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was produced at a time when the First World War was showing little sign of ending, and in this respect the film cannot fail to impress when seen as a plea for compassion and tolerance, featuring as it does perhaps the least antagonistic meeting of
Martians and Earthlings in screen history."
305:
Critic Jörg
Hartmann observes, "The humanoid Martian woman may still play the role of a coveted object, but it is her own independent decision to leave her home planet to spread a Martian message of peace through her love affair with the human captain. The pacifist attitude propagated in
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241:, and travel to Mars. They find a utopian civilization on the planet, dedicated to pacifism. The captain falls in love with Marya, the daughter of Mars' philosopher-king, and she must get her father's blessing before they return to Earth and get married.
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Phil Hardy. The
Overlook Film Encyclopedia: Science Fiction. New York: The Overlook Press, 1994, pp. 56-57
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Hartmann, Jörg (2019). "Female Space
Travelers in Science Fiction Films 1898-2017". In Keazor, Henry (ed.).
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was aimed at the contemporary film audience, who saw the film when the First World War was still raging."
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subgenre of science fiction," but notes that
Denmark did not make another science fiction film until
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We Are All
Astronauts: The Image of the Space Traveler in Arts and Media
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For the 1924 animated film of the same name by Max
Fleischer, see
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says it is "the film that marked the beginning of the
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Coniam, Matthew (2016). Schneider, Steven Jay (ed.).
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Nicolai
Neiiendam as Professor Planetaros, Astronomer
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164:intertitles
159:Silent film
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226:Reptilicus
217:Phil Hardy
151:81 minutes
135:1918-02-22
60:Written by
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301:Reception
239:Excelsior
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
