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748:"Cretin," knocked Biafra into a chair, with another rolling over his legs, causing serious damage to one knee and leg. Biafra is said to have yelled an epithet at the individual who crashed into him and demanded that he produce identification so that he could be billed for whatever hospital costs would ensue. A fight ensued, during which Biafra is said to have been knocked to the floor and held down, where he was kicked in the head by "Cretin." During the incident others are said to have taunted Biafra, yelling "rich rock star" and "sellout."
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attended than the
Saturday night and Sunday afternoon hardcore extravaganzas but nevertheless served their purpose of providing an alternative venue to bands seeking to escape the grim reality of 21-and-over bar shows while allowing core volunteers to avoid the burnout associated with excessive event scheduling. This necessary scheduling adjustment had the serendipitous effect of diversifying and broadening the base of support for the 924 Gilman space.
549:"There was something in the air, you could say, back then. A good feeling, or a sense of pulling together, and unity among people who just wanted to see bands that was free of sexism, homophobia, racism, and especially violence. Shows were not as safe then—there were shows I went to before Gilman where I got beat up... Shows where I went to jail, just for being a punk rock kid out after curfew. And worse, shows where I saw people getting beat up by
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Hayden, who had previously started a parallel project to start a punk club in
Berkeley and who had already located a promising space in an industrial section of Berkeley. Although Yohannan initially had misgivings about the 924 Gilman Street location spotted by Hayden, he was ultimately persuaded that the building was a suitable space for the project which was envisioned. Negotiations began with the landlord and in April 1986 a lease was signed.
170:
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713:, are only allowed to play the club when membership approves that individual show, a policy that enabled Green Day to play at Gilman again at least twice since they signed with a major label. Many of the other bands which have played the club in the past are now defunct. The venue still serves the East Bay and Northern California hardcore scene by bringing local, national, and international acts to the East Bay.
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517:"We didn't know shit about construction, and people were coming out of the woodwork, just showing up and helping—people who had the skills we needed, carpenters, plumbers, electricians. We had to build new bathrooms, etc., and pass the inspections. We got our final approval from the city the afternoon of our first show, which was New Year's Eve, December 1986."
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Although the Gilman "warehouse" provided a vital all-ages venue and spawned a vibrant local musical scene, its success was neither inevitable nor linear. On
September 11, 1988, citing the "physical and emotional exhaustion" of volunteers, ongoing problems with vandalism, and financial difficulties
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shows were held three days a week—on Friday and
Saturday nights as well as Sunday matinees. This quickly proved to be overwhelming for club volunteers, however, and as an alternative non-hardcore shows began to be run on Fridays by a separate crew of organizers. These Friday shows were more poorly
751:
Police were called but "Cretin" and his friends escaped the premises in a van bearing
Arizona plates. Biafra was hospitalized, where it was determined that he suffered detached ligaments and a broken leg. Biafra was also forced to cancel a scheduled spoken word tour as a result of the injuries he
629:
A note was scrawled on a scrap of paper and taped to the window by
Yohannan, noting that the Gilman Street Project was "now closed permanently due to lack of the creative juices necessary to make it worthwhile." Yohannan added that "apathy and taking Gilman for granted" had "led to a consumerist
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began thinking about the establishment of an all ages music space in the San
Francisco Bay Area where bands could play and interact with audience members free of the structure of conventional music promotion. Actual organizational work began in 1985, with Yohannan joined in the effort by Victor
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As one early participant recalled, "in order to not be closed down by local police we had to have rules, such as no drinking in or around the club, no fighting, things like that." This necessitated a regularized approach to security and resulted in events that were less violent than the 1980s
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The organizing circle was expanded with a view to raising the $ 40,000 needed for rent and remodeling and for generating the volunteers necessary to make the construction project happen. Yohannan made use of his political connections and experience gained as a campaign volunteer for
Berkeley
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On
December 31, 1986, the first musical performance was held at 924 Gilman. Since then, it has been one of the longest-running independent music venues in the United States. The club slowly progressed as a mecca for punk youth to get away from everyday issues at home, work, government, etc.
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who had fallen and broken his arm in the pit, and expiration of the building lease, Gilman shut its doors. In a published eulogy by Tim
Yohannan, Gilman was remembered as a fun place where "the old macho bullshit got attacked" and a stand had been made against "creeping racist and
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Although the September closure spelled an end to Tim Yohannan's personal connection with the club, core volunteers almost immediately reorganized to launch a "new club" at the 924 Gilman location, based upon the core principles established by the previous venture.
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was supportive and project organizers took care of every detail into winning the tacit approval for the project from businesses and residents of the area. The landlord also proved himself reliable and supportive of the goals of his new tenants.
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Citizen's Action Group, an organization which had won majority control of the Berkeley City Council, and was able to call upon friends sitting on various city boards, urging their cooperation with the new venture. Berkeley mayor
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596:" was also a major component of the venue's philosophy, and many of the bands that started out at Gilman found themselves on the outs with the club after achieving mainstream success. Green Day's song "86" from their album
720:, was written and edited by Brian Edge, who collected memories and anecdotes from many of the seminal contributors to the club's day-to-day operations from 1986 through publication in 2004. The book is available through
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indirectly responsible for the incident, claiming that his assailants were repeating allegations that he was a "rich rock star" made in a column which had recently appeared in the magazine.
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crap." The club's core volunteers were not despondent, Yohannan noted, and hoped to "arrange special shows at other existing venues" in the future.
557:, and there was not a damn thing I could do about it if I wanted to stay healthy. Those were the kind of things that motivated us to get involved."
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expressed support for the boycott, with then-editor Grace Ambrose stating that "Gilman's actions run counter to the spirit that propels MRR."
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Rent on the 2,000 square foot building was $ 2,000 per month at the time of the club's launch—regarded as a reasonable and manageable rate.
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Despite a few early incidents of vandalism, a fertile creative environment rapidly developed. The venue saw the first public appearance of
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citing several failures of the club in upholding its stated rules and ethics, notably a show featuring controversial hardcore punk bands
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had been crashing into audience members. In the process one of these individuals, said to be a man using the
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only narrowly being moved to an alternative venue, as well as allegations of sexism, transphobia and
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attitude" and that the decision had been made by core volunteers to "work together in other ways."
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hardcore norm, providing a more or less "safe environment" and sense of collective responsibility.
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outfit that gained nearly instantaneous local popularity, and was a proving grounds for the young
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Josh Levine, a long time punk rock fan, band member, and 1986 Gilman volunteer later recalled:
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and ultra-aggressive hardcore which dominated the punk world during the middle 1980s.
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1029:"The Gilman Street Project, Dec. 31, 1986-Sept. 11, 1988: RIP — The Spirit Lives!!!"
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It may require cleanup to comply with Knowledge's content policies, particularly
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Tim Yohannan, "Something Ugly This Way Comes: Jello Biafra Beaten Up at Show,"
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and also contains a full list of Gilman's shows from 1986 through early 2004.
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In May 2016, members of the club's community anonymously called for a
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Lefebvre, Sam, "Did Punk Break? Green Day Played Gilman Last Night."
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is about being banned from the club after their major label debut
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Tim Yohannan, "Interviewed by Hawk, April 1996," in Edge (ed.),
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was assaulted and injured. A group of rough slam dancers in the
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1084:"Boycotters Accuse 924 Gilman St. Project of Ethical Backslide"
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Gilman is mostly associated with being the springboard for the
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396:, collectively organized music club. It is located in the
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whole no. 134 (July 1994), pp. 46–49 (MRR News pp. 1–4).
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whole no. 66 (November 1988). Reprinted in Edge (ed.),
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whole no. 65 (October 1988). Reprinted in Edge (ed.),
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A major contributor to this article appears to have a
965:. New York: The Disinformation Company, 2006; pg. 33.
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Green Day: American Idiots and the New Punk Explosion
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On May 7, 1994, an incident occurred in which former
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San Francisco, CA: Maximum Rocknroll, 2004; pg. 13.
1088:East Bay Express | Oakland, Berkeley & Alameda
778:"924 Gilman » General Info & Directions"
1285:Buildings and structures in Berkeley, California
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666:made against some core volunteers at the time.
1111:anonymous, "Boycott 924 Gilman Street 2016"
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701:Bands with major label contracts, including
682:, running the gamut from hardcore punk and
617:resulting from a $ 16,000 legal award to a
55:Learn how and when to remove these messages
1305:Music venues in the San Francisco Bay Area
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1113:https://boycott924gilmanstreet.tumblr.com/
977:"GREEN DAY: THE INSIDE STORY OF INSOMNIAC"
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209:Learn how and when to remove this message
152:Learn how and when to remove this message
1330:All-ages DIY venues in the United States
1310:Nightclubs in the San Francisco Bay Area
1062:Tim Yohannan, "More on Gilman Closing,"
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1142:"Green Day | The Early Years | 2017"
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1300:Music of the San Francisco Bay Area
1290:Social centres in the United States
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718:924 Gilman: The Story So Far
36:This article has multiple issues.
975:Winwood, Ian (October 8, 2021).
690:and ska punk, including as well
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189:. Please discuss further on the
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44:or discuss these issues on the
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90:secondary or tertiary sources
996:"A brief guide to Green Day"
994:Case, Wesley (May 3, 2013).
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716:A 2004 history of the club,
386:Alternative Music Foundation
307:Alternative Music Foundation
260:Front of Gilman in late 2009
242:Alternative Music Foundation
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935:Josh Levine in Edge (ed.),
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1144:. Event occurs at 43:50.
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922:Katja G. in Edge (ed.),
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849:Yohannan in Edge (ed.),
678:Gilman showcases mostly
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434:Gilman showcases mostly
906:Jane G. in Edge (ed.),
893:Jane G. in Edge (ed.),
880:Jane G. in Edge (ed.),
1266:37.879632; -122.299308
1002:. Tribune Publishing.
948:Kamala in Edge (ed.),
752:suffered. Biafra held
612:September 1988 closure
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77:relies excessively on
1175:. Maximum Rocknroll.
728:Jello Biafra incident
592:Staying true to the "
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187:neutral point of view
1171:Edge, Brian (2004).
694:and, most recently,
462:and, most recently,
402:Berkeley, California
286:Berkeley, California
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537:Founding principles
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101:"924 Gilman Street"
1214:Maximum Rocknroll,
1031:Maximum Rocknroll,
594:independent spirit
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411:led by bands like
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1064:Maximumrocknroll,
1000:The Baltimore Sun
784:on April 29, 2010
486:playing at Gilman
446:acts, as well as
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1008:. Retrieved
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786:. Retrieved
782:the original
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738:Jello Biafra
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638:2016 boycott
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38:Please help
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1264: /
1252:122°17′58″W
1152:January 22,
961:Ben Myers,
619:slam dancer
587:speed metal
583:David Hayes
507:Gus Newport
448:heavy metal
388:located at
339:heavy metal
1279:Categories
1249:37°52′47″N
1182:097556000X
1068:924 Gilman
1051:924 Gilman
1035:924 Gilman
983:. Kerrang.
950:924 Gilman
937:924 Gilman
924:924 Gilman
908:924 Gilman
895:924 Gilman
882:924 Gilman
869:924 Gilman
853:, pp. 7–8.
851:924 Gilman
838:924 Gilman
822:924 Gilman
577:empire of
112:newspapers
79:references
41:improve it
1094:April 20,
1070:, pg. 79.
1053:, pg. 79.
1037:, pg. 78.
952:, pg. 40.
939:, pg. 28.
926:, pg. 21.
910:, pg. 18.
884:, pg. 17.
824:, pg. 38.
788:March 15,
760:Footnotes
711:Green Day
684:grindcore
680:punk rock
599:Insomniac
571:Green Day
551:skinheads
456:grindcore
436:punk rock
413:Green Day
349:grindcore
319:Punk rock
191:talk page
47:talk page
1146:Archived
1004:Archived
981:Kerrang!
871:, pg. 8.
840:, pg. 7.
688:pop punk
660:Slapshot
648:Facebook
567:ska-punk
496:founder
460:ska punk
440:pop punk
400:area of
394:all-ages
334:ska punk
324:pop punk
312:Genre(s)
304:Operator
278:Location
1158:YouTube
736:singer
696:hip hop
664:ableism
644:boycott
624:fascist
470:History
464:hip hop
371:Website
354:hip hop
270:Address
126:scholar
1179:
709:, and
652:Tumblr
605:Dookie
427:, and
421:Rancid
363:Opened
248:Gilman
128:
121:
114:
107:
99:
674:Music
555:jocks
553:, or
296:Owner
133:JSTOR
119:books
1177:ISBN
1154:2021
1096:2024
1012:2016
790:2010
658:and
656:Fang
650:and
581:and
442:and
384:The
366:1986
299:None
105:news
742:pit
703:AFI
686:to
425:AFI
81:to
1281::
1191:^
1104:^
1086:.
1075:^
1042:^
1020:^
998:.
979:.
915:^
858:^
829:^
811:^
767:^
705:,
698:.
466:.
458:,
454:,
450:,
431:.
423:,
419:,
415:,
404:.
288:,
284:,
92:.
50:.
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130:·
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53:(
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