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250:, making "on the road" photographs of American and Canadian landscapes. In 1972, he made the journey from Manhattan to Amarillo, Texas, that provoked his interest in color photography. Viewing the streets and towns he passed through, he conceived the idea to photograph them in color, first using 35 mm hand-held camera and then a 4Ă—5"
161:
Shore was born as sole son of Jewish parents who ran a handbag company. He was interested in photography from an early age. Self-taught, he received a Kodak Junior darkroom set for his sixth birthday from a forward-thinking uncle. He began to use a 35 mm camera three years later and made his
634:
George
Eastman House, Rochester, and Center for Creative Photography, Tucson. Further stops in Los Angeles, San Francisco, Linz (Austria), Cologne (Germany), Rotterdam (The Netherlands), and Bilbao (Spain)
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database, 17 February 2018. "With
William Eggleston, Joel Sternfeld, and others, Stephen Shore was one of those who established color photography as an important aesthetic medium in the 1970s."
889:
Abu Dhabi: Tourism & Culture
Authority, 2011. ISBN 9948-16-293-5. Result of four months of workshops in 2009. Exhibtion catalogue a. o. with a portfolio of 50 images taken by Shore in Abu Dhabi.
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Munich: Schirmer/Mosel, 1994. ISBN 3-925047-32-8 (German). Catalogue accompanying the first retrospective exhibition which travelled through
Germany, edited by Heinz Liesbrock, texts by Liesbrock,
352:
series, a travel diary made between 1972 and 1973 with photographs of "friends he met, meals he ate, toilets he sat on", was not published until 1999, then again in 2005.
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there because that's how Andy looked at the world, finding this detached pleasure in the banality of everyday things." His photographs of the
Factory alongside those of
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281:(1982) was influential for new color photographers of his own and later generations. Photographers who have acknowledged his influence on their work include
234:. His early conceptual sequences of black and white photographs originated in 1969 and 1970. They were shown at his first solo exhibition in1971 at the
178:(MoMA) in New York, if he would have a look at his photographs, and Steichen was kind enough to buy three black and white photographs of New York City.
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in New York City, where he had a solo show of black and white photographs. He was selected to participate in the influential group exhibition "
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102:(born October 8, 1947) is an American photographer known for his images of scenes and objects of the banal, and for his pioneering use of
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2048:". C/O Berlin. co-berlin.org. Exhibition February 6 – May 22, 2016. Retrieved 22 February 2018.
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New York: Joy of Giving
Something, 2006. ISBN 1-59005-188-2. Edited by Shore, conversation with Jeff Rosenheim, essay by
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277:, Shore is recognized as one of the leading photographers who established color photography as an art form. His book
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1675:'Then I Found Myself Seeing Pictures All the Time': Stephen Shore's photos will make you put away your camera phone
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Edited by
William Jenkins. Rochester, NY: International Museum of Photography at the George Eastman House, 1975.
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189:, photographing Warhol and the people that surrounded him, on and off, for about three years. "I began to see
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Photography & Fascination. Danbury, NH: Addison House 1979. ISBN 0-89169-020-4. Pp. 183–196, here 192–195.
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London: Phaidon 2012. ISBN 978-0-7148-6086-2. Massive two-volume set in slipcase containing all 83 of Shore’s
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1216:: "11 Interesting Photography Books about Which Little Is Known," additional photographs by Shore's students
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Museo
Nazionale delle Arti Naives "Cesare Zavattini" di Luzzara. Rubiera (Reggio Emilia): Arcadia Ed., 1993.
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1136:. Afterword by Britt Salvesen, "Ordinary Speech: The Vernacular in Stephen Shore's Early 35mm Photography".
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format. The change to a large format camera is believed to have happened because of a conversation with
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24:
1749:"Ways of Making Pictures." Interview with David Campany. In: Mapfre 2014, p. 25ff; ill. on p. 70ff.
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Ostfildern: Hatje Cantz, 2010. ISBN 978-3-7757-2490-6. Catalogue accompanying the exhibition at
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books made between 2003 and 2008. Limited edition of 250 signed copies. Essay by Jeff
Rosenheim.
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CCP, Tucson, George
Eastman House, Rochester. Göttingen: Steidl 2009. ISBN 3-86521-827-X.
995:. Catalogue accompanying the first comprehensive retrospective, with an interview between
730:. English edition for the George Eastman House, Rochester, the only venue outside Germany.
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photographs. Further solo shows in 1973, 1975 (stereo photographs), 1977, 1978 and 1980.
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New York: Metropolitan Museum of Art/Aperture, 1983 (repr. 2005). ISBN 0-89381-113-0.
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in New York City, making him the first living photographer to be exhibited there.
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1715:"Ways of Making Pictures. Interview with David Campany." In: Mapfre 2014, p. 24.
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One Picture Book #43: Merced River, Yosemite National Park, California 8/13/79.
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1891:(press release) (in German). Deutsche Gesellschaft fĂĽr Photographie. dgph.de
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Exhibition catalogue. Irvine and Riverside: University of California, 1966.
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London: Mörel, 2015. ISBN 978-1-907071-49-2. All images posted by Shore on
969:(English and Japanese). Series of pictures taken on a single day as part of
810:. Edition with 312 photographs, an introduction by Bob Nickas and captions.
792:. Updated 2nd printing in 2015 with 20 additional photographs and statement.
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927:. Limited edition of 1000, edited by Dana Faconti, text by Laurie Dahlberg.
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114:(1999), photographs that he took on cross-country road trips in the 1970s.
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1986:"The Cultural Award of the Deutsche Gesellschaft fĂĽr Photographie (DGPh)"
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which influenced him greatly. At age fourteen, Shore naively contacted
121:. In 1971, he was the first living photographer to be exhibited at the
2202:"Stephen Shore: 'People would chase me off their lawns with my Leica'"
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London: Phaidon, 2016. ISBN 978-0-7148-7274-2. Text by Lynne Tyllman.
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at the 2015 edition of the Rencontres d'Arles. Retrieved 2024-01-20.
1971:
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1983: Pace/McGill Gallery, New York City (subsequent show in 1989)
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he got acquainted with conceptual works that used photography by
2175:"VOL. LXIX – Los Angeles, CA, February 4, 1969 by Stephen Shore"
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1972: Light Gallery, New York City. The first exhibition of his
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2121:"Stephen Shore: Photos as Performance for "Station to Station""
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New revised and expanded edition: 2020. ISBN 978-1-83866-137-3.
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356:
1969:
Frankel, David (December 2014). "Stephen Shore, 303 Gallery".
539:, Cologne, and Fotografie Forum international, Frankfurt/Main
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Shore has been the director of the photography department at
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In 1976 he had a solo exhibition of color photographs at the
2235:"Finding beauty in dusty, neon-lit suburbs of 1970s America"
2009:
on the homepage of Rencontres d'Arles. Retrieved 2024-01-20.
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Max Kozloff: "Photography: The Coming of Age of Color." In:
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New York: Aperture, and London: Thames & Hudson, 2004.
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DĂĽsseldorf: Galerie Conrads, and Paris: Ed. Mennour, 2002.
383:'s Culture Award, with Prof. Dr. Nickel (Chairman of DGPh)
88:
2083:
New Topographics: Photographs of a Man-Altered Landscape.
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New York: Aperture, 2018. ISBN 978-1-68395-106-3. Thirty
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Topographies: Aerial Surveys of the American Landscape .
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In 1965, at the age of sixteen, Shore began to frequent
127:
New Topographics: Photographs of a Man-Altered Landscape
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New York: Thunder's Mouth, and London: Pavilion, 1995.
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The Velvet Years. Andy Warhol's Factory, 1965–67.
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and Thomas Weski, and a conversation by Liesbrock with
656:, 1981. Interview with Stephen Shore by Michael Auping.
266:(NEA) grant funded further work, followed in 1975 by a
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selected for a documentary exhibition on Warhol at the
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Photo books, monographs and solo exhibition catalogues
144:. In 2010 he received an Honorary Fellowship from the
1889:"DGPh verleiht den Kulturpreis 2010 an Stephen Shore"
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1233:
Modern Instances: The Craft of Photography. A Memoir.
129:", at the International Museum of Photography at the
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1301:
American Independents: Eighteen Color Photographers.
903:. Edited by Antonello Frongia and William Guerrieri.
1865:
Full Spectrum of a Photographer Who Made Color Cool
1683:. newrepublic.com. Retrieved 22 February 2018.
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1392:
Interview with Canadian critic Christopher Brayshaw
569:, Madrid, subsequently at Rencontres d'Arles, Arles
338:for the brand's spring/summer 2006 advertisements.
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1939:
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1360:Starburst. Color Photography in America 1970–1980.
919:Annandale-on-Hudson, NY: Blind Spot Series, 2012.
1448:"A Stephen Shore Retrospective Comes to the MoMA"
246:Shore then embarked on a series of cross-country
162:first color photographs. At ten he got a copy of
2314:
2293:"Book Review: Modern Instances by Stephen Shore"
1819:Frankel, David (December 2014). "Stephen Shore,
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1570:
1511:"Prints and Photographs on view at Metropolitan"
678:The Gardens at Giverny: A View of Monet's World.
1875:. nytimes.com. Retrieved 17 February 2018.
1752:
1551:"Sean O'Hagan meets photographer Stephen Shore"
322:and many others. Commissioned by Italian brand
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1340:London: Phaidon 2014. ISBN 978-0-7148-6677-2.
1322:London: Phaidon 2006. ISBN 978-0-7148-4433-6.
1098:VOL. LXIX – Los Angeles, CA, February 4, 1969.
1046:London: Phaidon, 2015. ISBN 978-0-7148-7028-1.
760:. Edited by Shore, sequence of 77 photographs.
598:Andy Warhol. Photographs by Stephen Shore and
1567:
1122:Transparencies: Small Camera Works 1971–1979.
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1933:
1931:
1156:London: Mack, 2023. ISBN 978-1-913620-89-9.
764:Uncommon Places: 50 Unpublished Photographs.
1941:"Stephen Shore: banality, sprawl and decay"
1854:. npr.org. Retrieved 17 February 2018.
1842:O'Neill, Claire (February 24, 2010). "
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1090:in viewer. Photographs made in 1974 with a
355:In recent years, Shore has been working in
1863:Anglès, Daphné (February 8, 2013). "
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1257:, January 1975. Reprinted in Max Kozloff:
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1650:
1621:Woodward, Richard B. (30 December 2017).
1489:John Simon Guggenheim Memorial Foundation
1118:Foundation, 2019. ISBN 978-0-87130-080-5.
1070:Stephen Shore: Selected Works, 1973–1981.
401:John Simon Guggenheim Memorial Foundation
1988:. Deutsche Gesellschaft fĂĽr Photographie
1848:The Picture Show (photo stories from NPR
1829:. Vol. 53, no. 4. p. 304. Retrieved via
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374:
2348:National Endowment for the Arts Fellows
2199:
1883:
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1766:(First ed.). Aperture Foundation.
1428:
861:. Limited edition, numbered and signed.
519:WĂĽrttembergischer Kunstverein Stuttgart
304:Shore photographed fashion stories for
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1937:
1647:
1509:Shirey, David L. (February 24, 1971).
1508:
1164:since 2020. Essays by Noah Chasin and
106:in art photography. His books include
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1673:Crair, Ben (October 22, 2013). "
802:, 2005 (reprinted 2008, 2011, 2013).
654:John and Mable Ringling Museum of Art
174:, then curator of photography at the
1878:
1576:
1445:
1320:The Photobook: A History, Volume II.
1220:, Jamie O'Shea and Laura Gail Tyler.
1179:The Nature of Photographs: A Primer.
999:and Shore, and texts by Marta DahĂł,
933:Portland, OR: Nazraeli Press, 2012.
839:Portland, OR: Nazraeli Press, 2007.
782:Uncommon Places: The Complete Works.
617:Metropolitan Museum of Art, New York
590:
241:
2119:Dean Kuipers (September 23, 2013).
931:One Picture Book #73: Pet Pictures.
586:Museum of Modern Art, New York City
426:
13:
2353:People associated with The Factory
2200:O’Hagan, Sean (29 February 2020).
1938:Budick, Ariella (9 January 2018).
1577:Hiss, Anthony (27 February 1971).
1386:San Francisco Museum of Modern Art
1351:Britt Salvesen, Alison Nordström:
722:Munich: Schirmer Art Books, 1998.
14:
2374:
1909:Reuel Golden (December 1, 2010),
1844:The Crusade For Color Photography
1370:
19:For those of a similar name, see
2022:. Multimedia Art Museum, Moscow.
2020:"Stephen Shore, Uncommon Places"
1100:New York: Roman Nvmerals, 2018.
987:, and New York: Aperture, 2014.
464:, Sarasota, FL, subsequently at
151:
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2012:
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1952:from the original on 2022-12-11
1903:
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1836:
1813:
1743:
1730:Jawlensky and the Serial Image.
1718:
1709:
1658:Honorary Fellowships (HonFRPS)
1044:The Noguchi Museum: A Portrait.
638:
627:George Eastman House, Rochester
553:Stephen Shore: Uncommon Places,
500:Center for Creative Photography
390:National Endowment for the Arts
264:National Endowment for the Arts
254:before finally settling on the
2358:New Topographics photographers
1793:"Photographs by Stephen Shore"
1686:
1667:
1623:"Photography's Shifting Shore"
1599:– via www.newyorker.com.
1502:
1446:Yarm, Mark (2 November 2017).
1183:Johns Hopkins University Press
1058:London: Stanley/Barker, 2016.
895:Cologne: Walther König, 2011.
752:Munich: Schirmer/Mosel, 1999.
421:
415:German Society for Photography
381:German Society for Photography
273:Along with others, especially
212:Jawlensky and the Serial Image
156:
1:
1421:
1412:Artist page for Stephen Shore
1247:
574:Stephen Shore. Retrospective,
2046:Stephen Shore: Retrospective
1693:Interview with Stephen Shore
1031:up to this point, edited by
720:Photographs 1973–1993.
468:, Daytona Beach, and (1982)
326:, he photographed socialite
214:and by spending time at the
7:
1664:. Accessed 22 February 2018
1318:Martin Parr, Gerry Badger:
1303:New York: Abbeville, 1987.
1066:. New and expanded edition.
893:Mose: A Preliminary Report.
650:Stephen Shore: Photographs.
509:Westfälischer Kunstverein,
466:Museum of Arts and Sciences
10:
2379:
2363:21st-century American Jews
2333:20th-century American Jews
1662:Royal Photographic Society
1406:Metropolitan Museum of Art
1382:Shore talks about his work
1265:The New Color Photography.
1072:New York: Aperture, 2017.
945:From Galilee to the Negev.
706:Fotografien 1973 bis 1993.
507:Fotografien 1973 bis 1993,
484:ARCO Center for Visual Art
434:Metropolitan Museum of Art
408:Royal Photographic Society
236:Metropolitan Museum of Art
146:Royal Photographic Society
123:Metropolitan Museum of Art
18:
1404:in the collection of The
1402:Artworks by Stephen Shore
1223:"Form and Pressure". In:
1035:. Limited edition of 200.
607:, Stockholm. Curated by
370:
117:In 1975 Shore received a
83:
73:
48:
39:
32:
25:Stephen Shore (professor)
23:. For the professor, see
1643:– via www.wsj.com.
1468:– via www.wsj.com.
746:. Text by Lynne Tyllman.
694:. "Companion volume" to
494:Art Institute of Chicago
1762:Shore, Stephen (2004).
1196:London: Phaidon, 2007.
1173:Writings on photography
1009:London: Phaidon, 2015.
947:London: Phaidon, 2014.
853:London: Phaidon, 2008.
750:American Surfaces 1972.
534:American Surfaces 1972,
204:, Stockholm, in 1968.
2328:American photographers
1397:Masters of Photography
1377:Stephen Shore homepage
1003:and Horacio Fernández.
981:Stephen Shore: Survey.
714:Bernd and Hilla Becher
563:Stephen Shore: Survey,
462:Ringling Museum of Art
384:
2240:www.independent.co.uk
2096:"Emirati Expressions"
1364:Cincinnati Art Museum
1050:Factory: Andy Warhol.
1007:Survivors in Ukraine.
556:Multimedia Art Museum
450:(MoMA), New York City
413:2010: Culture Award,
397:Guggenheim Fellowship
378:
268:Guggenheim Fellowship
168:American Photographs,
119:Guggenheim Fellowship
16:American photographer
2338:Bard College faculty
1800:Museum of Modern Art
1549:(13 November 2005).
1235:London: Mack, 2022.
1142:London: Mack, 2021.
961:Tokyo: Amana, 2014.
887:Emirati Expressions.
869:Douglas Hyde Gallery
851:A Road Trip Journal.
615:Landscape/Cityscape,
527:George Eastman House
448:Museum of Modern Art
410:Honorary Fellowship.
379:Shore receiving the
176:Museum of Modern Art
142:Museum of Modern Art
131:George Eastman House
1627:Wall Street Journal
1452:Wall Street Journal
1342:A Road Trip Journal
1287:New Color/New Work.
1210:Witness Number One.
1166:Richard B. Woodward
1088:stereoscopic slides
523:Amerika Haus Berlin
216:John Gibson Gallery
135:Rochester, New York
2100:Photoeye bookstore
2033:Stephen Shore show
1916:2013-02-10 at the
1698:2009-07-01 at the
1518:The New York Times
1158:Aerial photographs
1033:Hans-Ulrich Obrist
1001:Sandra S. Phillips
983:Madrid: FundaciĂłn
975:Station to Station
917:The Hudson Valley.
907:The Book of Books.
881:Mark Haworth-Booth
796:American Surfaces.
537:SK Stiftung Kultur
470:Polk Public Museum
455:Rencontres d'Arles
385:
2269:by Stephen Shore"
2242:. 14 March 2020.
1353:New Topographics.
1328:American Surfaces
1289:Abbeville, 1984.
1263:Sally Eauclaire:
1241:978-1-913620-53-0
1229:205, winter 2011.
1202:978-0-7148-5904-0
1191:978-0-801857-20-1
1148:978-1-913620-06-6
1134:978-1-912339-70-9
1078:978-1-59711-388-5
1064:978-0-9569922-8-4
1015:978-0-7148-6950-6
993:978-1-59711-309-0
967:978-4-907519-07-0
953:978-0-7148-6706-9
901:978-3-86560-394-4
859:978-0-714848-01-3
808:978-0-714848-63-1
790:978-1-59711-303-8
632:New Topographics,
591:Group exhibitions
441:American Surfaces
350:American Surfaces
275:William Eggleston
242:American Surfaces
137:), in 1975-1976.
112:American Surfaces
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1295:978-089659-460-9
1277:978-089659-196-7
959:Winslow Arizona.
660:Uncommon Places.
623:New Topographics
547:Aspen Art Museum
477:Fraenkel Gallery
427:Solo exhibitions
417:(DGPh), Germany.
307:Another Magazine
232:Dennis Oppenheim
228:Peter Hutchinson
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515:Sprengel Museum
479:, San Francisco
457:, Arles, France
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429:
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319:Daily Telegraph
279:Uncommon Places
260:John Szarkowski
244:
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59:October 8, 1947
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2166:
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1856:
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1812:
1779:
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1724:John Coplans,
1717:
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2155:. 2018-08-22
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1555:The Guardian
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614:
609:Kasper König
597:
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552:
543:
533:
517:, Hannover,
506:
440:
354:
349:
347:
345:since 1982.
343:Bard College
340:
336:Will Chalker
330:, filmmaker
328:Lydia Hearst
317:
311:
305:
303:
278:
272:
262:. In 1974 a
245:
224:Richard Long
211:
206:
198:Kasper König
191:conceptually
180:
167:
164:Walker Evans
160:
139:
116:
111:
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98:
89:stephenshore
21:Stephen Shaw
2323:1947 births
2147:Stereograph
2081:Catalogue:
1821:303 Gallery
1416:303 Gallery
1338:Volume III.
1214:Martin Parr
1140:Steel Town.
1040:Tina Barney
1019:Jane Kramer
1017:. Essay by
971:Doug Aitken
696:Paul Strand
630:2009–2012:
582:2017–2018:
422:Exhibitions
392:Fellowship.
332:Liz Goldwyn
291:Martin Parr
252:view camera
187:the Factory
185:'s studio,
183:Andy Warhol
157:Early years
110:(1982) and
78:Photography
2317:Categories
2302:2023-04-19
2278:2023-04-19
2267:Steel Town
2250:2020-09-02
2219:2020-09-02
2185:2024-02-08
2159:2024-01-22
2130:2024-02-08
2105:2024-01-22
2068:2018-04-23
1956:2018-04-23
1806:2016-06-10
1738:1012097958
1704:Wallpaper*
1640:2018-04-23
1596:2018-04-23
1560:2018-04-23
1465:2018-04-23
1422:References
1408:, New York
1267:New York:
1248:Literature
1114:New York:
1106:1084978348
1025:Instagram.
879:. Text by
778:and Shore.
774:. Text by
702:from 1953.
662:New York:
600:Billy Name
577:C/O Berlin
565:FundaciĂłn
544:Abu Dhabi,
334:and model
283:Nan Goldin
248:road trips
195:Billy Name
55:1947-10-08
2214:0261-3077
1635:0099-9660
1591:0028-792X
1460:0099-9660
1344:, p. 303.
1326:, p. 35,
1269:Abbeville
1112:Elements.
1029:Instagram
692:637820760
399:from the
361:West Bank
166:'s book,
2244:Archived
2153:Aperture
2125:Huffpost
1972:Artforum
1950:Archived
1914:Archived
1871:(blog).
1831:ProQuest
1826:Artforum
1696:Archived
1494:31 March
1271:, 1981.
1255:Artforum
1226:Aperture
1185:, 1998.
1160:shot by
1128:, 2020.
1124:London:
977:project.
871:, 2010.
867:Dublin:
825:, 2006.
798:London:
700:Un Paese
684:Luzzara.
666:, 1982.
664:Aperture
579:, Berlin
558:, Moscow
502:, Tucson
207:Through
1992:1 April
1895:1 April
1330:, 294f.
800:Phaidon
511:MĂĽnster
365:Ukraine
220:Christo
84:Website
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432:1971:
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388:1974:
371:Awards
363:, and
359:, the
357:Israel
1796:(PDF)
1514:(PDF)
1162:drone
1038:with
104:color
2210:ISSN
1994:2014
1897:2014
1768:ISBN
1734:OCLC
1631:ISSN
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1496:2018
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1126:Mack
1102:OCLC
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348:His
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297:and
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