163: 161: 25:Example of a "gift drawing" by Polly Anne Reed 158: 123: 121: 119: 263:Winship, Frederick M. (December 12, 2001). 225: 169:"Rewards of merit for young Shaker pupils" 116: 231: 96:Abby Aldrich Rockefeller Folk Art Museum 20: 262: 127: 295: 277:from the original on February 11, 2023 232:Wergland, Glendyne R. (July 5, 2017). 181:from the original on February 11, 2023 318:19th-century American women artists 265:"Shaker drawings are more than art" 13: 100:Western Reserve Historical Society 16:American Shaker artist (1818–1881) 14: 349: 333:People from New Lebanon, New York 213:from the original on July 7, 2022 132:Encyclopedia of American Folk Art 323:People from Fairfield, New York 256: 193: 1: 328:Artists from New York (state) 313:19th-century American artists 109: 106:, among other institutions. 40:(1818–1881) was an American 7: 128:Wertkin, Gerard C. (2004). 10: 354: 104:American Folk Art Museum 26: 88:Era of Manifestations 73:Alice Barber Stephens 47:Reed was a native of 24: 140:. pp. 424–425. 69:Kate Douglas Wiggin 27: 245:978-1-351-54882-3 177:. March 7, 2018. 147:978-1-135-95614-1 71:, illustrated by 345: 287: 286: 284: 282: 260: 254: 253: 229: 223: 222: 220: 218: 197: 191: 190: 188: 186: 165: 156: 155: 152:Internet Archive 135: 125: 353: 352: 348: 347: 346: 344: 343: 342: 293: 292: 291: 290: 280: 278: 261: 257: 246: 230: 226: 216: 214: 199: 198: 194: 184: 182: 167: 166: 159: 148: 126: 117: 112: 65:Susanna and Sue 17: 12: 11: 5: 351: 341: 340: 338:Shaker members 335: 330: 325: 320: 315: 310: 305: 289: 288: 255: 244: 224: 192: 157: 146: 114: 113: 111: 108: 15: 9: 6: 4: 3: 2: 350: 339: 336: 334: 331: 329: 326: 324: 321: 319: 316: 314: 311: 309: 306: 304: 301: 300: 298: 276: 272: 271: 266: 259: 251: 247: 241: 237: 236: 228: 212: 208: 207: 206:Shaker Museum 202: 196: 180: 176: 175: 174:Shaker Museum 170: 164: 162: 153: 149: 143: 139: 134: 133: 124: 122: 120: 115: 107: 105: 101: 97: 93: 89: 84: 80: 78: 74: 70: 66: 62: 58: 54: 50: 45: 43: 39: 35: 31: 23: 19: 279:. Retrieved 268: 258: 250:Google Books 248:– via 234: 227: 215:. Retrieved 204: 195: 183:. Retrieved 172: 150:– via 131: 85: 81: 64: 46: 37: 33: 29: 28: 18: 308:1881 deaths 303:1818 births 92:Sarah Bates 86:During the 61:New Lebanon 32:(sometimes 297:Categories 110:References 102:, and the 77:N.C. Wyeth 30:Polly Anne 281:March 15, 217:March 15, 185:March 15, 138:Routledge 57:community 49:Fairfield 275:Archived 211:Archived 209:. 2017. 179:Archived 53:New York 242:  144:  98:, the 42:Shaker 283:2019 240:ISBN 219:2019 187:2019 142:ISBN 75:and 38:Reed 34:Jane 270:UPI 67:by 59:at 299:: 273:. 267:. 203:. 171:. 160:^ 136:. 118:^ 79:. 51:, 36:) 285:. 252:. 221:. 189:. 154:.

Index


Shaker
Fairfield
New York
community
New Lebanon
Kate Douglas Wiggin
Alice Barber Stephens
N.C. Wyeth
Era of Manifestations
Sarah Bates
Abby Aldrich Rockefeller Folk Art Museum
Western Reserve Historical Society
American Folk Art Museum



Encyclopedia of American Folk Art
Routledge
ISBN
978-1-135-95614-1
Internet Archive


"Rewards of merit for young Shaker pupils"
Shaker Museum
Archived
"Online Exhibit - Break every yoke: Shakers, gender equality, and women's suffrage - Eldress Polly Reed (1818–1881)"
Shaker Museum
Archived

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