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The Yiddish King Lear

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22: 195: 187:, "No finer acting has ever been seen in New York than Adler's gradual transition from the high estate of the Hebrew father distributing his bounty in the opening scenes to the quavering blind beggar of later developments." Even after he was nearly paralyzed by a stroke in 1920, Adler managed to play Act I of 38: 142:
merchant – a personification of what Adler referred to as the "Grand Jew", surrounded by family, friends, servants: in effect, a monarch in his court. As he divides his empire, the story of Shakespeare's
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on several occasions as part of a benefit performance, since his character remained seated throughout this act; he played the role for the last time in 1924, two years before his death.
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well into the 19th century), there is a relatively happy ending, with differences set right and David Moishele living to forgive and be reconciled with his children.
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in an effort to create a more serious repertoire for Yiddish theater, comparable to what he knew from Russian theater. His first two plays,
325: 1031: 209:. The play continues to be revived often, and there have been several recent English-language translations and adaptations. In 2018, 978: 467: 351: 393: 247: 151:. He is destined to follow in the same path to ruin and madness; unlike Shakespeare's Lear (but quite like the way 1016: 867: 268: 1036: 875: 784: 147:
is recounted to him as a warning by the virtuous daughter who denied his authority by becoming a student in
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The play was made into a 1934 Yiddish-language film with a new score by veteran Yiddish theatre composer
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The husbands of the daughters among whom David Moishele divides his "kingdom" are, respectively a
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performs the play in his own English adaptation, featuring Yiddish songs of the era, at the
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Gordin, a respected intellectual and Yiddish-language novelist, had been recruited by
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in New York and records the first cast album recording of the play
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The title role became a pillar of Adler's image and career.
236:; Glazer, Sophie (2007). "Introduction", in Jacob Gordin, 139: 313:
Gay & Glazer (2007), "Introduction", p. xv
303:. Retrieved 2017-12-20. Print edition March 20–26, 2002. 183:wrote of Adler's performance in a 1901 revival of 138:feast given by David Moishele, a wealthy Russian 998: 461: 468: 454: 401:Shakespeare on the American Yiddish Stage. 239:The Jewish King Lear: A Comedy in America 293:Segall, Rebecca (March 19, 2002). " 193: 134:, Lithuania), in 1890. It begins at the 36: 20: 999: 1027:Plays and musicals based on King Lear 449: 62:דער ייִדישער קעניג ליר 424:Yiddish King Lear on the Relief Roll 403:Iowa City: University of Iowa Press, 61: 13: 113:had failed commercially, although 14: 1048: 1032:American plays adapted into films 407: 120:The play is not a translation of 25:Poster for an 1898 production of 117:was later successfully revived. 269:National Center for Jewish Film 362: 344: 318: 306: 287: 253: 227: 1: 386:A Life on the Stage: A Memoir 220: 7: 295:Theater: Hasid on the Aisle 10: 1053: 868:BBC Television Shakespeare 549:The Mirror for Magistrates 155:was often staged from the 972:The Prince of the Pagodas 955: 918: 851: 744: 701: 666: 615: 608: 582: 541:Historia Regum Britanniae 530: 489: 980:The Tragedy of King Lear 624:The History of King Lear 86:Yiddish Theater District 92:gained prominence over 1017:Yiddish-language films 713:(Libretto only) (1896) 557:Holinshed's Chronicles 202: 73:) was an 1892 play by 65:Der Yidisher Kenig Lir 48: 34: 1037:Plays by Jacob Gordin 632:The Yiddish King Lear 436:The Yiddish King Lear 263:The Yiddish King Lear 199:The Yiddish King Lear 197: 189:The Yiddish King Lear 185:The Yiddish King Lear 53:The Yiddish King Lear 46:The Yiddish King Lear 40: 27:The Yiddish King Lear 24: 920:Story within a story 170:businessman, and an 70:The Jewish King Lear 600:Cordelia of Britain 477:William Shakespeare 372:. 11 December 2017. 215:Orensanz Foundation 157:English Restoration 122:William Shakespeare 88:, in which serious 358:on 8 October 2003. 352:"Wind River Press" 203: 176:, or secular Jew. 49: 35: 994: 993: 990: 989: 892:Second Generation 769:Gunasundari Katha 399:Berkowitz, Joel. 300:The Village Voice 267:(catalog entry). 1044: 809:A Thousand Acres 683:A Thousand Acres 613: 612: 470: 463: 456: 447: 446: 374: 373: 366: 360: 359: 354:. Archived from 348: 342: 341: 339: 337: 332:on 14 March 2007 322: 316: 310: 304: 291: 285: 284: 282: 280: 271:. Archived from 257: 251: 231: 181:Theater Magazine 67:, also known as 63: 44:, the writer of 1052: 1051: 1047: 1046: 1045: 1043: 1042: 1041: 997: 996: 995: 986: 951: 914: 847: 740: 697: 662: 604: 595:Leir of Britain 578: 526: 485: 474: 410: 396:. 323–324, 376. 378: 377: 368: 367: 363: 350: 349: 345: 335: 333: 324: 323: 319: 311: 307: 292: 288: 278: 276: 259: 258: 254: 232: 228: 223: 168:Orthodox Jewish 83:New York City’s 79:Yiddish theater 17: 12: 11: 5: 1050: 1040: 1039: 1034: 1029: 1024: 1019: 1014: 1009: 992: 991: 988: 987: 985: 984: 976: 975:(1957, ballet) 968: 959: 957: 953: 952: 950: 949: 941: 933: 924: 922: 916: 915: 913: 912: 904: 896: 888: 880: 872: 864: 855: 853: 849: 848: 846: 845: 837: 829: 821: 813: 805: 797: 789: 781: 773: 765: 757: 748: 746: 742: 741: 739: 738: 730: 726:Vision of Lear 722: 714: 705: 703: 699: 698: 696: 695: 687: 679: 670: 668: 664: 663: 661: 660: 652: 644: 636: 628: 619: 617: 610: 606: 605: 603: 602: 597: 592: 586: 584: 580: 579: 577: 576: 573:Water and Salt 569: 561: 553: 545: 536: 534: 528: 527: 525: 524: 519: 514: 509: 504: 499: 493: 491: 487: 486: 473: 472: 465: 458: 450: 444: 443: 432: 421: 416: 409: 408:External links 406: 405: 404: 397: 376: 375: 361: 343: 317: 305: 286: 275:on 10 May 2013 252: 225: 224: 222: 219: 149:St. Petersburg 15: 9: 6: 4: 3: 2: 1049: 1038: 1035: 1033: 1030: 1028: 1025: 1023: 1022:Yiddish plays 1020: 1018: 1015: 1013: 1010: 1008: 1005: 1004: 1002: 983: 981: 977: 974: 973: 969: 966: 965: 961: 960: 958: 954: 947: 946: 942: 939: 938: 934: 931: 930: 926: 925: 923: 921: 917: 910: 909: 905: 902: 901: 897: 894: 893: 889: 886: 885: 884:King of Texas 881: 878: 877: 873: 870: 869: 865: 862: 861: 857: 856: 854: 850: 843: 842: 838: 835: 834: 830: 827: 826: 822: 819: 818: 814: 811: 810: 806: 803: 802: 798: 795: 794: 790: 787: 786: 782: 779: 778: 774: 771: 770: 766: 763: 762: 758: 755: 754: 750: 749: 747: 743: 736: 735: 734:Kuningas Lear 731: 728: 727: 723: 720: 719: 715: 712: 711: 707: 706: 704: 700: 693: 692: 688: 685: 684: 680: 677: 676: 672: 671: 669: 665: 658: 657: 653: 650: 649: 645: 642: 641: 637: 634: 633: 629: 626: 625: 621: 620: 618: 614: 611: 607: 601: 598: 596: 593: 591: 588: 587: 585: 581: 574: 570: 567: 566: 562: 559: 558: 554: 551: 550: 546: 543: 542: 538: 537: 535: 533: 529: 523: 520: 518: 515: 513: 510: 508: 505: 503: 500: 498: 495: 494: 492: 488: 484: 483: 478: 471: 466: 464: 459: 457: 452: 451: 448: 442: 438: 437: 433: 431: 430: 426:– article in 425: 422: 420: 417: 415: 412: 411: 402: 398: 395: 394:0-679-41351-0 391: 387: 383: 380: 379: 371: 365: 357: 353: 347: 331: 327: 321: 314: 309: 302: 301: 296: 290: 274: 270: 266: 264: 256: 250:. p. ix. 249: 248:9780300108750 245: 241: 240: 235: 230: 226: 218: 216: 212: 208: 200: 196: 192: 190: 186: 182: 177: 175: 174: 169: 165: 160: 158: 154: 150: 146: 141: 137: 133: 129: 128: 123: 118: 116: 112: 108: 107: 102: 97: 95: 91: 87: 84: 80: 76: 72: 71: 66: 59: 55: 54: 47: 43: 39: 32: 28: 23: 19: 982:(screenplay) 979: 970: 967:(1789, poem) 962: 943: 935: 927: 906: 898: 890: 882: 874: 866: 858: 839: 831: 823: 815: 807: 799: 791: 783: 775: 767: 759: 751: 732: 724: 716: 708: 689: 681: 673: 654: 646: 638: 631: 630: 622: 563: 555: 547: 539: 480: 435: 427: 414:Plot summary 400: 385: 382:Adler, Jacob 364: 356:the original 346: 334:. 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Index


Jacob Adler

Jacob Gordin
Yiddish
Jacob Gordin
Yiddish theater
New York City’s
Yiddish Theater District
drama
operetta
Jacob Adler
Siberia
William Shakespeare
King Lear
Vilnius
Purim
Jewish
St. Petersburg
English Restoration
Hasid
Orthodox Jewish
apikoyres

Joseph Brody
David Serero
Orensanz Foundation
Gay, Ruth
The Jewish King Lear: A Comedy in America
ISBN

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