848:
666:
307:
808:
823:
652:
494:
680:
638:
290:
624:
722:
1239:*1688(sic) Bronze statue by Grinling Gibbons and Pierre van Dievoet, all'antica, baton in right hand, left on hip. National Gallery, London, forecourt, since 1948; commissioned by Tobias Rustat and erected in Pebble Court Whitehall, 1688. A similarly posed statue in stone, believed to have been set in the facade of the Royal Exchange, is now at Creech Grange, Dorset. Five related figure drawings attributed to Gibbons, but probably by van Dievoet are in the British Museum.
1127:*1688(sic) Bronze statue by Grinling Gibbons and Pierre van Dievoet, all'antica, baton in right hand, left on hip. National Gallery, London, forecourt, since 1948; commissioned by Tobias Rustat and erected in Pebble Court Whitehall, 1688. A similarly posed statue in stone, believed to have been set in the facade of the Royal Exchange, is now at Creech Grange, Dorset. Five related figure drawings attributed to Gibbons, but probably by van Dievoet are in the British Museum.
1061:*1688(sic) Bronze statue by Grinling Gibbons and Pierre van Dievoet, all'antica, baton in right hand, left on hip. National Gallery, London, forecourt, since 1948; commissioned by Tobias Rustat and erected in Pebble Court Whitehall, 1688. A similarly posed statue in stone, believed to have been set in the facade of the Royal Exchange, is now at Creech Grange, Dorset. Five related figure drawings attributed to Gibbons, but probably by van Dievoet are in the British Museum.
410:
1746:
958:, London, 1765, vol. III, p. 91 : "Gibbons had several disciples and workmen; Selden I have mentioned; Watson assisted chiefly at Chatsworth, where the boys and many of the ornaments in the chapel were executed by him. Dievot of Brussels, and Laurens of Mechlin were principal journeymen â Vertue says they modelled and cast the statue I have mentioned in the privy-garden". According to David Green, in
374:
notes that this statue does not have an
English but rather a continental character and gives it the same attribution: "two Flemings, Laurens of Mechelen and Dievot of Brussels (sic), were employed to model and make it." This attribution is repeated by Sir Lionel Henri Cust: "Dyvoet (sic) ... and
974:
IV, 50 : "Laurens a statuary of
Mechlin... Dievot a statuary of Brussels both these artists were in England and assisted Mr. Gibbons in statuary works in K. Charles 2d. and K. James 2d. time, they left England in the troubles of the Revolution and retird to their own
1181:
Laurens a statuary of
Mechlin... Dievot a statuary of Brussels both these artists were in England and assisted Mr. Gibbons in statuary works in K. Charles 2d. and K. James 2d. time, they left England in the troubles of the Revolution and retird to their own
926:, p. 65, note 11 : "A.G.R., Métiers et Sements de Brabant 286 (corporation des Brasseurs), comptes 1696-1701 ; A.G.R., Notariat Général de Brabant 1987 (notaire P. Van Cutsem), 18 mars 1697, contract for sculpture with Peter van Dievoet :
526:, dated 27 September 1771, quotes van Dievoet in a list of "very remarkable Brussels sculptors". From his Brussels work, only the pieces mentioned by Guillaume Des Marez are known. He is mainly known there for his design and execution of many of the
1218:
Paul-EugĂšne
Claessens et Julien Cuypers, "Quand Bruxelles ravagĂ©e renaĂźt plus belle sous les ailes de l'archange : le sculpteur Pierre van Dievoet, son Ćuvre et sa famille", in IntermĂ©diaire des gĂ©nĂ©alogistes, no. 121, Brussels, 1966, pp.
346:
Van
Dievoet's English production (mainly sculptures) remains relatively unknown. In the Gibbons workshop he worked on various commissions but the contributions of the various artists active in the workshop are not always identifiable.
1165:(the nephew of Artus Quellinus I), John Nost, and Anthony Verhuke, joined in the next decade by, among others, Laurens Vander Meulen and Pierre Van Dievoet. Their experience and skill as makers of statues may have exceeded his own
822:
807:
1161:
The attribution of these works is complicated by the presence of the highly trained
Flemish sculptors whom Gibbons had gathered into his workshop by the end of the 1670s. These included
327:-born) English sculptor Grinling Gibbons from 1680 to 1688. Gibbons was mainly known as a sculptor for his fine carvings of floral motifs. Other experienced Flemish sculptors such as
1424:
Paul-EugĂšne
Claessens et Julien Cuypers, "Quand Bruxelles ravagĂ©e renaĂźt plus belle sous les ailes de l'archange : le sculpteur Pierre van Dievoet, son Ćuvre et sa famille", in
1027:
29 Junius 1661. Petrus filius legitimus Ăgidii Van
Dievoet, et Gertrudis Zevart. Suscept : Amplissimus D. Petrus Stockmans Curiae Brab: Consiliarius, et Dlla Maria de Smet
665:
457:, a Brussels institution comparable to a chamber of commerce, whose members were called the "brothers of the Guild". At the end of his term, he became a member of the
343:
also worked in Gibbon's London workshop as "servants", i.e. collaborators. As these
Flemish artists were not trainees they were never entered in the Draper's records.
697:
To van
Dievoet are attributed some finely chiseled woodcarvings, such as the elaborate lime-wood ornamentation of festoons and fruits in the collection of the
206:
sculptor, statuary, wood carver and designer of ornamental architectural elements active in Brussels and England. He is known for his work on a number of the
1376:
913:
He signed 'Peeter van Dievoet', act 208 of 21 November 1722 by the notary Jan Pilloy (General State Archives of Belgium, Notary-General of Brabant)
278:(now Brussels' cathedral) on 29 June 1661. His father was previously married to Catarina Slachmeulder (or Catharina Slachmoelders), whose son
1663:
Alain Van Dievoet, "Un disciple belge de Grinling Gibbons, le sculpteur Pierre van Dievoet (1661-1729) et son Ćuvre Ă Londres et Bruxelles",
1505:
847:
523:
453:
Van Dievoet occupied various public offices. From 1713 to 1723, between ages 52 and 62, he was one of The Eight and then Dean (judge) of the
437:, which offered many opportunities for architects and sculptors in the rebuilding of the city. He was involved in the reconstruction of the
949:
Anecdotes of painting in England: with some account of the principal artists; and incidental notes on other arts; collected by the late Mr.
433:
of stonemasons and sculptors. It is from this time that his work in Brussels begins. That same year, Brussels was largely destroyed by the
306:
651:
1771:
1766:
1155:
474:
275:
286:. The young Peter became fatherless around the age of twelve or thirteen. His mother later remarried and died on 22 July 1705.
985:
754:
679:
637:
519:
355:
311:
294:
222:
100:
1466:
Guillaume Des Marez, "Les transformations de la ville de Bruxelles au XVIIÚme siÚcle et les métiers de la construction",
1452:
M. J. De Decker, "Relevé de l'Agneau Blanc", (deuxiÚme prix partagé, S.C.A.B. concours annuel de relevés de 1924), dans,
1010:
WalĂ©riane Dubois, « Ces dynasties qui ont bĂąti Bruxelles : Les Van Dievoet â CrĂ©ateurs polyvalents », in
1776:
1750:
922:Ăric Hennaut, "Les couleurs de la Grand-Place. Notes sur les parements des façades aprĂšs le bombardement de 1695", in
390:
Some studies for statues of probably Charles II or James II held in the British Museum are attributed to van Dievoet.
1796:
1542:
1234:
1122:
1056:
1628:
1334:
698:
414:
962:(London, 1964), one Smooke sayd to Vertue that this statue "was modelled and made by Laurence and Devoot " ;
1651:
Une famille d'orfĂšvres et consuls de Paris d'origine bruxelloise : les van Dievoet dits van Dive, Bruxelles
1251:
1107:
Katherine Gibson, 'The emergence of Grinling Gibbons as a statuary', published in Apollo, September 1999, p. 28.
434:
218:
861:
465:
from 1723 to 1724. After that, he left public life. A pious man, he had been, until the end of his life, a
1670:
Alain Van Dievoet, "Généalogie de la famille van Dievoet originaire de Bruxelles, dite van Dive à Paris",
928:
Item sullen de aenbesteder moeten leveren de noodighe avendersteenen tot het maecken van de voors. wercken
1791:
556:
546:
498:
493:
1337:
of Brussels, Inventory 614, "encadrement ornemental attribué à Peter van Dievoet" (Brussels, 1661-1729).
623:
394:
314:
or Charles II. Pen and brown wash, attributed to van Dievoet, in the collection of the British Museum.
1560:
833:
814:
741:
454:
145:
1076:
701:. He also carved wooden "keerses" - richly decorated emblems that were used for celebrations of the
1482:
The Churches of London: A History and Description of the Ecclesiastical Edifices of the Metropolis
745:
970:, ed. Walpole Society, Oxford, 1930-47, vol. I, p.82 : "Lawrence. Dyvoet. statuarys", and
425:
of 1688, which had led to the deposition of the English King. In 1695, he became master of the
380:
340:
271:
230:
366:. Vertue attributed this work to a collaboration between van Dievoet and a certain Laurens of
1781:
871:
856:
785:
1786:
442:
279:
234:
207:
74:
1702:, ed. Walpole Society, Oxford, 1930â47, vol. I, pp. 61, 82, 106; vol. IV, p. 50.
1677:
Alain Van Dievoet, "Quand le savoir-faire des orfĂšvres bruxellois brillait Ă Versailles",
1563:, "Dievoet (Dievot), van Bildhauer in BrĂŒssel", in Ulrich Thieme and Felix Becker (eds.),
1435:, Brussels, 1992, p. 218 (Contrat d'adjudication de la maison du Cornet, Grand-Place)
8:
1727:
1463:, Brussels, 1928, vol. 1, pp. 65, 81, 82, 89, 90, 92, 112, and vol. 11, p. 182.
1433:
Le bombardement de Bruxelles par Louis XIV et la reconstruction qui s'en suivit 1695-1700
1398:
The Romance of Soho. Being an Account of the District, Its Past Distinguished Inhabitants
1162:
1012:
422:
398:
328:
283:
242:
119:
68:
1384:
Dictionnaire critique et documentaire des peintres, sculpteurs, dessinateurs et graveurs
401:, has had its attribution changed in 2023 to possibly being by the hand of van Dievoet.
1532:
De levens en werken der Hollandsche en Vlaamsche kunstschilders, beeldhouvers, graveurs
876:
866:
702:
430:
332:
323:
He moved at some unknown date to England where he was a collaborator in the studio of (
289:
267:
141:
1138:
246:
1350:â « La gĂ©nĂ©alogie et l'hĂ©raldique au service de l'histoire de l'art », in
1287:
761:
462:
371:
363:
299:
226:
164:
375:
Laurens ... who executed the statue of James II at Whitehall." The aforementioned
1632:, Brussels, 1878, vol. VI, column 74; Brussels, 1936â1938, vol. XXVI, column 385.
769:
765:
203:
195:
35:
954:
944:
191:
1760:
1500:
1386:, Paris, 1955, vol. 3, p. 268 et ibid. Paris, 1956, vol. 4, p. 238.
1260:
ARTIST/MAKER: Quellin, Arnold (possibly) & Van Dievoet, Peter (possibly).
963:
950:
851:
Signatures of Peter van Dievoet and his wife Dorothea de Witte, 17 July 1709.
777:
348:
781:
1565:
Allgemeines Lexicon des bildenden KĂŒnstler von der Antike bis zur gegenwart
829:
737:
733:
518:
Long after van Dievoet's death, a report of the magistrates of Brussels to
470:
88:
721:
413:
Detail of ornamentation of festoons and fruits attributed to van Dievoet (
1294:, Ăditions culture et civilisation Bruxelles, 1975, Volume 2, pp. 507-508
594:
580:
531:
527:
438:
214:
104:
1025:
Brussels, registers of baptisms of Saint Gudula of 29 June 1661 : "
904:
The statue of James II is, unusually for the time, in a classical style.
1693:
Un millénaire d'histoire de Bruxelles depuis les origines jusqu'en 1830
1550:
MĂ©moire sur la Sculpture aux Pays-Bas pendant les XVII et XVIII siĂšcles
1368:, illustrations de Van Gucht, Brussels, galerie Ex-Libris, s.d., n° 10.
458:
409:
354:
George Vertue found an agreement and a payment receipt for the bronze
953: ; and now digested and published from his original MSS. by Mr.
590:
359:
336:
324:
238:
210:
84:
1325:
Guillaume Des Marez (Illustrated Guide of Brussels, Brussels, 1928).
1656:
Alain Van Dievoet, "Question sur le sculpteur Pierre van Dievoet",
1570:
Victor-Gaston Martiny, "Le décor architectural de la Grand-Place",
924:
Autour du bombardement de Bruxelles de 1695. DĂ©sastre et relĂšvement
421:
He returned to Brussels as a result of the events arising from the
384:
367:
263:
789:
115:
379:
was identified by Paul-EugĂšne Claessens as the Flemish sculptor
1745:
1405:
Catalogue of the Collection of Drawings in the Ashmolean Museum
757:
586:
552:
173:
1516:, Bruxelles, 1845, vol. II, p. 556 ; Mina Martens,
1431:
Maurice Culot, Eric Hennaut, Marie Demanet, Caroline Mierop,
773:
229:, London, made in collaboration with fellow Flemish sculptor
199:
1440:
The Lives of the Most Eminent British Painters and Sculptors
1410:
Andrée Brunard, "La Grand-Place, joyau de la Capitale", in,
274:
of Brussels, and Gertrudis Zeevaert. He was baptised at the
1714:
Liste des doyens des corps de métier de Bruxelles 1696-1795
1489:
Grinling Gibbons his work as carver and statuary, 1648-1721
1144:, Harry N. Abrams, 30 April 2013, pp. 45, 176, 209, 219224
179:
1637:
Grinling Gibbons and the Wood-work of his age (1648-1720)
1600:
Archives des arts, sciences et lettres, documents inédits
1554:
La sculpture et les chefs-d'Ćuvre de l'orfĂšvrerie belges
393:
A bronze statuette of James II in the collection of the
1591:
Henry-Charles van Parys, "Van Dievoet : réponse",
1373:
MĂ©moires sur les sculpteurs et architectes des Pays-Bas
1305:
La sculpture et les chefs-d'Ćuvre de l'orfĂšvrerie belge
1277:, BibliothĂšque Royale, Cabinet des Manuscrit, ms. G123.
480:
He died in Brussels on 2 March 1729, at the age of 68.
1079:
Study for a statue, probably of Charles II or James II
1642:
Alain Van Dievoet, "Les Vandive, consuls de Paris",
182:
176:
170:
1525:
Howitt's Journal of Literature and Popular Progress
167:
813:Peter van Dievoet's arms from roll of arms of the
318:
960:Grinling Gibbons, his work as carver and statuary
404:
217:(Brussels' main square), which was rebuilt after
1758:
1734:, Vienna and Leipzig, 1906, vol. I, p. 407.
1497:, Cyclopaedia, Great Britain, 1866, p. 109.
537:The following works are described by Des Marez:
198:literature referred to as 'Pierre Van Dievoet',
1419:Annales de l'Académie d'archéologie de Belgique
1646:, no. 180, Brussels, 1975, pp. 452 Ă 453.
1421:, Bruxelles, 1867, p. 486 et p. 507.
613:(number 24-25). He was also the architect for
540:
16:Flemish sculptor active in Brussels and London
1609:, The Connoisseur, London, 1901, p. 155.
1674:, Brussels, 1986, no. 245, pp. 273-293.
1407:, Ashmolean Museum - Art, 1982, p. 637.
768:and gated of the field between in chief two
699:Royal Museums of Art and History of Brussels
560:
503:
1445:Sir Lionel Henri Cust, "Grinling Gibbons",
1357:â « GĂ©nĂ©alogie de Brou (x) », in
566:
555:of the 1696 built House of the White Lamb (
509:
298:by van Dievoet and Laurens van der Meulen,
1621:Bruxelles ou les contes de Mille et un ans
1449:, London, 1949â56, vol. VII, p. 1140.
1428:, no. 121, Brussels, 1966, pp. 39â41.
720:
194:of the period as 'Peeter van Dievoet', in
1695:, Brussels, 1965, pp. 364, 366, 644.
1556:, Brussels, 1895, pp. 468, 5S3, 743.
1506:Dictionary of British Sculptors 1660â1851
1228:
1116:
1050:
1626:FĂ©lix Stappaerts, "Pierre van Dievoet",
1579:De Brusselaars in een stad die anders is
1574:, Brussels and LiĂšge, 1966, p. 122.
1179:(Notes Books, 1, 82.), ainsi que :
846:
828:Van Dievoet's arms are featured on this
764:, on a tower embattled of three merlons
492:
408:
305:
288:
1660:, no. 147, Brussels, 1970, p. 185.
1623:, Bruxelles, 1979, pp. 170 et 174.
1595:, no. 148, Brussels, 1970, p. 254.
1509:, London, 1953, pp. 130, 169, 406.
1156:Oxford Dictionary of National Biography
1141:Grinling Gibbons and the Art of Carving
1132:
1071:
1069:
882:
351:mentions van Dievoet only as statuary.
1759:
1667:, March 1980, no. 225, pp. 65-91.
1639:, London, 1914, pp. 95, 125, 251.
1588:, Munich, 1836, vol. III, p. 404.
1567:, Leipzig, 1913, vol. IX, p. 279.
1552:, Brussels, 1877, pp. 3, 12, 82, 190;
1442:, vol III, New York, 1835, p. 14.
245:and the uncle of the Parisian printer
1709:, London, 1765, vol. III, p. 91.
1512:Alexandre Henne et Alphonse Wauters,
1414:, Paris-Bruxelles, 1952, p. 170.
1361:, n° 122, Brussels, 1966, p. 88.
1321:
1319:
1317:
1315:
1313:
1270:
1268:
1103:
1101:
744:and differ from those of his brother
609:or the House of Brewers (number 10),
1607:The Concise Encyclopedia of Antiques
1527:, William Howitt, 1847, p. 408.
1475:L'académie royale, notice historique
1252:"James II - Statuette - ca. 1680-85"
1229:Ingamells, John (2009). "James II".
1117:Ingamells, John (2009). "James II".
1066:
1051:Ingamells, John (2009). "James II".
940:
938:
936:
524:Governor of the Habsburg Netherlands
520:Prince Charles Alexander of Lorraine
475:Church of St. Michael and St. Gudula
276:Church of St. Michael and St. Gudula
101:Statue of James II, Trafalgar Square
1686:Bruxelles. Promenades dans le Passé
1586:Neues Allgemeines KĂŒnstler- Lexicon
1222:
1110:
1044:
448:
13:
1721:Sculpture in Britain, 1530 to 1830
1705:George Vertue and Horace Walpole,
1688:, Brussels, 1949, pp. 76, 84.
1491:, Londres, 1964, pp. 56, 194.
1344:
1310:
1265:
1195:Sculpture in Britain, 1530 to 1830
1098:
715:Coat of arms of Peter van Dievoet
574:
14:
1808:
1738:
1732:NiederlĂ€ndischer KĂŒnstler-Lexicon
1681:, Brussels, 2004, pp. 19-66.
1658:L'Intermédiaire des généalogistes
1644:L'Intermédiaire des généalogistes
1602:, Gand, 1860, vol. I, p. 40.
1593:L'Intermédiaire des généalogistes
1520:, Brussels, 1972, s.v. "Dievoet".
1514:Histoire de la ville de Bruxelles
1359:L'Intermédiaire des généalogistes
1352:L'Intermédiaire des généalogistes
1292:Histoire de la ville de Bruxelles
1207:Dictionnary of National Biography
1041:, Brussels, 2004, pp. 19-66.
933:
358:(1686) made for the courtyard of
1744:
1707:Anecdotes of Painting in England
1629:Biographie Nationale de Belgique
1539:Later Stuart Portraits 1685-1714
1447:Dictionary of National Biography
1335:Royal Museums of Art and History
1231:Later Stuart Portraits 1685-1714
1119:Later Stuart Portraits 1685-1714
1081:attributed to Peter van Dievoet"
1053:Later Stuart Portraits 1685-1714
821:
806:
678:
664:
650:
636:
622:
415:Royal Museums of Art and History
397:, previously attributed only to
163:
103:and facades of buildings on the
1534:, Amsterdam, 1842, p. 278.
1426:Intermédiaire des généalogistes
1328:
1297:
1280:
1244:
1212:
1200:
1187:
1170:
1147:
895:His work in Brussels is Baroque
692:
319:Residence in London (1680â1688)
310:Studies for a statue of either
1772:18th-century Flemish sculptors
1767:17th-century Flemish sculptors
1616:, Bruxelles, 1978, p. 13.
1470:, Brussels, 1936, p. 135.
1412:Les Belles Heures de Bruxelles
1379:, Brussels, 1848, p. 117.
1032:
1019:
1015:, n°8, 5 November 2020, p. 65.
1004:
978:
916:
907:
898:
889:
405:Return to Brussels (1689â1729)
262:Peter van Dievoet was born in
257:
1:
1716:, Brussels, 1888, p. 55.
1480:George Godwin, John Britton,
1477:, Brussels, s.d., p. 21.
1275:Armorial de la Gilde DrapiĂšre
1159:, vol. 22, pp. 29â30 : "
788:per pale Or and Gules with a
748:and his branch of the family.
736:were recorded in 1713 in the
672:La Maison de la Chaloupe d'Or
611:La Maison de la Chaloupe d'Or
571:are the work of van Dievoet.
233:. He was the half-brother of
1396:Edwin Beresford Chancellor,
1256:Victoria & Albert Museum
282:later became a goldsmith to
7:
1723:, London, 1964, p. 55.
1653:, 1976, passim (xérocopié).
1572:La Grand-Place de Bruxelles
1461:Guide illustré de Bruxelles
1393:, 2006, vol.4, p. 911.
1366:La Grand'Place de Bruxelles
1177:Lawrence. Dyvoet. statuarys
986:"Artistes, de pĂšre en fils"
842:
541:The House of the White Lamb
202:: Petrus; 1661â1729) was a
54:2 March 1729 (68 years old)
10:
1813:
1581:, 1981, pp. 127, 367.
1548:Chevalier Edmond Marchal,
1545:, 2009, pp. 130, 387.
1495:Great men of Great Britain
1456:, Brussels, 1925, plate 8.
578:
544:
488:
1777:Flemish Baroque sculptors
1614:De Grote Markt te Brussel
1584:Dr. Georg Kaspar Nagler,
1561:Kurt Zoege von Manteuffel
1543:National Portrait Gallery
1354:, n° 137, Brussels, 1968.
1307:, Brussels, 1895, p. 583
1235:National Portrait Gallery
1123:National Portrait Gallery
1057:National Portrait Gallery
862:Drapery Court of Brussels
834:Drapery Court of Brussels
815:Drapery Court of Brussels
742:Drapery Court of Brussels
607:La Maison de l'Arbre d'Or
601:(Grand-Place, number 4),
585:Van Dievoet sculpted the
567:
561:
510:
504:
152:
148:, Magistracy of Brussels.
137:
133:
125:
111:
94:
80:
62:
50:
42:
30:
23:
1797:Art by Peter Van Dievoet
1153:"Gibbons, Grinling", in
562:Rue du Marché aux Herbes
557:Maison de l'Agneau Blanc
547:Maison de l'Agneau Blanc
505:Rue du Marché aux Herbes
502:, by Peter van Dievoet,
362:and currently placed on
284:King Louis XIV of France
243:King Louis XIV of France
190:; written in his native
708:
483:
295:Statue of King James II
270:(? - â before 1672), a
252:
219:the bombardment of 1695
1197:, London, 1964, p. 55.
852:
832:of the members of the
551:The sculptures on the
515:
461:as a Councilor of the
418:
381:Laurens van der Meulen
341:Laurens van der Meulen
339:, Anthony Verhuke and
315:
303:
231:Laurens van der Meulen
1665:Le Folklore brabançon
1459:Guillaume Des Marez,
1403:David Blayney Brown,
1391:Dictionary of Artists
872:Bourgeois of Brussels
857:Sculpture in Brussels
850:
496:
412:
309:
292:
1753:at Wikimedia Commons
1598:Alexandre Pinchart,
1530:Johannes Immerzeel,
1523:Mary Botham Howitt,
1400:, 1931, p. 32.
1377:Baron de Reiffenberg
1286:Alexandre Henne and
1209:, vol. VII, p. 1140.
883:Notes and references
280:Philippe van Dievoet
235:Philippe van Dievoet
221:, as well as on the
75:Austrian Netherlands
1728:Alfred von Wurzbach
1649:Alain Van Dievoet,
1612:Viviane Roothooft,
784:counterchanged, an
716:
686:La Maison du Heaume
644:La Maison du Cornet
603:La Maison du Cornet
423:Glorious Revolution
399:Artus Quellinus III
329:Artus Quellinus III
69:Spanish Netherlands
1792:Van Dievoet family
1719:Margaret Whinney,
1712:Alphonse Wauters,
1679:Cahiers bruxellois
1635:H. Avray Tipping,
1438:Allan Cunningham,
1193:Margaret Whinney,
1039:Cahiers bruxellois
992:. 21 November 2008
877:Van Dievoet family
867:Guilds of Brussels
853:
714:
516:
435:French bombardment
419:
356:statue of James II
333:Artus Quellinus II
316:
304:
268:Gillis van Dievoet
223:Statue of James II
142:Guilds of Brussels
72:(1714â1729) :
66:(1661â1714) :
1751:Peter van Dievoet
1749:Media related to
1684:Marcel Vanhamme,
1605:L. G. G. Ramsey,
798:
797:
589:of the following
429:at Brussels, the
247:Guillaume Vandive
159:Peter van Dievoet
156:
155:
129:Dorothea de Witte
25:Peter van Dievoet
1804:
1748:
1691:Louis Verniers,
1577:André Monteyne,
1537:John Ingamells,
1473:Pieter D'Hondt,
1417:J. E. Buschman,
1371:Philippe Baert,
1338:
1332:
1326:
1323:
1308:
1303:Edmond Marchal,
1301:
1295:
1288:Alphonse Wauters
1284:
1278:
1272:
1263:
1262:
1248:
1242:
1241:
1226:
1220:
1216:
1210:
1204:
1198:
1191:
1185:
1174:
1168:
1151:
1145:
1136:
1130:
1129:
1114:
1108:
1105:
1096:
1095:
1093:
1091:
1073:
1064:
1063:
1048:
1042:
1036:
1030:
1023:
1017:
1008:
1002:
1001:
999:
997:
982:
976:
942:
931:
920:
914:
911:
905:
902:
896:
893:
825:
810:
724:
717:
713:
682:
668:
654:
640:
630:La Maison du Sac
626:
599:La Maison du Sac
570:
569:
564:
563:
514:, Brussels, 1696
513:
512:
507:
506:
463:City of Brussels
449:Public functions
427:Quatre-Couronnés
372:Margaret Whinney
364:Trafalgar Square
300:Trafalgar Square
227:Trafalgar Square
189:
188:
185:
184:
181:
178:
175:
172:
169:
97:
21:
20:
1812:
1811:
1807:
1806:
1805:
1803:
1802:
1801:
1757:
1756:
1741:
1698:George Vertue,
1468:Ătudes inĂ©dites
1347:
1345:Further reading
1342:
1341:
1333:
1329:
1324:
1311:
1302:
1298:
1285:
1281:
1273:
1266:
1250:
1249:
1245:
1237:. p. 130.
1227:
1223:
1217:
1213:
1205:
1201:
1192:
1188:
1184:(ibid. IV, 50).
1175:
1171:
1152:
1148:
1139:David Esterly,
1137:
1133:
1125:. p. 130.
1115:
1111:
1106:
1099:
1089:
1087:
1075:
1074:
1067:
1059:. p. 130.
1049:
1045:
1037:
1033:
1024:
1020:
1009:
1005:
995:
993:
984:
983:
979:
943:
934:
921:
917:
912:
908:
903:
899:
894:
890:
885:
845:
840:
837:
826:
817:
811:
792:counterchanged.
711:
695:
688:
683:
674:
669:
660:
655:
646:
641:
632:
627:
583:
577:
575:The Grand-Place
549:
543:
491:
486:
451:
407:
321:
260:
255:
204:Flemish Baroque
166:
162:
95:
73:
71:
67:
58:
55:
38:
26:
17:
12:
11:
5:
1810:
1800:
1799:
1794:
1789:
1784:
1779:
1774:
1769:
1755:
1754:
1740:
1739:External links
1737:
1736:
1735:
1724:
1717:
1710:
1703:
1696:
1689:
1682:
1675:
1668:
1661:
1654:
1647:
1640:
1633:
1624:
1619:Georges Sion,
1617:
1610:
1603:
1596:
1589:
1582:
1575:
1568:
1557:
1546:
1535:
1528:
1521:
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1492:
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1478:
1471:
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1436:
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1408:
1401:
1394:
1387:
1380:
1369:
1362:
1355:
1346:
1343:
1340:
1339:
1327:
1309:
1296:
1279:
1264:
1243:
1221:
1211:
1199:
1186:
1169:
1163:Arnold Quellin
1146:
1131:
1109:
1097:
1085:British Museum
1065:
1043:
1031:
1018:
1013:Le Vif Weekend
1003:
977:
955:Horace Walpole
945:Horace Walpole
932:
915:
906:
897:
887:
886:
884:
881:
880:
879:
874:
869:
864:
859:
844:
841:
839:
838:
827:
820:
818:
812:
805:
796:
795:
794:
793:
780:and in base a
772:of six-points
766:counterchanged
752:
749:
730:
725:
712:
710:
707:
703:tailors' guild
694:
691:
690:
689:
684:
677:
675:
670:
663:
661:
656:
649:
647:
642:
635:
633:
628:
621:
579:Main article:
576:
573:
545:Main article:
542:
539:
499:The White Lamb
490:
487:
485:
482:
450:
447:
406:
403:
320:
317:
302:, London, 1686
266:as the son of
259:
256:
254:
251:
154:
153:
150:
149:
139:
135:
134:
131:
130:
127:
123:
122:
113:
109:
108:
98:
92:
91:
82:
81:Known for
78:
77:
64:
60:
59:
56:
52:
48:
47:
44:
40:
39:
34:
32:
28:
27:
24:
15:
9:
6:
4:
3:
2:
1809:
1798:
1795:
1793:
1790:
1788:
1785:
1783:
1780:
1778:
1775:
1773:
1770:
1768:
1765:
1764:
1762:
1752:
1747:
1743:
1742:
1733:
1729:
1725:
1722:
1718:
1715:
1711:
1708:
1704:
1701:
1697:
1694:
1690:
1687:
1683:
1680:
1676:
1673:
1669:
1666:
1662:
1659:
1655:
1652:
1648:
1645:
1641:
1638:
1634:
1631:
1630:
1625:
1622:
1618:
1615:
1611:
1608:
1604:
1601:
1597:
1594:
1590:
1587:
1583:
1580:
1576:
1573:
1569:
1566:
1562:
1558:
1555:
1551:
1547:
1544:
1540:
1536:
1533:
1529:
1526:
1522:
1519:
1518:Index général
1515:
1511:
1508:
1507:
1502:
1501:Rupert Gunnis
1499:
1496:
1493:
1490:
1487:David Green,
1486:
1483:
1479:
1476:
1472:
1469:
1465:
1462:
1458:
1455:
1451:
1448:
1444:
1441:
1437:
1434:
1430:
1427:
1423:
1420:
1416:
1413:
1409:
1406:
1402:
1399:
1395:
1392:
1388:
1385:
1381:
1378:
1374:
1370:
1367:
1363:
1360:
1356:
1353:
1349:
1348:
1336:
1331:
1322:
1320:
1318:
1316:
1314:
1306:
1300:
1293:
1289:
1283:
1276:
1271:
1269:
1261:
1257:
1253:
1247:
1240:
1236:
1232:
1225:
1215:
1208:
1203:
1196:
1190:
1183:
1178:
1173:
1166:
1164:
1158:
1157:
1150:
1143:
1142:
1135:
1128:
1124:
1120:
1113:
1104:
1102:
1086:
1082:
1080:
1072:
1070:
1062:
1058:
1054:
1047:
1040:
1035:
1028:
1022:
1016:
1014:
1007:
991:
990:Site-LeVif-FR
987:
981:
973:
969:
965:
964:George Vertue
961:
957:
956:
952:
951:George Vertue
946:
941:
939:
937:
929:
925:
919:
910:
901:
892:
888:
878:
875:
873:
870:
868:
865:
863:
860:
858:
855:
854:
849:
835:
831:
824:
819:
816:
809:
804:
803:
801:
791:
787:
783:
779:
775:
771:
767:
763:
759:
756:
753:
750:
747:
746:Jean-Baptiste
743:
739:
735:
734:personal arms
731:
728:
727:
726:
723:
719:
718:
706:
705:of Brussels.
704:
700:
687:
681:
676:
673:
667:
662:
659:
653:
648:
645:
639:
634:
631:
625:
620:
619:
618:
617:(number 34).
616:
612:
608:
604:
600:
596:
592:
588:
582:
572:
558:
554:
548:
538:
535:
533:
530:of Brussels'
529:
525:
521:
501:
500:
495:
481:
478:
476:
472:
468:
464:
460:
456:
455:Drapery Court
446:
444:
440:
436:
432:
428:
424:
416:
411:
402:
400:
396:
391:
388:
386:
382:
378:
373:
369:
365:
361:
357:
352:
350:
349:George Vertue
344:
342:
338:
334:
330:
326:
313:
308:
301:
297:
296:
291:
287:
285:
281:
277:
273:
269:
265:
250:
248:
244:
240:
236:
232:
228:
224:
220:
216:
212:
209:
205:
201:
197:
193:
187:
160:
151:
147:
146:Drapery Court
143:
140:
136:
132:
128:
124:
121:
117:
114:
110:
106:
102:
99:
93:
90:
86:
83:
79:
76:
70:
65:
61:
53:
49:
45:
41:
37:
33:
29:
22:
19:
1782:1660s births
1731:
1720:
1713:
1706:
1699:
1692:
1685:
1678:
1672:Le Parchemin
1671:
1664:
1657:
1650:
1643:
1636:
1627:
1620:
1613:
1606:
1599:
1592:
1585:
1578:
1571:
1564:
1553:
1549:
1538:
1531:
1524:
1517:
1513:
1504:
1494:
1488:
1481:
1474:
1467:
1460:
1453:
1446:
1439:
1432:
1425:
1418:
1411:
1404:
1397:
1390:
1383:
1375:, edited by
1372:
1365:
1358:
1351:
1330:
1304:
1299:
1291:
1282:
1274:
1259:
1255:
1246:
1238:
1230:
1224:
1214:
1206:
1202:
1194:
1189:
1180:
1176:
1172:
1160:
1154:
1149:
1140:
1134:
1126:
1118:
1112:
1088:. Retrieved
1084:
1078:
1060:
1052:
1046:
1038:
1034:
1026:
1021:
1011:
1006:
994:. Retrieved
989:
980:
971:
967:
959:
948:
927:
923:
918:
909:
900:
891:
830:roll of arms
799:
738:roll of arms
696:
693:Wood carving
685:
671:
658:L'Arbre d'Or
657:
643:
629:
614:
610:
606:
605:(number 6),
602:
598:
584:
550:
536:
528:guild houses
517:
497:
479:
471:churchwarden
466:
452:
426:
420:
392:
389:
376:
353:
345:
331:(the son of
322:
293:
261:
211:guild houses
158:
157:
96:Notable work
89:architecture
46:29 June 1661
18:
1787:1729 deaths
1454:L'Ămulation
595:Grand-Place
591:guild halls
581:Grand-Place
532:Grand-Place
467:marguillier
439:Grand-Place
258:Early years
215:Grand-Place
105:Grand-Place
63:Nationality
1761:Categories
1700:Note Books
1541:. London:
1233:. London:
1121:. London:
1055:. London:
996:9 December
968:Note Books
786:escutcheon
751:Escutcheon
459:magistrate
1389:Bénézit,
1382:Bénézit,
1090:2 January
975:country".
615:Le Heaume
568:Grasmarkt
559:) on the
511:Grasmarkt
473:) of the
360:Whitehall
337:John Nost
325:Rotterdam
239:goldsmith
120:classical
85:Sculpture
843:See also
782:crescent
755:Per pale
385:Mechelen
368:Mechelen
312:James II
264:Brussels
57:Brussels
43:Baptised
36:Brussels
1484:, 1839.
1182:country
800:Gallery
790:bordure
770:mullets
740:of the
593:on the
587:facades
489:General
445:style.
443:Baroque
395:V&A
377:Laurens
272:burgher
213:on the
208:Baroque
138:Elected
116:Baroque
972:ibidem
758:Argent
732:These
553:facade
196:French
126:Spouse
1219:39â41
774:Gules
762:Sable
729:Notes
441:in a
431:guild
383:from
200:Latin
192:Dutch
112:Style
1726:Dr.
1559:Dr.
1092:2024
998:2019
776:and
760:and
709:Arms
484:Work
253:Life
51:Died
31:Born
477:.
335:),
241:to
225:on
1763::
1730:,
1503:,
1364:â
1312:^
1290:,
1267:^
1258:.
1254:.
1167:".
1100:^
1083:.
1068:^
1029:".
988:.
966:,
947:,
935:^
930:."
778:Or
597::
534:.
522:,
417:).
387:.
370:.
249:.
237:,
174:iË
144:,
118:,
87:,
1094:.
1077:"
1000:.
836:.
802::
565:/
508:/
469:(
186:/
183:t
180:Ê
177:v
171:d
168:Ë
165:/
161:(
107:,
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