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Zorba the Greek

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one of being absorbed in whatever he is doing or whomever he is with at any particular moment. Quite frequently Zorba works long hours, and requests not to be interrupted while working. The narrator and Zorba have a great many lengthy conversations, about a variety of things, from life to religion, each other's past and how they came to be where they are now, and the narrator learns a great deal about the
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The narrator absorbs a new zest for life from his experiences with Zorba and the other people around him, but reversal and tragedy mark his stay on Crete. His one-night stand with a beautiful passionate widow is followed by her public decapitation. Alienated by the villagers' harshness and amorality,
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ideals, attempts to get to know the workers, but Zorba warns him to keep his distance: "Man is a brute.... If you're cruel to him, he respects and fears you. If you're kind to him, he plucks your eyes out." Zorba himself plunges into the work, which is characteristic of his overall attitude, which is
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he has been studying and about whom he has been writing for much of the narrative, and who he also equates with "the void") and feeling he is needed elsewhere (near the end of the novel, the narrator has a premonition of the death of his old friend Stavridakis), the narrator takes his leave of Zorba
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The narrator and Zorba never see each other again, although Zorba sends the narrator letters over the years, informing him of his travels and work, and his marriage to a 25-year-old woman. Despite Zorba's many invitations to visit, the narrator does not accept. Eventually the narrator receives a
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On arrival, they reject the hospitality of Anagnostis and Kondomanolious the café-owner, and on Zorba's suggestion make their way to Madame Hortense's hotel, which is nothing more than a row of old bathing-huts. They are forced by circumstances to share a bathing-hut. The narrator spends Sunday
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letter from Zorba's wife, informing him of Zorba's death (which the narrator had a premonition of). Zorba's widow tells the narrator that Zorba's last words were of him, and in accordance with her dead husband's wishes, she wants the narrator to visit her home and take Zorba's santouri.
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and having spent all of his remaining funds on a mining-related construction project that ends in a spectacular collapse, the narrator finds himself beset by doubts and uncertainty. Having overcome one of his own demons (such as his internal "no," which the narrator equates with the
443:, just before dawn on a gusty autumn morning sometime after the end of World War I. The narrator, a young Greek intellectual, resolves to set aside his books for a few months after being stung by the parting words of a friend, Stavridakis, who has left for the Russian 294: 499:
roaming the island, the landscape of which reminds him of "good prose, carefully ordered, sober… powerful and restrained" and reads Dante. On returning to the hotel for dinner, the pair invite Madame Hortense to their table and get her to talk about her past as a
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for the mainland, which, despite the lack of any major outward burst of emotionality, is significantly wrenching for both Zorba and the narrator. It almost goes without saying that the two friends will remember each other for the duration of their natural lives.
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when he feels he is being watched; he turns around and sees a man of around sixty peering at him through the glass door of the café. The man enters and immediately approaches him to ask for work. He claims expertise as a chef, a miner, and player of the
495:. The narrator is fascinated by Zorba's lascivious opinions and expressive manner and decides to employ him as a foreman. On their way to Crete, they talk on a great number of subjects, and Zorba's soliloquies set the tone for a large part of the book. 419:, first published in 1946. It is the tale of a young Greek intellectual who ventures to escape his bookish life with the aid of the boisterous and mysterious Alexis Zorba. The novel was adapted into the successful 1964 807: 1070: 839: 1055: 189: 247: 141: 887: 743: 219: 113: 1075: 1019: 665: 226: 120: 273: 160: 63: 1065: 94: 49: 832: 233: 127: 618:. In addition to the film winning the three Academy Awards, as mentioned, "Zorba" also became a household name. 1050: 998: 204: 98: 621:
The book has been adapted many more times in languages other than English, including a 1972 German-language
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from Zorba that he otherwise had not gleaned from his life of books and paper.
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The next day, the mine opens and work begins. The narrator, who has
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mine, and immerse himself in the world of peasants and the
507:) while he takes the pet-name "Canavaro" (after real-life 384: 415:, Life and Times of Alexis Zorbas) is a novel written by 732:"Michael Cacoyannis and Irene Papas on Greek Tragedy" 723: 101:. Unsourced material may be challenged and removed. 653: 478:He is about to begin reading his copy of Dante's 1037: 554:) is a fictionalized version of the mine worker 730:McDonald, Marianne; Winkler, Martin M. (2001). 729: 762: 833: 491:, and introduces himself as Alexis Zorba, a 205:introducing citations to additional sources 738:. Oxford University Press. pp. 72–89. 559: 549: 410: 318: 64:Learn how and when to remove these messages 840: 826: 736:Classical Myth & Culture in the Cinema 292: 783: 274:Learn how and when to remove this message 161:Learn how and when to remove this message 195:Relevant discussion may be found on the 765:"Speaking without words: Zorba's dance" 600:as well as a 1993 two-part radio play, 1038: 847: 821: 511:, a past lover claimed by Hortense). 459:who were facing persecution from the 23:. For the song used in the film, see 172: 99:adding citations to reliable sources 70: 29: 772:Glasnik Etnografskog instituta SANU 654:Thomas R. Lindlof (8 August 2008), 543: 13: 1071:Novels adapted into radio programs 756: 407:Βίος και Πολιτεία του Αλέξη Ζορμπά 320:Βίος και Πολιτεία του Αλέξη Ζορμπά 14: 1092: 793: 681:"Zorba – Broadway Show – Musical" 412:Víos kai Politeía tou Aléxē Zorbá 323:(Life and Times of Alexis Zorbas) 45:This article has multiple issues. 188:relies largely or entirely on a 177: 75: 34: 1056:Greek novels adapted into films 572:The novel was adapted into the 86:needs additional citations for 53:or discuss these issues on the 16:1946 novel by Nikos Kazantzakis 734:. In Martin M. Winkler (ed.). 698: 673: 647: 567: 1: 1020:The Last Temptation of Christ 1011:The Last Temptation of Christ 888:The Last Temptation of Christ 640: 926:The Odyssey: A Modern Sequel 439:The book opens in a café in 7: 1076:Novels by Nikos Kazantzakis 800:The Nikos Kazantzakis Files 411: 10: 1097: 685:Internet Broadway Database 18: 1009: 972: 943: 936: 917: 898: 855: 560: 550: 406: 382: 370: 356: 346: 338: 328: 319: 313: 303: 291: 814:magazine, April 20, 1953 625:, and a 1987–88 ballet, 1066:Modern Greek literature 763:Hnaraki, Maria (2009). 610:radio series, starring 493:Greek born in Macedonia 434: 431:and a BBC radio play. 21:Zorba the Greek (film) 1051:Existentialist novels 657:Hollywood under siege 467:to re-open a disused 421:film of the same name 390:PA5610.K39 V5613 1996 604:, part of the BBC's 201:improve this article 95:improve this article 1081:Novels set in Crete 785:10.2298/GEI0902025H 576:–winning 1964 film 314:Original title 288: 999:Christ Recrucified 974:Christ Recrucified 907:The Saviors of God 880:Christ Recrucified 584:Michael Cacoyannis 463:. He sets off for 425:Michael Cacoyannis 286: 19:For the film, see 1033: 1032: 1029: 1028: 991:The Greek Passion 849:Nikos Kazantzakis 745:978-0-19-513004-1 631:Mikis Theodorakis 417:Nikos Kazantzakis 394: 393: 347:Publication place 308:Nikos Kazantzakis 284: 283: 276: 266: 265: 251: 216:"Zorba the Greek" 171: 170: 163: 145: 110:"Zorba the Greek" 68: 1088: 941: 940: 872:Captain Michalis 842: 835: 828: 819: 818: 804: 789: 787: 769: 750: 749: 727: 721: 720: 718: 716: 702: 696: 695: 693: 691: 677: 671: 670: 651: 633:produced at the 563: 562: 553: 552: 544:Historical basis 509:Admiral Canevaro 457:Ukrainian Greeks 414: 408: 386: 360: 322: 321: 296: 289: 287:Zorba the Greek 285: 279: 272: 261: 258: 252: 250: 209: 181: 173: 166: 159: 155: 152: 146: 144: 103: 79: 71: 60: 38: 37: 30: 1096: 1095: 1091: 1090: 1089: 1087: 1086: 1085: 1036: 1035: 1034: 1025: 1005: 983:He Who Must Die 968: 962:Zorba the Greek 945:Zorba the Greek 932: 913: 894: 864:Zorba the Greek 851: 846: 802: 796: 767: 759: 757:Further reading 754: 753: 746: 728: 724: 714: 712: 704: 703: 699: 689: 687: 679: 678: 674: 668: 652: 648: 643: 616:Michael Maloney 612:Robert Stephens 602:Zorba the Greek 579:Zorba the Greek 570: 561:Γιώργης Ζορμπάς 546: 521:human condition 453:Caucasus Greeks 437: 427:, as well as a 398:Zorba the Greek 375: 299: 280: 269: 268: 267: 262: 256: 253: 210: 208: 194: 182: 167: 156: 150: 147: 104: 102: 92: 80: 39: 35: 28: 17: 12: 11: 5: 1094: 1084: 1083: 1078: 1073: 1068: 1063: 1058: 1053: 1048: 1031: 1030: 1027: 1026: 1024: 1023: 1015: 1013: 1007: 1006: 1004: 1003: 995: 987: 978: 976: 970: 969: 967: 966: 958: 949: 947: 938: 934: 933: 931: 930: 921: 919: 918:Other writings 915: 914: 912: 911: 902: 900: 896: 895: 893: 892: 884: 876: 868: 859: 857: 853: 852: 845: 844: 837: 830: 822: 816: 815: 805: 795: 794:External links 792: 791: 790: 758: 755: 752: 751: 744: 722: 697: 672: 667:978-0813173160 666: 645: 644: 642: 639: 627:Zorba il Greco 607:Classic Serial 569: 566: 564:, 1867–1941). 551:Αλέξης Ζορμπάς 548:Alexis Zorba ( 545: 542: 436: 433: 392: 391: 388: 380: 379: 376: 371: 368: 367: 362: 354: 353: 348: 344: 343: 340: 336: 335: 330: 326: 325: 315: 311: 310: 305: 301: 300: 297: 282: 281: 264: 263: 199:. 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Zorba the Greek (film)
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Nikos Kazantzakis

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