731:. Thematically, Marryat focuses on ideas of heroism, proper action of officers, and reforms within the culture of the navy. His literary works form part of a larger British cultural examination of maritime service during the early part of the 19th century, where subjects such as naval discipline and naval funding were in widespread public debate. Peck describes Marryat's novels as consistent in their core thematic focuses on masculinity and the contemporary naval culture, and in doing so, he suggests, they provide reflection on "a complex historical moment in which author, in his clumsy way, engages with rapid change in Britain." Marryat's novels encouraged the writing of other novels by veterans of the Napoleonic wars during the 1830s, like M. H. Baker,
1474:
1435:. On the other hand, Forester's Hornblower is a model hero, presenting bravery, but inadequate at life ashore and beyond the navy and with limited emotional complexity. More recently O'Brian has explored complex ideas about masculinities through his characters Jack Aubrey and Stephen Maturin's friendship, along with the tension between naval life and shore life, and these men's complex passions and character flaws. Bassnett argues, these models of manliness frequently reflect the historical contexts in which authors write. Marryat's model is a direct political response to the reforms of the Navy and the Napoleonic Wars, while Forrestor is writing about post-
251:
2578:"Women in the Royal Navy serve in many roles; as pilots, observers and air-crew personnel; as divers, and Commanding Officers of HM Ships and shore establishments, notably Cdr Sarah West, who took up her appointment as CO of HMS PORTLAND in 2012, taking her ship from a refit in Rosyth to her current deployment as an Atlantic Patrol vessel. In another milestone for the Royal Navy, Commander Sue Moore was the first woman to command a squadron of minor war vessels; the First Patrol Boat Squadron (1PBS) ... Women can serve in the Royal Marines but not as RM Commandos."
760:
1969:, or the assumption of a higher status than is warranted, is a running theme of the book. This theme focuses upon that major theme of maritime fiction, the proper conduct of a gentleman; however, it also deals with his often-stormy friendship between the protagonist Talbot and one of the officers, Lieutenant Summers, who sometimes feels slighted by Talbot's ill-thought-out comments and advice. Like many of Golding's books, it also looks at man's reversion to savagery in the wake of isolation. This novel forms the trilogy
585:
300:(1876), that depict cultural situations dependent on the maritime economy and culture, without explicitly exploring the naval experience. However, as critic Luis Iglasius notes, when defending the genesis of the sea novel genre by James Fenimore Cooper, expanding this definition includes work "tend to view the sea from the perspective of the shore" focusing on the effect of a nautical culture on the larger culture or society ashore or focusing on individuals not familiar with nautical life.
1395:
38:
6032:
1371:
1457:, describes order of battle. Yet, the investigation of masculinity is central to the novels; Critic Steven Hathorn describes "Cooper deliberately invests his nautical world with a masculine character, to such a degree that the appearance of women aboard ships presents an array of problems the novels explore how some of the biggest challenges to manhood come from within—from the very nature of masculinity itself." James Fenimore Cooper's
4485:
1391:
Jerome de Groot identifies naval historical fiction, like
Forester's and O'Brian's, as epitomizing the kinds of fiction marketed to men, and nautical fiction being one of the subgenre's most frequently marketed towards men. As John Peck notes, the genre of nautical fiction frequently relies on a more "traditional models of masculinity", where masculinity is a part of a more conservative social order.
1592:(2002), the first novel in the young adult fiction series set in the early 19th century centering around the titular character Mary (Jacky) Faber. The first adventure featured Jacky disguised as a cabin boy aboard a British naval ship. The eleven subsequent titles feature other maritime or river adventures, with reference to and direct inspiration from nautical culture, historical events and people,
1011:
565:(1748) as populating the naval world with characters unfamiliar with the sea to better understand land-bound society, not fulfilling the immersive generic expectations of nautical fiction. Following the development of the genre's motifs and characteristics in works like those of Cooper and Marryat, a number of notable European novelists explored the genre, such as
1764:", and this novel continues with details of how life as a stoker "will destroy a man physically". George Garrett in his short stories also wrote "about life among harsh realities" on both land and at sea. The works of these writer diverges greatly from earlier writers who use more romantic depictions of upper-class men at sea, like Fenimore Cooper, Melville (even
78:, that focuses on the human relationship to the sea and sea voyages and highlights nautical culture in these environments. The settings of nautical fiction vary greatly, including merchant ships, liners, naval ships, fishing vessels, life boats, etc., along with sea ports and fishing villages. When describing nautical fiction, scholars most frequently refer to
1952:. Several chapters of this novel deal with the eponymous hero's voyage to Australia. While Trollope claims "that life at sea is unlike life in general" the novel, in fact, presents "an intensified version of ordinary life, with social divisions rigorously enforced" which is underlined by "the physical separation of first- and second-class passengers".
808:" genre. Moreover, unlike the earlier novels, which were written during a thriving nautical economic boom, full of opportunities and affirmation of national identity, novels by these authors were written "at a point where a maritime based economic order disintegrating." The genre also inspired a number of popular mass-market authors, like American
547:
the larger culture or society ashore and individuals not familiar with nautical life; by example
Iglesias points to how Jane Austen's novels don't represent the genre, because, though the sea plays a prominent part in their plots, they keeps actual sea-culture as a "peripheral presence." Similarly, Iglesias describes earlier English novels like
751:, which were critical of naval disciplinary practices, during a period when public debates ensued around various social and political reform movements. However, Marryat's novels tend to be treated as unique in this regard; Peck argues that Marryat's novels, though in part supportive of the navy, also highlight a "disturbing dimension" thereof.
1855:, 2006) not only deals with men at sea but also encompasses the lives of boys growing up with dreams of becoming sailors and the experiences of the wives – and widows – of the seamen. James Hanley is another author who explores not only life afloat but the experiences of them and their families on land, especially in his series of five novels
411:(1589). Then during the 18th century, as Bernhard Klein notes in defining "sea fiction" for his scholarly collection on sea fiction, European cultures began to gain an appreciation of the "sea" through varying thematic lenses. First because of the economic opportunities brought by the sea and then through the influence of the
266:
sea, and immerse the characters in nautical culture. Typical sea stories follow the narrative format of "a sailor embarks upon a voyage; during the course of the voyage he is tested – by the sea, by his colleagues or by those that he encounters upon another shore; the experience either makes him or breaks him".
880:(1863) by Elizabeth Gaskell, where the nautical world is a foil to the social life ashore. However, British novelists increasingly focused on the sea in the 19th century, particularly when they wrote about the upper classes. In such works sea voyages became a place for strong social commentary, as, for example
1427:(nicknamed the "Sea Wolf"), whose heroic exploits have been adapted by Marryat, Forestor, and O'Brian, among others. Susan Bassnet maps a change in the major popular nautical works. On the one hand Marryat's heroes focus on gentlemanly characteristics modeled on idealized ideas of actual captains such as
1314:), published in two parts in 1941 and 1945. The hero Orm, later called Röde Orm (Red Snake) because of his red beard, is kidnapped as a boy onto a raiding ship and leads an exciting life in the Mediterranean area around the year 1000 AD. Later, he makes an expedition eastward into what is now Russia.
546:
as the first sea novel and
Marryat's adaptation of that style, as continuing to "pioneer" the genre. Critic Luis Iglesias says that novels and fiction that involved the sea before these two authors "tend to view the sea from the perspective of the shore," focusing on the effect of nautical culture on
265:
What constitutes nautical fiction or sea fiction, and their constituent naval, nautical or sea novels, depends largely on the focus of the commentator. Conventionally sea fiction encompasses novels in the vein of
Marryat, Conrad, Melville, Forester and O'Brian: novels which are principally set on the
192:
Because of the historical dominance of nautical culture by men, they are usually the central characters, except for works that feature ships carrying women passengers. For this reason, nautical fiction is often marketed for men. Nautical fiction usually includes distinctive themes, such as a focus on
1452:
Though much of the tradition focuses on a militaristic storytelling, some of the prototypes of the genre focus on a commercial naval heritage but continue to highlight the role of masculinity and heroism with that tradition. For example, Iglesias describes
Coopers novels and the subsequent novels in
1604:
Until the 20th century nautical fiction focused on officer protagonists and John Peck suggests, that "the idea of the gentleman is absolutely central in maritime fiction". However, historically, the bulk of people aboard nautical voyages are common sailors, drawn from the working classes. An early,
1520:
a narrative about her life aboard the USS Constitution as a warning to other young women. The book was widely read and accepted as fact, but historians now believe that Louisa Baker never existed, and that her story was created by publisher
Nathaniel Coverly, Jr., and written by Nathan Hill Wright.
1491:
Although contemporary sea culture includes women working as fishers and even commanding naval ships, maritime fiction on the whole has not followed this cultural change. Generally, in maritime fiction, women only have a role on passenger ships, as wives of warrant officers, and where the plot is on
1867:
While many maritime novels focus on adventure and heroic deeds, the prime function of ships, other than warfare, is the making of money. The darkest aspect of this, involving both greed and cruelty is seen in the slave trade: "The story of
Britain's involvement in the slave trade echoes the profit
1657:
play about a brutish, unthinking laborer known as Yank as he searches for a sense of belonging in a world controlled by the rich. At first Yank feels secure as he stokes the engines of an ocean liner, and is highly confident in his physical power over the ship's engines, but later he undergoes a
1390:
Those nautical novels dealing with life on naval and merchant ships set in the past are often written by men and deal with a purely male world with the rare exception, and a core themes found in these novels is male heroism. This creates a generic expectation among readers and publishers. Critic
269:
Some scholars chose to expand the definition of what constitutes nautical fiction. However, these are inconsistent definitions: some like
Bernhard Klein, choose to expand that definition into a thematic perspective, he defines his collection "Fictions of the Sea" around a broader question of the
1772:
called men generally "found covered in grease below decks". Garrett wrote, that " could write romantically and vividly of a ship in heavy sea, but when it came to men aboard he wrote as a conservatively-minded officer", and criticizes Conrad's depiction of the sailor Donkin as a villain in his
1506:
closely parallels Conrad's work, though here
Captain Bottell's obsession is with a government official's wife. This causes him to descend into madness, leaving the crew struggling "heroically to keep the ship afloat" during a storm. Critic John Fordham sees Hanley's novel as "a conscious
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of nautical language and "faithful descriptions of nautical maneuvers and the vernacular expression of seafaring men" as reinforcing his work's authority for the reader, and as giving more credence to characters, which distinguishes it from earlier fiction set on or around the sea.
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to Europe aboard a German passenger ship. The large cast of characters includes
Germans, a Swiss family, Mexicans, Americans, Spaniards, a group of Cuban medical students, and a Swede. In steerage there are 876 Spanish workers being returned from Cuba. Porter's title alludes to
1935:
into the Atlantic for insurance purposes. According to historical accounts, one slave survived and climbed back onto the ship; and in D'Aguiar's narrative this slave – about whom there is next to no historical information – is developed as the fictional character Mintah.
1669:
The 1930s saw the publication of a number of short stories and novels about life of seamen below deck, some written by adventure seekers from wealthy families, like Melville and O'Neill, and others from the working class, who had gone to sea out of necessity. Moneyed
197:
and heroism, investigations of social hierarchies, and the psychological struggles of the individual in the hostile environment of the sea. Stylistically, readers of the genre expect an emphasis on adventure, accurate representation of maritime culture, and use of
468:
A distinct sea novel genre, which focuses on representing nautical culture exclusively, did not gain traction until the early part of the 19th century. However, works dealing with life at sea had been written in the 18th century. These include works dealing with
1169:(1914–2000), define the conventional boundaries of contemporary naval fiction. A number of later authors draw on Forester's and O'Brian's models of representing individual officers or sailors as they progress through their careers in the British navy, including
1185:, distinguishing itself from Hornblower, one reviewer even commented the books have "escaped the usual confines of naval adventure attract new readers who wouldn’t touch Horatio Hornblower with a bargepole." There are also reviews that compare these works to
2070:, The allegory depicts a vessel without a pilot, populated by human inhabitants who are deranged, frivolous, or oblivious, and seemingly ignorant of their course. The concept makes up the framework of the 15th century book which served as the inspiration for
1439:
Britain, and O'Brian is exploring the social and scholarly complexities of the later part of the 20th century. Like O'Brian's novels, other 20th century authors treat masculinity as a complex plurality, full of questions about the idea of
861:, it was also named "the greatest book of the sea ever written" by D.H. Lawrence. In this work, the hunting of a whale by Captain Ahab immerses the narrator, Ishmael, in a spiritual journey, a theme also featured in Conrad's much later
747:; these authors frequently both reflect on and defend the public image of the navy. Novels by these authors highlight a more conservative and supportive view of the navy, unlike texts from those interested in reforming the navy, like
1894:
being a primary medium for exploring the issue. The story line has a very extensive cast of characters, and the narrative interweaves elements of appalling cruelty and horror with extended comic interludes. It shared, in 1992, the
1448:
trilogy, explores the complexities of what constitutes a stable and acceptable male role as the civilian main character is thrust into the militaristic world of the navy, and is forced to work out afresh his own ideas of manhood.
1674:
was "driven to the docks in the family limousine", when he was eighteen to begin a voyage "as deck hand, cabin boy and ultimately a fireman's helper on a tramp steamer". From this experience as a common seaman came Lowry's novel
105:
The development of nautical fiction follows with the development of the English language novel and while the tradition is mainly British and North American, there are also significant works from literatures in Japan, France,
5931:
1564:
comments that Frank's "encounters with prostitutes and a relationship with an actress resulting in a child are not what might be expected", that is he is not "the kind of honest lad', the kind of midshipmen portrayed by
923:
At the same time that literary works embraced the sea narrative in Britain, so did the most popular novels of adventure fiction, of which Marryat is a major example. Critic John Peck emphasizes this subgenre's impact on
708:
In Britain, the genesis of a nautical fiction tradition is often attributed to Frederick Marryat. Marryat's career as a novelist stretched from 1829 until his death in 1848, with many of his works set at sea, including
280:". Choosing not to fall into this wide of a definition, but also opting to include more fiction than just that which is explicitly about the sea, John Peck opts for a broader maritime fiction, which includes works like
140:
1836) in the early 19th century. There were 18th century and earlier precursors that have nautical settings, but few are as richly developed as subsequent works in this genre. The genre has evolved to include notable
270:"Britain and the Sea" in literature, which comes to include 16th and 17th maritime instructional literature, and fictional depictions of the nautical which offer lasting cultural resonance, for example Milton's
2766:
804:. John Peck describes Herman Mellville and Joseph Conrad as the "two great English-language writers of sea stories": better novelists than predecessors Cooper and Marryat, both flourished writing in the "
1965:(1980) is set on board a warship the ship is also carrying a number of passengers on their way to Australia, who encompass a motley yet representative collection of early 19th century English society.
1583:. Annie and her crew also did some crime fighting and helped people caught in storms and floods. The series was extremely popular and there were two films and a television show that were based on it.
2031:(1962), a ship can be a symbol: "if thought of as isolated in the midst of the ocean, a ship can stand for mankind and human society moving through time and struggling with its destiny." Set in 1931
1238:
is about sea voyages to Australia in the early nineteenth century, and draws extensively on the traditions of Jane Austen, Joseph Conrad and Herman Melville, and is Golding's most extensive piece of
2088:
A distinction between nautical fiction and other fiction merely using the sea as a setting or backdrop is an investment in nautical detail. Luis Iglesias describes James Fenimore Cooper's use in
371:
Sea narratives have a long history of development, arising from cultures with genres of adventure and travel narratives that profiled the sea and its cultural importance, for example
1549:, Book 1 of the Patricia MacPherson Nautical Adventure Series is historical fiction, which were inspired by the documented occurrences of actual women who served aboard ship as men.
1498:(1913), where in the final section Captain Anthony takes his younger bride to sea with him and the captain's "obsessive passion" disturbs "the normal working relations of the ship".
1453:
the American tradition growing out of "a distinctive attitude borne of commercial enterprise, confronting and ultimately superseding its Atlantic rival." Only one of his novels,
1542:
638:(1844) he examines this subject again, as well as offering a critique of American politics. Cooper's novels created an interest in sea novels in the United States, and led both
2015:
1423:
However, as the genre has developed, models of masculinity and the nature of male heroism in sea novels vary greatly, despite being based on similar historical precedents like
658:(1840) as utilizing a similar style and addressing the same thematic issues of national and masculine identity as nautical fiction developing after Cooper's pioneering works.
1756:
has been described as "truly disturbing novel", and explores sexual abuse of a teenage youth aboard a cargo ship. According to Paul Lester the "opening pages of Jim Phelan's
906:
1579:
in the late 1920s ran a series of short stories about "Tugboat Annie" Brennan, a widow who ran a tugboat and successfully competed for a share of the towboat business in
772:
As the model of the sea novel solidified into a distinct genre, writers in both Europe and the United States produced major works of literature in the genre, for example
4169:
1666:
utilizing quick "on the job" direct action. O'Neill was a major influence on a number of subsequent writers of nautical fiction, like James Hanley and George Garrett.
4367:
Cruel Seas: Merchant Shipping-focused World War 2 Nautical Fiction, 1939 to 2004: an Annotated Bibliography of English Language Short Stories, Novels & Novellas
1752:
book about the lives for'ard of the bridge". The novel portrays what Hanley calls the "real, horrible, fantastic, but disgustingly true". Hanley's own early novel
4145:
954:
3640:, p. 82: "For sailors are of three classes able-seamen, ordinary-seamen, and boys In merchant-ships, a boy means a green-hand, a landsman on his first voyage."
3120:
1615:, published in 1849, Melville's semi-autobiographical account of the adventures of a refined youth among coarse and brutal sailors and the seedier areas of
307:. In so doing, this article highlights what critics describe as the more conventional definition for the genre, even when they attempt to expand its scope.
1419:
is based largely on Cochranes exploits in the action, and the character Jack Aubrey's heroic character is established through his similarities to Cochrane.
5963:
1529:, in 1816. Again historians doubt that the book, which is full of fantastic adventure, danger, and romance, is really an autobiography of Almira Paul of
2592:
This list includes some of the notable authors covered by Knowledge. For a more expansive list of notable authors and works, see the Knowledge Category:
1687:
928:. In these novels young male characters go through—often morally whitewashed—experiences of adventure, romantic entanglement, and "domestic commitment".
744:
423:
in nature: 'of all the objects that I have ever seen, there is none which affects my imagination as much as the sea or ocean' ". Later in this century
3296:
1832:, that area of public houses, brothels, lodgings, etc., close to the docks which caters to their needs away from home. Herman Melville describes in
1643:
However, it was not until the twentieth century that sea stories "of men for'ard of the bridge" really developed, starting with American playwright
823:
Mellville's fiction frequently involves the sea, with his first five novels following the naval adventures of seamen, often a pair of male friends (
4197:
1727:
1546:
886:
2528:. Margaret Cohen, for example, states that "fter a seventy-five year hiatus, the maritime novel was reinvented by James Fenimore Cooper, with the
130:
4253:
978:(1897), all of which were also read by adults, and helped expand the potential of naval adventure fiction. Other novels by Stevenson, including
436:(1798), developed the idea of the ocean as "realm of unspoiled nature and a refuge from the perceived threats of civilization". However, it is
5182:
1697:
540:, both of whose maritime adventure novels began to define generic expectations about such fiction. Critic Margaret Cohen describes Cooper's
5830:
1202:(1951) follows a young naval officer Keith Lockhart during World War II service aboard "small ships". Monsarrat's short-story collections
1816:
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to write novels in the genre. The prominence of the genre also influenced non-fiction. Critic John Peck describes Richard Henry Dana's
5860:
5511:
3905:
2475:
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5940:
2566:
1428:
1424:
1407:
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724:
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Redburn: His First Voyage: Being the Sailor-boy Confessions and Reminiscences of the Son-of-a-Gentleman, in the Merchant Service
5194:
3921:
2593:
871:
4181:
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1841:'s sailortown. There are also works that deal with their experiences in their home port and those of their families ashore.
1382:. Cochrane is frequently a historical model for the kinds of heroism depicted in fiction set during the Napoleonic wars and
6081:
3846:
See, Valerie Burton, " 'As I wuz a-rolling down the Highway one morn': Fictions of the 19th-century English Sailortown" in
2308:
932:
is the most definitive writer of this genre, writing over one hundred boys' books, "many with a maritime theme", including
1525:, was published. The success of this further inspired Nathaniel Coverly, Jr., to publish another tale of a female sailor,
1158:(1933), relating the adventures of the crew of a China tea clipper, who are forced to abandon ship and take to the boats.
5993:
4523:
1633:
1079:
608:(1821). Cooper was frustrated with the inaccuracy of the depiction of nautical culture in that book. Though critical of
532:, which made "the sea the proper habit for aspiring authors", including the two most prominent early sea fiction writers
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1944:
The importance of "the idea of the gentleman" can also be a theme of novels set on passenger ships, as for example with
5951:
4385:
3520:
644:
110:, and other Western traditions. Though the treatment of themes and settings related to the sea and maritime culture is
1061:. Most of Conrad's works draw directly from this seafaring career: Conrad had a career in both the French and British
5597:
5177:
4489:
4115:
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Authors continue writing nautical fiction in the twenty-first century, including, for example, another Scandinavian,
1192:
Several other notable authors, wrote contemporary to O'Brian and Forester, but expanded the boundaries of the genre.
681:(1832–1834), and others, which were composed at the height of the Romantic movement. The more famous French novelist
505:
4411:
Peck, H. Daniel (1976-10-01). "A Repossession of America: The Revolution in Cooper's Trilogy of Nautical Romances".
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There are, however, stories of women dressed as men serving at sea. In 1815, American Louisa Baker supposedly wrote
5971:
5823:
4464:, with a foreword by Ernest M. Eller and craft notes by Edward L. Beach . (Metuchen, N.J.: Scarecrow Press, 1976).
485:
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crisis of identity. O'Neill spent several years at sea, and he joined the Marine Transport Workers Union of the
1071:(1899), is based on a three-year employment with a Belgian trading company. His other nautical fiction includes
4170:"Some Remarks on the Sailors' Language Terminology and Related Issues in British and American Nautical fiction"
1259:
1142:
3461:
1742:
Writing about the men below decks required a different approach. For example, James Hanley describes Traven's
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4234:
Originally published in James Fenimore Cooper Society Miscellaneous Papers, No. 24, August 2007, pp. 3–8
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2002:
1820:,1965), chronicles the story of Ryuji, a sailor with vague notions that a special honor awaiting him at sea.
442:
4290:
Originally published in James Fenimore Cooper Society Miscellaneous Papers No. 25, May 2008, pp. 10–13.
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31:
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and looks metaphorically at the progress of the world on its "voyage to eternity" in the years leading to
1410:, which has been fictionalized by several nautical fiction authors; most famously Patrick O'Brian's first
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2251:
1250:
1239:
1211:
432:
4201:
2699:
6086:
6076:
5983:
5978:
5895:
4198:"Ship of State: American Identity and Maritime Nationalism in the Sea Fiction of James Fenimore Cooper"
3224:
2524:
This is a debatable claim, dependent on the limitations placed on the genre, per the discussion in the
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2460:
912:
715:. Adapting Cooper's approach to fiction, Marryat's sea novels also reflected his own experience in the
199:
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316:
111:
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17:
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Stephenson, William (1998-01-01). "Sex, Drugs and the Economics of Masculinity in William Golding's
1573:". Peck further suggests that in "Marryat's navy there is" both "contempt for" and "fear of women".
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1977:
1971:
1961:
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223:
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Susan Bassnett "Cabin'd Yet Unconfined: Heroic Masculinity in English Seafaring Novels" in Klein '
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1560:(1829) explores an important part of sailor's life ashore, their sexual encounters. John Peck, in
6071:
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5587:
5447:
5204:
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3426:
orig. presented at the 2000 Central New York Conference on Language and Literature, Cortland, N.Y
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1983:
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2606:
Cruel Seas : World War 2 Merchant Marine-Related Nautical Fiction from the 1930s to Present
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1228:(1956) records the delusions experienced by a drowning sailor in his last moments. Golding's
1198:
1178:
1097:
1054:
901:
533:
239:
186:
115:
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1533:, and what it is more likely is that the story was based on the lives of real women such as
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5501:
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Frias, Maria (2002). "Building Bridges Back to the Past: An Interview with Fred D'Aguiar".
2391:
2345:
2339:
2159:
1530:
1415:
858:
665:(1804 –1857), his naval experiences supplying much of the material for Sue's first novels,
632:(1827) Cooper explores the development of an American national identity. In the later work
396:
235:
4470:
Le roman maritime, un langage universel: aspects mythologique, métaphysique et idéologique
2485:
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led to numerous novels with nautical themes. Some of these just touch on the sea, as with
8:
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Fictions of the Sea. Critical Perspectives on the Ocean in British Literature and Culture
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Fictions of the Sea: Critical Perspectives on the Ocean in British Literature and Culture
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1905:
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261:(circa. 1806). Turner's seascapes reflect the Romantic movement's new attitude to the sea
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4095:
3356:"The Long Ships (1963) Screen: 'The Long Ships':Widmark and Poitier in Viking Adventure"
2700:"The'keen-eyed critic of the ocean': James Fenimore Cooper's Invention of the Sea Novel"
2080:: a ship—an entire fleet at first—sets off from Basel, bound for the Paradise of Fools.
890:(1877), in which he depicts a character traveling to Australia to make his fortune, and
694:
570:
513:
partially based on Smollett's experience as a naval-surgeon's mate in the British Navy.
5906:
5881:
5876:
5839:
5743:
5738:
5728:
5668:
5614:
5382:
5372:
5146:
5115:
5102:
4913:
4898:
4855:
4815:
4741:
4692:
4509:
4436:
4311:
4048:
3975:
3360:
2838:
2605:
2558:
2325:
1732:
1297:
1280:
1193:
1166:
1046:
1041:
876:
788:
711:
613:
604:
420:
207:
182:
136:
4294:
Davis, James T. (2012). "Mixed Technological Language in Jack London's THE SEA-WOLF".
2601:
1461:
questions the role of nautical symbols of heroes of the revolutionary period, such as
1140:(1900–1976) wrote only four novels, the most famous of which is the pirate adventure,
5944:
5901:
5748:
5634:
5552:
5518:
5442:
5412:
5377:
5347:
5092:
5050:
5045:
4975:
4970:
4942:
4908:
4873:
4583:
4428:
4381:
4347:
4315:
4111:
3979:
3621:
3516:
3441:
3331:
3275:
3151:
3020:
2842:
2830:
2546:
2465:
2450:
2430:
2406:
2374:, a British story paper aimed at young and teenage boys, published from 1879 to 1967.
2362:
2128:
2071:
1794:, 2013)) describes the exploitation of Japanese crab fishermen by ship owners from a
1644:
1627:. He returned on the same ship on the first of October, after five weeks in England.
1516:
1487:. Mrs Weldon (pictured here) is the only woman aboard the main ship during the novel.
1109:
1067:
1058:
980:
917:
863:
794:
759:
732:
634:
574:
525:
479:
227:
215:
174:
125:
4498:- a website devoted to cataloging historical fiction within the Naval fiction genre.
3933:
3395:
Book review: Carsten Jensen's 'We, the Drowned' by Peter Behrens, February 22, 2011
2337:
In the twentieth century, sea stories were popular subjects for the pulp magazines.
2322:, translated from the Russian by Neil Parsons. (London; Boston: Forest Books, 1986).
178:
6035:
5928:
5855:
5688:
5530:
5432:
5407:
5397:
5367:
5271:
5087:
5077:
5035:
4825:
4790:
4709:
4677:
4593:
4568:
4540:
4420:
4303:
3967:
2822:
2354:
2280:
2234:
2227:
2215:
1990:
1945:
1917:
1900:
1896:
1782:
1722:
1637:(1897) about a black sailor from the West Indies was first published in America as
1538:
1454:
1267:
1182:
1116:
A number of other novelists started writing nautical fiction early in the century.
986:
944:
939:
929:
896:
881:
813:
510:
400:
142:
4779:
2597:
5916:
5733:
5683:
5673:
5540:
5496:
5479:
5387:
4730:
4657:
4642:
4588:
4307:
3929:
2773:
2495:
2416:
2190:
2178:
2153:
2138:
2059:
2007:
1956:
1606:
1553:
1462:
1219:
1091:
1062:
969:
964:
805:
773:
720:
682:
639:
561:
549:
500:
404:
254:
166:
146:
489:(1724), which contains biographies of several notorious English pirates such as
5956:
5721:
5700:
5486:
5474:
5342:
5313:
5065:
4903:
4820:
4805:
4563:
4452:
Maritime fiction: sailors and the sea in British and American novels, 1719–1917
4091:
2490:
2382:, a British boys' paper published by D. C. Thomson & Co. From 1933 to 1959,
2370:
2357:
as part of their selection of fiction. Other works that included sea stories:
1966:
1875:
1844:
1744:
1432:
1326:
1310:
1276:
1246:
1224:
1170:
1151:
891:
620:, such as a desire "to map the boundaries and identity of the nation." In both
521:
440:"who has taken most of the credit for inventing the nineteenth-century sea, in
428:
416:
304:
296:
286:
71:
2768:
A general history of the robberies & murders of the most notorious pirates
1150:(1938) about a merchant ship caught in a hurricane. English poet and novelist
584:
6050:
5782:
5647:
5535:
5491:
5437:
5357:
5327:
5266:
5224:
5007:
4985:
4932:
4772:
4751:
4746:
4598:
4578:
4558:
4432:
4351:
4254:"The Red Rover and Looking at the Nautical Machine for Naturalist Tendencies"
2834:
2581:; for women as crew in the fishing industry, see "Women in Fish harvesting"
2396:
2350:
2298:
2246:
1925:
1878:(1930–2012), which is set in the mid 18th century in the English sea port of
1870:
1807:
1706:
1702:
1682:
1671:
1663:
1654:
1649:
1628:
1272:
1162:
1050:
1032:
628:
555:
272:
170:
156:
87:
662:
596:
James Fenimore Cooper wrote what is often described as the first sea novel,
566:
5787:
5652:
5025:
4761:
4702:
4647:
4620:
3804:, ed. Michael Murphy. Nottingham: Nottingham University Press, 1999, pxxi.
2263:
2183:
2047:. The novel tells the tale of a group of disparate characters sailing from
2044:
2011:
1692:
1534:
1436:
1342:
1330:
1122:
1020:
998:
934:
849:
809:
749:
Nautical Economy; or forecastle recollections of events during the last war
617:
474:
291:
3971:
2826:
1786:
1214:, mined the same literary vein, and gained popularity by association with
6009:
5988:
5886:
5792:
5758:
5753:
5362:
5352:
5298:
5276:
5110:
4997:
4810:
4795:
4766:
4719:
4662:
4637:
4625:
4043:
2378:
2258:
2222:
2148:
1994:
1580:
1566:
1484:
1394:
1383:
1186:
1174:
1117:
1036:
1015:
817:
783:
728:
494:
412:
386:
357:
281:
231:
219:
194:
107:
4440:
1647:'s SS Glencairn one act plays written 1913–17, and his full-length play
1002:(co-authored with Lloyd Osbourne) have significant scenes aboard ships.
37:
5642:
5547:
5239:
5155:
5150:
4830:
4800:
4548:
4495:
4164:, edited A. E. Cunningham. (New York: WW Norton, 1994), pp. 33–42.
2210:
1932:
1887:
1803:
1593:
1263:
1255:
1229:
949:
716:
490:
4131:, introduced by Donald Kennicott. New York: The McBride Company, 1954.
5960:
5808:
5569:
5332:
5254:
5055:
4955:
4878:
4835:
4785:
4697:
4632:
4573:
4553:
4532:
4424:
4020:
Politics and History in William Golding: The World Turned Upside Down
3620:
See the Library of America edition edited by George Thomas Tanselle.
3322:
Politics and History in William Golding: The World Turned Upside Down
3266:
Politics and History in William Golding: The World Turned Upside Down
2895:
Sullen Fires Across the Atlantic: Essays in Transatlantic Romanticism
2500:
2302:
2200:
1879:
1838:
1795:
1769:
1736:
1624:
1616:
1370:
1218:. Another important British novelist who wrote about life at sea was
1029:
778:
612:, Cooper borrowed many of the stylistic and thematic elements of the
376:
151:
43:
4714:
1189:
and similar authors. though this is not a universally held opinion.
685:(1802–1870) "made no secret of his admiration for Cooper" and wrote
5770:
5577:
5261:
5229:
5141:
5136:
5015:
4960:
4893:
4850:
4615:
4604:
2891:"Love and Merit in the Maritime Historical Novel: Cooper and Scott"
2063:
2036:
1868:
versus morality debate that is present in so many maritime novels".
1441:
1354:
1085:
800:
765:
161:
4110:
Jones, Robert Kenneth. The Lure of Adventure. Starmont House,1989
2579:
1028:
Twentieth century novelists expand on the earlier traditions. The
303:
This article focuses on the sea/nautical novel and avoids broader
5850:
5705:
5469:
5337:
5293:
5288:
5218:
5040:
5030:
4845:
4667:
2553:
1916:
Greed and man's inhumanity to his fellows is also the subject of
1891:
1834:
1662:(IWW), which was fighting for improved living conditions for the
1611:
1350:
1337:(2006) describes life on both sea and land from the beginning of
1127:
1010:
843:
381:
211:
177:(1937–67), and works by authors that straddle the divide between
83:
4369:. Institute of Transportation Studies, University of California.
3604:
3602:
2557:
on 6 May 1801, generally regarded as one of the most remarkable
2315:(Translated from the Russian by Bernard Isaacs (Moscow, 1969?) )
114:, nautical fiction, as a distinct genre, was first pioneered by
5709:
5459:
5244:
5020:
4927:
4686:
4484:
3376:
https://newrepublic.com/article/85793/we-drowned-carsten-jensen
3297:"William Golding's Rites of Passage: A Case of Transtextuality"
2048:
2040:
1780:
Japanese authors have also explored working-men's life at sea.
1605:
somewhat disapproving, portrait of ordinary seamen is found in
1301:
1293:
697:(1793–1875), the author of numerous maritime novels, including
470:
1545:(Alfred A. Knopf, 2006) by Linda Collison, and the subsequent
1541:—women who defied convention to live life on their own terms.
1492:
land. An example of a woman aboard a ship is Joseph Conrad's
5716:
5283:
5234:
5212:
4965:
4950:
4248:. (Baton Rouge, Louisiana: Louisiana State University, 1977).
3599:
3462:"BBC – Radio 4 Making History – Thomas Cochrane, sea-captain"
2650:
Klein, Bernhard, "Introduction:Britain in the Sea" in Klein,
2067:
1799:
1400:
The Action and Capture of the Spanish Xebeque Frigate El Gamo
1346:
1322:
1035:
drew inspiration from a range of earlier nautical works like
837:
825:
529:
437:
372:
79:
4501:
4246:
A Thematic Study of James Fenimore Cooper's Nautical Fiction
4096:'Ship of Fools' argument against democracy (link to article)
3899:
Books of The Times; Trading in Misery On a Doomed Slave Ship
3513:
Signs of Masculinity: Men in Literature, 1700 to the Present
3121:"John Masefield a Biographical Sketch. The Masefield Society
2911:. (Princeton, NJ: Princeton University Press, 2010), p. 170.
2600:(though this list focuses only on "Age of Sail" fiction) or
1619:. In June 1839 Melville had signed aboard the merchant ship
693:. Another French novelist who had a seafarer background was
5454:
5249:
4610:
831:
3748:
Hanley>James Hanley, "Sugi–Mugi" review of B. Traven's
2561:
in naval history, founded the legendary reputation of the
1890:. The novel's central theme is greed, with the subject of
1065:, climbing to the rank of captain. His most famous novel,
727:—who would also later inspire Patrick O'Brian's character
4330:. (Woodbridge: Boydell and Brewer, 2018), pp. 27–52.
3044:
Peck, "Mid-Victorian Maritime Fiction", pp. 127–148.
1828:
Another aspect of sailors' lives is their experiences of
1465:, and their unsavory naval practices while privateering.
1161:
The novels of two other prominent British sea novelists,
75:
3250:
Encyclopedia of British Writers, 19th and 20th Centuries
2114:
Notable exponents of the sea novel not discussed above.
1623:
as a "boy" (a green hand) for a cruise from New York to
4241:. (Princeton, NJ: Princeton University Press, c. 2010).
4140:"Lost at Sea: The Story of The Ocean," introduction to
1357:, and voyages by the town's seamen all over the globe.
1049:'s book about his 1857–59 expeditions in search of Sir
661:
Fenimore Cooper greatly influenced the French novelist
3711:
Margerie Lowry, "Introductory Note" to Malcolm Lowry,
3698:
Margerie Lowry, "Introductory Note" to Malcolm Lowry,
2536:. Princeton: Princeton University Press, 2010, p. 133.
2320:
Running to the Shrouds: Nineteenth-Century Sea Stories
1798:
point-of-view. The book has been made into a film and
3559:
3557:
3391:
3389:
3301:
Miscelánea: A Journal of English and American Studies
3072:
3070:
3068:
3040:
3038:
3036:
2986:
2984:
2982:
1924:(1997), which was inspired by the true story of the
1517:
The Female Marine; or the Adventures of Louisa Baker
4200:. University of Wisconsin–Milwaukee. Archived from
4162:
Patrick O'Brian: Critical Essays and a Bibliography
2662:
2660:
2596:. Others not included in Knowledge can be found at
2366:, an American pulp magazine from 1882 through 1978.
2016:
Commonwealth Writers' Prize (Europe and South Asia)
1271:). The others are about sailing small boats in the
900:(1866), which follows gentlemen yachting. Likewise
112:
common throughout the history of western literature
4328:Mobility in the English Novel from Defoe to Austen
3953:
3951:
3554:
3538:(Cardiff: University of Wales Press, 2002), p. 47.
3386:
2972:
2970:
2968:
2740:1712, quoted by Jonathan Raban, "Introduction" to
2704:James Fenimore Cooper Society Miscellaneous Papers
1639:The Children of the Sea: A Tale of the Forecastle.
1154:(1878–1967), who had himself served at sea, wrote
305:thematic discussions of nautical topics in culture
30:"Sea stories" redirects here. For other uses, see
3815:James Hanley 'The Last Voyage and Other Stories'
3768:
3565:"Women & The Sea : The Mariner's Museum"
3065:
3033:
2979:
2626:Ray Taras, "A Conversation with Carsten Jensen",
2419:pulp (two issues: November 1940 and January 1941)
857:is his most important work, sometimes called the
6048:
4407:. (Liverpool: Liverpool University Press, 2005).
4405:Portsmouth Point: the Navy in fiction, 1793–1815
3787:Paul Lester, "Life: The Writings of Jim Phelan,
3735:James Hanley, "Sugi–Mugi" review of B. Traven's
3649:James Hanley, "Sugi–Mugi" review of B. Traven's
2788:.(Oxford: Oxford University Press, 1992), p. 16.
2744:. (Oxford: Oxford University Press, 1992), p. 8.
2657:
4375:
3948:
3914:
3666:
3435:
3222:
2965:
2083:
1913:, Unsworth's last book, was published in 2011.
916:(1877), both highlight the social anxieties of
763:The Polish cover to Joseph Conrad's 1904 novel
3669:"The Sailor Who Became "America's Shakespere""
3170:
1406:illustrates one of the most famous battles by
1253:(published 1930–1947) involve sailing at sea (
1005:
5824:
4517:
4322:Ewers, Chris. 'Travelling by Sea and Land in
4022:. University of Missouri Press, 2002, p. 194.
3876:, Melbourne, Australia, F. W. Cheshire, 1964.
3549:James Hanley: Modernism and the Working Class
3536:James Hanley: Modernism and the Working Class
3414:""I Loved Him Like a Brother": Male Bonds in
2868:
2866:
2864:
2862:
2860:
2858:
870:The importance of naval power in maintaining
4468:
4395:
1283:are about sailing on a yacht in the Baltic:
317:Sea in culture § In literature and film
4460:Smith, Myron J. jr., and Robert C. Weller,
4094:for a one-page summary of Plato's original
3474:
3407:
3405:
3403:
3141:
3139:
2942:
2940:
2938:
2936:
2934:
2932:
2930:
1817:The Sailor Who Fell from Grace with the Sea
1768:) and Joseph Conrad, depicting what critic
1599:
1569:or "who well be at the centre of Marryat's
419:identified "the sea as an archetype of the
5831:
5817:
4524:
4510:
4336:"Recent Maritime Fiction: Women and Words"
3506:
3500:
2855:
2693:
2691:
2689:
2687:
2685:
2683:
2681:
1365:
1210:(1959) previously made into a film of the
450:There is a pleasure in the pathless woods,
218:, and also may overlap with the genres of
3429:
3326:. University of Missouri Press. pp.
2349:often ran sea stories by writers such as
1181:straddles the divide between popular and
47:, one of the renowned American sea novels
4195:
4065:
3400:
3353:
3317:
3270:. University of Missouri Press. p.
3261:
3204:(15 February 1995 ed.). 20 May 2010
3136:
3012:
2927:
2804:
2802:
2800:
2798:
2796:
2794:
2697:
2669:
2604:. More specific thematic lists, include
2565:commander, Lord Cochrane (later Admiral
2476:List of underwater science fiction works
1705:writers who describe experiences in the
1527:The Surprising Adventures of Almira Paul
1521:The story was so popular that a sequel,
1472:
1393:
1369:
1009:
758:
583:
249:
41:An illustration from a 1902 printing of
36:
4364:
4167:
4154:
4142:The Ocean: 100th Anniversary Collection
4068:"Katherine Anne Porter's Crowning Work"
3438:Cochrane: The Real Master and Commander
3053:Peck, "Adventures at Sea", pp. 149–164.
2678:
2646:
2644:
2642:
2640:
2638:
2567:Thomas Cochrane, 10th Earl of Dundonald
2551:'s defeat of the Spanish xebec-frigate
2318:Konstantin Mikhailovich Staniukovich,
1931:in which 132 slaves were thrown from a
453:There is a rapture on the lonely shore,
14:
6049:
5838:
5195:Types of fiction with multiple endings
4333:
4051:or The Romantic Iconography of the Sea
3729:
3689:. London: Verso editions, 1983, p. 80.
3440:. New York: Bloomsbury. pp. 3–4.
3349:
3347:
3016:Studies in Classic American Literature
2958:John Peck "Captain Marryat's Navy" in
2594:Category:Nautical historical novelists
2098:
602:(1824), in response to Walter Scott's
459:By the deep Sea and music in its roar.
102:for the theatre, film and television.
5812:
4505:
4293:
4160:Bayley, John "In Which We Serve", in
4061:
4059:
3957:
3817:. London: Harvill Press, 1997, p. xv
3480:
3422:James Fenimore Cooper Society Website
3294:
3145:
2884:
2882:
2808:
2791:
2717:
1204:H.M.S. Marlborough Will Enter Harbour
904:'s novels, especially the first two,
456:There is society where none intrudes,
4496:https://www.historicnavalfiction.com
4449:
4410:
4397:La mer dans la littérature française
4251:
4009:. Atlantic Publishers, 2003. p. 100.
3702:. London: Jonathan Cape, 1963, p. 7.
3411:
3252:. Infobase Publishing, 2009, p. 257.
2635:
2386:More specialized magazines include:
2309:Konstantin Mikhailovich Staniukovich
2123:Vie et aventures de M. de Beauchesne
754:
4334:Keefer, Janice Kulyk (1986-06-06).
3667:Murfin, Patrick (16 October 2012).
3344:
3223:Teachout, Terry (3 November 1998).
3171:McNally, Frank (12 December 2014).
3098:Peck, "Joseph Conrad", pp. 165-185.
2602:John Kohnen's Nautical Fiction list
1053:'s lost ships, as well as works by
463:
345:Storms there beat the stony cliffs,
202:. Works of nautical fiction may be
24:
4056:
3752:Spectator, 26 January 1934, p. 131
3354:Thompson, Howard (June 25, 1964).
2879:
2753:Jonathan Raban, "Introduction" to
1939:
645:The Narrative of Arthur Gordon Pym
25:
6098:
5598:Third-person omniscient narrative
4477:
3791:, vol. 36, nos. 7 & 8, p. 45.
2888:
2872:Peck, "American Sea Fiction", in
2409:pulp (February 1922 to June 1930)
1444:. For example, William Golding's
648:) and mass-market novelists like
506:The Adventures of Roderick Random
399:(c.1220–1280), or early European
6031:
6030:
4483:
4066:Republic, The New (1962-04-02).
3926:British Council Writers Profiles
3673:Heretic, Rebel, a Thing to Flout
2292:
2133:Voyages du Capitaine Robert Lade
1874:(1992) is a historical novel by
1586:Harcourt published L.A. Meyer's
1552:Early in the nineteenth century
1360:
486:A General History of the Pyrates
343:instead of the drinking of mead.
4134:
4121:
4104:
4084:
4037:
4025:
4012:
3999:
3986:
3892:
3879:
3866:
3853:
3840:
3820:
3807:
3794:
3781:
3755:
3742:
3718:
3705:
3692:
3679:
3660:
3643:
3630:
3614:
3590:
3581:
3541:
3529:
3483:"The Real Master and Commander"
3454:
3368:
3311:
3288:
3255:
3242:
3216:
3190:
3164:
3146:Groot, Jerome de (2009-09-23).
3125:
3114:
3101:
3092:
3079:
3056:
3047:
3006:
2993:
2952:
2914:
2901:
2779:
2776:. Conway Maritime Press (2002).
2772:Introduction and commentary by
2586:
2572:
2539:
2525:
2518:
2395:, one of the first specialized
1660:Industrial Workers of the World
1480:Dick Sand, A Captain at Fifteen
1468:
1318:was later adapted into a film.
872:Britains' vast worldwide empire
723:, in part under the command of
689:(1838) as a sequel to Cooper's
588:The original cover of Cooper's
516:
339:instead of the laughter of men,
278:The Rime of the Ancient Mariner
4986:Conflict between good and evil
4473:. (Paris: Harmattan, c. 2007).
4340:Studies in Canadian Literature
4196:Clohessy, Ronald John (2003).
4129:Best Sea Stories from Bluebook
3863:. New York: Random House, 2013
2760:
2747:
2730:
2727:. (New York: Routledge, 2002).
2675:Peck, "Introduction", pp. 1-9.
2620:
1993:deals with the sinking of the
1862:
1823:
1596:and classic nautical fiction.
90:, sometimes under the name of
74:with a setting on or near the
13:
1:
4531:
4403:Parkinson, C. Northcote, ed.
4376:Klein, Bernhard, ed. (2002).
4053:. London: Faber, 1951, p. 61.
4007:The Novels of William Golding
3861:Liverpool: The Hurricane Port
3837:, ed. Michael Murphy, p. 240.
3511:". In Rowland, Antony (ed.).
2614:
2486:Royal Navy in Popular Culture
1681:(1933), a work influenced by
1634:The Nigger of the 'Narcissus'
1080:The Nigger of the 'Narcissus'
673:(1831), the "widely admired"
333:I took to myself as pleasure,
245:
4308:10.1080/00144940.2012.727903
4032:"Every Man for Himself" page
3835:The Collected George Garrett
3828:The Nigger of the 'Narcissus
3802:The Collected George Garrett
2999:Peck, "Herman Mellville" in
2399:(March 1907 to January 1908)
2332:
2084:Nautical detail and language
1523:The Adventures of Lucy Brown
1404:Clarkson Frederick Stanfield
1300:became widely known for his
1249:’s children's novels in the
703:Le NĂ©grier, aventures de mer
179:popular and literary fiction
98:. These works are sometimes
32:Sea Stories (disambiguation)
7:
6082:Historical novels subgenres
2443:
2271:
2252:The Wreck of the Mary Deare
2010:, and was a nominee of the
1345:. The novel focuses on the
1260:We Didn't Mean To Go To Sea
1251:Swallows and Amazons series
1240:historiographic metafiction
1208:The Ship That Died of Shame
1014:The first edition cover of
1006:The 20th and 21st centuries
907:John Holdsworth, Chief Mate
433:Rime of the Ancient Mariner
337:and the voice of the curlew
10:
6103:
3906:Booker Club: Sacred Hunger
3874:The Novels of James Hanley
3850:. London: Routledge, 2002.
3826:George Garrett, "Conrad's
2786:The Oxford Book of the Sea
2755:The Oxford Book of the Sea
2742:The Oxford Book of the Sea
2481:Pirates in popular culture
2461:Glossary of nautical terms
2276:Notable novellas include:
2102:
1126:(1904), was influenced by
913:The Wreck of the Grosvenor
509:, published in 1748, is a
443:Childe Harold's Pilgrimage
314:
310:
29:
6026:
6008:
5924:
5915:
5869:
5846:
5661:
5633:
5625:Stream of unconsciousness
5568:
5312:
5203:
5156:Falling action/Catastasis
5101:
5006:
4941:
4864:
4676:
4539:
4180:: 331–350. Archived from
3089:. Camden House, pp. 41–42
3019:. London: Penguin Books.
2433:large-size reprint pulps)
2143:The Story of Jack Halyard
2109:
2105:Category:Nautical fiction
1653:(1922). The latter is an
1577:The Saturday Evening Post
1507:anti-romantic attack" on
1483:by Jules Verne, drawn by
1074:An Outcast of the Islands
655:Two Years Before the Mast
538:Captain Frederick Marryat
524:suggests that it was the
4993:Self-fulfilling prophecy
4365:Krummes, Daniel (2004).
3657:26 January 1934, p. 131.
3436:David Cordingly (2007).
3225:"Don't Give Up the Ship"
3109:New York Review of Books
2809:Cohen, Margaret (2003).
2736:Essay on the sea in the
2725:The Sea Voyage Narrative
2598:Historical Naval Fiction
2512:
2506:Women pirates in fiction
2039:that traces the rise of
1972:To the Ends of the Earth
1600:The working class at sea
1446:To the Ends of the Earth
1279:. Two short stories in
1235:To the Ends of the Earth
1222:(1911–1993). His novel
993:The Master of Ballantrae
938:. Other authors include
650:Lieutenant Murray Ballou
331:At times the swan's song
5620:Stream of consciousness
5083:Suspension of disbelief
4400:. Paris: Plon, c. 2003.
4100:(subscription required)
3318:Crawford, Paul (2002).
3262:Crawford, Paul (2002).
3013:Lawrence, D.H. (1923).
2698:Iglesias, Luis (2006).
2545:The British brig-sloop
2471:List of fictional ships
2286:The Old Man and the Sea
2172:The Riddle of the Sands
2014:. It also won the 1997
1775:Nigger of the Narcissus
1380:Peter Edward Stroehling
1366:Masculinity and heroism
1136:(1897). Welsh novelist
699:Les Pilotes de l'Iroise
425:Samuel Taylor Coleridge
259:The Battle of Trafalgar
64:naval adventure fiction
6018:Historical reenactment
5989:Historical grand opera
5161:Denouement/Catastrophe
5142:Rising action/Epitasis
4469:
4413:Studies in Romanticism
4396:
4380:. Aldershot: Ashgate.
4280:Cite journal requires
4224:Cite journal requires
4146:Off-Trail Publications
4098:, accessed March 2014.
3776:Dockers and Detectives
3763:Dockers and Detectives
3687:Dockers and Detectives
3569:www.marinersmuseum.org
3295:NADAL, Marita (1994).
2706:. Cooperstown, NY: 1–7
2628:World Literature Today
2439:, digest (Spring 1953)
2145:and other works (1824)
1748:(1934), as "the first
1488:
1420:
1387:
1341:in 1848 to the end of
1289:Two Shorts and a Long.
1143:A High Wind in Jamaica
1130:'s recently published
1025:
960:Robert Louis Stevenson
769:
593:
353:
262:
48:
5994:by historical figures
5507:Utopian and dystopian
4454:. New York: Palgrave.
4244:Philip Neil Cooksey.
4239:The novel and the sea
3972:10.1353/cal.2002.0068
3587:John Peck, pp. 53-59.
3248:Christine L. Krueger
3173:"The Life of O'Brian"
3087:Joseph Conrad: A Life
2922:The Novel and the Sea
2909:The Novel and the Sea
2827:10.1353/nlh.2003.0040
2534:The Novel and the Sea
2456:Children's literature
2023:Katherine Anne Porter
2006:, which won the 1996
2003:Every Man for Himself
1792:The Crab Cannery Ship
1477:An illustration from
1476:
1397:
1373:
1179:Aubrey-Maturin series
1055:James Fenimore Cooper
1013:
902:William Clark Russell
762:
587:
534:James Fenimore Cooper
347:where the tern spoke,
325:There I heard nothing
321:
315:Further information:
253:
240:psychological fiction
224:children's literature
187:Aubrey-Maturin series
116:James Fenimore Cooper
40:
5061:Narrative techniques
4841:Story within a story
4653:Supporting character
4492:at Wikimedia Commons
4168:Blaszak, M. (2006).
4155:Scholarly literature
4034:, Fantastic Fiction.
3148:The Historical Novel
2815:New Literary History
2770:. By Charles Johnson
2313:Maximka; Sea Stories
2160:An Iceland Fisherman
2074:'s famous painting,
1911:The Quality of Mercy
1531:Halifax, Nova Scotia
1416:Master and Commander
1412:Aubrey-Maturin novel
1177:. Patrick O'Brian's
859:Great American Novel
792:and Joseph Conrad's
397:Saga of Eric the Red
327:but the roaring sea,
236:social problem novel
5937:Middle Ages in film
5766:Political narrative
5608:Unreliable narrator
5465:Speculative fiction
5173:Nonlinear narrative
5121:Three-act structure
4981:Deal with the Devil
4467:Zainoun, Ibtisam.
4450:Peck, John (2001).
2948:Fictions of the Sea
2652:Fictions of the Sea
2559:single-ship actions
2427:Sea Story Anthology
2099:Other notable works
2066:, originating from
2021:Sometimes, as with
1906:The English Patient
1857:The Furys Chronicle
1758:Ten-A-Pennry People
1353:, on the island of
1339:Danish-Prussian War
1285:The Unofficial Side
1156:The Bird of Dawning
1133:Captains Courageous
975:Captains Courageous
626:and the subsequent
616:genre developed by
415:. As early as 1712
72:genre of literature
5907:Historical fantasy
5882:Historical romance
5877:Historical mystery
5840:Historical fiction
5744:Narrative paradigm
5739:Narrative identity
5669:Dominant narrative
5615:Multiple narrators
4899:Fictional location
4742:Dramatic structure
4049:The Enchafed Flood
3936:on 23 January 2013
3903:The New York Times
3800:"Introduction" to
3481:Cordingly, David.
3412:Harthorn, Steven.
3378:>Hillary Kelly
3361:The New York Times
3085:Najder, Z. (2007)
3076:Peck, pp. 149-164.
2990:Peck, pp. 107-126.
2811:"Traveling Genres"
2666:Peck, pp. 165-185.
2526:definition section
2431:Street & Smith
2413:Sea Novel Magazine
2407:Street & Smith
2328:, "The Conger Eel"
2119:Alain-René Le Sage
1922:Feeding the Ghosts
1884:Liverpool Merchant
1571:Mr Midshipman Easy
1489:
1421:
1388:
1298:Frans G. Bengtsson
1281:Coots in the North
1194:Nicholas Monsarrat
1047:Leopold McClintock
1042:Toilers of the Sea
1026:
955:Under Drake's Flag
789:Toilers of the Sea
770:
712:Mr Midshipman Easy
614:historical fiction
594:
592:, printed in 1823.
407:'s (c. 1552–1616)
335:the gannet's noise
329:the ice-cold wave.
263:
208:historical romance
137:Mr Midshipman Easy
54:, frequently also
49:
6087:Adventure fiction
6077:Maritime folklore
6044:
6043:
6004:
6003:
5997:
5979:Historical comics
5975:
5948:
5945:Peplum film genre
5902:Alternate history
5806:
5805:
5749:Narrative therapy
5183:television series
5128:Freytag's Pyramid
4971:Moral development
4874:Alternate history
4584:False protagonist
4488:Media related to
4462:Sea fiction guide
4252:Davis ll, James.
4237:Cohen, Margaret.
3596:John Peck, p. 57.
3447:978-1-58234-534-5
3062:Peck, pp.149-164.
2466:Imaginary voyages
2451:Adventure fiction
2072:Hieronymous Bosch
1688:The Ship Sails On
1609:'s fourth novel
1068:Heart of Darkness
1059:Frederick Marryat
918:Victorian Britain
864:Heart of Darkness
795:Heart of Darkness
755:Late 19th century
687:Le Capitaine Paul
667:Kernock le pirate
635:Afloat and Ashore
575:Frederick Chamier
528:, and especially
526:Romantic movement
480:Captain Singleton
413:Romantic movement
401:travel narratives
276:and Coleridge's "
228:travel narratives
216:adventure fiction
200:nautical language
175:Hornblower series
126:Frederick Marryat
16:(Redirected from
6094:
6057:Nautical fiction
6034:
6033:
5991:
5954:
5934:
5929:Historical drama
5922:
5921:
5892:Nautical fiction
5833:
5826:
5819:
5810:
5809:
5729:Literary science
5272:Narrative poetry
5168:Linear narrative
5078:Stylistic device
5073:Show, don't tell
5036:Figure of speech
4826:Shaggy dog story
4569:Characterization
4526:
4519:
4512:
4503:
4502:
4490:Nautical fiction
4487:
4472:
4455:
4444:
4425:10.2307/25600051
4399:
4391:
4370:
4361:
4359:
4358:
4324:Robinson Crusoe'
4319:
4289:
4283:
4278:
4276:
4268:
4266:
4265:
4256:. Archived from
4233:
4227:
4222:
4220:
4212:
4210:
4209:
4192:
4190:
4189:
4149:
4138:
4132:
4125:
4119:
4108:
4102:
4101:
4088:
4082:
4081:
4079:
4078:
4063:
4054:
4041:
4035:
4029:
4023:
4018:Crawford, Paul,
4016:
4010:
4003:
3997:
3994:Maritime Fiction
3990:
3984:
3983:
3955:
3946:
3945:
3943:
3941:
3932:. Archived from
3918:
3912:
3896:
3890:
3887:Maritime Fiction
3883:
3877:
3870:
3864:
3857:
3851:
3844:
3838:
3831:
3824:
3818:
3813:Alan Ross, ed.,
3811:
3805:
3798:
3792:
3785:
3779:
3772:
3766:
3759:
3753:
3746:
3740:
3733:
3727:
3722:
3716:
3709:
3703:
3696:
3690:
3683:
3677:
3676:
3664:
3658:
3647:
3641:
3634:
3628:
3618:
3612:
3609:Maritime Fiction
3606:
3597:
3594:
3588:
3585:
3579:
3578:
3576:
3575:
3561:
3552:
3545:
3539:
3533:
3527:
3526:
3504:
3498:
3497:
3495:
3493:
3478:
3472:
3471:
3469:
3468:
3458:
3452:
3451:
3433:
3427:
3425:
3416:The Two Admirals
3409:
3398:
3393:
3384:
3372:
3366:
3365:
3351:
3342:
3341:
3325:
3315:
3309:
3308:
3292:
3286:
3285:
3269:
3259:
3253:
3246:
3240:
3239:
3237:
3235:
3220:
3214:
3213:
3211:
3209:
3194:
3188:
3187:
3185:
3183:
3168:
3162:
3161:
3143:
3134:
3129:
3123:
3118:
3112:
3105:
3099:
3096:
3090:
3083:
3077:
3074:
3063:
3060:
3054:
3051:
3045:
3042:
3031:
3030:
3010:
3004:
3001:Maritime Fiction
2997:
2991:
2988:
2977:
2976:Peck, pp. 50-69.
2974:
2963:
2960:Maritime Fiction
2956:
2950:
2944:
2925:
2920:Margaret Cohen,
2918:
2912:
2907:Margaret Cohen,
2905:
2899:
2898:
2897:. Praxis Series.
2886:
2877:
2874:Maritime Fiction
2870:
2853:
2852:
2850:
2849:
2806:
2789:
2783:
2777:
2764:
2758:
2751:
2745:
2734:
2728:
2721:
2715:
2714:
2712:
2711:
2695:
2676:
2673:
2667:
2664:
2655:
2648:
2633:
2624:
2609:
2590:
2584:
2576:
2570:
2543:
2537:
2522:
2437:Tales of the Sea
2423:Sea Story Annual
2355:H. Bedford-Jones
2281:Ernest Hemingway
2235:Alistair MacLean
2228:The Caine Mutiny
2167:Erskine Childers
1991:Beryl Bainbridge
1962:Rites of Passage
1946:Anthony Trollope
1920:'s third novel,
1901:Michael Ondaatje
1783:Takiji Kobayashi
1723:John Sommerfield
1562:Maritime Fiction
1539:Mary Anne Talbot
1455:The Two Admirals
1183:literary fiction
1165:(1899–1966) and
1146:. He also wrote
945:The Coral Island
940:R. M. Ballantyne
930:Charles Kingsley
882:Anthony Trollope
814:Charles Kingsley
745:William J. Neale
737:Captain Glascock
695:Edouard Corbière
579:William Glasgock
571:Edouard Corbière
511:picaresque novel
464:Early sea novels
395:, the Icelandic
367:
341:the singing gull
68:maritime fiction
52:Nautical fiction
21:
6102:
6101:
6097:
6096:
6095:
6093:
6092:
6091:
6067:Water transport
6062:Literary genres
6047:
6046:
6045:
6040:
6022:
6000:
5972:wuxia tv series
5941:Arthurian films
5917:Performing arts
5911:
5865:
5842:
5837:
5807:
5802:
5734:Literary theory
5674:Fiction writing
5657:
5629:
5564:
5316:
5308:
5199:
5097:
5002:
4937:
4860:
4731:Deus ex machina
4672:
4658:Title character
4643:Stock character
4589:Focal character
4535:
4530:
4480:
4388:
4356:
4354:
4281:
4279:
4270:
4269:
4263:
4261:
4225:
4223:
4214:
4213:
4207:
4205:
4187:
4185:
4157:
4152:
4139:
4135:
4127:Horace Vondys,
4126:
4122:
4109:
4105:
4099:
4089:
4085:
4076:
4074:
4064:
4057:
4042:
4038:
4030:
4026:
4017:
4013:
4005:Indu Kulkarni,
4004:
4000:
3991:
3987:
3966:(2): 418–425 .
3956:
3949:
3939:
3937:
3930:British Council
3922:"Fred D'Aguiar"
3920:
3919:
3915:
3897:
3893:
3884:
3880:
3872:Edward Stokes,
3871:
3867:
3858:
3854:
3845:
3841:
3829:
3825:
3821:
3812:
3808:
3799:
3795:
3789:London Magazine
3786:
3782:
3773:
3769:
3760:
3756:
3747:
3743:
3734:
3730:
3723:
3719:
3710:
3706:
3697:
3693:
3684:
3680:
3665:
3661:
3648:
3644:
3635:
3631:
3619:
3615:
3607:
3600:
3595:
3591:
3586:
3582:
3573:
3571:
3563:
3562:
3555:
3547:John Fordham,
3546:
3542:
3534:
3530:
3523:
3509:Rite of Passage
3505:
3501:
3491:
3489:
3479:
3475:
3466:
3464:
3460:
3459:
3455:
3448:
3434:
3430:
3410:
3401:
3394:
3387:
3373:
3369:
3352:
3345:
3338:
3316:
3312:
3293:
3289:
3282:
3260:
3256:
3247:
3243:
3233:
3231:
3221:
3217:
3207:
3205:
3198:"The Commodore"
3196:
3195:
3191:
3181:
3179:
3177:The Irish Times
3169:
3165:
3158:
3144:
3137:
3130:
3126:
3119:
3115:
3106:
3102:
3097:
3093:
3084:
3080:
3075:
3066:
3061:
3057:
3052:
3048:
3043:
3034:
3027:
3011:
3007:
2998:
2994:
2989:
2980:
2975:
2966:
2957:
2953:
2945:
2928:
2919:
2915:
2906:
2902:
2887:
2880:
2871:
2856:
2847:
2845:
2807:
2792:
2784:
2780:
2774:David Cordingly
2765:
2761:
2752:
2748:
2735:
2731:
2723:Robert Foulke,
2722:
2718:
2709:
2707:
2696:
2679:
2674:
2670:
2665:
2658:
2649:
2636:
2625:
2621:
2617:
2612:
2591:
2587:
2577:
2573:
2544:
2540:
2523:
2519:
2515:
2510:
2496:Submarine films
2446:
2417:Frank A. Munsey
2335:
2326:Liam O'Flaherty
2295:
2274:
2191:H. M. Tomlinson
2179:Rafael Sabatini
2154:My Brother Yves
2139:William Cardell
2112:
2107:
2101:
2086:
2060:Sebastian Brant
2008:Whitbread Prize
1984:Fire Down Below
1957:William Golding
1942:
1940:Passenger ships
1899:that year with
1882:and aboard the
1865:
1853:We, the drowned
1849:Vi, de druknede
1826:
1810:, in his novel
1733:Liam O'Flaherty
1607:Herman Melville
1602:
1554:Captain Marryat
1504:Captain Bottell
1471:
1463:John Paul Jones
1429:Thomas Cochrane
1425:Thomas Cochrane
1368:
1363:
1335:We, the drowned
1268:Great Northern?
1220:William Golding
1167:Patrick O'Brian
1063:merchant marine
1008:
970:Rudyard Kipling
965:Treasure Island
877:Sylvia's Lovers
806:adventure novel
757:
733:Captain Chamier
725:Thomas Cochrane
721:Napoleonic wars
683:Alexandre Dumas
640:Edgar Allan Poe
562:Roderick Random
550:Robinson Crusoe
519:
501:Tobias Smollett
466:
405:Richard Hakluyt
369:
355:
352:
350:
348:
346:
344:
342:
340:
338:
336:
334:
332:
330:
328:
326:
324:
319:
313:
255:J. M. W. Turner
248:
183:Patrick O'Brian
167:popular fiction
147:Herman Melville
35:
28:
23:
22:
15:
12:
11:
5:
6100:
6090:
6089:
6084:
6079:
6074:
6072:Maritime books
6069:
6064:
6059:
6042:
6041:
6039:
6038:
6027:
6024:
6023:
6021:
6020:
6014:
6012:
6006:
6005:
6002:
6001:
5999:
5998:
5986:
5981:
5976:
5957:Samurai cinema
5949:
5925:
5919:
5913:
5912:
5910:
5909:
5904:
5899:
5889:
5884:
5879:
5873:
5871:
5867:
5866:
5864:
5863:
5858:
5853:
5847:
5844:
5843:
5836:
5835:
5828:
5821:
5813:
5804:
5803:
5801:
5800:
5798:Verisimilitude
5795:
5790:
5785:
5780:
5779:
5778:
5768:
5763:
5762:
5761:
5751:
5746:
5741:
5736:
5731:
5726:
5725:
5724:
5714:
5713:
5712:
5703:
5701:Parallel novel
5698:
5697:
5696:
5691:
5686:
5671:
5665:
5663:
5659:
5658:
5656:
5655:
5650:
5645:
5639:
5637:
5631:
5630:
5628:
5627:
5622:
5617:
5612:
5611:
5610:
5605:
5600:
5590:
5585:
5580:
5574:
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5566:
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5555:
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5528:
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5509:
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5472:
5462:
5457:
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5450:
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5400:
5395:
5390:
5385:
5380:
5375:
5370:
5365:
5360:
5355:
5350:
5345:
5343:Action fiction
5335:
5330:
5324:
5322:
5310:
5309:
5307:
5306:
5301:
5296:
5291:
5286:
5281:
5280:
5279:
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4906:
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4868:
4862:
4861:
4859:
4858:
4853:
4848:
4843:
4838:
4833:
4828:
4823:
4821:Self-insertion
4818:
4813:
4808:
4806:Poetic justice
4803:
4798:
4793:
4788:
4783:
4776:
4769:
4764:
4759:
4754:
4749:
4744:
4739:
4734:
4727:
4722:
4717:
4712:
4707:
4706:
4705:
4695:
4690:
4682:
4680:
4674:
4673:
4671:
4670:
4665:
4660:
4655:
4650:
4645:
4640:
4635:
4630:
4629:
4628:
4623:
4618:
4608:
4601:
4596:
4591:
4586:
4581:
4576:
4571:
4566:
4564:Character flaw
4561:
4556:
4551:
4545:
4543:
4537:
4536:
4529:
4528:
4521:
4514:
4506:
4500:
4499:
4493:
4479:
4478:External links
4476:
4475:
4474:
4465:
4457:
4456:
4446:
4445:
4419:(4): 589–605.
4408:
4401:
4392:
4387:978-0754606208
4386:
4372:
4371:
4362:
4331:
4320:
4302:(4): 322–325.
4296:The Explicator
4291:
4282:|journal=
4249:
4242:
4235:
4226:|journal=
4193:
4165:
4156:
4153:
4151:
4150:
4133:
4120:
4103:
4092:Philosophy Now
4083:
4055:
4036:
4024:
4011:
3998:
3985:
3947:
3913:
3891:
3878:
3865:
3852:
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3819:
3806:
3793:
3780:
3767:
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3691:
3678:
3659:
3642:
3629:
3613:
3598:
3589:
3580:
3553:
3540:
3528:
3522:978-9042005938
3521:
3499:
3473:
3453:
3446:
3428:
3399:
3385:
3367:
3343:
3336:
3310:
3287:
3280:
3254:
3241:
3229:New York Times
3215:
3202:Kirkus Reviews
3189:
3163:
3156:
3135:
3124:
3113:
3100:
3091:
3078:
3064:
3055:
3046:
3032:
3025:
3005:
2992:
2978:
2964:
2951:
2926:
2913:
2900:
2889:Crane, James.
2878:
2854:
2821:(3): 481–499.
2790:
2778:
2759:
2746:
2729:
2716:
2677:
2668:
2656:
2634:
2618:
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2585:
2571:
2538:
2516:
2514:
2511:
2509:
2508:
2503:
2498:
2493:
2491:Sea in culture
2488:
2483:
2478:
2473:
2468:
2463:
2458:
2453:
2447:
2445:
2442:
2441:
2440:
2434:
2420:
2410:
2400:
2397:pulp magazines
2384:
2383:
2375:
2371:Boys Own Paper
2367:
2334:
2331:
2330:
2329:
2323:
2316:
2306:
2301:(1871–1900): "
2294:
2291:
2290:
2289:
2273:
2270:
2269:
2268:
2256:
2244:
2232:
2220:
2208:
2198:
2195:Gallions Reach
2188:
2176:
2164:
2146:
2136:
2126:
2111:
2108:
2100:
2097:
2085:
2082:
2062:, which is an
1978:Close Quarters
1967:Class division
1950:John Caldigate
1941:
1938:
1876:Barry Unsworth
1864:
1861:
1845:Carsten Jensen
1825:
1822:
1728:They Die Young
1719:George Garrett
1645:Eugene O'Neill
1601:
1598:
1547:Barbados Bound
1470:
1467:
1433:Horatio Nelson
1374:A portrait of
1367:
1364:
1362:
1359:
1327:Carsten Jensen
1316:The Long Ships
1311:The Long Ships
1277:Norfolk Broads
1247:Arthur Ransome
1225:Pincher Martin
1171:Alexander Kent
1152:John Masefield
1138:Richard Hughes
1007:
1004:
892:Wilkie Collins
887:John Caldigate
816:and Frenchman
756:
753:
679:La Coucaratcha
522:Jonathan Raban
518:
515:
465:
462:
461:
460:
457:
454:
451:
429:narrative poem
417:Joseph Addison
349:icy-feathered;
322:
320:
312:
309:
297:Daniel Deronda
287:Mansfield Park
247:
244:
143:literary works
27:Literary genre
26:
9:
6:
4:
3:
2:
6099:
6088:
6085:
6083:
6080:
6078:
6075:
6073:
6070:
6068:
6065:
6063:
6060:
6058:
6055:
6054:
6052:
6037:
6029:
6028:
6025:
6019:
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6013:
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6007:
5995:
5990:
5987:
5985:
5982:
5980:
5977:
5973:
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5965:
5962:
5958:
5953:
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5946:
5942:
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5933:
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5926:
5923:
5920:
5918:
5914:
5908:
5905:
5903:
5900:
5897:
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5890:
5888:
5885:
5883:
5880:
5878:
5875:
5874:
5872:
5868:
5862:
5859:
5857:
5854:
5852:
5849:
5848:
5845:
5841:
5834:
5829:
5827:
5822:
5820:
5815:
5814:
5811:
5799:
5796:
5794:
5791:
5789:
5786:
5784:
5783:Screenwriting
5781:
5777:
5774:
5773:
5772:
5769:
5767:
5764:
5760:
5757:
5756:
5755:
5752:
5750:
5747:
5745:
5742:
5740:
5737:
5735:
5732:
5730:
5727:
5723:
5720:
5719:
5718:
5715:
5711:
5707:
5704:
5702:
5699:
5695:
5692:
5690:
5687:
5685:
5682:
5681:
5680:
5677:
5676:
5675:
5672:
5670:
5667:
5666:
5664:
5660:
5654:
5651:
5649:
5646:
5644:
5641:
5640:
5638:
5636:
5632:
5626:
5623:
5621:
5618:
5616:
5613:
5609:
5606:
5604:
5601:
5599:
5596:
5595:
5594:
5591:
5589:
5588:Second-person
5586:
5584:
5581:
5579:
5576:
5575:
5573:
5571:
5567:
5559:
5556:
5554:
5551:
5550:
5549:
5546:
5542:
5539:
5537:
5534:
5532:
5529:
5527:
5524:
5520:
5517:
5513:
5510:
5508:
5505:
5503:
5500:
5499:
5498:
5495:
5493:
5492:Magic realism
5490:
5488:
5485:
5481:
5478:
5477:
5476:
5473:
5471:
5468:
5467:
5466:
5463:
5461:
5458:
5456:
5453:
5449:
5446:
5444:
5441:
5440:
5439:
5436:
5434:
5431:
5429:
5426:
5424:
5423:Psychological
5421:
5419:
5416:
5414:
5411:
5409:
5406:
5404:
5403:Philosophical
5401:
5399:
5396:
5394:
5391:
5389:
5386:
5384:
5381:
5379:
5376:
5374:
5371:
5369:
5366:
5364:
5361:
5359:
5356:
5354:
5351:
5349:
5346:
5344:
5341:
5340:
5339:
5336:
5334:
5331:
5329:
5328:Autobiography
5326:
5325:
5323:
5320:
5315:
5311:
5305:
5302:
5300:
5297:
5295:
5292:
5290:
5287:
5285:
5282:
5278:
5275:
5274:
5273:
5270:
5268:
5267:Narrative art
5265:
5263:
5260:
5256:
5253:
5251:
5248:
5246:
5243:
5241:
5238:
5236:
5233:
5232:
5231:
5228:
5226:
5225:Flash fiction
5223:
5221:
5220:
5216:
5214:
5211:
5210:
5208:
5206:
5202:
5196:
5193:
5191:
5188:
5184:
5181:
5179:
5176:
5175:
5174:
5171:
5169:
5166:
5162:
5159:
5157:
5154:
5152:
5148:
5145:
5143:
5140:
5138:
5134:
5131:
5130:
5129:
5126:
5122:
5119:
5117:
5116:Act structure
5114:
5113:
5112:
5109:
5108:
5106:
5104:
5100:
5094:
5091:
5089:
5086:
5084:
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5064:
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5047:
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5042:
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5037:
5034:
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5029:
5027:
5024:
5022:
5019:
5017:
5014:
5013:
5011:
5009:
5005:
4999:
4996:
4994:
4991:
4987:
4984:
4982:
4979:
4978:
4977:
4974:
4972:
4969:
4967:
4964:
4962:
4959:
4957:
4954:
4952:
4949:
4948:
4946:
4944:
4940:
4934:
4933:Worldbuilding
4931:
4929:
4926:
4920:
4917:
4916:
4915:
4912:
4910:
4907:
4905:
4902:
4901:
4900:
4897:
4895:
4892:
4890:
4887:
4885:
4882:
4880:
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4869:
4867:
4863:
4857:
4854:
4852:
4849:
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4832:
4829:
4827:
4824:
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4819:
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4809:
4807:
4804:
4802:
4799:
4797:
4794:
4792:
4789:
4787:
4784:
4782:
4781:
4780:KishĹŤtenketsu
4777:
4775:
4774:
4773:In medias res
4770:
4768:
4765:
4763:
4760:
4758:
4755:
4753:
4752:Foreshadowing
4750:
4748:
4747:Eucatastrophe
4745:
4743:
4740:
4738:
4735:
4733:
4732:
4728:
4726:
4723:
4721:
4718:
4716:
4713:
4711:
4710:Chekhov's gun
4708:
4704:
4701:
4700:
4699:
4696:
4694:
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4689:
4688:
4684:
4683:
4681:
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4675:
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4654:
4651:
4649:
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4644:
4641:
4639:
4636:
4634:
4631:
4627:
4624:
4622:
4619:
4617:
4614:
4613:
4612:
4609:
4607:
4606:
4602:
4600:
4599:Gothic double
4597:
4595:
4592:
4590:
4587:
4585:
4582:
4580:
4579:Deuteragonist
4577:
4575:
4572:
4570:
4567:
4565:
4562:
4560:
4559:Character arc
4557:
4555:
4552:
4550:
4547:
4546:
4544:
4542:
4538:
4534:
4527:
4522:
4520:
4515:
4513:
4508:
4507:
4504:
4497:
4494:
4491:
4486:
4482:
4481:
4471:
4466:
4463:
4459:
4458:
4453:
4448:
4447:
4442:
4438:
4434:
4430:
4426:
4422:
4418:
4414:
4409:
4406:
4402:
4398:
4394:Leys, Simon.
4393:
4389:
4383:
4379:
4374:
4373:
4368:
4363:
4353:
4349:
4345:
4341:
4337:
4332:
4329:
4325:
4321:
4317:
4313:
4309:
4305:
4301:
4297:
4292:
4287:
4274:
4260:on 2016-03-03
4259:
4255:
4250:
4247:
4243:
4240:
4236:
4231:
4218:
4204:on 2016-03-04
4203:
4199:
4194:
4184:on 2015-04-02
4183:
4179:
4175:
4171:
4166:
4163:
4159:
4158:
4147:
4143:
4137:
4130:
4124:
4117:
4116:1-55742-143-9
4113:
4107:
4097:
4093:
4087:
4073:
4069:
4062:
4060:
4052:
4050:
4045:
4040:
4033:
4028:
4021:
4015:
4008:
4002:
3995:
3989:
3981:
3977:
3973:
3969:
3965:
3961:
3954:
3952:
3935:
3931:
3927:
3923:
3917:
3911:
3907:
3904:
3900:
3895:
3888:
3882:
3875:
3869:
3862:
3859:Andrew Lees,
3856:
3849:
3843:
3836:
3832:
3823:
3816:
3810:
3803:
3797:
3790:
3784:
3777:
3774:Ken Worpole,
3771:
3764:
3761:Ken Worpole,
3758:
3751:
3750:Death Ship".
3745:
3738:
3732:
3726:
3721:
3714:
3708:
3701:
3695:
3688:
3685:Ken Worpole,
3682:
3674:
3670:
3663:
3656:
3652:
3646:
3639:
3633:
3627:
3626:0-940450-09-7
3623:
3617:
3610:
3605:
3603:
3593:
3584:
3570:
3566:
3560:
3558:
3550:
3544:
3537:
3532:
3524:
3518:
3514:
3510:
3503:
3488:
3487:The Telegraph
3484:
3477:
3463:
3457:
3449:
3443:
3439:
3432:
3423:
3419:
3417:
3408:
3406:
3404:
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3383:
3381:
3377:
3371:
3363:
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3357:
3350:
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3339:
3337:9780826263049
3333:
3329:
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3314:
3306:
3302:
3298:
3291:
3283:
3281:9780826263049
3277:
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3268:
3267:
3258:
3251:
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3219:
3203:
3199:
3193:
3178:
3174:
3167:
3159:
3157:9780203868966
3153:
3150:. Routledge.
3149:
3142:
3140:
3133:
3128:
3122:
3117:
3111:
3110:
3104:
3095:
3088:
3082:
3073:
3071:
3069:
3059:
3050:
3041:
3039:
3037:
3028:
3026:9780140183771
3022:
3018:
3015:
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3002:
2996:
2987:
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2599:
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2356:
2352:
2351:J. Allan Dunn
2348:
2347:
2342:
2341:
2327:
2324:
2321:
2317:
2314:
2311:(1843–1903):
2310:
2307:
2304:
2300:
2299:Stephen Crane
2297:
2296:
2293:Short stories
2288:
2287:
2283:(1899–1961):
2282:
2279:
2278:
2277:
2266:
2265:
2261:(1912–2001):
2260:
2257:
2254:
2253:
2249:(1913–1998):
2248:
2247:Hammond Innes
2245:
2242:
2241:
2237:(1922–1987):
2236:
2233:
2230:
2229:
2225:(1915–2019):
2224:
2221:
2218:
2217:
2213:(1925–2012):
2212:
2209:
2206:
2205:The Fishermen
2203:(1898–1962):
2202:
2199:
2196:
2193:(1873–1958):
2192:
2189:
2186:
2185:
2181:(1875–1950):
2180:
2177:
2174:
2173:
2169:(1870–1922):
2168:
2165:
2162:
2161:
2156:
2155:
2150:
2147:
2144:
2141:(1780–1828):
2140:
2137:
2134:
2131:(1697–1763):
2130:
2127:
2124:
2121:(1668–1747):
2120:
2117:
2116:
2115:
2106:
2096:
2093:
2092:
2081:
2079:
2078:
2077:Ship of Fools
2073:
2069:
2065:
2061:
2057:
2056:
2055:Ship of Fools
2050:
2046:
2042:
2038:
2034:
2033:Ship of Fools
2030:
2029:
2028:Ship of Fools
2024:
2019:
2017:
2013:
2009:
2005:
2004:
1999:
1998:
1992:
1988:
1986:
1985:
1980:
1979:
1974:
1973:
1968:
1964:
1963:
1958:
1953:
1951:
1947:
1937:
1934:
1930:
1928:
1923:
1919:
1918:Fred D'Aguiar
1914:
1912:
1908:
1907:
1902:
1898:
1893:
1889:
1885:
1881:
1877:
1873:
1872:
1871:Sacred Hunger
1860:
1858:
1854:
1850:
1846:
1842:
1840:
1837:
1836:
1831:
1821:
1819:
1818:
1813:
1809:
1808:Yukio Mishima
1805:
1801:
1797:
1793:
1789:
1788:
1784:
1778:
1776:
1771:
1767:
1763:
1759:
1755:
1751:
1747:
1746:
1740:
1738:
1734:
1730:
1729:
1724:
1720:
1716:
1712:
1708:
1707:merchant navy
1704:
1703:Working class
1700:
1699:
1694:
1690:
1689:
1684:
1683:Nordahl Grieg
1680:
1679:
1673:
1672:Malcolm Lowry
1667:
1665:
1664:working class
1661:
1656:
1655:expressionist
1652:
1651:
1650:The Hairy Ape
1646:
1641:
1640:
1636:
1635:
1630:
1629:Joseph Conrad
1626:
1622:
1618:
1614:
1613:
1608:
1597:
1595:
1591:
1590:
1584:
1582:
1578:
1574:
1572:
1568:
1563:
1559:
1558:Frank Mildhay
1555:
1550:
1548:
1544:
1540:
1536:
1532:
1528:
1524:
1519:
1518:
1512:
1510:
1505:
1501:
1497:
1496:
1486:
1482:
1481:
1475:
1466:
1464:
1460:
1456:
1450:
1447:
1443:
1438:
1434:
1430:
1426:
1418:
1417:
1413:
1409:
1408:Lord Cochrane
1405:
1401:
1398:The painting
1396:
1392:
1385:
1381:
1377:
1376:Lord Cochrane
1372:
1361:Common themes
1358:
1356:
1352:
1348:
1344:
1340:
1336:
1332:
1328:
1324:
1319:
1317:
1313:
1312:
1307:
1303:
1299:
1295:
1291:
1290:
1286:
1282:
1278:
1274:
1273:Lake District
1270:
1269:
1265:
1261:
1257:
1252:
1248:
1243:
1241:
1237:
1236:
1231:
1230:postmodernist
1227:
1226:
1221:
1217:
1216:The Cruel Sea
1213:
1209:
1205:
1201:
1200:
1199:The Cruel Sea
1195:
1190:
1188:
1184:
1180:
1176:
1172:
1168:
1164:
1163:C.S. Forester
1159:
1157:
1153:
1149:
1145:
1144:
1139:
1135:
1134:
1129:
1125:
1124:
1119:
1114:
1112:
1111:
1106:
1105:
1100:
1099:
1094:
1093:
1088:
1087:
1082:
1081:
1076:
1075:
1070:
1069:
1064:
1060:
1056:
1052:
1051:John Franklin
1048:
1044:
1043:
1038:
1034:
1033:Joseph Conrad
1031:
1023:
1022:
1017:
1012:
1003:
1001:
1000:
995:
994:
989:
988:
983:
982:
977:
976:
971:
967:
966:
961:
957:
956:
951:
947:
946:
941:
937:
936:
931:
927:
921:
919:
915:
914:
909:
908:
903:
899:
898:
893:
889:
888:
883:
879:
878:
873:
868:
866:
865:
860:
856:
852:
851:
846:
845:
840:
839:
834:
833:
828:
827:
821:
819:
815:
811:
807:
803:
802:
797:
796:
791:
790:
785:
781:
780:
775:
768:
767:
761:
752:
750:
746:
742:
741:Edward Howard
738:
734:
730:
726:
722:
718:
714:
713:
706:
704:
700:
696:
692:
688:
684:
680:
676:
675:La Salamandre
672:
668:
664:
659:
657:
656:
651:
647:
646:
641:
637:
636:
631:
630:
629:The Red Rover
625:
624:
619:
615:
611:
607:
606:
601:
600:
591:
586:
582:
580:
576:
572:
568:
564:
563:
558:
557:
556:Moll Flanders
552:
551:
545:
544:
539:
535:
531:
527:
523:
514:
512:
508:
507:
502:
498:
496:
492:
488:
487:
482:
481:
476:
472:
458:
455:
452:
449:
448:
447:
445:
444:
439:
435:
434:
430:
426:
422:
418:
414:
410:
406:
402:
398:
394:
393:
388:
384:
383:
378:
374:
368:
365:
364:
359:
351:
318:
308:
306:
301:
299:
298:
293:
289:
288:
283:
279:
275:
274:
273:Paradise Lost
267:
260:
256:
252:
243:
241:
237:
233:
230:(such as the
229:
225:
221:
217:
213:
209:
205:
201:
196:
190:
189:(1970–2004).
188:
184:
180:
176:
172:
171:C.S. Forester
168:
165:(1899–1900),
164:
163:
158:
157:Joseph Conrad
154:
153:
148:
144:
139:
138:
133:
132:
131:Frank Mildmay
127:
123:
122:
117:
113:
109:
103:
101:
97:
93:
89:
88:short stories
85:
81:
77:
73:
69:
65:
61:
57:
56:naval fiction
53:
46:
45:
39:
33:
19:
5984:History play
5896:Pirate novel
5891:
5788:Storytelling
5603:Subjectivity
5593:Third-person
5583:First-person
5392:
5217:
5026:Comic relief
4778:
4771:
4762:Flashforward
4729:
4703:Origin story
4685:
4648:Straight man
4603:
4461:
4451:
4416:
4412:
4404:
4377:
4366:
4355:. Retrieved
4343:
4339:
4327:
4323:
4299:
4295:
4273:cite journal
4262:. Retrieved
4258:the original
4245:
4238:
4217:cite journal
4206:. Retrieved
4202:the original
4186:. Retrieved
4182:the original
4177:
4173:
4161:
4141:
4136:
4128:
4123:
4106:
4086:
4075:. Retrieved
4072:New Republic
4071:
4047:
4039:
4027:
4019:
4014:
4006:
4001:
3993:
3988:
3963:
3959:
3938:. Retrieved
3934:the original
3925:
3916:
3910:The Guardian
3909:
3902:
3894:
3886:
3881:
3873:
3868:
3860:
3855:
3847:
3842:
3834:
3827:
3822:
3814:
3809:
3801:
3796:
3788:
3783:
3775:
3770:
3762:
3757:
3749:
3744:
3736:
3731:
3725:London Books
3720:
3712:
3707:
3699:
3694:
3686:
3681:
3672:
3662:
3654:
3650:
3645:
3637:
3632:
3616:
3608:
3592:
3583:
3572:. Retrieved
3568:
3548:
3543:
3535:
3531:
3512:
3508:
3502:
3490:. Retrieved
3486:
3476:
3465:. Retrieved
3456:
3437:
3431:
3421:
3415:
3380:New Republic
3379:
3370:
3359:
3321:
3313:
3304:
3300:
3290:
3265:
3257:
3249:
3244:
3232:. Retrieved
3228:
3218:
3206:. Retrieved
3201:
3192:
3180:. Retrieved
3176:
3166:
3147:
3127:
3116:
3108:
3103:
3094:
3086:
3081:
3058:
3049:
3017:
3014:
3008:
3000:
2995:
2962:, pp. 50-69.
2959:
2954:
2947:
2921:
2916:
2908:
2903:
2894:
2873:
2846:. Retrieved
2818:
2814:
2785:
2781:
2767:
2762:
2754:
2749:
2741:
2737:
2732:
2724:
2719:
2708:. Retrieved
2703:
2671:
2651:
2630:, May 2011:
2627:
2622:
2588:
2574:
2562:
2552:
2547:
2541:
2533:
2529:
2520:
2436:
2426:
2422:
2412:
2402:
2390:
2385:
2377:
2369:
2361:
2344:
2338:
2336:
2319:
2312:
2284:
2275:
2264:Sea of Death
2262:
2250:
2238:
2226:
2214:
2204:
2194:
2184:The Sea Hawk
2182:
2170:
2158:
2152:
2151:(1850–1923)
2142:
2132:
2129:Abbé Prévost
2122:
2113:
2089:
2087:
2075:
2053:
2045:World War II
2032:
2026:
2020:
2012:Booker Prize
2001:
1996:
1989:
1982:
1976:
1970:
1960:
1954:
1949:
1943:
1926:
1921:
1915:
1910:
1909:. A sequel,
1904:
1897:Booker Prize
1883:
1869:
1866:
1852:
1848:
1843:
1833:
1827:
1815:
1812:Gogo no EikĹŤ
1811:
1791:
1781:
1779:
1774:
1765:
1761:
1760:, resembles
1757:
1753:
1749:
1743:
1741:
1726:
1711:James Hanley
1696:
1693:Conrad Aiken
1686:
1676:
1668:
1648:
1642:
1638:
1632:
1621:St. Lawrence
1620:
1610:
1603:
1587:
1585:
1576:
1575:
1570:
1561:
1557:
1551:
1543:Star-Crossed
1535:Hannah Snell
1526:
1522:
1515:
1513:
1508:
1503:
1500:James Hanley
1493:
1490:
1478:
1469:Women at sea
1458:
1451:
1445:
1437:World War II
1422:
1414:
1399:
1389:
1343:World War II
1334:
1320:
1315:
1309:
1305:
1292:
1288:
1284:
1254:
1244:
1233:
1223:
1215:
1207:
1206:(1949), and
1203:
1197:
1191:
1160:
1155:
1147:
1141:
1131:
1123:The Sea Wolf
1121:
1115:
1108:
1102:
1096:
1090:
1084:
1078:
1072:
1066:
1045:(1866), and
1040:
1027:
1021:The Sea Wolf
1019:
999:The Ebb-Tide
997:
991:
985:
979:
973:
968:(1883), and
963:
953:
943:
935:Westward Ho!
933:
922:
911:
905:
895:
885:
875:
869:
862:
854:
850:White-Jacket
848:
842:
836:
830:
824:
822:
810:Ned Buntline
799:
793:
787:
777:
771:
764:
748:
710:
707:
702:
701:(1832), and
698:
690:
686:
678:
674:
670:
666:
660:
653:
643:
633:
627:
621:
618:Walter Scott
609:
603:
597:
595:
589:
560:
559:(1722), and
554:
548:
541:
520:
517:19th century
504:
499:
484:
483:(1720), and
478:
475:Daniel Defoe
467:
441:
431:
408:
392:The Seafarer
390:
380:
370:
363:The Seafarer
361:
354:
323:
302:
295:
292:George Eliot
285:
271:
268:
264:
258:
191:
160:
150:
135:
129:
124:, 1824) and
119:
104:
95:
91:
67:
63:
59:
55:
51:
50:
42:
6010:Visual arts
5968:Wuxia films
5952:Asian films
5887:Family saga
5793:Tellability
5759:Metafiction
5754:Narratology
5526:Theological
5418:Pop culture
5299:Short story
5277:Epic poetry
4998:Time travel
4811:Red herring
4796:Plot device
4767:Frame story
4720:Cliffhanger
4663:Tritagonist
4638:Protagonist
4044:W. H. Auden
3992:John Peck,
3713:Ultramarine
3700:Ultramarine
3551:, pp. 47-8.
3182:20 February
2654:, pp. 1-10.
2403:Sea Stories
2379:The Hotspur
2259:Jorge Amado
2240:HMS Ulysses
2223:Herman Wouk
2149:Pierre Loti
2103:Main page:
1981:(1987) and
1863:Slave ships
1824:Life ashore
1787:K'sanikĹŤsen
1731:(1930),),
1698:Blue Voyage
1678:Ultramarine
1631:'s novella
1589:Bloody Jack
1581:Puget Sound
1567:Jane Austen
1485:Henri Meyer
1384:Age of Sail
1378:in 1807 by
1349:seaport of
1329:'s (1952–)
1304:saga novel
1187:Jane Austen
1175:Dudley Pope
1118:Jack London
1037:Victor Hugo
1016:Jack London
926:boys' books
910:(1875) and
847:(1849) and
818:Jules Verne
784:Victor Hugo
729:Jack Aubrey
719:during the
495:Calico Jack
446:(1812–16):
387:Old English
358:Old English
290:(1814) and
282:Jane Austen
232:Robinsonade
220:war fiction
195:masculinity
134:, 1829 and
108:Scandinavia
96:sea stories
60:sea fiction
6051:Categories
5679:Continuity
5548:Nonfiction
5512:Underwater
5408:Picaresque
5383:Historical
5368:Epistolary
5240:Fairy tale
5151:Peripeteia
5133:Exposition
4889:Dreamworld
4831:Stereotype
4801:Plot twist
4549:Antagonist
4357:2015-03-27
4264:2015-01-27
4208:2015-01-27
4188:2015-01-27
4174:Stylistyka
4077:2016-01-29
3901:Review by
3889:, pp. 6-7.
3885:John Peck,
3737:Death Ship
3715:, pp. 7-8.
3651:Death Ship
3574:2016-01-29
3515:. Rodopi.
3467:2015-05-11
3234:9 February
3208:20 January
3132:Good Reads
3003:, 107-126.
2848:2015-02-09
2710:2015-01-27
2615:References
2211:Gore Vidal
2058:(1494) by
1933:slave ship
1888:slave ship
1830:sailortown
1804:Right-wing
1745:Death Ship
1715:Jim Phelan
1594:tall tales
1275:or on the
1264:Missee Lee
1256:Peter Duck
1104:The Rescue
950:G.A. Henty
853:(1850) ).
812:, British
717:Royal Navy
705:, (1834).
663:Eugène Sue
610:The Pirate
605:The Pirate
567:Eugène Sue
491:Blackbeard
473:, such as
246:Definition
206:, such as
92:sea novels
5961:Jidaigeki
5870:Subgenres
5570:Narration
5519:Superhero
5443:Chivalric
5428:Religious
5413:Political
5348:Adventure
5333:Biography
5255:Tall tale
5103:Structure
5088:Symbolism
5056:Narration
4956:Leitmotif
4884:Crossover
4879:Backstory
4836:Story arc
4786:MacGuffin
4757:Flashback
4698:Backstory
4574:Confidant
4554:Archenemy
4541:Character
4533:Narrative
4433:0039-3762
4352:1718-7850
4316:162202285
3996:, p. 140.
3980:162386842
3655:Spectator
3611:, p. 172.
3492:April 23,
2924:, p. 177.
2876:, 98-106.
2843:201753029
2835:1080-661X
2738:Spectator
2501:War novel
2392:The Ocean
2346:Blue Book
2340:Adventure
2333:Magazines
2303:Open Boat
2201:Hans Kirk
2091:The Pilot
1959:'s novel
1948:'s novel
1880:Liverpool
1839:Liverpool
1806:novelist
1802:. While
1796:left-wing
1770:Alan Ross
1737:B. Traven
1709:include,
1625:Liverpool
1617:Liverpool
1459:The Pilot
1325:novelist
1296:novelist
1212:same name
1196:'s novel
1148:In Hazard
1110:The Rover
1030:modernist
981:Kidnapped
855:Moby-Dick
779:Moby-Dick
671:Atar-Gull
623:The Pilot
599:The Pilot
590:The Pilot
543:The Pilot
377:epic poem
356:from the
152:Moby-Dick
121:The Pilot
44:Moby-Dick
18:Sea story
6036:Category
5776:Glossary
5771:Rhetoric
5578:Diegesis
5558:Creative
5531:Thriller
5480:Southern
5398:Paranoid
5393:Nautical
5304:Vignette
5262:Gamebook
5230:Folklore
5137:Protasis
5016:Allegory
4961:Metaphor
4919:parallel
4914:universe
4894:Dystopia
4851:Suspense
4737:Dialogue
4725:Conflict
4633:Narrator
4605:Hamartia
4441:25600051
4148:, 2008).
3960:Callaloo
3778:, p. 83.
3765:, p. 82.
2757:, p. 14.
2563:Speedy's
2444:See also
2305:" (1898)
2272:Novellas
2216:Williwaw
2157:(1883);
2064:allegory
2037:allegory
1987:(1989).
1929:massacre
1814:(1963) (
1790:(1929) (
1773:novella
1442:maleness
1306:Röde Orm
1245:Four of
1232:trilogy
1113:(1923).
1107:(1920),
1101:(1913),
1095:(1902),
1089:(1900),
1086:Lord Jim
1083:(1897),
987:Catriona
958:(1882),
948:(1858),
897:Armadale
841:(1849),
835:(1847),
829:(1846),
801:Lord Jim
774:Melville
766:Lord Jim
677:(1832),
669:(1830),
553:(1719),
204:romances
162:Lord Jim
155:(1851),
84:novellas
5851:Fiction
5706:Prequel
5662:Related
5648:Present
5541:Western
5497:Science
5470:Fantasy
5438:Romance
5388:Mystery
5373:Ergodic
5338:Fiction
5294:Parable
5289:Novella
5219:Fabliau
5190:Premise
5041:Imagery
5031:Diction
4909:country
4866:Setting
4846:Subplot
4668:Villain
4621:Byronic
3638:Redburn
2569:, GCB).
2554:El Gamo
2429:(1940s
1997:Titanic
1975:, with
1892:slavery
1835:Redburn
1766:Redburn
1351:Marstal
1294:Swedish
1128:Kipling
1092:Typhoon
1077:(1896)
844:Redburn
421:Sublime
409:Voyages
382:Odyssey
311:History
234:), the
212:fantasy
181:, like
100:adapted
70:, is a
5710:Sequel
5694:Retcon
5689:Reboot
5653:Future
5487:Horror
5475:Gothic
5460:Satire
5378:Erotic
5245:Legend
5147:Climax
5021:Bathos
4928:Utopia
4816:Reveal
4715:Cliché
4693:Action
4687:Ab ovo
4626:Tragic
4439:
4431:
4384:
4350:
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4118:(p.40)
4114:
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3940:6 June
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3278:
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2548:Speedy
2363:Argosy
2267:(1936)
2255:(1956)
2243:(1955)
2231:(1952)
2219:(1946)
2207:(1928)
2197:(1927)
2187:(1915)
2175:(1903)
2163:(1886)
2135:(1744)
2125:(1733)
2110:Novels
2049:Mexico
2041:Nazism
2035:is an
1955:While
1509:Chance
1495:Chance
1347:Danish
1333:novel
1323:Danish
1302:Viking
1098:Chance
1024:(1904)
996:, and
743:, and
642:(with
471:piracy
385:, the
214:, and
86:, and
80:novels
5964:films
5932:films
5856:Novel
5717:Genre
5684:Canon
5635:Tense
5553:Novel
5536:Urban
5448:Prose
5433:Rogue
5358:Crime
5353:Comic
5314:Genre
5284:Novel
5235:Fable
5213:Drama
5178:films
5008:Style
4976:Motif
4966:Moral
4951:Irony
4943:Theme
4856:Trope
4437:JSTOR
4346:(2).
4326:, in
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3976:S2CID
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2530:Pilot
2513:Notes
2343:and
2068:Plato
1800:manga
838:Mardi
826:Typee
691:Pilot
530:Byron
438:Byron
403:like
389:poem
373:Homer
360:poem
169:like
145:like
5970:and
5959:and
5861:List
5722:List
5643:Past
5502:Hard
5455:Saga
5363:Docu
5319:List
5250:Myth
5205:Form
5093:Tone
5066:Hook
5051:Mood
5046:Mode
4904:city
4791:Pace
4678:Plot
4616:Anti
4611:Hero
4594:Foil
4429:ISSN
4382:ISBN
4348:ISSN
4286:help
4230:help
4112:ISBN
4090:See
3942:2012
3636:See
3622:ISBN
3517:ISBN
3494:2015
3442:ISBN
3332:ISBN
3276:ISBN
3236:2015
3210:2015
3184:2015
3152:ISBN
3021:ISBN
2831:ISSN
2425:and
2415:, a
2405:, a
2353:and
1995:RMS
1927:Zong
1750:real
1735:and
1691:and
1537:and
1431:and
1331:epic
1287:and
1266:and
1173:and
1057:and
832:Omoo
798:and
577:and
536:and
493:and
379:the
238:and
5111:Act
4421:doi
4304:doi
3968:doi
3328:187
2823:doi
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