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114:, Anthony Verhuke and Peter van Dievoet also worked in Gibbon's London workshop as "servants", i.e. collaborators. As these Flemish artists were not trainees they were never entered in the Draper's records. In a document dated 1679 van der Meulen, Quellin and Verhuke are referred to as servants of Gibbons.
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Van der Meulen returned in 1687 to his home town and was admitted as a master sculptor of the
Mechelen Guild of Saint Luke in 1689. He became a dean of the Guild in 1691. On 26 August 1691 (or possibly 31 January 1704) he married Cornelia Theresia de Croes. His wife's sister Joanna Maria was married
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He created in his decorative works complicated trophies, deeply carved and superimposed, with motifs of foliage, flowers, birds and crustaceans sometimes accompanied by putti. His execution of the human figure did not match the perfection of the still-life elements in these works. Some of his wood
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He sculpted statues and was active as a painter, but was mainly a creator of decorative sculptures such as picture and mirror frames, allegorical medallions, tables, etc. He decorated many churches and houses with his ornaments composed of garlands of finely chiseled flowers similar to the fine
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IV, 50: "Laurens a statuary of
Mechlin ... Dievot a statuary of Brussels both these artists were in England and assisted Mr. Gibbons in statuary works in K. Charles 2d. and K. James 2d. time, they left England in the troubles of the Revolution and retird to their own
151:, the King of Spain, is believed to have ordered a mirror frame representing the union of Spain and France from him. This work was ultimately not delivered to the King as the Southern Netherlands ultimately passed from Spanish to Austrian control as a result of the
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In the
Gibbons workshop he worked on various commissions but the contributions of the various artists active in the workshop are not always identifiable. He is known to have collaborated with Peter van Dievoet on the creation of the
367:(the nephew of Artus Quellinus I), John Nost, and Anthony Verhuke, joined in the next decade by, among others, Laurens Vander Meulen and Pierre Van Dievoet. Their experience and skill as makers of statues may have exceeded his own
252:, London, 1765, vol. III, p. 91 : "Gibbons had several disciples and workmen; . Dievot of Brussels, and Laurens of Mechlin were principal journeymen — Vertue says they modelled and cast the statue I have mentioned in the
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The attribution of these works is complicated by the presence of the highly trained
Flemish sculptors whom Gibbons had gathered into his workshop by the end of the 1670s. These included
44:(1643–1719), was a Flemish sculptor, painter and frame-maker who, after training in his native Mechelen, worked for some time in England. He is best known there for having created the
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carvings of a goldsmith. In addition, he created religious statues of saints and the Virgin and some busts, as is attested by listings in various catalogues. He carved four
102:-born) English sculptor Grinling Gibbons. Gibbons was mainly known as a sculptor for his fine carvings of floral motifs. Other experienced Flemish sculptors such as
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He was paid to make the foliage decorations on the columns of the main altar of the Church of Our Lady across the river Dijle in
Mechelen. The Mechelen sculptors
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Anecdotes of painting in
England: with some account of the principal artists; and incidental notes on other arts; collected by the late Mr.
76:, and Elisabeth Schuermans from Mechelen. At the time Mechelen was one of the prime centres of sculpture making in Flanders, next only to
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on 10 November 1665. Pieter van der Stock had himself started his traineeship only five years earlier under
Coenraet van Kerckhoven.
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Emmanuel Neeffs, Histoire de la peinture et de la sculpture à Malines, Gand, imprimerie E. Vanderhaegen, 1876, Volume 2, pp. 219–224
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works were so subtly carved that the foliage and branches on the edges moved and quivered at the slightest movement.
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144:. Van der Meulen had one child. It is recorded that he painted a portrait of his daughter. He died at Mechelen.
80:. He started training as a sculptor in the workshop of Pieter van der Stock and was registered in the Mechelen
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in: Van der Aa e.a., Biographisch
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to the sculptor Jan Lucas
Faydherbe, son of the prominent Mechelen sculptor
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He travelled to
England in 1675 where he joined the London workshop of the (
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representing the four elements which were intended as chimney decorations.
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Notice sur des cadres sculptés par Laurent Vandermeulen de Malines
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He died in Mechelen on 26 October 1719 and was buried in the
260:(London, 1964), one Smooke said to Vertue that this statue "
346:, Harry N. Abrams, 30 April 2013, pp. 45, 176, 209, 219224
301:, Messager des sciences historiques, 1836, pp. 54–61
262:was modelled and made by Laurence and Devoot (sic)
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153:War of the Spanish Succession
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204:also worked on this altar.
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380:Parenteel familie De Croes
419:Flemish Baroque sculptors
355:"Gibbons, Grinling", in
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68:He was born in 1645 in
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439:Painters from Mechelen
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403:Laurens van der Meulen
311:Laurent van der Meulen
221:Laurent van der Meulen
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