39:
234:
Balancing the figure of John to the right, but separated from Jesus by the tree's trunk, are three angels on the left who are wearing different clothing. In a break from traditional iconography, the angels are not supporting Christ's garments, but are holding each other's hands. This could be an
155:. Sansepolcro was the town the birthplace of Piero della Francesca. The town depicted in the middle distance in the painting, to Christ's left, may be Sansepolcro. Its dating to Piero della Francesca's early career is evidenced by the strong relationship with the "light painting" of his master,
171:
dated to the early 1460s, now in the civic art gallery in
Sansepolcro. Piero della Francesca was renowned in his times as an authority on perspective and geometry: his attention to the theme is shown by John's arm and leg, which form two angles of the same size. The monastery in Sansepolcro was
222:. The figure of Christ, John's hand and the bowl, and the bird, form an axis which divides the painting in two symmetrical parts. A second division is created by the walnut tree on the left, with white bark that echoes the white skin of Christ, which divides the painting according to the
263:
on the right, of figures dressed in an oriental fashion, usually interpreted as
Byzantine dignitaries. Alternatively, the three angels could also represent the three aspects of the Holy Trinity.
517:
485:
214:, with the shape of its foreshortened wings resembling the clouds in the sky. The original triptych frame may have included a roundel above the dove showing
447:
672:
509:
478:
370:
393:
416:
677:
667:
432:
124:
wood, the dating is controversial – some give it a very early date, perhaps 1439; others much later, around 1460. It is held by the
462:
202:
on the right. Behind John, a man in white briefs, his feet already in the water, is struggling to get out of his undershirt. Above
629:
342:
570:
334:
363:
610:
494:
290:
326:
281:
356:
401:
259:, had been a strong supporter of the union. Such symbolism is also suggested by the presence, behind the
328:
Piero della
Francesca | Baptism of Christ (1460) | Art in Tuscany | Travel guide for central Italy
211:
38:
317:
248:
662:
657:
652:
596:
682:
256:
252:
239:(1431–45), whose goal was the unification of the Western and Eastern Churches. The Camaldolese
172:
dissolved in the 1860s, and the painting was bought by the
National Gallery in London in 1861.
555:
379:
152:
113:
49:
532:
8:
236:
168:
156:
455:
191:
308:
199:
125:
90:
72:
218:, which with Christ and the dove representing the Holy Spirit would complete the
215:
646:
547:
17:
223:
219:
195:
144:
137:
117:
82:
167 cm × 116 cm (66 in × 46 in)
348:
140:
321:, Piero della Francesca (c.1415–1492), The National Gallery, London
293:
The
Baptism of Christ by Piero della Francesca | Middle Way Society
244:
164:
160:
136:
The panel was commissioned presumably some time about 1440 by the
260:
148:
121:
94:
203:
240:
207:
518:
Diptych of
Federico da Montefeltro and Battista Sforza
163:, with side panels of St Peter and St Paul and a
644:
112:is a painting by the Italian Renaissance master
26:Painting by Piero della Francesca (c. 1448–1450)
364:
190:The composition is centered on the figure of
371:
357:
37:
673:Paintings in the National Gallery, London
433:Portrait of Sigismondo Pandolfo Malatesta
378:
284:Piero della Francesca’s Baptism of Christ
14:
645:
630:The Frescoes of Piero della Francesca
352:
272:
229:
343:Piero wasn't just painting pictures
23:
678:Paintings of the Baptism of Christ
668:Paintings by Piero della Francesca
282:Jimfriedrich. (2019, January 12).
24:
694:
611:De quinque corporibus regularibus
302:
345:, The Telegraph, 19 August 2011
291:Ellis, R. M. (2016, July 24).
185:
175:
159:. It was originally part of a
13:
1:
575:
560:
537:
522:
499:
487:Polyptych of the Misericordia
468:
437:
422:
407:
266:
235:allusion to the contemporary
59:
448:Saint Julian the Hospitaller
180:
7:
10:
699:
510:Saint Augustine Altarpiece
286:. The Religious Imagineer.
131:
621:
600:(treatise on perspective)
588:
403:History of the True Cross
386:
257:Camaladolese congregation
102:
86:
78:
68:
55:
45:
36:
31:
606:(treatise on arithmetic)
277:. Milan: Mondadori Arte.
249:Saint Ambrose Traversari
614:(treatise on polyhedra)
597:De Prospectiva pingendi
479:Saint Louis of Toulouse
312:, Piero della Francesca
273:Zuffi, Stefano (1991).
633:(1955 orchestral work)
395:Flagellation of Christ
251:(+1439), who had been
556:Madonna di Senigallia
380:Piero della Francesca
319:The Baptism of Christ
310:The Baptism of Christ
275:Piero della Francesca
192:Christ being baptized
153:Sansepolcro Cathedral
114:Piero della Francesca
109:The Baptism of Christ
50:Piero della Francesca
32:The Baptism of Christ
533:Polyptych of Perugia
335:Page at artonline.it
237:Council of Florence
210:, representing the
314:, National Gallery
230:Historical Context
169:Matteo di Giovanni
157:Domenico Veneziano
640:
639:
456:Madonna del Parto
418:Baptism of Christ
198:by the figure of
120:on two panels of
100:
99:
690:
604:Trattato d'abaco
580:
579: 1470–1475
577:
565:
562:
542:
539:
527:
526: 1465–1472
524:
504:
501:
473:
470:
442:
439:
427:
426: 1448–1450
424:
412:
409:
373:
366:
359:
350:
349:
339:
278:
200:John the Baptist
126:National Gallery
91:National Gallery
73:Tempera on panel
64:
61:
41:
29:
28:
698:
697:
693:
692:
691:
689:
688:
687:
643:
642:
641:
636:
617:
584:
578:
563:
540:
525:
502:
471:
440:
425:
410:
382:
377:
337:
305:
269:
232:
188:
183:
178:
134:
105:
62:
27:
22:
21:
20:
12:
11:
5:
696:
686:
685:
680:
675:
670:
665:
663:1450 paintings
660:
658:1449 paintings
655:
653:1448 paintings
638:
637:
635:
634:
625:
623:
619:
618:
616:
615:
607:
601:
592:
590:
586:
585:
583:
582:
567:
552:
544:
529:
514:
506:
491:
483:
475:
460:
452:
444:
429:
414:
399:
390:
388:
384:
383:
376:
375:
368:
361:
353:
347:
346:
340:
332:
324:
315:
304:
303:External links
301:
300:
299:
297:
288:
279:
268:
265:
231:
228:
216:God the Father
187:
184:
182:
179:
177:
174:
133:
130:
116:. Painted in
104:
101:
98:
97:
88:
84:
83:
80:
76:
75:
70:
66:
65:
63: 1448–60
57:
53:
52:
47:
43:
42:
34:
33:
25:
15:
9:
6:
4:
3:
2:
695:
684:
683:Angels in art
681:
679:
676:
674:
671:
669:
666:
664:
661:
659:
656:
654:
651:
650:
648:
632:
631:
627:
626:
624:
620:
613:
612:
608:
605:
602:
599:
598:
594:
593:
591:
587:
573:
572:
568:
558:
557:
553:
550:
549:
548:Brera Madonna
545:
535:
534:
530:
520:
519:
515:
512:
511:
507:
497:
496:
492:
489:
488:
484:
481:
480:
476:
466:
465:
461:
458:
457:
453:
450:
449:
445:
435:
434:
430:
420:
419:
415:
405:
404:
400:
397:
396:
392:
391:
389:
385:
381:
374:
369:
367:
362:
360:
355:
354:
351:
344:
341:
336:
333:
331:
329:
325:
322:
320:
316:
313:
311:
307:
306:
298:
296:
294:
289:
287:
285:
280:
276:
271:
270:
264:
262:
258:
254:
253:Prior General
250:
246:
242:
238:
227:
225:
221:
217:
213:
209:
205:
201:
197:
193:
173:
170:
166:
162:
158:
154:
150:
146:
142:
139:
129:
127:
123:
119:
115:
111:
110:
96:
92:
89:
85:
81:
77:
74:
71:
67:
58:
54:
51:
48:
44:
40:
35:
30:
19:
18:User:H.M.V.05
628:
609:
603:
595:
571:The Nativity
569:
554:
546:
531:
516:
508:
493:
486:
477:
464:Resurrection
463:
459:(after 1457)
454:
446:
431:
417:
402:
394:
338:(in Italian)
327:
318:
309:
292:
283:
274:
233:
224:golden ratio
220:Holy Trinity
196:River Jordan
189:
135:
128:, London.
108:
107:
106:
564: 1474
551:(1472–1474)
541: 1470
513:(1454–1469)
503: 1465
490:(1460–1462)
472: 1460
451:(1454–1458)
441: 1451
411: 1447
398:(1455–1460)
212:Holy Spirit
186:Iconography
176:Description
145:Sansepolcro
138:Camaldolese
118:egg tempera
647:Categories
267:References
245:theologian
79:Dimensions
387:Paintings
181:Symbolism
141:Monastery
589:Writings
495:Hercules
261:neophyte
165:predella
161:triptych
87:Location
622:Related
323:, ArtUK
255:of the
194:in the
149:Tuscany
132:History
482:(1460)
204:Christ
151:, now
122:poplar
103:Dating
95:London
69:Medium
46:Artist
206:is a
16:<
243:and
241:monk
226:.
208:dove
56:Year
167:by
147:in
143:of
649::
576:c.
561:c.
538:c.
523:c.
500:c.
469:c.
438:c.
423:c.
408:c.
247:,
93:,
60:c.
581:)
574:(
566:)
559:(
543:)
536:(
528:)
521:(
505:)
498:(
474:)
467:(
443:)
436:(
428:)
421:(
413:)
406:(
372:e
365:t
358:v
330:.
295:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
