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417:, and Ellen Hoobler, provides a room-by-room, wall-by-wall, and object-by-object reconstruction of the couple’s Los Angeles home and art collection. Published by the Getty Research Institute in 2020, the book provides detailed context for the Arensbergs’ massive accumulation of modern and pre-Columbian art as well as Renaissance books and manuscripts. It recovers the intellectual world of a collector obsessed with chess and devoted to
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and his wife Marie, the
Arensbergs presented their collection of over 1000 objects, including correspondence, ephemera, clippings, writings, personal and art collection records, and photographs documenting the couple's art collecting activities as well as their friendship with many important artists,
207:. While the move was originally intended to be temporary, the Arensbergs remained in California for the rest of their lives, returning to New York for only a year between 1925 and 1926. They first lived in Residence A, a guest house designed by Frank Lloyd Wright on Olive Hill, a property owned by
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intending to promote "research in history, philosophy, science, literature, and art, with special reference to the life and works of
Francis Bacon" and in 1954 endowed it with funds and their collection of Baconiana. The Foundation's library was housed in its own small brick building at the
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Walter
Arensberg was born in Pittsburgh, Pennsylvania, the oldest child of Conrad Christian Arensberg and his second wife, Flora Belle Covert. Walter's father was President and partial owner of a successful Pittsburgh crucible steel company. Between 1896 and 1900, Walter attended
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beginning in 1960. In the intervening years, the collection grew from its original 3,500 volumes to over 16,000 volumes. With the failing health of the collection's longtime librarian and curator, Elizabeth
Wrigley, the Foundation decided to transfer it to the
58:. Following graduation, he traveled to Europe, where he spent at least two years. In 1903, he returned to Harvard, as a graduate student. He did not complete his degree, but rather moved to New York City to work as a cub reporter from 1904-1906.
257:(1944–1954). In addition, he was a founding board member of the short-lived American Arts in Action (1943) and the Modern Institute of Art, Beverly Hills (1947–1949), organizations dedicated to showing modern art in California.
211:. for a time. In September 1927, the Arensbergs purchased their permanent home on 7065 Hillside Avenue, an example of Mediterranean Revival architecture built in 1920 for Lee B. Memefee and designed by architect
386:. The Arensbergs eventually dropped their demand that the recipient of the collection also provide for the continuance of the Francis Bacon Foundation. After protracted discussions and many visits from Director
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was rejected, both he and
Arensberg felt obliged to resign from the society. The circle of friends and artists frequented the Arensberg Salon in Manhattan has been represented in a visual reconstruction
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by the French painter André Raffray (1925-2010), created upon a commission by the New York art dealer and dada specialist
Francis M. Naumann, who also actively participated in the creative process.
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Francis M. Naumann, "Walter Conrad
Arensberg: Poet, Patron, and Participant in the New York Avant-Garde, 1915-20, The Philadelphia Museum of Art Bulletin, vol. 76, no. 328 (Spring 1980).
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331:, which included the stipulation that the University build an appropriate museum to house the collection in a specified time frame; their friend and fellow collector
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tried to get the collection to stay on the West Coast, for the Modern
Institute of Art in Beverly Hills. In 1944, the Arensbergs signed a deed of gift with the
180:. They would become the artist's lifelong patrons and form the largest, most significant collection of his work. When Duchamp's idea to dispatch his 1917 work
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subsequently signed a similar agreement. By the fall of 1947 it was obvious that this condition would not be met and the contract was nullified. In 1939, the
176:. The Arensbergs became particularly close with Duchamp, who lived in their apartment during the summer of 1915 while they vacationed at their summer home in
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65:(1921) was greeted as a literary scandal because of its deeply Freudian interpretation of the text. A full-page review appeared in
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33:(April 4, 1878 – January 29, 1954) was an American art collector, critic and poet. His father was part owner and president of a
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In 1949, Daniel Catton Rich and
Katherine Kuh organized the first public exhibition of the Arensberg collection, held at the
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In the 1940s the
Arensbergs began to look for a permanent home for their collection. In 1941, a group around actors
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713:"Historical note" about the Arensbergs and their collection at the Philadelphia Museum of Art website
93:(1928) he used a "key cipher" to find further messages connected with the Rosicrucians. Analysis by
496:" A Shocking Attack on Dante's Immortal 'Inferno'," The New York Evening Journal, January 21, 1922.
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in San Marino. The collection is now known as the Francis Bacon Foundation Arensberg Collection.
124:. His far more adventurous, avant-garde poetry appeared in Dada magazines between 1917 and 1919:
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In 1921, for health and financial reasons and upon Louise's insistence, the couple relocated to
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with the title "A Shocking Attack on Dante's immortal 'Inferno'." This book was followed by
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in the published works of Shakespeare that reveal the embedded name of Francis Bacon. In
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Several volumes of his Symbolist-influenced verse were also published, including 1914's
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The Arensbergs then began negotiations with numerous other institutions, including the
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company. He majored in English and philosophy at Harvard University. With his wife
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http://www.philamuseum.org/pma_archives/ead.php?c=WLA&p=hn Dorothea Tanning,
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partially recreated the interior of the Manhattan apartment of the Arensbergs.
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Between 1913 and 1950 the couple collected the works of Modern artists such as
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Bebermeier, Carola (2020). "The Arensberg Salon in Visual Representation:
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debate, the Arensbergs researched his work. In 1937 they established the
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Oral history interview with Vincent Price, 1992 Aug. 6-14
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Music in Art: International Journal for Music Iconography
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The secret grave of Francis Bacon and his mother in the
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People associated with the Philadelphia Museum of Art
589:by André Raffray and the Historiography of Dada".
237:were married at the home in a double wedding with
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687:L.A.'s postwar art scene: Hot rods and hedonism
648:L.A.'s postwar art scene: Hot rods and hedonism
637:Archives of American Art Oral History Program.
669:Katherine Kuh, Art Connoisseur And Writer, 89
532:Philadelphia Museum of Art, Jean Metzinger,
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725:Works by or about Walter Conrad Arensberg
245:. Walter served as a board member of the
685:Stephen Birmingham (September 8, 1996),
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413:'Hollywood Arensberg', by Mark Nelson,
27:American art collector, critic and poet
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404:Making Mischief: Dada Invades New York
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101:shows that none of the methods has
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646:D.J. Waldie (September 18, 2011),
568:Outraging the Bourgeoisie, Part II
507:The Shakespearean ciphers examined
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172:art; they were assisted by dealer
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536:(Woman with a Teaspoon), 1911
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91:The Shakespearean mystery
63:The Cryptography of Dante
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384:University of Minnesota
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31:Walter Conrad Arensberg
395:on December 27, 1950.
265:Intrigued with writer
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253:(1938–1939), and the
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49:Early life and career
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362:(Mexico, D.F.), the
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120:was anthologized by
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221:Constantin Brâncuși
43:Mary Louise Stevens
513:, 1957. Chapter X.
435:Robert Woods Bliss
415:William H. Sherman
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317:Edward G. Robinson
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99:Elizebeth Friedman
56:Harvard University
691:Los Angeles Times
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321:Fanny Brice
291:Los Angeles
162:Walter Pach
116:. His poem
112:and 1916's
89:(1923) and
753:Categories
453:References
382:, and the
105:validity.
603:1522-7464
325:Sam Jaffe
231:Max Ernst
85:Lichfield
75:acrostics
41:(born as
738:LibriVox
618:Birthday
534:Tea Time
249:(1937),
183:Fountain
79:anagrams
727:at the
271:alchemy
243:Man Ray
620:(1942)
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482:17 Jun
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370:, the
366:, the
358:, the
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307:Legacy
164:, and
39:Louise
126:Rogue
114:Idols
110:Poems
599:ISSN
484:2011
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