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processes use a resist, though in these typically the whole object is covered in the resist (called the "ground" in some contexts), which is then selectively removed from some parts. This is the case when a resist is used to prepare the copper substrate for
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of textiles, wax or a similar substance is added to places where the dye is not wanted. The wax will "resist" the dye, and after it is removed there will be a pattern in two colours.
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and other forms of painting. While these artistic techniques stretch back centuries, a range of new applications of the resist principle have recently developed in
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139:, as many forms of industrial etching are called, the resist may be referred to as the "maskant", and in many contexts the process may be known as
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302:, "Resist", 3. "Any composition applied to a surface to protect it in part from the effects of an agent employed on it for some purpose".
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resist technique, with crisp, thin white outlines around the dyed patterns, created by ridges of resist paste that separate areas of dye
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used paper cut-outs and leaves as resists or stencils under glaze to create patterns. Other uses of resists in pottery work with
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162:-printing" (1836) and metalwork with copper (1839). Resists were also used to etch steel from the mid 19th-century.
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vase, 14th century; the unglazed medallions were coated with a resist before the vase was coated with liquid glaze.
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that should have been fully developed and rinse away (purple), but there was a defect in processing. Seen under
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or paints, and a whole range of modern materials used as resists. A range of similar techniques can be used in
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tea bowl with natural leaf resist decoration and brown glaze, late southern Song dynasty, about 1200–1279
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does not record the word "resist" in this sense before the 1830s, when it was used in relation to both "
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Shibori: The
Inventive Art of Japanese Shaped Resist Dyeing : Tradition, Techniques, Innovation
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Acrylic
Revolution: New Tricks and Techniques for Working with the World's Most Versatile Medium
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or electrically) into hollows to be filled with powdered glass, which is then melted. In
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Wax or grease can also be used as a resist in pottery, to keep some areas free from a
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wafer. The pink and blue irregularly-shaped rectangles are areas of
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143:. A fixed resist pre-shaped with the pattern is often called a
380:(Ceramics Handbooks), 1996, University of Pennsylvania Press,
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The
Chinese Potter: A Practical History of Chinese Ceramics
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Scenic Art for the
Theatre: History, Tools and Techniques
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503:, ed. Elaine R. S. Hodges, 2003, John Wiley & Sons,
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469:"Relief Electro-Etching for Champlevé Enamelling"
213:, Japan, 17th century. Pressure resist, no paste.
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501:The Guild Handbook of Scientific Illustration
269:differential interference contrast microscopy
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70:are among many styles of resist dyeing.
108:(often just referred to as "resists") in
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401:, pp. 40–42, 2007, North Light Books,
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539:The Focal Encyclopedia of Photography
442:D. Widmann, H. Mader, H. Friedrich,
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102:resists in semiconductor fabrication
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471:. Guild of Enamellers
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324:Yoshiko Iwamoto Wada
312:Resist-dyed textiles
27:For other uses, see
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289:British Museum page
52:For example in the
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261:integrated circuit
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563:Categories
509:0471360112
475:30 October
452:366204160X
431:1136084304
407:1581808046
386:0812216113
357:071482593X
336:4770023995
277:References
229:resist in
211:embroidery
198:Detail of
231:Sri Lanka
126:champlevé
200:tie-dyed
104:, using
574:Pottery
209:) with
206:shibori
204:kanako
166:Gallery
149:frisket
145:stencil
141:masking
129:enamels
121:Etching
116:Etching
68:tie-dye
63:shibori
18:Resists
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182:YĹ«zen
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