31:
220:
147:, caused a greater stir, as it replaced the Classical subject at the centre of the scene with one of a scientific nature. Wright's depiction of the awe produced by scientific "miracles" marked a break with previous traditions in which the artistic depiction of such wonder was reserved for religious events, since to Wright the marvels of the technological age were as awe-inspiring as the subjects of the great religious paintings.
225:
224:
221:
523:
226:
223:
191:
began to paint the royal family in about 1766. Given their solemn atmosphere however, and as it seems none of the figures are intended to be understood as portraits (even if models may be identified), the paintings can not be regarded as conversation pieces. The 20th-century art historian
155:. In the orrery demonstration the shadows cast by the lamp representing the sun were an essential part of the display. But there seems no reason other than heightened drama to stage the air pump experiment in a room lit by a single candle, and in two later paintings of the subject by
527:
150:
In both of these works, the candlelit setting had a realist justification. Viewing sculpture by candlelight, when the contours showed well, and there might even be an impression of movement from the flickering light, was a fashionable practice described by
307:
A working reconstruction of the grand orrery depicted in Joseph Wright's painting was commissioned by Derby
Museums in 1993. It was built by clock and orrery-maker, John Gleave, and is displayed alongside the original work in the museum's art gallery.
1224:
261:. Figures thought to be portraits of Burdett and Ferrers feature in the painting, Burdett taking notes and Ferrers seated with a youth next to the orrery. Ferrers purchased the painting, which was exhibited in 1766, for ÂŁ210, but
222:
333:
1762:
793:
131:
757:
1317:
849:
1742:
1757:
1331:
932:
817:
672:
1618:
601:
Elliott, Paul (1 January 2000). "The Birth of Public
Science in the English Provinces: Natural Philosophy in Derby, c. 1690–1760".
809:
118:
631:
1398:
1002:
924:
652:
1668:
1623:
1324:
881:
833:
750:
469:
242:
156:
1544:
1476:
730:
709:
641:
595:
577:
558:
448:
1310:
905:
337:
292:". Close observation of the adult faces in the picture reveals that each one demonstrates one or other of the main
262:
743:
284:
was the model for the lecturer, while another commentator points out the figure's resemblance to "a painting of
167:
The painting was one of a number of
British works challenging the set categories of the rigid, French-dictated,
1767:
1678:
1572:
184:
1289:
865:
1567:
1440:
1386:
1011:
969:
780:
266:
231:
113:
80:
1577:
1501:
1471:
1141:
300:, claims that 'the Philosopher' was John Arden, a scholar and lecturer best known for teaching the young
171:
in the late 18th century, as other types of painting aspired to be treated as seriously as the costumed
1713:
1516:
1491:
1466:
1352:
1177:
995:
825:
211:
An anonymous review from the time called Wright "a very great and uncommon genius in a peculiar way".
1415:
1251:
1208:
1338:
1025:
841:
123:
1752:
1747:
1582:
1511:
550:
546:
Science and
Religion: Some Historical Perspectives (Cambridge Studies in the History of Science)
544:
1366:
1271:
1193:
1115:
1110:
1100:
873:
766:
105:
41:
494:
1720:
1633:
1380:
1241:
988:
897:
1359:
1256:
1131:
1095:
1075:
1040:
187:, then largely a form of middle-class portraiture, though soon to be given new status when
269:, where it is on permanent display, close to a working replica of a full-sized mechanical
101:
A Philosopher giving that
Lecture on the Orrery in which a lamp is put in place of the Sun
8:
1643:
1603:
1461:
301:
254:
241:
was painted without a commission, probably in the expectation that it would be bought by
205:
168:
1658:
1486:
1055:
1030:
618:
136:
1683:
1648:
1539:
1430:
1425:
1282:
1218:
1065:
1060:
726:
705:
637:
622:
591:
573:
554:
526:. Revolutionary Players—Museums, Libraries and Archives—West Midlands. Archived from
444:
277:
1638:
1598:
1445:
1373:
1345:
1261:
1246:
1070:
951:
857:
718:
610:
193:
172:
112:– a mechanical model of the solar system – to a small audience. It is now in the
1705:
1701:
1673:
1663:
1533:
1506:
1481:
1420:
1161:
1136:
1105:
289:
281:
1613:
1608:
1435:
1050:
980:
188:
30:
1736:
1496:
1198:
1090:
1085:
201:
614:
1628:
1303:
1203:
1156:
1045:
1035:
889:
285:
246:
72:
1473 mm Ă— 2032 mm (58 in Ă— 80 in)
524:"Joseph Wright of Derby: Art, the Enlightenment and Industrial Revolution"
459:
The Orrery – A Users' Guide, N J Moyes, Derby Museum and Art
Gallery, 1995
135:, was painted in 1765, and showed three men studying a small copy of the "
1213:
1080:
735:
293:
1653:
1146:
296:– new moon, half moon, gibbous moon and full moon. Jonathan Powers, in
258:
1151:
230:
Replica grand orrery on display alongside the original painting in
586:
Egerton, Judy (1998), National
Gallery Catalogues (new series):
270:
250:
152:
109:
175:
of a
Classical or mythological subject. In some respects the
84:
695:. The Paul Mellon Foundation for British Art Pantheon Books.
636:. Jeremy Mills Publishing for Leeds Museums and Galleries.
495:"Derby's Heritage Part 15 - Derby Museum & Art Gallery"
673:"Review/Art; In Praise of a Neglected Painter of His Time"
403:
Waterhouse (1978), pp. 285–286, and
Egerton (1998), p. 334
470:"John Arden - The Philosopher Lecturing on the Orrery"
633:
William
Weddell and the transformation of Newby Hall
794:Three Persons Viewing the Gladiator by Candlelight
725:. Penguin Books (now Yale History of Art series),
132:Three Persons Viewing the Gladiator by Candlelight
108:depicting a lecturer giving a demonstration of an
1734:
1010:
1318:Miravan Breaking Open the Tomb of his Ancestors
850:Miravan Breaking Open the Tomb of his Ancestors
629:
200:" of contemporary French drama, as defined by
129:The first of Wright's candlelit masterpieces,
996:
751:
394:Waterhouse (1978), pp. 215–216, 270, 285–286
214:
143:was greatly admired; but his next painting,
328:
326:
324:
322:
320:
1763:Collection of Derby Museum and Art Gallery
1003:
989:
818:Two Girls Dressing a Kitten by Candlelight
765:
758:
744:
253:of his own, and with whom Wright's friend
249:, a British Royal Navy officer who had an
29:
1225:Gen. Johnson Saving Officer from Tomahawk
670:
704:. London: Faber and Faber. p. 588.
690:
441:Joseph Wright of Derby: painter of light
317:
218:
810:An Experiment on a Bird in the Air Pump
671:Kimmelman, Michael (7 September 1990).
600:
567:
298:The Philosopher Lecturing on the Orrery
265:auctioned it off, and it is now in the
119:An Experiment on a Bird in the Air Pump
16:1766 painting by Joseph Wright of Derby
1735:
549:. Cambridge University Press. p.
542:
1297:A Philosopher Lecturing on the Orrery
984:
802:A Philosopher Lecturing on the Orrery
739:
699:
650:
521:
424:
95:A Philosopher Lecturing on the Orrery
24:A Philosopher Lecturing on the Orrery
1325:The Alchemist Discovering Phosphorus
882:Vesuvius from Posillipo by Moonlight
834:The Alchemist Discovering Phosphorus
630:Guilding, Ruth; et al. (2004).
590:. catalogue entry pp. 332–343,
336:. Derby City Council. Archived from
1743:Paintings by Joseph Wright of Derby
651:Jones, Jonathan (1 November 2003).
13:
116:The painting preceded his similar
14:
1779:
1758:Historical scientific instruments
1477:Derby Racecourse Roman settlement
406:
196:compares these two works to the "
1311:Romeo and Juliet: the Tomb Scene
906:Romeo and Juliet: the Tomb Scene
487:
462:
453:
433:
157:Charles-Amédée-Philippe van Loo
1573:British Rail Research Division
723:Painting in Britain, 1530–1790
443:, Taylor & Francis, 1968,
415:
397:
388:
379:
370:
361:
352:
208:, a view endorsed by Egerton.
1:
1290:Grotto in the Gulf of Salerno
866:Grotto in the Gulf of Salerno
572:. Tate Gallery. p. 296.
515:
51:
1545:Whitehurst & Son sundial
1012:Derby Museum and Art Gallery
970:Derby Museum and Art Gallery
543:Brooke, John Hedley (1991).
267:Derby Museum and Art Gallery
232:Derby Museum and Art Gallery
114:Derby Museum and Art Gallery
81:Derby Museum and Art Gallery
7:
1578:Derby Philosophical Society
691:Nicolson, Benedict (1968).
334:"Art treasure – The Orrery"
10:
1784:
1568:Andrew Handyside & Co.
1492:Heath Wood barrow cemetery
1353:A Philosopher by Lamplight
1178:Bonnie Prince Charlie Room
826:A Philosopher by Lamplight
162:
1696:
1591:
1560:
1553:
1525:
1454:
1416:Chelsea porcelain factory
1408:
1270:
1252:William Richardson Linton
1234:
1186:
1170:
1124:
1018:
962:
943:
916:
773:
215:Provenance, and portraits
76:
68:
60:
47:
37:
28:
23:
1472:Strutt's Park Roman fort
1026:Francis Leggatt Chantrey
311:
276:A biographer of Wright,
159:the lighting is normal.
124:National Gallery, London
104:, is a 1766 painting by
1714:Pickford's House Museum
1644:Sir George Harpur Crewe
1583:Derby Exhibition (1839)
1526:Science and engineering
615:10.1080/000337900296308
1619:6th Duke of Devonshire
1275:paintings and drawings
1194:9th/12th Royal Lancers
1116:Joseph Wright of Derby
767:Joseph Wright of Derby
693:Joseph Wright of Derby
568:Egerton, Judy (1990).
280:, argued in 1968 that
235:
106:Joseph Wright of Derby
42:Joseph Wright of Derby
1768:Paintings of children
1339:The Blacksmith's Shop
898:Dovedale by Moonlight
842:The Blacksmith's Shop
700:Uglow, Jenny (2002).
257:was staying while in
229:
98:, or the full title,
1462:Creswellian culture
1399:Vesuvius in Eruption
1257:William Hunt Painter
1132:Ashford Black Marble
1041:Derby Sketching Club
925:Vesuvius in Eruption
530:on 29 September 2007
522:Baird, Olga (2003).
439:Nicolson, Benedict,
367:Nicolson 1968, p. 40
1441:William Billingsley
1209:Francis O. Grenfell
412:Solkin 1994, p. 234
358:Brooke 1991, p. 178
302:Mary Wollstonecraft
255:Peter Perez Burdett
206:Pierre Beaumarchais
185:conversation pieces
183:subjects resembled
169:hierarchy of genres
1487:Great Heathen Army
1056:Count Holtzendorff
1031:Ernest Ellis Clark
936:(1779, 1782, 1785)
721:, (4th Edn, 1978)
677:The New York Times
588:The British School
430:Uglow 2002, p. 123
385:Egerton, 1998, 342
294:phases of the Moon
243:Washington Shirley
236:
137:Borghese Gladiator
1730:
1729:
1692:
1691:
1684:Charles Sylvester
1649:Llewellynn Jewitt
1540:Benjamin Vulliamy
1431:Pinxton Porcelain
1426:Royal Crown Derby
1283:Richard Arkwright
1066:Alfred John Keene
1061:Richard Hurleston
978:
977:
719:Waterhouse, Ellis
603:Annals of Science
278:Benedict Nicolson
227:
91:
90:
1775:
1669:5th Earl Ferrers
1639:Alfred E. Goodey
1558:
1557:
1446:William Duesbury
1374:The Captive King
1346:The Earthstopper
1262:Joseph Whittaker
1187:Military history
1071:Henry Lark Pratt
1005:
998:
991:
982:
981:
952:The Captive King
858:The Earthstopper
760:
753:
746:
737:
736:
715:
696:
687:
685:
683:
667:
665:
663:
653:"Yes, it is art"
647:
626:
583:
564:
539:
537:
535:
510:
509:
507:
505:
491:
485:
484:
482:
480:
466:
460:
457:
451:
437:
431:
428:
422:
419:
413:
410:
404:
401:
395:
392:
386:
383:
377:
374:
368:
365:
359:
356:
350:
349:
347:
345:
330:
247:5th Earl Ferrers
228:
194:Ellis Waterhouse
173:history painting
56:
53:
33:
21:
20:
1783:
1782:
1778:
1777:
1776:
1774:
1773:
1772:
1733:
1732:
1731:
1726:
1721:Central Library
1702:Derby Silk Mill
1688:
1674:George Sorocold
1664:Joseph Pickford
1587:
1549:
1534:Atlas Coelestis
1521:
1502:Duffield Castle
1482:Hanson Log Boat
1455:Ancient Britain
1450:
1421:Derby Porcelain
1404:
1274:
1266:
1235:Natural history
1230:
1182:
1171:Decorative arts
1166:
1162:John Whitehurst
1120:
1106:Ernest Townsend
1014:
1009:
979:
974:
958:
939:
912:
769:
764:
712:
681:
679:
661:
659:
644:
580:
570:Wright of Derby
561:
533:
531:
518:
513:
503:
501:
493:
492:
488:
478:
476:
468:
467:
463:
458:
454:
438:
434:
429:
425:
420:
416:
411:
407:
402:
398:
393:
389:
384:
380:
376:Guilding, p. 83
375:
371:
366:
362:
357:
353:
343:
341:
340:on 24 July 2011
332:
331:
318:
314:
290:Godfrey Kneller
282:John Whitehurst
219:
217:
165:
54:
17:
12:
11:
5:
1781:
1771:
1770:
1765:
1760:
1755:
1753:Science in art
1750:
1748:1766 paintings
1745:
1728:
1727:
1725:
1724:
1717:
1710:
1697:
1694:
1693:
1690:
1689:
1687:
1686:
1681:
1676:
1671:
1666:
1661:
1656:
1651:
1646:
1641:
1636:
1631:
1626:
1624:James Ferguson
1621:
1616:
1614:Erasmus Darwin
1611:
1606:
1601:
1595:
1593:
1589:
1588:
1586:
1585:
1580:
1575:
1570:
1564:
1562:
1555:
1551:
1550:
1548:
1547:
1542:
1537:
1529:
1527:
1523:
1522:
1520:
1519:
1514:
1509:
1504:
1499:
1494:
1489:
1484:
1479:
1474:
1469:
1464:
1458:
1456:
1452:
1451:
1449:
1448:
1443:
1438:
1433:
1428:
1423:
1418:
1412:
1410:
1406:
1405:
1403:
1402:
1395:
1384:
1377:
1370:
1363:
1356:
1349:
1342:
1335:
1328:
1321:
1314:
1307:
1300:
1293:
1286:
1278:
1276:
1268:
1267:
1265:
1264:
1259:
1254:
1249:
1244:
1242:Allenton hippo
1238:
1236:
1232:
1231:
1229:
1228:
1221:
1216:
1211:
1206:
1201:
1196:
1190:
1188:
1184:
1183:
1181:
1180:
1174:
1172:
1168:
1167:
1165:
1164:
1159:
1154:
1149:
1144:
1142:William Martin
1139:
1134:
1128:
1126:
1122:
1121:
1119:
1118:
1113:
1108:
1103:
1098:
1093:
1088:
1083:
1078:
1073:
1068:
1063:
1058:
1053:
1051:Harold Gresley
1048:
1043:
1038:
1033:
1028:
1022:
1020:
1016:
1015:
1008:
1007:
1000:
993:
985:
976:
975:
973:
972:
966:
964:
960:
959:
957:
956:
947:
945:
941:
940:
938:
937:
929:
920:
918:
914:
913:
911:
910:
902:
894:
886:
878:
870:
862:
854:
846:
838:
830:
822:
814:
806:
798:
790:
777:
775:
771:
770:
763:
762:
755:
748:
740:
734:
733:
716:
710:
697:
688:
668:
648:
642:
627:
598:
584:
578:
565:
559:
540:
517:
514:
512:
511:
499:www.ilkcam.com
486:
474:Quandary Books
461:
452:
432:
423:
414:
405:
396:
387:
378:
369:
360:
351:
315:
313:
310:
216:
213:
189:Johann Zoffany
164:
161:
89:
88:
78:
74:
73:
70:
66:
65:
62:
58:
57:
49:
45:
44:
39:
35:
34:
26:
25:
15:
9:
6:
4:
3:
2:
1780:
1769:
1766:
1764:
1761:
1759:
1756:
1754:
1751:
1749:
1746:
1744:
1741:
1740:
1738:
1723:
1722:
1718:
1716:
1715:
1711:
1709:
1707:
1703:
1699:
1698:
1695:
1685:
1682:
1680:
1679:Joseph Strutt
1677:
1675:
1672:
1670:
1667:
1665:
1662:
1660:
1659:William Mundy
1657:
1655:
1652:
1650:
1647:
1645:
1642:
1640:
1637:
1635:
1634:R. K. Freeman
1632:
1630:
1627:
1625:
1622:
1620:
1617:
1615:
1612:
1610:
1607:
1605:
1604:P. P. Burdett
1602:
1600:
1597:
1596:
1594:
1590:
1584:
1581:
1579:
1576:
1574:
1571:
1569:
1566:
1565:
1563:
1561:Organisations
1559:
1556:
1552:
1546:
1543:
1541:
1538:
1536:
1535:
1531:
1530:
1528:
1524:
1518:
1517:The Long Lane
1515:
1513:
1510:
1508:
1505:
1503:
1500:
1498:
1497:Codnor Castle
1495:
1493:
1490:
1488:
1485:
1483:
1480:
1478:
1475:
1473:
1470:
1468:
1465:
1463:
1460:
1459:
1457:
1453:
1447:
1444:
1442:
1439:
1437:
1436:André Planché
1434:
1432:
1429:
1427:
1424:
1422:
1419:
1417:
1414:
1413:
1411:
1407:
1401:
1400:
1396:
1394:
1393:
1389:
1388:Thomas Borrow
1385:
1383:
1382:
1378:
1376:
1375:
1371:
1369:
1368:
1364:
1362:
1361:
1357:
1355:
1354:
1350:
1348:
1347:
1343:
1341:
1340:
1336:
1334:
1333:
1332:Virgil's Tomb
1329:
1327:
1326:
1322:
1320:
1319:
1315:
1313:
1312:
1308:
1306:
1305:
1301:
1299:
1298:
1294:
1292:
1291:
1287:
1285:
1284:
1280:
1279:
1277:
1273:
1272:Joseph Wright
1269:
1263:
1260:
1258:
1255:
1253:
1250:
1248:
1245:
1243:
1240:
1239:
1237:
1233:
1227:
1226:
1222:
1220:
1217:
1215:
1212:
1210:
1207:
1205:
1202:
1200:
1199:William Goate
1197:
1195:
1192:
1191:
1189:
1185:
1179:
1176:
1175:
1173:
1169:
1163:
1160:
1158:
1155:
1153:
1150:
1148:
1145:
1143:
1140:
1138:
1135:
1133:
1130:
1129:
1127:
1123:
1117:
1114:
1112:
1111:George Turner
1109:
1107:
1104:
1102:
1099:
1097:
1094:
1092:
1091:Louise Rayner
1089:
1087:
1086:Samuel Rayner
1084:
1082:
1079:
1077:
1074:
1072:
1069:
1067:
1064:
1062:
1059:
1057:
1054:
1052:
1049:
1047:
1044:
1042:
1039:
1037:
1034:
1032:
1029:
1027:
1024:
1023:
1021:
1017:
1013:
1006:
1001:
999:
994:
992:
987:
986:
983:
971:
968:
967:
965:
961:
954:
953:
949:
948:
946:
942:
935:
934:
933:Virgil's Tomb
930:
927:
926:
922:
921:
919:
915:
908:
907:
903:
900:
899:
895:
892:
891:
887:
884:
883:
879:
876:
875:
871:
868:
867:
863:
860:
859:
855:
852:
851:
847:
844:
843:
839:
836:
835:
831:
828:
827:
823:
820:
819:
815:
812:
811:
807:
804:
803:
799:
796:
795:
791:
788:
787:
783:
782:Thomas Borrow
779:
778:
776:
772:
768:
761:
756:
754:
749:
747:
742:
741:
738:
732:
731:0-300-05319-3
728:
724:
720:
717:
713:
711:0-571-19647-0
707:
703:
702:The Lunar Men
698:
694:
689:
678:
674:
669:
658:
654:
649:
645:
643:0-901981-69-9
639:
635:
634:
628:
624:
620:
616:
612:
609:(1): 61–100.
608:
604:
599:
597:
596:1-85709-170-1
593:
589:
585:
581:
579:1-85437-037-5
575:
571:
566:
562:
560:0-521-28374-4
556:
552:
548:
547:
541:
529:
525:
520:
519:
500:
496:
490:
475:
471:
465:
456:
450:
449:0-7100-6284-2
446:
442:
436:
427:
418:
409:
400:
391:
382:
373:
364:
355:
339:
335:
329:
327:
325:
323:
321:
316:
309:
305:
303:
299:
295:
291:
287:
283:
279:
274:
272:
268:
264:
260:
256:
252:
248:
244:
240:
233:
212:
209:
207:
203:
202:Denis Diderot
199:
198:genre serieux
195:
190:
186:
182:
178:
174:
170:
160:
158:
154:
148:
146:
142:
138:
134:
133:
127:
125:
121:
120:
115:
111:
107:
103:
102:
97:
96:
86:
82:
79:
75:
71:
67:
64:Oil on canvas
63:
59:
50:
46:
43:
40:
36:
32:
27:
22:
19:
1719:
1712:
1706:Lombe's Mill
1700:
1629:Arthur Keily
1532:
1507:Icknield St.
1397:
1391:
1387:
1379:
1372:
1365:
1358:
1351:
1344:
1337:
1330:
1323:
1316:
1309:
1304:Indian Widow
1302:
1296:
1295:
1288:
1281:
1247:King of Rome
1223:
1219:David Spence
1204:Robert Kells
1157:White Watson
1101:William Tate
1096:Thomas Smith
1046:Harry Fidler
1036:W. J. Coffee
950:
931:
923:
904:
896:
890:Indian Widow
888:
880:
872:
864:
856:
848:
840:
832:
824:
816:
808:
801:
800:
792:
785:
781:
722:
701:
692:
680:. Retrieved
676:
660:. Retrieved
657:The Guardian
656:
632:
606:
602:
587:
569:
545:
532:. Retrieved
528:the original
502:. Retrieved
498:
489:
477:. Retrieved
473:
464:
455:
440:
435:
426:
417:
408:
399:
390:
381:
372:
363:
354:
342:. Retrieved
338:the original
306:
297:
286:Isaac Newton
275:
271:Grand Orrery
263:the 6th Earl
238:
237:
210:
197:
180:
176:
166:
149:
144:
140:
130:
128:
117:
100:
99:
94:
93:
92:
18:
1609:D'Ewes Coke
1367:The Captive
1360:Samuel Ward
1214:David Rushe
1081:Ronald Pope
1076:David Payne
928:(1773–1775)
874:The Captive
421:Baird, 2003
55: 1766
1737:Categories
1654:John Lombe
1512:The Street
1392:Ann Borrow
1147:Matlockite
1137:John Farey
786:Ann Borrow
662:12 January
516:References
504:19 October
479:3 February
259:Derbyshire
239:The Orrery
234:, England.
145:The Orrery
69:Dimensions
1467:Derventio
1409:Porcelain
1152:John Mawe
893:(1783/84)
829:(c. 1769)
821:(c. 1768)
789:(1762–63)
774:Paintings
623:145603120
344:12 August
141:Gladiator
87:, England
1381:Dovedale
944:Drawings
682:10 April
534:10 April
181:Air Pump
77:Location
1599:Alkmund
1554:Related
1125:Geology
1019:Artists
963:Museums
163:Context
139:". The
1592:People
955:(1772)
917:Series
909:(1790)
901:(1784)
885:(1774)
877:(1774)
869:(1774)
861:(1773)
853:(1772)
845:(1771)
837:(1771)
813:(1768)
805:(1766)
797:(1765)
729:
708:
640:
621:
594:
576:
557:
447:
251:orrery
177:Orrery
153:Goethe
110:orrery
61:Medium
38:Artist
619:S2CID
312:Notes
85:Derby
1390:and
784:and
727:ISBN
706:ISBN
684:2007
664:2007
638:ISBN
592:ISBN
574:ISBN
555:ISBN
536:2007
506:2023
481:2021
445:ISBN
346:2011
204:and
179:and
48:Year
611:doi
551:434
288:by
126:).
1739::
675:.
655:.
617:.
607:57
605:.
553:.
497:.
472:.
319:^
304:.
273:.
245:,
83:,
52:c.
1708:)
1704:(
1004:e
997:t
990:v
759:e
752:t
745:v
714:.
686:.
666:.
646:.
625:.
613::
582:.
563:.
538:.
508:.
483:.
348:.
122:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
