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625:. A note on the coffin lid shows that she died aged 23 on 2 September 1731. The parson spills his brandy as he has his hand up the skirt of the girl next to him, and she appears pleased. A woman who has placed drinks on Moll's coffin looks on in disapproval. Moll's son plays ignorantly. Moll's son is innocent, but he sits playing with his top underneath his mother's body, unable to understand (and figuratively fated to death himself).
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390:, or more importantly that prostitution is the devil's work. A more practical explanation could be that the witch's hat is part of a frightening disguise comparable to the masks worn by modern dominatrices, and the birch rod is for the fustigation/titillation of masochistic customers. Her heroes are on the wall: Macheath from
187:. The original plates survived, and were sold by Hogarth's widow, Jane, to John Boydell in 1789; by him to Baldwin, Cradock and Joy in 1818; and then to Henry Bohn in 1835. Each produced further copies. In 1921, the copperplates were sold by Bernard Quaritch, and they are now in the collection of Edison Dick of Chicago.
287:
Moll appears to have been deceived by the possibility of legitimate employment. A goose in Moll's luggage is addressed to "My lofing cosen in Tems Stret in London": suggesting that she has been misled; this "cousin" might have been a recruiter or a paid-off dupe of the bawdy keepers. Moll is dressed
902:
Dealing with the witch's hat and birch rod adorning the walls of the four-poster bed, Bernd
Krysmanski emphasises that the rod is deliberately positioned to point to an image showing how Abraham wants to sacrifice his son Isaac and therefore could be interpreted as the paraphernalia of a dominatrix
590:
cake used as a fly-trap, implying that her former keeper is paying for her in her last days and ironically indicating that Moll will, unlike the
Israelites, not be spared. Several opiates ("anodynes") and "cures" litter the floor. Moll's clothes seem to reach down for her as if they were ghosts
417:, is coming through the door on the right side of the frame to arrest Moll for her activities. Moll is showing off a new watch (perhaps a present from Dalton, perhaps stolen from another lover) and exposing her left breast. Gonson, however, is fixed upon the witch's hat and 'broom' or the
339:
of a wealthy Jewish merchant, as is confirmed by the Old
Testament paintings in the background which have been considered to be prophetic of how the merchant will treat Moll in between this plate and the third plate. She has numerous affectations of dress and accompaniment, as she keeps a
348:. The boy and the young female servant, as well as the monkey, may be provided by the businessman. The presence of the servant, the monkey and the mahogany table of tea things all suggest the merchant's wealth has been made in the colonies. She has jars of cosmetics, a mask from
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Another prostitute shows her injured finger to her fellow whore, while a woman adjusts her appearance in a mirror in the background, even though she shows a syphilitic sore on her forehead. The house holding the coffin has an ironic coat of arms on the wall displaying a
656:, reminiscent of the "spill" of the parson, the flowing alcohol, and the expiration of Moll. The white hat hanging on the wall by the coat of arms is the one Moll wore in the first plate, referring back to the beginning of her end.
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Moll is standing next to a gentleman, a card-sharp whose extra playing card has fallen out, and who has brought his dog with him. The inmates are in no way being reformed, despite the ironic engraving on the left above the occupied
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who – disguised as a witch during sexual role-playing – abuses her masochistic customers in a similar way as
Abraham is going to "abuse" his son who is tied to the sacrificial stone in a bent position. See Bernd W. Krysmanski,
55:. The series shows the story of a young woman, M. (Moll or Mary) Hackabout, who arrives in London from the country and becomes a prostitute. The series was developed from the third image. After painting a prostitute in her
352:, and her apartment is decorated with paintings illustrating her sexually promiscuous and morally precarious state. She pushes over a table to distract the merchant's attention as a second lover tiptoes out.
136:
The series of paintings proved to be very popular and
Hogarth used his experience as an apprentice to a silversmith to create engravings of the images, selling a "limited edition" of 1,240 sets of six
288:
in white, in contrast to those around her, illustrating her innocence and naiveté. The dead goose in or near Moll's luggage, similarly white, foreshadows Moll's death as a result of her gullibility.
644:). She is the only one who is upset at the treatment of the dead girl, whose coffin is being used as a tavern bar. A "mourning" girl (another prostitute) steals the undertaker's handkerchief.
303:) who has newly arrived from the country. The teetering pile of pans alludes to Moll's imminent "fall". The goose and the teetering pans also mimic the inevitable impotence that ensues from
84:
In the first scene, an old woman praises her beauty and suggests a profitable occupation. A gentleman is shown towards the back of the image. In the second image she is with two lovers: a
428:, i.e. the announcement by the angel Gabriel to the Virgin Mary that she would conceive and become the mother of Jesus, the Son of God, as recorded in the Gospel of Luke 1:26–39.
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The protagonist "M. Hackabout" (see Plate 1, Plate 3, and the coffin-lid in Plate 6, which reads: "M. Hackabout Died Sept 2d 1731 Aged 23") is either named after the heroine of
501:(belonging to the sharper, probably), and finally a pregnant African woman who presumably "pleaded her belly" when brought to trial, as pregnant women could not be executed or
382:(2:3), would say that the maid looks like his character of Mrs. Partridge. Her bed is her only major piece of furniture, and the cat poses to suggest Moll's new posture. The
251:. Moll carries scissors and a pincushion hanging on her arm, suggesting that she sought employment as a seamstress. Instead, she is being inspected by the pox-ridden
470:, while the jailer threatens her and points to the task. Fielding would write that Thwackum, one of Tom Jones's sadistic tutors, looked precisely like the jailer (
1623:
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The Lure of Venus: or, a Harlot's
Progress. An heroi-comical poem. In six cantos. Founded upon Mr. Hogarth's six paintings; and illustrated with prints of them.
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Londoners ignore the scene, and even a mounted clergyman ignores her predicament, just as he ignores the fact of his horse knocking over a pile of pans.
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Francis
Hackabout: he was hanged on 17 April 1730; she was convicted of keeping a disorderly house in August the same year, having been arrested by
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Meanwhile, Moll's maid tries to stop the looting and arguing. Moll's son sits by the fire, possibly sick with syphilis as well. He is picking
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3:6). The jailer's wife steals clothes from Moll, winking at theft. The prisoners go from left to right in order of decreasing wealth.
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563:(Misaubin). A woman, possibly Moll's bawd and possibly the landlady, rifles Moll's possessions for what she wishes to take away.
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Hogarth’s Hidden Parts: Satiric
Allusion, Erotic Wit, Blasphemous Bawdiness and Dark Humour in Eighteenth-Century English Art
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156:. c. 13), to prohibit the practice. Soon after, Hogarth published his second series of satirical and moralistic images,
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907:(Hildesheim, Zurich, New York: Georg Olms Verlag, 2010), p. 165, and the same author’s online essay,
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255:, a notorious procuress and brothel-keeper, who wants to secure Moll for prostitution. The notorious
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The original paintings were destroyed in a fire at
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Moll has gone from kept woman to common prostitute. Her maid is now old and syphilitic, and
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on the right (white hair) argue over their medical methods, which appear to be a choice of
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813:, 1st edition (New Haven and London: Yale University Press, 1965), vol. I, pp. 71-72.
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144:. Pirate copies of the engravings were soon in circulation, and Hogarth procured an
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Moll's madam drunkenly mourns on the right with a ghastly grinning jug of "Nants" (
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In the final plate, Moll is dead, and all of the scavengers are present at her
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In 1733, John Breval, under the pen-name of Joseph Gay, published a poem
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928:(Baltimore and London: The Johns Hopkins University Press, 2003), p. 28.
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750:. Baltimore and London: Johns Hopkins University Press. pp. 27–87.
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Ex-Classics edition including the engravings and John Breval's Poem
744:(2003). "Blasphemy and Belief: The Case of 'A Harlot's Progress'".
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out of his hair. The only hint as to the apartment's owner is a
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composed an operatic adaptation of the work which opened at the
718:(New Haven and London: Yale University Press 2016), nos. 21-26.
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876:"Silver Service Slavery: The Black Presence in the White Home"
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Moll is now a kept woman, the mistress of a wealthy merchant
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Moll
Hackabout arrives in London at the Bell Inn, Cheapside
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731:, 3rd edition (London: The Print Room 1989), nos. 121-126.
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The inn sign, with a picture of a bell, may refer to the
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The protagonist, Moll Hackabout, has arrived in London's
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Hogarth's Harlot: Sacred Parody in Enlightenment England
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Hogarth's Harlot: Sacred Parody in Enlightenment England
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Hogarth's Harlot: Sacred Parody in Enlightenment England
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William Hogarth: A Complete Catalogue of the Paintings
16:
Series of paintings and engravings by William Hogarth
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Can be read online or downloaded in various formats.
118:. Kate was a notorious prostitute and the sister of
96:
in the fourth. In the fifth scene she is dying from
360:Moll has gone from kept woman to common prostitute
207:in the title role. The world premiere of the opera
913:von William Hogarth: Aufstieg und Fall einer Hure”
976:von William Hogarth: Aufstieg und Fall einer Hure
424:The composition satirically resembles that of an
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1422:Sigismunda mourning over the Heart of Guiscardo
1624:Works about prostitution in the United Kingdom
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800:(London: The National Portrait Gallery 1997).
682:in columns on a single page of his newspaper
400:, and two cures for syphilis are above them.
386:hat and birch rod on the wall suggest either
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270:. Charteris fondles himself in expectation.
114:and Kate Hackabout or ironically after the
1085:Emblematical Print on the South Sea Scheme
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179:(1 October 1760 – 2 May 1844) builder of
100:, and she is dead at age 23 in the last.
421:hanging from the wall above Moll's bed.
175:(1709–1770), a politician and father of
1334:Captain Lord George Graham in his Cabin
1201:Credulity, Superstition, and Fanaticism
837:"Season 2013–2014: A Harlot's Progress"
740:
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1129:Strolling Actresses Dressing in a Barn
497:Next is a woman, a child who may have
307:, foreshadowing Moll's specific fate.
203:in Vienna in 2013 with German soprano
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1278:Scene from Shakespeare's The Tempest
993:A reprint of the Grub Street Journal
437:Moll beats hemp in Bridewell Prison
310:The composition resembles that of a
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1022:Vienna's New Opera House Since 1801
509:shows John Gonson hanging from the
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21:For the 2006 television film, see
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839:. theater-wien.at. Archived from
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1310:Portrait of Captain Thomas Coram
1101:A Just View of the British Stage
696:List of works by William Hogarth
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591:drawing her to the afterlife.
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978:(with extensive bibliography)
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454:Moll, the jailer and his wife
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1589:Paintings by William Hogarth
1342:David Garrick as Richard III
939:"Bell's Life in London #330"
798:Hogarth's Marriage A-la-Mode
787:, 3rd edition, nos. 132–139.
539:Two doctors and the landlady
150:Engraving Copyright Act 1734
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1193:Satire on False Perspective
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1177:The Four Stages of Cruelty
1153:Characters and Caricaturas
1121:The Company of Undertakers
881:Victoria and Albert Museum
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28:. For the 2013 opera, see
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1619:Prostitution in paintings
1614:Prints by William Hogarth
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1185:Columbus Breaking the Egg
1093:The Bad Taste of the Town
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988:The Literary Encyclopedia
774:, 3rd edition, pp. 80-81.
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493:prisoners, Moll's servant
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260:Colonel Francis Charteris
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1169:Beer Street and Gin Lane
968:The series of engravings
213:was on 13 October 2013.
1609:18th-century engravings
1446:The Marriage Settlement
1209:Five Orders of Periwigs
1005:A Harlot's Progress
824:Hogarth's Graphic Works
811:Hogarth's Graphic Works
785:Hogarth's Graphic Works
772:Hogarth's Graphic Works
729:Hogarth's Graphic Works
522:Moll dying of syphilis
177:William Thomas Beckford
1503:The Analysis of Beauty
1382:Humours of an Election
676:William Innell Clement
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1568:Mary Edwards (Patron)
1414:The Lady's Last Stake
1286:Four Times of the Day
1161:Industry and Idleness
943:Grand Comics Database
826:, 3rd edition, p. 77.
684:Bell's Life in London
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617:Parson and Moll's son
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543:Moll is now dying of
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140:to subscribers for a
48:The Harlot's Progress
1145:The Enraged Musician
1350:Painter and his Pug
1326:The Graham Children
1256:A Harlot's Progress
974:A Harlot’s Progress
961:A Harlot's Progress
911:A Harlot’s Progress
843:on 29 November 2014
714:Elizabeth Einberg,
413:, with three armed
210:A Harlot's Progress
201:Theater an der Wien
116:Blessed Virgin Mary
71:are reminiscent of
42:A Harlot's Progress
31:A Harlot's Progress
24:A Harlot's Progress
1435:Marriage A-la-Mode
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1358:The Gate of Calais
1318:Taste in High Life
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165:Marriage Ă -la-mode
78:Pilgrim's Progress
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1294:The Distrest Poet
1264:A Rake's Progress
1137:The Distrest Poet
884:. 13 January 2011
757:978-0-8018-7391-1
680:Harlot's Progress
674:On 22 June 1828,
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253:Elizabeth Needham
195:British composer
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963:(in Context)
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845:. Retrieved
841:the original
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600:Moll's wake
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549:Richard Rock
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462:. She beats
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426:Annunciation
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407:James Dalton
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1018:(2006 film)
999:An analysis
652:with three
559:(Rock) and
505:. A prison
503:transported
458:Moll is in
411:John Gonson
388:black magic
350:masquerades
342:West Indian
131:John Gonson
124:Westminster
73:John Bunyan
1583:Categories
1474:The Bagnio
1267:(1732–33,
702:References
678:published
404:highwayman
312:Visitation
217:The plates
191:Adaptation
127:magistrate
120:highwayman
65:Drury Lane
1406:The Bench
1251:(1730–31)
1228:Paintings
822:Paulson,
783:Paulson,
770:Paulson,
472:Tom Jones
379:Tom Jones
249:Cheapside
197:Iain Bell
185:Wiltshire
1514:Theories
1369:(c.1750)
1305:(c.1740)
1281:(c.1735)
847:27 March
690:See also
597:Plate 6
588:Passover
557:bleeding
545:syphilis
519:Plate 5
507:graffito
434:Plate 4
415:bailiffs
357:Plate 3
337:mistress
320:Plate 2
305:syphilis
262:and his
224:Plate 1
154:8 Geo. 2
86:mistress
69:allegory
1546:Related
1530:Museums
888:24 June
654:spigots
650:chevron
561:cupping
511:gallows
419:periwig
104:History
57:boudoir
33:(opera)
1506:(1753)
1438:(1745)
1425:(1759)
1417:(1759)
1409:(1758)
1401:(1757)
1393:(1755)
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1329:(1742)
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1259:(1731)
1244:Before
1220:(1763)
1212:(1761)
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1196:(1754)
1188:(1752)
1180:(1751)
1172:(1751)
1164:(1747)
1156:(1743)
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1132:(1738)
1124:(1736)
1116:(1736)
1109:Before
1104:(1724)
1096:(1724)
1088:(1721)
1072:Prints
1012:
754:
686:#330.
664:Legacy
642:brandy
547:. Dr.
480:stocks
468:nooses
346:monkey
148:, the
142:guinea
138:prints
61:garret
26:(film)
1553:Trump
1495:Books
1248:After
1113:After
584:fleas
384:witch
376:, in
295:belle
59:in a
1246:and
1111:and
1010:IMDb
890:2017
849:2013
752:ISBN
623:wake
580:lice
464:hemp
396:and
264:pimp
257:rake
129:Sir
90:hemp
1008:at
582:or
183:in
92:in
75:'s
63:on
1585::
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152:(
35:.
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