Accordion - Knowledge

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Hand dirigirt abwechselnd, entweder die Claves, oder den Balg. Durch eine obengenannte Verdoplung des Instruments oder durch Vermehrung der Accorde, würde niemand etwas verbessern, oder was neues liefern, weil nur die Bestandtheile dadurch vermehrt, das Instrument theurer und schwerer wird." Translation of this snip: With the Cover of the bellows the instrument can be duplicated, so the amount of Chords or single notes can be enlarged, or one can sound single notes, in this case, a second part with springs (free reeds) and also a second keyboard must be added, the bellows are in between these two parts, both hands push buttons and push and pull the bellows at the same time or alternatively. Through this doubling or increasing of chords within the instrument nothing new is invented or improved by someone else, because only the amount of similar parts is increased and the Instrument is heavier and more expensive.

1716: 848: 2108: 47: 1165: 1401: 1010: 975: 2600: 2553: 1880: 806: 1200: 1177: 1926: 2277: 1362: 2450: 1567: 662: 521: 1212: 298: 1298: 3121:, 19 May 1907: 'The Lay of the Last of the Old Minstrels: Interesting Reminiscences of Isaac Odell, Who Was A Burnt Cork Artist Sixty Years Ago': "While we were drawing big crowds to the Palmer House on Chambers Street Charley White was making a great hit playing an accordion in Thalia Hall on Grand Street. In those days" (i.e. mid-1840s) "accordions were the real attraction to the public". 611:. Demian's instrument bore little resemblance to modern instruments. It only had a left hand buttonboard, with the right hand simply operating the bellows. One key feature for which Demian sought the patent was the sounding of an entire chord by depressing one key. His instrument also could sound two different chords with the same key, one for each bellows direction (a 2425: 1837:, limiting the left hand to preset chord buttons, is a barrier to some jazz chord conventions. Jazz accordionists expand the range of chord possibilities by using more than one chord button simultaneously, or by using combinations of a chord button and a bass note other than the typical root of the chord. An example of the former technique is used to play a 1358:, meaning 13 register buttons on the treble side plus a special "master" that activates all ranks, like the "tutti" or "full organ" switch on an organ, and seven register switches on the bass side. Another factor affecting the price is the presence of electronics, such as condenser microphones, volume and tone controls, or MIDI sensors and connections. 1341:

white keys, which means that even accordions with the same number of keys have keyboards of different lengths, ranging from 14 inches (36 cm) for a child's accordion to 19 inches (48 cm) for an adult-sized instrument. After size, the price and weight of an accordion is largely dependent on the number of reed ranks on either side, either on a

698:, but it appears to complement Demian's accordion functionally. The flutina is a one-sided bisonoric melody-only instrument whose keys are operated with the right hand while the bellows is operated with the left. When the two instruments are combined, the result is quite similar to diatonic button accordions still manufactured today. 1386:, have only a single shoulder strap and a right hand thumb strap. All accordions have a (mostly adjustable) leather strap on the left-hand side to keep the player's hand in position while drawing the bellows. There are also straps above and below the bellows to keep it securely closed when the instrument is not being played. 1035:. Not all have switches to change registers or ranks, as some have only one treble register and one bass register. The most typical accordion is the piano accordion, which is used for many musical genres. Another type of accordion is the button accordion, which is used in musical traditions including Cajun, Conjunto and 727: 2288:

The accordion was brought to Brazil by settlers and immigrants from Europe, especially from Italy and Germany, who mainly settled in the south (Rio Grande do Sul, Santa Catarina and Paraná). The first instrument brought was a "Concertina" (a 120 button chromatic accordion). The instrument was popular

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systems to encode the keypresses and transmit them to the sound module. A digital accordion can have hundreds of sounds, which can include different types of accordions and even non-accordion sounds, such as pipe organ, piano, or guitar. Sensors are used on the buttons and keys, such as magnetic reed

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The Belgian bass system is a variation used in Belgian chromatic accordions. It is also arranged in a circle of fifths but in reverse order. This system has three rows of basses, three rows of chord buttons allowing easier fingering for playing melodies, combined chords, better use of fingers one and

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A side view of the pallet mechanism in a piano accordion. As the key is pressed down the pallet is lifted, allowing for air to enter the tone chamber in either direction and excite the reeds; air flow direction depends on the direction of bellows movement. A similar mechanical pallet movement is used

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This style has gained popularity recently, in particular among the student population of the southeast of the country (in the Forró Universitário genre, with important exponents today being Falamansa, and trios such as Trio Dona Zefa, Trio Virgulino and Trio Alvorada). Moreover, the accordion is the

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Accordion is the official symbol instrument of the Rio Grande do Sul state, where was voted by unanimity in the deputy chamber. During the boom of accordions there were around 65 factories in Brazil, where most of them (52) in the south, in Rio Grande do Sul state, with only 7 outside the south. One

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has composed solos, concertos, and chamber works for accordion. Astor Piazzolla's concert tangos are performed widely. Piazzolla performed on the bandoneon, but his works are also performed on or accordion. Dr. William schimmel and "The Tango Project" recorded a number of hit recordings and appeared

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Price is also affected by the use of costly woods, luxury decorations, and features such as a palm switch, grille mute, and so on. Some accordion makers sell a range of different models, from a less-expensive base model to a more costly luxury model. Typically, the register switches are described as

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Different systems are also in use for the left-hand keyboard, which is normally used for playing the accompaniment. These usually use distinct bass buttons and often have buttons with concavities or studs to help the player navigate the layout despite not being able to see the buttons while playing.

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in a small number of keys. The keys are often arranged in one row for each key available. Chromatic scales may be available by combining notes from different rows. The adjective "diatonic" is also commonly used to describe bisonic or bisonoric accordions—that is, instruments whose right-hand (and in

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key arrangement was also already in use on mouth-blown instruments. Demian's patent thus covered an accompanying instrument: an accordion played with the left hand, opposite to the way that contemporary chromatic hand harmonicas were played, small and light enough for travelers to take with them and

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Acoustic-digital hybrid accordions also exist. They are acoustic accordions (with reeds, bellows, and so on), but they also contain sensors, electronics, and MIDI connections, which provides a wider range of sound options. An acoustic-digital hybrid may be manufactured in this form, or it may be an

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Accordion size is not standardized, and may vary significantly from model to model. Accordions vary not only in their dimensions and weight, but also in number of buttons or keys present in the right- and left-hand keyboards. For example, piano accordions may have as few as 8 bass buttons (two rows

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German Text: "Mit den Dekel des Balges, läßt sich das ganze Instrument verdoppeln, so daß man dadurch die Accorde vermehrt, oder auch mit einzelne Töne spielen kann, in diesem Fall, muß ein zweyter Einsatz mit Federn, und auch eine 2te Claviatur dazu kommen, der Blasebalg bleibt in der Mitte, jede

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The manufacture of an accordion is only a partly automated process. In a sense, all accordions are handmade, since there is always some hand assembly of the small parts required. The general process involves making the individual parts, assembling the subsections, assembling the entire instrument,

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in order to facilitate the transmission of air in and out of the instrument, and to allow the sound to project. The grille at the right-hand side is usually larger and is often shaped for decorative purposes. The right-hand keyboard is normally used for playing the melody and the left-hand one for

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Compared to many other countries, the instrument is very popular in mainstream pop music. In some parts of the country, such as the northeast it is the most popular melodic instrument. As opposed to most European folk accordions, a very dry tuning is usually used in Brazil. Outside the south, the

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In describing or pricing an accordion, the first factor is size, expressed in number of keys on either side. For a piano type, this could for one example be 37/96, meaning 37 treble keys (three octaves plus one note) on the treble side and 96 bass keys. A second aspect of size is the width of the

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around 1830, after they received an early accordion from Germany. By the late 1840s, the instrument was already very widespread; together the factories of the two masters were producing 10,000 instruments a year. By 1866, over 50,000 instruments were being produced yearly by Tula and neighbouring

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Eastman School of Music - University of Rochester - Sibley Music Library: John J. Serry Sr. Collection score "Concerto in C Major (1967) for Free Bass Accordion", Folder 15 & 16 p. 10 archived at the University of Rochester Eastman School of Music Sibley Music Library Special collections on

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In 2021, a patent was published by Valerio Chiovarelli for a new bass system called the "Chiovarelli Jazz System". This system is a variation of the Stradella bass system where, instead of triads, the chordal buttons of this system produce bichords (chords with only 2 pitches instead of 3). The

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acoustic accordion which has had aftermarket electronics sensors and connections added. Several companies sell aftermarket electronics kits, but they are typically installed by professional accordion technicians, because of the complex and delicate nature of the internal parts of an accordion.

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or not, and to a lesser degree on the number of combinations available through register switches. The next, but important, factor is the quality of the reeds, the highest grade called "a mano" (meaning "hand-made"), the next "tipo a mano" ("like hand-made"), lower grades including "export" and

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Further innovations followed and continue to the present. Various buttonboard and keyboard systems have been developed, as well as voicings (the combination of multiple tones at different octaves), with mechanisms to switch between different voices during performance, and different methods of

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The most expensive accordions are typically fully hand-made, particularly the reeds; completely hand-made reeds have a better tonal quality than even the best automatically manufactured ones. Some accordions have been modified by individuals striving to bring a more pure sound out of low-end

3109:, Wednesday, 26 April 1837; p. 5; Issue 16400; col C : "Great Concert-room – King's Theatre ...There was also a novelty in the shape of an instrument called "a concertina", an improvement on the accordion, which has been such a favourite musical toy for the last two or three years". 1898: 2704:

There is not a single document to back up this belief. Christian Friedrich Ludwig Buschmann was 16 years old at that time; handwritten evidence of C.F. Buschschmann and his father exists, but without any related notice within. The first mention of an aeoline was in a text dated

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The accordion is widely spread across the world because of the waves of migration from Europe to the Americas and other regions. In some countries (for example: Argentina, Brazil, Colombia, the Dominican Republic, Mexico, and Panama) it is used in popular music (for example:

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The number of accordionists in China exceeds every other country in the world, and possibly every country combined. Introduced in 1926, the accordion has risen to popularity in China throughout the years, thanks to Russian teachers and its being a popular instrument in the

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some instances even bass) keys each sound two different notes depending on the direction of the bellows (for instance, producing major triad sequences while closing the bellows and dominant seventh or 7–9 while opening). Such is the case, for instance, with the Argentinian

685:. At the time, Vienna and London had a close musical relationship, with musicians often performing in both cities in the same year, so it is possible that Wheatstone was aware of this type of instrument and may have used them to put his key-arrangement ideas into practice. 2428: 2433: 2431: 2426: 1723:

The accordion's popularity spread rapidly: it has mostly been associated with the common people, and was propagated by Europeans who emigrated around the world. The accordion in both button and piano forms became a favorite of folk musicians and has been integrated into

1078:. Two major systems exist, referred to as the B-system and the C-system (there are also regional variants). Rarely, some chromatic button accordions have a decorative right-hand keyboard in addition to the rows of buttons, an approach used by the virtuoso accordionist 2432: 1982:. In the late 1950s and early 1960s, the accordion declined in popularity because of the rise of rock and roll. The first accordionist to appear and perform at the Newport Jazz Festival was Angelo DiPippo. He can be seen playing his accordion in the motion picture 1500:

The British chromatic accordion, the favoured diatonic accordion in Scotland. While the right hand is bisonoric, the left hand follows the Stradella system. The elite form of this instrument is generally considered the German manufactured Shand Morino, produced by

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of the most famous and genuinely Brazilian brands was Accordeões Todeschini from Bento Gonçalves-RS, closed in 1973. The Todeschini accordion is very appreciated today and survives with very few maintainers. The most notable musicians of button accordions are

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subgenre, and are otherwise generally rare. Full-time accordionists in folk metal seem even rarer, but they are still utilized for studio work, as flexible keyboardists are usually more accessible for live performances. The Finnish symphonic folk-metal band

4571:"Pietro Deiro Presents The Accordion Orchestra - Under Direction of Joe Biviano" Coral Records (CRL-57323, 1960) See album cover for performers credits including John Serry, Eugene Ettore, Carmen Carrozza and Angelo Di Pippo. Pietro Deiro on Discogs.com 1440:. One benefit of electronic accordions is that they can be practiced with headphones, making them inaudible to other people nearby. On a digital accordion, the volume of the right-hand keyboard and the left-hand buttons can be independently adjusted. 2412:. The festival holds contests for best accordion player. Once every decade, the "King of Kings" accordion competition takes place, where winners of the previous festivals compete for the highest possible award for a vallenato accordion player: the 1282:"Chiovarellia Jazz System" (or "CJS" for short) prioritizes the effectiveness of left hand accordion in jazz music, hence the name of the system, but according to the inventor, these chords can be useful when playing many varieties of music. 2430: 1749:(1930, Voc. 1503) with the Cellar Boys; Buster Moten, who played second piano and accordion in the Bennie Moten orchestra; and Jack Cornell, who did recordings with Irving Mills. Later jazz accordionists from the United States include 1331:

article for further explanation and audio samples. All but the smaller accordions usually have treble switches. The larger and more expensive accordions often also have bass switches to give options for the reed bank on the bass side.

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or Swiss organ, which usually has a three-row diatonic treble and 18 unisonoric bass buttons in a bass/chord arrangement – a subset of the Stradella system in reverse order like the Belgian bass – that travel parallel to the bellows

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was an Australian accordion composer and copies of his works "My dear, can you come out tonight" and "Dancing with you" are preserved in Australian libraries. Other Australian composers who arranged music for accordion include

730: 2025:, featuring more prominently in the band's earlier works. The instrument is still frequently used during live performances, and continues to make appearances in their studio albums. Accordion is also used in the music of the 1896: 743:

Accordions have many configurations and types. What may be easy to do with one type of accordion could be technically challenging or impossible with another, and proficiency with one layout may not translate to another.

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internal construction to improve tone, stability and durability. Modern accordions may incorporate electronics such as condenser microphones and tone and volume controls, so that the accordion can be plugged into a

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switches. Sensors are also used on the bellows to transmit the pushing and pulling of the bellows to the sound module. Digital accordions may have features not found in acoustic instruments, such as a piano-style

823: 544: 1149:. The chromatic scale consists of two rows. The third row is a repetition of the first row, so there is the same fingering in all twelve scales. These accordions are produced only in special editions e.g. the 1897: 1382:, and are equipped with two shoulder straps to make it easier to balance the weight and increase bellows control while sitting, and avoid dropping the instrument while standing. Other accordions, such as the 4548:

Squeese This! A Cultural History of the Accordion in America. Jacobson, Marion. University of Illinois Press. 2012. p. 78-80 ebook ISBN 9780252093852Accordion Orchestra Joe Biviano on Google Books on Google

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Pietro The Billboard- Reviews and Ratings of New albums: "Pietro Deiro Presents The Accordion Orchestra" (Coral, CRL-57323), 27 June 1960 p. 33 Pietro Deiro Presents the Accordion Orchestra on Google Books

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The Coral Album Discography. Edwards, David. Callahan, Mike. Eyrles, Patrice. Watts, Randy. Neely, Timothy. April 27, 2014. CRL-57323 "Pietro Deiro Presents the Accordion Orchestra" (1960) on bsnpubs.com

907:'s bow on bowed strings. For a more direct analogy, the bellows can be compared to the role of breathing for a singer. The bellows is located between the right- and left-hand keyboards, and is made from 4501: 731: 1436:

to produce sound. Some digital accordions have a small internal speaker and amplifier, so they can be used without a PA system or keyboard amplifier, at least for practicing and small venues like

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is an internationally known accordionist whose repertoire covers jazz, tango nuevo, Latin, and classical. Some popular bands use the instrument to create distinctive sounds. A notable example is

2203:, Teodoro Anzellotti, and Geir Draugsvoll, encouraged composers to write new music for the accordion (solo and chamber music) and also started playing baroque music on the free bass accordion. 1540:, and has written works for it. It deploys the same system as the concert accordion, with a scale of five octaves, each divided into 24 quarter tones. Other notable composers who have written 2427: 3542:

Christoph Wagner, "A Brief History of How the Accordion Changed the World", CD booklet notes for Planet Squeezebox, performed by various artists, (Roslyn, New York: Ellipsis Arts, 1995), 6

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in the 1950s, and it was common to find several accordions in the same house. There are many different configurations and tunes which were adapted from the cultures that came from Europe.

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Discography of American Historical Recordings: University of California Santa Barbara – Audio recordings online of John Serry and the Shep Fields Rippling Rhythm Jazz Orchestra 1937–1938

903:. The production of sound in an accordion is in direct proportion to the motion of the bellows by the player. In a sense, the role of the bellows can be compared to the role of moving a 2616: 2569: 1701:. Today the instrument is sometimes heard in contemporary pop styles, such as rock and pop-rock, and occasionally even in serious classical music concerts, as well as advertisements. 423:. These vibrate to produce sound inside the body. Valves on opposing reeds of each note are used to make the instrument's reeds sound louder without air leaking from each reed block. 2353:

In the late 20th century, the development of high performance standards for the accordion within China's halls of academe was also influenced by several American virtuosos including

1478:, a type of bisonoric diatonic button accordion particular to the Alpine folk music of Slovenia, Austria, the Czech Republic, the German state of Bavaria, and the Italian South Tyrol 2890: 3662: 982:

The accordion's body consists of two boxes, commonly made of wood, joined by the bellows. These boxes house reed chambers for the right- and left-hand keyboards. Each side has

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in 1831 as one new to British audiences and was not favourably reviewed, but nevertheless it soon became popular. It had also become popular with New Yorkers by the mid-1840s.

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was composed in Russia. Other notable composers have written for the accordion during the first half of the 20th century. Included among this group was the Italian-American

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principal instrument in Junina music (music of the São João Festival), with Mario Zan having been a very important exponent of this music. It is an important instrument in

1635:, with many small and medium size manufacturers especially at the latter. Castelfidardo honours the memory of Paolo Soprani who was one of the first large-scale producers. 3097:) "At the close of the concert Mr. Sedlatzek performed on a new instrument called the Accordion or Aeolian, which, however, has little beside its novelty to recommend it." 3552:

The Biographical Encyclopedia of Jazz. Feather, Leonard. Gitler, Ira Eds. Oxford University Press. 2007 ebook ISBN 9780195320008 Angelo Di Pippo Biography on Google Books

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The size and weight of an accordion varies depending on its type, layout and playing range, which can be as small as to have only one or two rows of basses and a single

2357:, who was invited by the Ministry of Culture of the People's Republic to present Master Classes and to broaden its national program of music for the accordion in 1984. 728: 539:

The earliest history of the accordion in Russia is poorly documented. Nevertheless, according to Russian researchers, the earliest known simple accordions were made in

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Henry Doktorski, "The Classical Squeezebox: A Short History of the Accordion and Other Free-Reed Instruments in Classical Music", The Classical Free-Reed, Inc. (1997)

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used to have a full-time accordionist, employing classical and polka sensibilities alongside a violinist. One of their accordionists, Netta Skog, is now a member of

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is used in jazz as a means of creating complex chord voicings. Jazz harmony that would otherwise be difficult to replicate with the Stradella bass system, such as

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Various hybrid accordions have been created between instruments of different buttonboards and actions. Many remain curiosities – only a few have remained in use:

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The rarely used bass accordion has only a right-hand keyboard, with ranks of 8', 16', and 32' reeds, with the lowest note being the deepest pitch on a pipe organ

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Using the bellows with the silent air button gives the sound of air moving ("whooshing"), which is sometimes used in contemporary compositions for this instrument

1841:. To play an Am chord, the Am and Em preset buttons are pressed simultaneously, along with an A bassnote. An example of the latter technique is used to play the 1063:-style keyboard. Each system has different claimed benefits by those who prefer it. They are also used to define one accordion or another as a different "type": 4492: 2867: 2663: 1055:

Different systems exist for the right-hand keyboard of an accordion, which is normally used for playing the melody (while it can also play chords). Some use a

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occurs in the 1830s. The accordion initially competed against cheaper and more convenient reed instruments such as mouth organ, concertina and melodeon.

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made large numbers of accordions, but production diminished by the end of the 20th century. Hohner still manufactures its top-end models in Germany, and

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During the post-World War II era from the 1940s to the 1960s, accordions were widely used in the United States for performances of traditional Western

428: 4570: 3624: 1762: 1471:, which has the treble buttonboard of a chromatic button accordion and a bisonoric bass buttonboard, similar to an expanded diatonic button accordion 4397: 2537:

within the configuration of large free-reed symphonic orchestras both in live performances on the concert hall stage and in phonograph recordings.

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After Demian's invention, other accordions appeared, some featuring only the right-handed keyboard for playing melodies. It took English inventor

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Sometimes in modern pop music the accordion is not actually played, but its sound is heard by use of a MIDI instrument and sampled sound module.

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A button key accordion made by the company Marrazza in Italy. It was brought by Italian immigrants to Australia as a reminder of their homeland.

4436: 3065: 4236: 3504: 2252:. The popularity of the accordion peaked in the late 1930s and continued until the 1950s. The accordion was particularly favoured by buskers. 1327:. Each register stop produces a separate sound timbre, many of which also differ in octaves or in how different octaves are combined. See the 2926: 2337:(and Caipira) music, which originated in the midwest and southeast of Brazil, and subsequently has gained popularity throughout the country. 1323:. All but the smaller accordions are equipped with switches that control which combination of reed banks operate, organized from high to low 770:

depending on the direction of bellows movement, or unisonoric, producing the same pitch in both directions. Piano accordions are unisonoric.

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Library of Congress Copyright Office, "Concerto in C Major for Bassetti Accordion", Composer: John Serry, 4 June 1968, Copyright # EP247602.

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The accordion is one of several European inventions of the early 19th century that use free reeds driven by a bellows. An instrument called

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being among the notable musicians in this style from the northeast. In this musical style the typical combination is a trio of accordion,

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Rainer von Vielen playing a Roland digital V-Accordion. The bank of electronic switches can change the accordion's sound, tone and volume.

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Although best known as a folk instrument, it has grown in popularity among classical composers. The earliest surviving concert piece is

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in Mexico), whereas in other regions (such as Europe, North America, and other countries in South America) it tends to be more used for

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and uses single buttons for bass notes and additional rows of single buttons for preset major, minor, dominant seventh, and diminished

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layers of cloth and cardboard, with added leather and metal. It is used to create pressure and vacuum, driving air across the internal

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on the right-hand keyboard, to the most common 120-bass accordion and through to large and heavy 160-bass free-bass converter models.

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covers a wide range of instruments, with varying components. All instruments have reed ranks of some format, apart from reedless

2745: 1968:, but accordionists during the 1930s–1950s taught and performed for radio. Included among this group was the concert virtuoso 1342: 5840: 4532: 4069: 3798: 3712: 3611: 3381: 3295: 2978: 343:

in a frame). The essential characteristic of the accordion is to combine in one instrument a melody section, also called the

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since 1919, and the company is now the last complete-process manufacturer of accordions in France. German companies such as

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Typical 120-button Stradella bass system. This is the left-hand keyboard system found on most unisonoric accordions today.

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accordions use a buttonboard with three rows of buttons in a "uniform" or "whole-tone" arrangement, generally known as a

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The bass buttons trigger a complex mechanism of wires, rods, and levers, which is normally hidden inside the instrument.

4420: 4153: 3634: 3158: 486:. Many conservatories in Europe have classical accordion departments. The oldest name for this group of instruments is 2079: 1263:. The free-bass left hand notes are arranged chromatically in three rows with one additional duplicate row of buttons. 5105: 2859: 1606: 1328: 1302: 1292: 1266:

Luttbeg double-keyboard piano accordions have a piano keyboard layout on both the treble and bass sides. This allows

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Music Trades: "Accordion Orchestra Featured on New Coral 12" Record" Vol. 109, 1961 p. 84 John Serry on Google Books

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During the 1950s through the 1980s the accordion received significant exposure on television with performances by

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playing the accompaniment; however, skilled players can reverse these roles and play melodies with the left hand.

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Inside the accordion are the reeds that generate the instrument tones. These are organized in different sounding

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from the 1900s to the 1960s. This half-century is often called the "golden age of the accordion". Five players,

623:(chambers) had already been available for many years, along with bigger instruments driven by hand bellows. The 4125: 3595: 1588: 4379: 3397: 3209:...unisonoric like the Piano and Chromatic Accordions and others are bisonoric like the diatonic accordions... 1236:. The dominant seventh and diminished chords are three-note chord voicings that omit the fifths of the chords. 933:

Repeated short, rapid changes of direction ("bellows shake"), which has been popularized by musicians such as

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incorporates the sound of the instrument into rock, pop and folk. She was influenced by her fellow Chicanos

755:; button accordions use a buttonboard. Button accordions are furthermore differentiated by their usage of a 46: 5370: 2609: 2562: 2227: 1251:

on the left-hand keyboard and to forming one's own chords note-by-note. These are often chosen for playing

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accordion has multiple flared horns projecting out of the left side to strengthen the bass tone. The word "

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The accordion was introduced from Germany into Britain in about the year 1828. The instrument was noted in

17: 3640: 2816: 2347: 2033:. Tom Waits used the Accordion extensively (Dr.William Schimmel) in "Raindogs" and "Frank's Wild Years", 589: 400:

is also related and, while having the descant vs. melody dualism, tries to make it less pronounced. The

5830: 5130: 4634: 2954:"Interview with Fredrik Dillner – The Owner of What May Be the World's Oldest Accordion" 2527: 2007: 1584: 1067: 771: 265: 114: 56: 31: 636:

sections, although Demian preferred the bass-only instrument owing to its cost and weight advantages.

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are in the same family, but are typically larger than an accordion and sit on a surface or the floor.

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The accordion belongs to the free-reed aerophone family. Other instruments in this family include the

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began his musical career as an accordionist, and has written numerous solo works for it. In his work

1986:. He also composed and performed with his accordion on part of the soundtrack of Woody Allen's movie 1383: 1085: 775: 736: 273: 119: 2408:

Every year in April, Colombia holds one of the most important musical festivals in the country: the

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In the 2010s, a range of electronic and digital accordions were introduced. They have an electronic

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five, and more space between the buttons. This system was rarely used outside of its native Belgium.

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similar to a piano, at right angles to the cabinet, the tops of the keys inward toward the bellows.

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Audio clip of the same octave cycled through five different timbres (Piano Accordion) – 676 KB

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to bring both chords and keyboard together in one squeezebox. His 1844 patent for what he called a

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that translates a single button press into multiple pallet openings for the notes of a chord.

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and produce accordion sounds or other synthesized instrument sounds, such as piano or organ.

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For the accordion's place among the families of musical instruments, see Henry Doktorski's

2658: 2022: 1930: 1853: 1475: 1098: 1044: 1040: 900: 593: 585: 553: 72: 3136: 3093:, Thursday 9 June 1831; p. 5; Issue 14560; col A: (Review of a performance by a flautist, 2891:"Novo disco de Michel Teló junta sanfona, música sertaneja, eletrônica e ritmos dançantes" 1400: 536:, although one instrument was discovered in 2006 that appears to have been built earlier. 411:

The accordion is played by compressing or expanding the bellows while pressing buttons or

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engraved (stamped) on it. The instrument was given to Johannes Dillner in 1830 or earlier

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The accordion is also a traditional instrument in Colombia, commonly associated with the

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The larger piano and chromatic button accordions are usually heavier than other smaller

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also featured the ability to easily tune the reeds from the outside with a simple tool.

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governorates also had significant accordion production. By the 1880s, the list included

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Garmonika. Proshloe i nastoiashchee. Nauchno-istoricheskaia entsyklopedicheskaia kniga.

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Illustration made with reference from a similar illustration that can be found in both

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This is the accordion owned by Fredrik Dillner of Sweden, which has the name F. Löhner

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with Al Pacino which earned Pacino an Oscar. Their recordings were used in many films.

2138: 1822: 1758: 1433: 1006:. The keyboard mechanisms of the instrument either enable the air flow, or disable it: 879: 867: 782:

of four), or up to 140 (seven rows of twenty) or beyond. Accordions also vary by their

707: 649: 573: 569: 557: 328: 221: 150: 2457: 1549: 448: 5794: 5672: 5665: 5347: 5342: 5138: 5079: 4954: 4937: 4528: 4469: 4416: 4391: 3794: 3741: 3733: 3708: 3630: 3607: 3377: 2982: 2974: 2973:– Musikhistorisk Museums 100 års Jubilæumsskrift 1998, 297 s., indb rigt illustreret 2249: 2221: 2092:, written in 1836 by Louise Reisner of Paris. Other composers, including the Russian 2063: 1766: 1725: 1395: 1071: 1032: 912: 711: 565: 340: 269: 234: 5208: 4840: 2742: 1806: 1482: 1146: 1142: 1106: 5737: 5732: 5240: 5115: 5074: 4891: 4855: 4680: 4657: 4626: 4317: 3094: 2932: 2792:(p. 35a) by Bjarne Glenstrup (1972, The University of Copenhagen, Faculty of Music) 2386: 2294: 2192: 2188: 2160: 2097: 2026: 1997: 1965: 1849: 1810: 1794: 1324: 1244: 1229: 1120: 1110: 1056: 1039:, Swiss and Slovenian-Austro-German Alpine music, and Argentinian tango music. The 934: 923: 885: 752: 577: 412: 356: 285: 141: 3302: 2310: 5400: 5255: 5181: 5161: 5089: 4942: 4922: 4794: 4592: 3847: 3022: 2970: 2749: 2534: 2494: 2473: 2207: 2168: 2120: 1969: 1814: 1802: 1278:

is an improved version of that instrument, also making it a "keyboard bandoneon".

1256: 1116: 1089: 974: 748: 483: 396:. The concertina and bandoneon do not have the melody–accompaniment duality. The 309: 277: 181: 124: 52: 4343:"Robert Davine is professor of accordion and theory at the University of Denver" 4270: 3229: 2382: 915:

and producing sound by their vibrations, applied pressure increases the volume.

5789: 5535: 5405: 5302: 5016: 5000: 4962: 4906: 4868: 4787: 4705: 2489: 2200: 2142: 2124: 2030: 1954: 1942: 1905: 1786: 1782: 1514:, a type of accordion used sometimes in Polish folk music, which has a pair of 1271: 1259:. Some models can convert between free-bass and Stradella bass; this is called 1127: 1079: 789:

Despite these differences, all accordions share a number of common components.

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Accordion is often played at traditional Czech pubs, such as U Flekú, Prague.

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accordion (predominantly the piano accordion) is used in almost all styles of

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instruments, such as the ones improved by Yutaka Usui, a Japanese craftsman.

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buttons on the left-hand side. A person who plays the accordion is called an

374: 366: 99: 4073:. Vol. LI, no. 17, 892. Western Australia. 16 July 1932. p. 4 3166: 2469: 552:

villages, and by 1874 the yearly production was over 700,000. By the 1860s,

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in button accordions, as well as for bass mechanisms such as the Stradella

942: 926:: all expression is effected through the bellows. Bellows effects include: 715: 629: 628:

used to accompany singing. The patent also described instruments with both

540: 370: 4101:. Vol. LXII, no. 3105. South Australia. 10 March 1950. p. 8 4024: 4000: 2010:, who plays the accordion on many of his musical tracks, particularly his 1925: 1428:

As an electronic instrument, these types of accordions are plugged into a

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is the most recognizable part of the instrument, and the primary means of

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The most obvious difference between accordions is their right-hand sides.

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claimed he was the first accordionist to play a solo with the left hand:

2760: 2511: 2464:, known in Mexico as the "King of the Accordion", is a norteño musician. 2276: 2055: 2047: 1946: 1660: 1506: 1437: 1361: 695: 467: 419:

to open, which allow air to flow across strips of brass or steel, called

238: 2715: 1845:. To play an E, a Gm preset button is pressed along with an E bassnote. 1335: 633: 466:

also make use of the instrument. Additionally, the accordion is used in

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The accordion in the Americas: klezmer, polka, tango, zydeco, and more!

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Stoneham, Reginald A. A.; Humphries, Don; Adams, Les; Bowden, Charles,

3902: 3573: 3146:. Vol. 6 (11th ed.). Cambridge University Press. p. 824. 2633: 2586: 2468:, which features the accordion, is also popular with musicians such as 2402: 2265: 2128: 2034: 1961: 1917: 1636: 1591: in this section. Unsourced material may be challenged and removed. 1515: 1422: 1379: 839: 654: 475: 456: 385: 197: 193: 165: 3980:. No. 13, 660. Queensland, Australia. 12 December 1945. p. 3 3790:

Rock 'n' Roll Myths: The True Stories Behind the Most Infamous Legends

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Serie: Meddelelser fra Musikhistorisk Museum og Carl Claudius Samling

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The rarely used piccolo accordion also has only a right-hand keyboard.

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Subtly changing the intonation to mimic the expressiveness of a singer

5799: 5712: 5645: 5640: 5550: 5484: 5469: 5245: 5203: 5198: 5193: 4809: 4710: 4527:. Music in American life. Urbana, Ill: University of Illinois Press. 2477: 2449: 2366: 2199:, Friedrich Lips, Hugo Noth, Dr. William Schimmel (also a composer), 2059: 2043: 1490: 1429: 1102: 1094: 1075: 1003: 873: 830:

A sample of effects that can be achieved with the bellows—949 KB

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The accordion has also been used in the rock genre, most notably by

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prize. This is the world's largest competitive accordion festival.

2374: 1541: 1354:, meaning five reeds on the treble side and three on the bass, and 1267: 1248: 1131: 760: 661: 624: 506:, which concerned "automatically coupled chords on the bass side". 209: 205: 5271: 4129:. No. 4117. Queensland, Australia. 24 January 1935. p. 6 2302: 2268:, a traditional genre of folk music from Bosnia and Herzegovina. 2054:, and also has a full-time accordionist. Sarah Kiener, the former 946: 520: 498:, meaning "harmonic, musical". Today, native versions of the name 432: 5692: 5545: 5509: 5479: 5365: 5218: 5176: 5166: 4772: 4690: 4378:

Service, Justin Mitchell, Scripps-Howard News (17 January 1985).

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The National Cyclopaedia of Useful Knowledge, Vol I, A–Arcesilaus

2523: 2472:, creating a more contemporary style. U.S.-born Mexican musician 2460:

heavily relies on the accordion; it is a genre related to polka.

2398: 2390: 2326: 2133: 2039: 1522: 1468: 896: 690: 479: 344: 332: 169: 4611: 3737: 3663:"Slovenia is Grieving for the Legendary Musician Slavko Avsenik" 1211: 1074:, a Russian variant, use a buttonboard where notes are arranged 959:

Constant bellows motion to produce clear tones with no resonance

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The accordion's basic form is believed to have been invented in

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functionality on the left-hand. The musician normally plays the

327:—"musical chord, concord of sounds") are a family of box-shaped 5759: 5682: 5489: 5459: 5454: 5420: 5410: 5171: 5027: 4799: 4735: 3012:

Etnograficheskii sbornik Russkogo geograficheskogo obshchestva.

2519: 2465: 2394: 2370: 2187:(1995) for accordionist Teodoro Anzellotti. Accordionists like 2051: 1904:

A 1916 recording of "New York Blues" composed and performed by

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Early jazz accordionists include Charles Melrose, who recorded

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Showroom of accordions (Petosa Accordions, Seattle, Washington)

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resembles Wheatstone's concertina in internal construction and

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was completed in 1964. In addition, the American accordionist

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on buttons or keys on the right-hand side (referred to as the

5687: 5604: 5504: 5415: 5337: 4777: 2860:"Top Five – Os Maiores Sanfoneiros Da Música Sertaneja Atual" 2011: 1698: 1694: 1685:

The accordion has traditionally been used to perform folk or

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Squeeze This: A Cultural History of the Accordion in America

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Squeeze This: A Cultural History of the Accordion in America

3398:"Notes & Letters column: A wonderworld of quarter-tones" 2179:

pushed the expressive possibilities of the accordion/bayan.

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Constant bellows motion while applying pressure at intervals

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are more common. These names refer to the type of accordion

5584: 5395: 3815:"Accordion – TMBW: The They Might Be Giants Knowledge Base" 2401:. Vallenato, who emerged in the early twentieth century in 2306: 1537: 1413: 1252: 4380:"ACCORDION STRIKES A CHORD OF POPULARITY WITH THE CHINESE" 4022: 3998: 2239:

The earliest mention of the novel accordion instrument in

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layout arranged in one way or another, while others use a

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for live shows. Some 2010s-era accordions may incorporate

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described a great variety of instruments in his 1854 book

5385: 2405:, and have come to symbolize the folk music of Colombia. 1872:

List of popular music acts that incorporate the accordion

4493:"20 incredible things you didn't know about North Korea" 4050:

Memories of a lovely lei [music] / Reg. Stoneham

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Thême varié très brillant pour accordéon methode Reisner

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Notable centres of production are the Italian cities of

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Accordions may be either bisonoric, producing different

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Divertimento for Flute, Clarinet, Bassoon and Accordion

2046:, another folk-metal band. Another Finnish metal band, 1957:, Charles Magnante were major influences at this time. 1697:

and is the main instrument in the traditional Mwomboko

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Accordion player on a street in the historic centre of

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tend to be bisonoric, though notable exceptions exist.

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music, and in both solo and orchestral performances of

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A summary and pictures of this patent can be found at

1856:, become more accessible using a free-bass accordion. 4157:. New South Wales, Australia. 9 April 1940. p. 3 3052:

Russkaia instrumentalnaia muzyka folklornoi traditsii

1336:

Classification of chromatic and piano type accordions

27:

Bellows-driven free-reed aerophone musical instrument

4656: 3189:"Are You My Type? Accordions: Similar but Different" 2014:. Yankovic was trained in the accordion as a child. 2788:(p. 9) by Jeanette & Lars Dyremose (2003), and 2297:, Adelar Bertussi, Albino Manique and Edson Dutra. 2159:as a work for chamber orchestra. American composer 2058:player for the Swiss melodic-death-folk metal band 1730:

list of music styles that incorporate the accordion

1247:for greater access to playing melodies and complex 4491: 3780: 3374:An A to Z of the Accordion and related instruments 1866:Accordion music genres § Use in popular music 1525:composer and accordionist Veli Kujala developed a 4465:"Julieta Venegas: Life and songs in two cultures" 2830:"Instrument families: Where do accordions belong" 2577:Chords being played on an accordion – 145 KB 2119:The first composer to write specifically for the 2104:, wrote works for the diatonic button accordion. 5812: 3952:. No. 29. Tasmania. 7 March 1834. p. 2 3903:"Robert Davine Interview with Bruce Duffie ... " 3707:. University of Illinois Press, Chicago, p. 61. 3655: 3296:"Piano Accordion vs. Chromatic Button Accordion" 3287: 3081:, London, George Woodfall and Son, 1847, p. 107. 1421:, a modulation control for changing keys, and a 1412:which creates the accordion sound, and most use 665:The first pages in Adolf Müller's accordion book 524:Eight-key bisonoric diatonic accordion (c. 1830) 2971:Musikkens tjenere. Forsker, Instrument, Musiker 2664:Confédération internationale des accordéonistes 2210:used an accordion in both his late song cycles 2163:featured the accordion in his orchestral suite 1908:, one of the first major stars of the accordion 1088:use a buttonboard designed around the notes of 4361:"The Classical Free-Reed, Inc.: Robert Davine" 4335: 3786: 3585:Angelo Di Pippo Biography on angelodipippo.com 2769:Guido Deiro's Own Story of Sharpshooters March 1666: 1050: 714:, enabling the accordion to be plugged into a 5287: 5043: 4642: 4235:Legislativo, Departamento de Assessoramento. 3606:Jacobson, M. . University of Illinois Press. 2260:The accordion is a traditional instrument in 1740: 1194: 1101:, the Czech Heligonka Harmonika, the Italian 4622:(11th ed.). Cambridge University Press. 4413:Encyclopedia of Latin American popular music 4396:: CS1 maint: multiple names: authors list ( 2729:www.ksanti.net/free-reed/history/demian.html 2086: 679: 321: 313: 3772:Kafka, Alexander (2012). "Accordion File". 1704: 1639:has built accordions in the French town of 492: 5294: 5280: 5050: 5036: 4649: 4635: 4435:: CS1 maint: location missing publisher ( 4353: 4165:– via National Library of Australia. 4137:– via National Library of Australia. 4109:– via National Library of Australia. 4081:– via National Library of Australia. 3988:– via National Library of Australia. 3960:– via National Library of Australia. 3064:: CS1 maint: location missing publisher ( 1286: 930:Volume control, including swells and fades 786:and by their specific tuning and voicing. 339:type (producing sound as air flows past a 4036:– via National Library of Australia 4012:– via National Library of Australia 3563:Angelo Di Pippo Biography on allmusic.com 2480:who also use the music of the accordion. 2255: 2073: 2050:, invokes a type of Finnish polka called 1953:and Slovenian brothers Vilko Ovsenik and 1607:Learn how and when to remove this message 1389: 1130:(pedal C). It is intended for performing 463: 4606: 4522: 4462: 4206:"Cia do Acordeon – História do Acordeon" 3946:"The Colonial Tides. The Regatta Dinner" 3622: 3616: 3293: 3130: 2969:Müller, Mette & Lisbet Torp (red.) 2924: 2448: 2423: 2275: 2264:. It is the dominant instrument used in 2106: 1924: 1714: 1681:A street performer playing the accordion 1676: 1556: 1399: 1360: 1296: 1210: 1198: 1008: 973: 846: 725: 660: 519: 296: 4377: 4234: 4200: 4198: 3793:. MBI Publishing Company. p. 152. 3787:Graff, Gary; Durchholz, Daniel (2012). 3629:. University of Illinois. p. 174. 3486:Henry Doktorski, CD booklet notes for " 3265:"Luiz Gonzaga:Biography by John Dougan" 2692:Also on this page is Diarmuid Pigott's 2373:genres. The accordion has been used by 1859: 1828: 1805:. Norwegian jazz accordionists include 1544:for the quarter tone accordion include 863:Chromatic button accordions: 11, 12, 14 792: 615:action). At that time in Vienna, mouth 14: 5813: 4410: 3723: 3371: 3025:, Saint Petersburg, 1854. pp. 26, 162. 2540: 2453:A Norteño band, including an accordion 1022: 5275: 5031: 4630: 4181:Congress of Bosniaks of North America 4023:Fracchia, F; Sproule, Nellie (1944), 3999:Fracchia, F; Sproule, Nellie (1930), 3771: 3376:. Stockport: Robaccord Publications. 3275:from the original on 30 November 2015 3049: 2888: 2165:Six Title Themes in Search of a Movie 2115:(Feeliks Esaias Pakarinen (1911–1989) 1447: 1313:, which can be further combined into 763:buttonboard for the right-hand side. 4504:from the original on 11 January 2022 4463:Dorantes, David (18 February 2016). 4195: 4053:, Reginald Stoneham Publishing House 3490:: Complete Recorded Works, Vol. 1", 3451:, Japanese-born accordion craftsman. 3359:"CJS | Chiovarelli Jazz System" 2827: 2775:, Volume 6, Number 2 (May–June 1948) 2393:, as well as rock musicians such as 2284:(José Domingos de Morais (1941–2013) 1793:. French jazz accordionists include 1624:and final decorating and packaging. 1589:adding citations to reliable sources 1560: 1208:There are three general categories: 534:Christian Friedrich Ludwig Buschmann 5301: 2305:(in particular in the subgenres of 1728:styles all over the world: see the 997: 888:(Anglo concertinas): 6, 7, 8, 9, 10 816:Accordion bellows controlled sounds 24: 3462:"How Products are Made: Accordion" 3262: 3156: 3054:(in Russian). Moscow. p. 144. 2870:from the original on 22 April 2021 2694:The Free-Reed Family of Aerophones 2598: 2551: 2167:(2008). The experimental composer 1878: 1655:instruments are still handmade by 866:Digital accordions (V-Accordions, 804: 774:also tend to be unisonoric, while 25: 5852: 5106:Accordion reed ranks and switches 4600: 4002:My dear, can you come out tonight 3774:The Chronicle of Higher Education 3574:Angelo Di Pippo Biography on imbd 2419: 1536:accordion manufacturer Pigini in 1329:accordion reed ranks and switches 1293:Accordion reed ranks and switches 1047:" refers to a deep-pitched tuba. 290:Accordion reed ranks and switches 5057: 3758:Myron Floren and Randee Floren, 2889:Brant, Ana Clara (22 May 2013). 2632:Problems playing this file? See 2614: 2585:Problems playing this file? See 2567: 2501: 2148:Concerto for Free Bass Accordion 1916:Problems playing this file? See 1894: 1747:Wailing Blues/Barrel House Stomp 1565: 1188:VEB Klingenthaler Harmonikawerke 1175: 1163: 838:Problems playing this file? See 820: 231:Electronic reedless instruments: 45: 4586: 4575: 4564: 4553: 4541: 4516: 4484: 4456: 4443: 4404: 4371: 4310: 4285: 4255: 4228: 4212:(in Portuguese). Archived from 4169: 4141: 4113: 4085: 4057: 4040: 4016: 3992: 3964: 3938: 3913: 3895: 3883: 3871: 3862: 3853: 3832: 3807: 3765: 3752: 3717: 3697: 3685: 3600: 3589: 3578: 3567: 3556: 3545: 3536: 3527: 3497: 3480: 3454: 3442: 3416: 3390: 3365: 3351: 3337: 3312: 3256: 3244: 3214: 3195:. 14 March 2017. Archived from 3181: 3150: 3124: 3112: 3100: 3084: 3072: 3043: 3038:Iz istorii akkordeona i baiana. 3030: 3004: 2991: 2963: 2947: 2911:Dyremose, Jeanette & Lars, 2778: 2754: 2734: 2721: 2684:Taxonomy of Musical Instruments 2313:) as the principal instrument, 1576:needs additional citations for 721: 516:History of free reed aerophones 447:in the Dominican Republic; and 73:Hornbostel–Sachs classification 4093:"Piano Accordion Club Popular" 2918: 2905: 2882: 2852: 2821: 2804: 2708: 2698: 2675: 2483: 2317:(the "King of the Baião") and 2220:(2009). Russian-born composer 1735: 1711:Accordion in traditional music 1097:, the Slovenian-Austro-German 603:was first patented in 1829 by 13: 1: 3840:Accordion Composers in German 3669:. 8 July 2015. Archived from 2798: 2688:The Classical Free-Reed, Inc. 462:In Europe and North America, 5841:Symbols of Rio Grande do Sul 4318:"Accordion History in China" 3726:A Pictorial History of Radio 3464:. eNotes.com. Archived from 2234: 2137:, Op. 7. In 1937, the first 2080:Accordion in classical music 860:Diatonic button accordion: 3 503: 259:More articles or information 7: 5131:Chromatic button accordions 2817:Online Etymology Dictionary 2647: 2360: 1990:. He was featured twice on 1964:theaters closed during the 1667:Use in various music genres 1068:Chromatic button accordions 1051:Right-hand keyboard systems 772:Chromatic button accordions 493: 10: 5857: 5154:Diatonic button accordions 3892:, Bedford Hills, NY, 1968. 2925:Campacci, Claudio (2008). 2828:Barr, C. (13 March 2022). 2546: 2077: 1937:The accordion appeared in 1933:playing a Main Squeeze 911 1869: 1863: 1741:Notable jazz accordionists 1708: 1670: 1393: 1290: 1195:Left-hand keyboard systems 1086:Diatonic button accordions 945:, and extensively used in 918:The keyboard touch is not 857:Piano accordions: 1, 2, 13 852:Bellows-driven instruments 797: 776:diatonic button accordions 712:MIDI sensors and circuitry 513: 509: 266:Chromatic button accordion 115:Chromatic button accordion 107:Depends on configuration: 32:Accordion (disambiguation) 29: 5777: 5613: 5577: 5568: 5523: 5447: 5438: 5356: 5318: 5309: 5231: 5152: 5129: 5098: 5065: 5009: 4988: 4953: 4915: 4882: 4854: 4818: 4668: 4523:Simonett, Helena (2012). 4243:(in Brazilian Portuguese) 3703:Jacobson, Marion (2012). 3623:Jacobson, Marion (2012). 2506:Accordions are played in 2444: 2410:Vallenato Legend Festival 2271: 2175:(1999), British composer 2131:included an accordion in 1945:, the two brothers Count 1719:A folk accordionist, 2009 1384:diatonic button accordion 1373: 737:diatonic button accordion 504:patented by Cyrill Demian 274:Diatonic button accordion 263: 258: 249: 244: 156: 149: 120:Diatonic button accordion 105: 98: 90: 71: 64: 44: 4415:. Santa Barbara, Calif. 3724:Settel, Irving (1967) . 3692:The Los Angeles Examiner 3222:"Die Schrammelharmonika" 2669: 2350:, and remains popular. 2348:People's Liberation Army 2340: 2127:. In 1922, the Austrian 2094:Pyotr Ilyich Tchaikovsky 1781:, Dr. William Schimmel, 1705:Use in traditional music 1134:in accordion orchestras. 886:Anglo-German concertinas 5836:19th-century inventions 4968:Piano Technicians Guild 4619:Encyclopædia Britannica 4411:Torres, George (2013). 4297:Lojamanomonteiro.com.br 4293:"Todeschini a História" 3846:7 November 2007 at the 3505:"The Lord of the Dance" 3143:Encyclopædia Britannica 3040:Moscow, 1967. pp. 43–45 2280:Brazilian accordionist 1848:For the left hand, the 1833:The constraints of the 1518:-like bellows attached. 1287:Reed ranks and switches 969: 464:some popular music acts 5826:Folk music instruments 3324:Accordion Life Academy 3021:10 August 2014 at the 2773:The Pietro Musicordion 2603: 2556: 2454: 2438: 2285: 2262:Bosnia and Herzegovina 2256:Bosnia and Herzegovina 2116: 2087: 2074:Use in classical music 1979:The Lawrence Welk Show 1934: 1883: 1720: 1682: 1673:Accordion music genres 1657:HARMONA Akkordeon GmbH 1405: 1390:Electronic and digital 1370: 1306: 1216: 1204: 1019: 979: 892: 809: 740: 680: 666: 525: 431:in Argentina; gaucho, 322: 314: 302: 5251:Chemnitzer concertina 5121:Stradella bass system 4451:"The Accordion Kings" 4449:Smithsonian Channel, 3776:– via Proquest. 3320:"Push Those Buttons!" 3251:How To Repair Bellows 2958:The Free-Reed Journal 2790:Harmonikaens historie 2654:List of accordionists 2602: 2555: 2452: 2436: 2397:and pop musicians as 2279: 2111:Finnish accordionist 2110: 2066:accordion known as a 1928: 1882: 1854:tritone substitutions 1843:half-diminished chord 1835:Stradella bass system 1718: 1680: 1557:Manufacturing process 1403: 1364: 1305:with closeup of reeds 1300: 1222:Stradella bass system 1214: 1202: 1012: 977: 850: 808: 734: 664: 523: 300: 282:Stradella bass system 252:list of accordionists 137:Stradella bass system 5541:Heckelphone-clarinet 5214:Steirische Harmonika 4989:Amplifiers, speakers 4831:Generalized keyboard 4662:keyboard instruments 4210:ciadoacordeon.com.br 3925:Universaledition.com 3730:Grosset & Dunlap 3694:9 October 1938, p. 1 3673:on 21 September 2015 3372:Howard, Rob (2003). 3232:on 18 September 2019 3050:Banin, A.A. (1997). 2913:Det levende bælgspil 2786:Det levende bælgspil 2767:(1908) Guido Deiro, 2765:Sharpshooter's March 2748:18 July 2011 at the 2659:Steirische Harmonika 2023:They Might Be Giants 2002:Grammy Award–winning 1994:with Johnny Carson. 1931:They Might Be Giants 1860:Use in popular music 1829:Left hand techniques 1585:improve this article 1476:Steirische Harmonika 1356:Registers: 13 + M, 7 1317:producing differing 1099:Steirische Harmonika 1002:The accordion is an 922:and does not affect 793:Universal components 681:Schule für Accordion 30:For other uses, see 5144:Schrammel accordion 4836:Isomorphic keyboard 4826:Enharmonic keyboard 4716:Electronic keyboard 4216:on 23 December 2018 4149:"Australianalities" 4121:"Gossip of the Day" 3921:"Universal Edition" 3515:on 28 November 2020 3492:Archeophone Records 3468:on 26 December 2008 3430:. 10 September 2017 3271:. RhythmOne group. 3001:Moscow, 1994. p. 50 2541:Other audio samples 2100:, and the American 2008:"Weird Al" Yankovic 1839:minor seventh chord 1458:Schrammel accordion 1228:, is arranged in a 1186:piano accordion by 1023:Variable components 784:available registers 406:American reed organ 337:free reed aerophone 329:musical instruments 308:(from 19th-century 151:Related instruments 109:Right-hand keyboard 66:Keyboard instrument 41: 5500:Reclam de xeremies 5261:English concertina 5085:Georgian accordion 4996:Keyboard amplifier 4916:Piano construction 4384:chicagotribune.com 4347:www.accordions.com 4183:. 16 December 2020 4098:The Southern Cross 3169:on 23 October 2019 3137:"Concertina" 2866:. 27 August 2008. 2604: 2557: 2455: 2439: 2437:At U Flekú, Prague 2377:musicians such as 2329:(a type of drum). 2286: 2217:Le Temps L'Horloge 2139:accordion concerto 2117: 1935: 1884: 1823:Eivin One Pedersen 1759:Orlando DiGirolamo 1721: 1683: 1532:together with the 1505:with the input of 1448:Unusual accordions 1434:keyboard amplifier 1406: 1371: 1307: 1217: 1205: 1033:digital accordions 1020: 980: 893: 880:English concertina 868:Roland Corporation 810: 751:use a piano-style 741: 708:keyboard amplifier 667: 650:Charles Wheatstone 526: 303: 131:Left-hand keyboard 94:Early 19th century 39: 5831:German inventions 5808: 5807: 5773: 5772: 5673:Gourd mouth organ 5564: 5563: 5434: 5433: 5269: 5268: 5227: 5226: 5080:Digital accordion 5025: 5024: 4613:"Accordion" 4534:978-0-252-03720-7 4470:Houston Chronicle 4453:, 15 August 2010. 4065:"Accordion Craze" 3950:Trumpeter General 3879:esm.rochester.edu 3800:978-1-61058-571-2 3713:978-0-252-03675-0 3612:978-0-252-03675-0 3383:978-0-9546711-0-5 3308:on 18 March 2009. 2979:978-87-7289-466-9 2931:(in Portuguese). 2645: 2644: 2619: 2572: 2434: 2250:Reginald Stoneham 2222:Sofia Gubaidulina 1988:To Rome With Love 1899: 1767:Dominic Frontiere 1726:traditional music 1617: 1616: 1609: 1396:Digital accordion 1245:free-bass systems 870:): 11, 12, 13, 14 825: 732: 549:Timofey Vorontsov 490:, from the Greek 359:or sometimes the 295: 294: 235:Digital accordion 16:(Redirected from 5848: 5738:Orthotonophonium 5733:Indian harmonium 5575: 5574: 5448:Cylindrical bore 5445: 5444: 5320:Cylindrical bore 5316: 5315: 5296: 5289: 5282: 5273: 5272: 5241:Anglo concertina 5116:Free-bass system 5096: 5095: 5075:Button accordion 5052: 5045: 5038: 5029: 5028: 4651: 4644: 4637: 4628: 4627: 4623: 4615: 4595: 4590: 4584: 4579: 4573: 4568: 4562: 4557: 4551: 4545: 4539: 4538: 4520: 4514: 4513: 4511: 4509: 4495: 4488: 4482: 4481: 4479: 4477: 4460: 4454: 4447: 4441: 4440: 4434: 4426: 4408: 4402: 4401: 4395: 4387: 4375: 4369: 4368: 4357: 4351: 4350: 4339: 4333: 4332: 4330: 4328: 4314: 4308: 4307: 4305: 4303: 4289: 4283: 4282: 4280: 4278: 4269:. Archived from 4259: 4253: 4252: 4250: 4248: 4237:"DetalheVotacao" 4232: 4226: 4225: 4223: 4221: 4202: 4193: 4192: 4190: 4188: 4173: 4167: 4166: 4164: 4162: 4154:Daily Advertiser 4145: 4139: 4138: 4136: 4134: 4126:The Evening News 4117: 4111: 4110: 4108: 4106: 4089: 4083: 4082: 4080: 4078: 4061: 4055: 4054: 4044: 4038: 4037: 4035: 4033: 4026:Dancing with you 4020: 4014: 4013: 4011: 4009: 3996: 3990: 3989: 3987: 3985: 3968: 3962: 3961: 3959: 3957: 3942: 3936: 3935: 3933: 3931: 3917: 3911: 3910: 3899: 3893: 3887: 3881: 3875: 3869: 3866: 3860: 3857: 3851: 3850:Accordion Online 3836: 3830: 3829: 3827: 3825: 3811: 3805: 3804: 3784: 3778: 3777: 3769: 3763: 3756: 3750: 3749: 3721: 3715: 3701: 3695: 3689: 3683: 3682: 3680: 3678: 3659: 3653: 3652: 3650: 3648: 3643:on 31 March 2016 3639:. Archived from 3620: 3614: 3604: 3598: 3593: 3587: 3582: 3576: 3571: 3565: 3560: 3554: 3549: 3543: 3540: 3534: 3531: 3525: 3524: 3522: 3520: 3511:. Archived from 3501: 3495: 3484: 3478: 3477: 3475: 3473: 3458: 3452: 3446: 3440: 3439: 3437: 3435: 3420: 3414: 3413: 3411: 3409: 3404:. 21 August 2017 3394: 3388: 3387: 3369: 3363: 3362: 3355: 3349: 3348: 3341: 3335: 3334: 3332: 3330: 3316: 3310: 3309: 3307: 3301:. Archived from 3300: 3291: 3285: 3284: 3282: 3280: 3260: 3254: 3248: 3242: 3241: 3239: 3237: 3228:. Archived from 3226:Non food factory 3218: 3212: 3211: 3206: 3204: 3199:on 15 March 2017 3185: 3179: 3178: 3176: 3174: 3165:. Archived from 3157:Nijhof, Jeroen. 3154: 3148: 3147: 3139: 3128: 3122: 3116: 3110: 3104: 3098: 3088: 3082: 3076: 3070: 3069: 3063: 3055: 3047: 3041: 3034: 3028: 3008: 3002: 2995: 2989: 2967: 2961: 2951: 2945: 2944: 2942: 2940: 2933:Clube de Autores 2922: 2916: 2909: 2903: 2902: 2901:on 4 March 2016. 2897:. Archived from 2886: 2880: 2879: 2877: 2875: 2856: 2850: 2849: 2847: 2845: 2836:. Archived from 2825: 2819: 2808: 2793: 2782: 2776: 2758: 2752: 2743:German full text 2738: 2732: 2725: 2719: 2712: 2706: 2702: 2696: 2679: 2621: 2620: 2601: 2574: 2573: 2563:Accordion chords 2554: 2545: 2544: 2435: 2387:Fonseca (singer) 2295:Renato Borghetti 2241:Australian music 2228:Scent of a Woman 2206:French composer 2193:Joseph Macerollo 2189:Mogens Ellegaard 2161:William P. Perry 2098:Umberto Giordano 2090: 2027:Dropkick Murphys 1998:Richard Galliano 1992:The Tonight Show 1966:Great Depression 1929:John Linnell of 1901: 1900: 1881: 1850:free-bass system 1811:Stian Carstensen 1795:Richard Galliano 1612: 1605: 1601: 1598: 1592: 1569: 1561: 1230:circle of fifths 1179: 1167: 1121:musical keyboard 1117:Piano accordions 1111:Anglo concertina 998:Pallet mechanism 935:Renato Borghetti 827: 826: 807: 753:musical keyboard 749:Piano accordions 733: 683: 496: 325: 317: 286:Free-bass system 182:Indian harmonium 142:Free-bass system 57:button accordion 49: 42: 38: 21: 5856: 5855: 5851: 5850: 5849: 5847: 5846: 5845: 5811: 5810: 5809: 5804: 5769: 5609: 5560: 5519: 5430: 5352: 5305: 5303:Reed aerophones 5300: 5270: 5265: 5256:Duet concertina 5223: 5162:Cajun accordion 5148: 5125: 5094: 5090:Piano accordion 5061: 5056: 5026: 5021: 5005: 4984: 4949: 4911: 4878: 4869:Manual keyboard 4850: 4814: 4795:Piano accordion 4664: 4655: 4603: 4598: 4591: 4587: 4580: 4576: 4569: 4565: 4558: 4554: 4546: 4542: 4535: 4521: 4517: 4507: 4505: 4490: 4489: 4485: 4475: 4473: 4461: 4457: 4448: 4444: 4428: 4427: 4423: 4409: 4405: 4389: 4388: 4376: 4372: 4359: 4358: 4354: 4341: 4340: 4336: 4326: 4324: 4316: 4315: 4311: 4301: 4299: 4291: 4290: 4286: 4276: 4274: 4273:on 24 June 2018 4267:Acordeom.com.br 4261: 4260: 4256: 4246: 4244: 4233: 4229: 4219: 4217: 4204: 4203: 4196: 4186: 4184: 4175: 4174: 4170: 4160: 4158: 4147: 4146: 4142: 4132: 4130: 4119: 4118: 4114: 4104: 4102: 4091: 4090: 4086: 4076: 4074: 4063: 4062: 4058: 4045: 4041: 4031: 4029: 4021: 4017: 4007: 4005: 3997: 3993: 3983: 3981: 3970: 3969: 3965: 3955: 3953: 3944: 3943: 3939: 3929: 3927: 3919: 3918: 3914: 3901: 3900: 3896: 3890:Accordion World 3888: 3884: 3876: 3872: 3867: 3863: 3858: 3854: 3848:Wayback Machine 3837: 3833: 3823: 3821: 3813: 3812: 3808: 3801: 3785: 3781: 3770: 3766: 3757: 3753: 3732:. p. 146. 3722: 3718: 3702: 3698: 3690: 3686: 3676: 3674: 3661: 3660: 3656: 3646: 3644: 3637: 3621: 3617: 3605: 3601: 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2612: 2610:Accordion tones 2605: 2599: 2592: 2591: 2583: 2581: 2580: 2579: 2578: 2575: 2568: 2565: 2558: 2552: 2543: 2535:classical music 2504: 2495:Nothing to Envy 2486: 2474:Julieta Venegas 2447: 2424: 2422: 2363: 2343: 2274: 2258: 2237: 2212:Correspondences 2208:Henri Dutilleux 2169:Howard Skempton 2082: 2076: 1970:John Serry, Sr. 1923: 1922: 1914: 1912: 1911: 1910: 1909: 1902: 1895: 1892: 1885: 1879: 1874: 1868: 1862: 1831: 1815:Gabriel Fliflet 1803:Vincent Peirani 1763:Angelo Di Pippo 1743: 1738: 1713: 1707: 1675: 1669: 1613: 1602: 1596: 1593: 1582: 1570: 1559: 1550:Sampo Haapamäki 1507:Sir Jimmy Shand 1450: 1398: 1392: 1376: 1338: 1295: 1289: 1270:, most notably 1257:classical music 1197: 1190: 1180: 1171: 1168: 1090:diatonic scales 1053: 1025: 1000: 972: 891: 845: 844: 836: 834: 833: 832: 831: 828: 821: 818: 811: 805: 800: 795: 726: 724: 590:Nizhny Novgorod 518: 512: 484:classical music 301:An accordionist 278:Piano accordion 250:Accordionists ( 125:Piano accordion 78: 60: 53:piano accordion 35: 28: 23: 22: 15: 12: 11: 5: 5854: 5844: 5843: 5838: 5833: 5828: 5823: 5806: 5805: 5803: 5802: 5797: 5792: 5790:Quadruple reed 5787: 5781: 5779: 5775: 5774: 5771: 5770: 5768: 5767: 5762: 5757: 5752: 5747: 5742: 5741: 5740: 5735: 5730: 5720: 5715: 5710: 5705: 5700: 5695: 5690: 5685: 5680: 5675: 5670: 5669: 5668: 5663: 5658: 5653: 5643: 5638: 5633: 5628: 5623: 5617: 5615: 5611: 5610: 5608: 5607: 5602: 5597: 5592: 5587: 5581: 5579: 5572: 5566: 5565: 5562: 5561: 5559: 5558: 5553: 5548: 5543: 5538: 5536:Heckel-clarina 5533: 5527: 5525: 5521: 5520: 5518: 5517: 5512: 5507: 5502: 5497: 5492: 5487: 5482: 5477: 5472: 5467: 5462: 5457: 5451: 5449: 5442: 5436: 5435: 5432: 5431: 5429: 5428: 5423: 5418: 5413: 5408: 5403: 5398: 5393: 5388: 5383: 5378: 5373: 5368: 5362: 5360: 5354: 5353: 5351: 5350: 5345: 5340: 5335: 5330: 5324: 5322: 5313: 5307: 5306: 5299: 5298: 5291: 5284: 5276: 5267: 5266: 5264: 5263: 5258: 5253: 5248: 5243: 5237: 5235: 5229: 5228: 5225: 5224: 5222: 5221: 5216: 5211: 5209:Schwyzerörgeli 5206: 5201: 5196: 5191: 5190: 5189: 5184: 5179: 5169: 5164: 5158: 5156: 5150: 5149: 5147: 5146: 5141: 5135: 5133: 5127: 5126: 5124: 5123: 5118: 5113: 5108: 5102: 5100: 5093: 5092: 5087: 5082: 5077: 5071: 5069: 5063: 5062: 5055: 5054: 5047: 5040: 5032: 5023: 5022: 5020: 5019: 5017:Prepared piano 5013: 5011: 5007: 5006: 5004: 5003: 5001:Leslie speaker 4998: 4992: 4990: 4986: 4985: 4983: 4982: 4981: 4980: 4970: 4965: 4959: 4957: 4951: 4950: 4948: 4947: 4946: 4945: 4940: 4930: 4925: 4919: 4917: 4913: 4912: 4910: 4909: 4907:Pedal keyboard 4904: 4899: 4894: 4888: 4886: 4880: 4879: 4877: 4876: 4871: 4866: 4860: 4858: 4852: 4851: 4849: 4848: 4843: 4841:Jankó keyboard 4838: 4833: 4828: 4822: 4820: 4816: 4815: 4813: 4812: 4807: 4802: 4797: 4792: 4791: 4790: 4788:Electric piano 4785: 4775: 4770: 4769: 4768: 4763: 4758: 4753: 4743: 4738: 4733: 4728: 4723: 4718: 4713: 4708: 4706:Clavicytherium 4703: 4698: 4693: 4688: 4683: 4678: 4672: 4670: 4666: 4665: 4654: 4653: 4646: 4639: 4631: 4625: 4624: 4610:, ed. (1911). 4608:Chisholm, Hugh 4602: 4601:External links 4599: 4597: 4596: 4585: 4574: 4563: 4552: 4540: 4533: 4515: 4483: 4455: 4442: 4422:978-0313340314 4421: 4403: 4370: 4365:www.ksanti.net 4352: 4334: 4322:Accordions.com 4309: 4284: 4254: 4241:2.al.rs.gov.br 4227: 4194: 4168: 4140: 4112: 4084: 4056: 4039: 4015: 3991: 3963: 3937: 3912: 3894: 3882: 3870: 3861: 3852: 3831: 3806: 3799: 3779: 3764: 3751: 3716: 3696: 3684: 3654: 3636:978-0252093852 3635: 3615: 3599: 3588: 3577: 3566: 3555: 3544: 3535: 3526: 3496: 3479: 3453: 3441: 3428:Velikujala.com 3415: 3389: 3382: 3364: 3350: 3336: 3311: 3294:Dan Lindgren. 3286: 3263:Dougan, John. 3255: 3243: 3213: 3193:Accordion Life 3180: 3149: 3134:, ed. (1911). 3132:Chisholm, Hugh 3123: 3119:New York Times 3111: 3099: 3083: 3071: 3042: 3029: 3003: 2990: 2962: 2960:, 22 June 2006 2946: 2917: 2915:(2003), p. 133 2904: 2881: 2851: 2840:on 25 May 2023 2834:Sonic Function 2820: 2802: 2800: 2797: 2795: 2794: 2777: 2753: 2733: 2720: 2707: 2697: 2673: 2671: 2668: 2667: 2666: 2661: 2656: 2649: 2646: 2643: 2642: 2640: 2629: 2623: 2613: 2608: 2607: 2606: 2597: 2596: 2595: 2593: 2582: 2576: 2566: 2561: 2560: 2559: 2550: 2549: 2548: 2542: 2539: 2503: 2500: 2490:Barbara Demick 2485: 2482: 2446: 2443: 2421: 2420:Czech Republic 2418: 2414:Pilonera Mayor 2362: 2359: 2342: 2339: 2273: 2270: 2257: 2254: 2245:Frank Fracchia 2236: 2233: 2201:Stefan Hussong 2143:John Serry Sr. 2125:Paul Hindemith 2123:accordion was 2096:, the Italian 2078:Main article: 2075: 2072: 2031:Gogol Bordello 1955:Slavko Avsenik 1943:Pietro Frosini 1913: 1906:Pietro Frosini 1903: 1893: 1890:New York Blues 1888: 1887: 1886: 1877: 1876: 1875: 1864:Main article: 1861: 1858: 1830: 1827: 1807:Asmund Bjørken 1787:Lee Tomboulian 1783:John Serry Sr. 1742: 1739: 1737: 1734: 1709:Main article: 1706: 1703: 1671:Main article: 1668: 1665: 1637:Maugein Freres 1615: 1614: 1573: 1571: 1564: 1558: 1555: 1554: 1553: 1519: 1509: 1498: 1487: 1483:schwyzerörgeli 1479: 1472: 1449: 1446: 1394:Main article: 1391: 1388: 1375: 1372: 1346:several more. 1337: 1334: 1291:Main article: 1288: 1285: 1284: 1283: 1279: 1272:Duke Ellington 1264: 1261:converter bass 1241: 1237: 1224:, also called 1196: 1193: 1192: 1191: 1181: 1174: 1172: 1169: 1162: 1159: 1158: 1147:Jankó keyboard 1140: 1139: 1138: 1135: 1128:pedal keyboard 1114: 1107:Schwyzerörgeli 1083: 1080:Pietro Frosini 1052: 1049: 1024: 1021: 999: 996: 971: 968: 967: 966: 963: 960: 957: 954: 931: 890: 889: 883: 877: 871: 864: 861: 858: 854: 835: 829: 819: 814: 813: 812: 803: 802: 801: 799: 796: 794: 791: 723: 720: 532:, in 1822, by 511: 508: 349:Basso continuo 293: 292: 261: 260: 256: 255: 247: 246: 242: 241: 154: 153: 147: 146: 145: 144: 139: 128: 127: 122: 117: 103: 102: 96: 95: 92: 88: 87: 75: 69: 68: 62: 61: 50: 26: 9: 6: 4: 3: 2: 5853: 5842: 5839: 5837: 5834: 5832: 5829: 5827: 5824: 5822: 5819: 5818: 5816: 5801: 5798: 5796: 5793: 5791: 5788: 5786: 5783: 5782: 5780: 5776: 5766: 5763: 5761: 5758: 5756: 5753: 5751: 5748: 5746: 5743: 5739: 5736: 5734: 5731: 5729: 5726: 5725: 5724: 5721: 5719: 5718:Physharmonica 5716: 5714: 5711: 5709: 5706: 5704: 5701: 5699: 5696: 5694: 5691: 5689: 5686: 5684: 5681: 5679: 5676: 5674: 5671: 5667: 5664: 5662: 5661:Richter-tuned 5659: 5657: 5654: 5652: 5649: 5648: 5647: 5644: 5642: 5639: 5637: 5634: 5632: 5629: 5627: 5624: 5622: 5619: 5618: 5616: 5612: 5606: 5603: 5601: 5598: 5596: 5593: 5591: 5588: 5586: 5583: 5582: 5580: 5576: 5573: 5571: 5567: 5557: 5554: 5552: 5549: 5547: 5544: 5542: 5539: 5537: 5534: 5532: 5529: 5528: 5526: 5522: 5516: 5513: 5511: 5508: 5506: 5503: 5501: 5498: 5496: 5493: 5491: 5488: 5486: 5483: 5481: 5478: 5476: 5473: 5471: 5468: 5466: 5463: 5461: 5458: 5456: 5453: 5452: 5450: 5446: 5443: 5441: 5437: 5427: 5424: 5422: 5419: 5417: 5414: 5412: 5409: 5407: 5404: 5402: 5399: 5397: 5394: 5392: 5389: 5387: 5384: 5382: 5379: 5377: 5374: 5372: 5369: 5367: 5364: 5363: 5361: 5359: 5355: 5349: 5346: 5344: 5341: 5339: 5336: 5334: 5331: 5329: 5326: 5325: 5323: 5321: 5317: 5314: 5312: 5308: 5304: 5297: 5292: 5290: 5285: 5283: 5278: 5277: 5274: 5262: 5259: 5257: 5254: 5252: 5249: 5247: 5244: 5242: 5239: 5238: 5236: 5234: 5230: 5220: 5217: 5215: 5212: 5210: 5207: 5205: 5202: 5200: 5197: 5195: 5192: 5188: 5185: 5183: 5180: 5178: 5175: 5174: 5173: 5170: 5168: 5165: 5163: 5160: 5159: 5157: 5155: 5151: 5145: 5142: 5140: 5137: 5136: 5134: 5132: 5128: 5122: 5119: 5117: 5114: 5112: 5109: 5107: 5104: 5103: 5101: 5097: 5091: 5088: 5086: 5083: 5081: 5078: 5076: 5073: 5072: 5070: 5068: 5064: 5060: 5053: 5048: 5046: 5041: 5039: 5034: 5033: 5030: 5018: 5015: 5014: 5012: 5010:Miscellaneous 5008: 5002: 4999: 4997: 4994: 4993: 4991: 4987: 4979: 4976: 4975: 4974: 4971: 4969: 4966: 4964: 4961: 4960: 4958: 4956: 4952: 4944: 4941: 4939: 4936: 4935: 4934: 4931: 4929: 4926: 4924: 4921: 4920: 4918: 4914: 4908: 4905: 4903: 4900: 4898: 4895: 4893: 4890: 4889: 4887: 4885: 4881: 4875: 4872: 4870: 4867: 4865: 4862: 4861: 4859: 4857: 4853: 4847: 4844: 4842: 4839: 4837: 4834: 4832: 4829: 4827: 4824: 4823: 4821: 4817: 4811: 4808: 4806: 4803: 4801: 4798: 4796: 4793: 4789: 4786: 4784: 4783:Digital piano 4781: 4780: 4779: 4776: 4774: 4771: 4767: 4766:Theatre organ 4764: 4762: 4759: 4757: 4754: 4752: 4751:Hammond organ 4749: 4748: 4747: 4744: 4742: 4739: 4737: 4734: 4732: 4729: 4727: 4724: 4722: 4719: 4717: 4714: 4712: 4709: 4707: 4704: 4702: 4699: 4697: 4694: 4692: 4689: 4687: 4684: 4682: 4679: 4677: 4676:Bowed clavier 4674: 4673: 4671: 4667: 4663: 4659: 4652: 4647: 4645: 4640: 4638: 4633: 4632: 4629: 4621: 4620: 4614: 4609: 4605: 4604: 4594: 4589: 4583: 4578: 4572: 4567: 4561: 4556: 4550: 4544: 4536: 4530: 4526: 4519: 4503: 4499: 4498:The Telegraph 4494: 4487: 4472: 4471: 4466: 4459: 4452: 4446: 4438: 4432: 4424: 4418: 4414: 4407: 4399: 4393: 4385: 4381: 4374: 4366: 4362: 4356: 4348: 4344: 4338: 4323: 4319: 4313: 4298: 4294: 4288: 4272: 4268: 4264: 4258: 4242: 4238: 4231: 4215: 4211: 4207: 4201: 4199: 4182: 4178: 4172: 4156: 4155: 4150: 4144: 4128: 4127: 4122: 4116: 4100: 4099: 4094: 4088: 4072: 4071: 4066: 4060: 4052: 4051: 4043: 4028: 4027: 4019: 4004: 4003: 3995: 3979: 3978: 3973: 3972:"Advertising" 3967: 3951: 3947: 3941: 3926: 3922: 3916: 3908: 3904: 3898: 3891: 3886: 3880: 3874: 3865: 3856: 3849: 3845: 3842: 3841: 3835: 3820: 3816: 3810: 3802: 3796: 3792: 3791: 3783: 3775: 3768: 3761: 3760:Accordion Man 3755: 3747: 3743: 3739: 3735: 3731: 3727: 3720: 3714: 3710: 3706: 3700: 3693: 3688: 3672: 3668: 3664: 3658: 3642: 3638: 3632: 3628: 3627: 3619: 3613: 3609: 3603: 3597: 3592: 3586: 3581: 3575: 3570: 3564: 3559: 3553: 3548: 3539: 3530: 3514: 3510: 3506: 3500: 3493: 3489: 3483: 3467: 3463: 3457: 3450: 3445: 3429: 3425: 3419: 3403: 3399: 3393: 3385: 3379: 3375: 3368: 3360: 3354: 3346: 3340: 3325: 3321: 3315: 3304: 3297: 3290: 3274: 3270: 3266: 3259: 3252: 3247: 3231: 3227: 3223: 3217: 3210: 3198: 3194: 3190: 3184: 3168: 3164: 3160: 3159:"Instruments" 3153: 3145: 3144: 3138: 3133: 3127: 3120: 3115: 3108: 3103: 3096: 3095:Mr. Sedlatzek 3092: 3087: 3080: 3075: 3067: 3061: 3053: 3046: 3039: 3033: 3027: 3024: 3020: 3017: 3014: 3013: 3007: 3000: 2994: 2988: 2984: 2980: 2976: 2972: 2966: 2959: 2955: 2950: 2934: 2930: 2929: 2921: 2914: 2908: 2900: 2896: 2892: 2885: 2869: 2865: 2861: 2855: 2839: 2835: 2831: 2824: 2818: 2814: 2813: 2807: 2803: 2791: 2787: 2781: 2774: 2770: 2766: 2762: 2757: 2751: 2747: 2744: 2737: 2730: 2724: 2717: 2711: 2701: 2695: 2691: 2689: 2685: 2678: 2674: 2665: 2662: 2660: 2657: 2655: 2652: 2651: 2641: 2637: 2635: 2611: 2594: 2590: 2588: 2564: 2547: 2538: 2536: 2531: 2529: 2525: 2521: 2517: 2513: 2509: 2502:United States 2499: 2497: 2496: 2491: 2488:According to 2481: 2479: 2475: 2471: 2467: 2463: 2459: 2451: 2442: 2417: 2415: 2411: 2406: 2404: 2400: 2396: 2392: 2388: 2384: 2380: 2376: 2372: 2368: 2358: 2356: 2355:Robert Davine 2351: 2349: 2338: 2336: 2330: 2328: 2324: 2320: 2316: 2312: 2308: 2304: 2298: 2296: 2290: 2283: 2278: 2269: 2267: 2263: 2253: 2251: 2246: 2242: 2232: 2230: 2229: 2225:in the movie 2223: 2219: 2218: 2213: 2209: 2204: 2202: 2198: 2194: 2190: 2186: 2185:Sequenza XIII 2182: 2181:Luciano Berio 2178: 2174: 2170: 2166: 2162: 2158: 2155:composed his 2154: 2153:Robert Davine 2150: 2149: 2144: 2140: 2136: 2135: 2130: 2126: 2122: 2114: 2113:Esa Pakarinen 2109: 2105: 2103: 2099: 2095: 2091: 2089: 2081: 2071: 2069: 2065: 2061: 2057: 2053: 2049: 2045: 2041: 2036: 2032: 2028: 2024: 2020: 2015: 2013: 2009: 2006: 2003: 1999: 1995: 1993: 1989: 1985: 1984:The Godfather 1981: 1980: 1975: 1971: 1967: 1963: 1958: 1956: 1952: 1948: 1944: 1940: 1939:popular music 1932: 1927: 1921: 1919: 1907: 1891: 1873: 1867: 1857: 1855: 1851: 1846: 1844: 1840: 1836: 1826: 1824: 1820: 1816: 1812: 1808: 1804: 1800: 1799:Bernard Lubat 1796: 1792: 1791:Art Van Damme 1788: 1784: 1780: 1779:Frank Marocco 1776: 1775:Yuri Lemeshev 1772: 1771:Guy Klucevsek 1768: 1764: 1760: 1756: 1755:Milton DeLugg 1752: 1748: 1733: 1731: 1727: 1717: 1712: 1702: 1700: 1696: 1692: 1688: 1679: 1674: 1664: 1662: 1658: 1654: 1650: 1646: 1642: 1638: 1634: 1633:Castelfidardo 1630: 1625: 1621: 1611: 1608: 1600: 1597:November 2021 1590: 1586: 1580: 1579: 1574:This section 1572: 1568: 1563: 1562: 1551: 1547: 1546:Jukka Tiensuu 1543: 1539: 1535: 1531: 1529: 1524: 1520: 1517: 1513: 1512:Pedal harmony 1510: 1508: 1504: 1499: 1496: 1495:Basque people 1492: 1488: 1484: 1480: 1477: 1473: 1470: 1466: 1465:chamber music 1463: 1459: 1455: 1454: 1453: 1445: 1441: 1439: 1435: 1431: 1426: 1424: 1420: 1419:sustain pedal 1415: 1411: 1402: 1397: 1387: 1385: 1381: 1368: 1363: 1359: 1357: 1353: 1347: 1344: 1333: 1330: 1326: 1322: 1321: 1316: 1312: 1304: 1299: 1294: 1280: 1277: 1273: 1269: 1265: 1262: 1258: 1254: 1250: 1246: 1242: 1238: 1235: 1231: 1227: 1226:standard bass 1223: 1219: 1218: 1213: 1209: 1201: 1189: 1185: 1178: 1173: 1166: 1161: 1160: 1156: 1152: 1148: 1144: 1141: 1136: 1133: 1129: 1125: 1124: 1122: 1118: 1115: 1112: 1108: 1104: 1100: 1096: 1091: 1087: 1084: 1081: 1077: 1076:chromatically 1073: 1069: 1066: 1065: 1064: 1062: 1058: 1048: 1046: 1042: 1041:Helikon-style 1038: 1034: 1030: 1017: 1011: 1007: 1005: 995: 993: 988: 985: 976: 964: 961: 958: 955: 952: 948: 944: 940: 936: 932: 929: 928: 927: 925: 921: 916: 914: 910: 906: 902: 898: 887: 884: 881: 878: 875: 872: 869: 865: 862: 859: 856: 855: 853: 849: 843: 841: 817: 790: 787: 785: 779: 777: 773: 769: 764: 762: 758: 754: 750: 745: 738: 719: 717: 713: 709: 705: 699: 697: 693: 692: 686: 684: 682: 676: 672: 663: 659: 657: 656: 651: 646: 644: 643: 637: 635: 631: 626: 622: 618: 614: 610: 606: 605:Cyrill Demian 602: 597: 595: 591: 587: 583: 579: 575: 571: 567: 563: 559: 555: 550: 546: 542: 537: 535: 531: 522: 517: 507: 505: 501: 497: 495: 489: 485: 481: 477: 473: 469: 465: 460: 458: 454: 450: 446: 443:in Colombia; 442: 438: 434: 430: 424: 422: 418: 414: 409: 407: 403: 399: 395: 391: 387: 382: 380: 376: 372: 368: 367:accompaniment 364: 363: 358: 354: 350: 346: 342: 338: 334: 330: 326: 324: 318: 316: 311: 307: 299: 291: 287: 283: 279: 275: 271: 267: 262: 257: 253: 248: 243: 240: 236: 233: 232: 228: 227: 223: 219: 215: 211: 207: 204: 200: 199: 195: 192: 188: 187: 183: 179: 175: 171: 167: 163: 160: 155: 152: 148: 143: 140: 138: 135: 134: 133: 132: 126: 123: 121: 118: 116: 113: 112: 111: 110: 104: 101: 100:Playing range 97: 93: 89: 85: 82: 76: 74: 70: 67: 63: 58: 54: 48: 43: 37: 33: 19: 5636:Couesnophone 5620: 5524:Conical bore 5401:Oboe d'amore 5376:English horn 5358:Conical bore 5066: 5059:Squeezeboxes 4846:Short octave 4726:Harmonichord 4617: 4588: 4577: 4566: 4555: 4543: 4524: 4518: 4506:. 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Retrieved 2838:the original 2833: 2823: 2810: 2806: 2789: 2785: 2780: 2772: 2768: 2764: 2756: 2736: 2723: 2710: 2700: 2693: 2687: 2683: 2677: 2631: 2584: 2532: 2516:Creole music 2508:Tejano music 2505: 2493: 2487: 2456: 2440: 2413: 2407: 2383:Andrés Cabas 2379:Carlos Vives 2364: 2352: 2344: 2331: 2319:Dominguinhos 2315:Luiz Gonzaga 2299: 2291: 2287: 2282:Dominguinhos 2259: 2238: 2226: 2215: 2211: 2205: 2197:Nick Ariondo 2184: 2172: 2164: 2156: 2146: 2132: 2118: 2102:Charles Ives 2085: 2083: 2067: 2019:John Linnell 2016: 1996: 1991: 1987: 1983: 1977: 1974:Myron Floren 1959: 1951:Pietro Deiro 1936: 1915: 1847: 1832: 1819:Frode Haltli 1746: 1744: 1722: 1687:ethnic music 1684: 1652: 1626: 1622: 1618: 1603: 1594: 1583:Please help 1578:verification 1575: 1528:quarter tone 1526: 1511: 1451: 1442: 1438:coffeehouses 1427: 1410:sound module 1407: 1380:squeezeboxes 1377: 1355: 1352:Reeds: 5 + 3 1351: 1348: 1339: 1318: 1314: 1310: 1308: 1260: 1225: 1206: 1183: 1153:produced by 1150: 1105:, the Swiss 1054: 1037:Tejano music 1028: 1026: 1016:bass machine 1015: 1001: 989: 981: 950: 943:Luiz Gonzaga 917: 901:articulation 894: 851: 837: 788: 780: 765: 746: 742: 739:being played 722:Construction 716:synth module 700: 689: 687: 678: 675:Adolf Müller 668: 653: 647: 640: 638: 620: 612: 600: 598: 541:Tula, Russia 538: 527: 499: 491: 487: 461: 425: 420: 416: 410: 383: 379:accordionist 378: 361: 320: 312: 305: 304: 230: 229: 203:Mouth-blown: 202: 201: 191:Foot-pumped: 190: 189: 159:Hand-pumped: 158: 157: 130: 129: 108: 106: 55:(top) and a 36: 18:Accordionist 5728:Guide-chant 5703:Martinshorn 5440:Single reed 5426:Taepyeongso 5311:Double reed 5233:Concertinas 4955:Maintenance 4928:Innovations 4874:Split sharp 4864:Frequencies 4805:Synthesizer 4731:Harpsichord 4669:Instruments 4187:13 November 3977:Cairns Post 3667:Slovenia.si 3488:Guido Deiro 3424:"Concertos" 2815:, entry in 2761:Guido Deiro 2484:North Korea 2462:Ramón Ayala 2214:(2003) and 2177:John Palmer 2068:zugerörgeli 2062:, played a 2056:hurdy-gurdy 2048:Korpiklaani 1947:Guido Deiro 1736:Use in jazz 1661:Klingenthal 1653:Weltmeister 1649:Weltmeister 1184:Weltmeister 1151:logicordion 941:music) and 696:tone colour 439:in Brazil; 373:or pre-set 365:), and the 264:Accordion, 239:Electronium 224:, Japanese 5815:Categories 5745:Saenghwang 5723:Pump organ 5678:Hornophone 5631:Concertina 5600:Pitch pipe 5595:Party horn 5590:Bullroarer 5531:Aulochrome 5099:Components 5067:Accordions 4892:Expression 4761:Reed organ 4756:Pipe organ 4721:Fortepiano 4701:Clavichord 4302:1 November 4277:1 November 4263:"noticias" 4247:1 November 4220:1 November 4161:3 December 4133:3 December 4105:3 December 4077:3 December 4070:Daily News 4032:2 December 4008:2 December 3984:2 December 3956:2 December 2939:15 January 2928:Século Xix 2895:Divirta-se 2799:References 2634:media help 2587:media help 2470:Celso Piña 2403:Valledupar 2266:sevdalinka 2129:Alban Berg 2035:folk metal 1962:vaudeville 1918:media help 1870:See also: 1751:Steve Bach 1516:pump organ 1460:, used in 1423:portamento 1303:reed ranks 1301:Accordion 1276:Bercandeon 920:expressive 840:media help 655:concertina 617:harmonicas 545:Ivan Sizov 514:See also: 494:harmonikos 457:folk music 415:, causing 386:concertina 306:Accordions 220:, Chinese 216:, Laotian 198:reed organ 166:concertina 5821:Accordion 5800:Tone hole 5713:Organetto 5651:Chromatic 5646:Harmonica 5641:Harmoneon 5621:Accordion 5570:Free reed 5551:Saxophone 5485:Launeddas 5470:Chalumeau 5246:Bandoneón 5219:Trikitixa 5204:Organetto 5199:Harmonium 5194:Heligonka 5187:Saratovka 4923:Acoustics 4711:Claviharp 4431:cite book 3677:10 August 3647:10 August 3519:24 August 3329:16 August 3269:All Music 3107:The Times 3091:The Times 3060:cite book 2987:0900-2111 2812:accordion 2478:Los Lobos 2367:vallenato 2335:Sertanejo 2235:Australia 2121:chromatic 2060:Eluveitie 2044:Ensiferum 1693:tribe in 1629:Stradella 1542:concertos 1530:accordion 1491:trikitixa 1430:PA system 1369:, Ecuador 1325:registers 1315:registers 1249:basslines 1132:basslines 1103:organetto 1095:bandoneon 1029:accordion 1027:The term 1004:aerophone 953:in Brazil 951:resfulego 949:, called 874:Bandoneon 757:chromatic 704:PA system 673:musician 642:The Times 621:Kanzellen 613:bisonoric 601:accordion 500:accordion 488:harmonika 453:dance-pop 441:vallenato 437:sertanejo 402:harmonium 398:harmoneon 394:bandoneon 390:harmonica 315:Akkordeon 245:Musicians 214:harmonica 194:Harmonium 186:harmoneon 178:trikitixa 162:Bandoneon 91:Developed 84:aerophone 81:Free-reed 40:Accordion 5708:Melodica 5698:Mangtong 5656:Diatonic 5626:Claviola 5556:Tárogató 5515:Zhaleika 5475:Clarinet 5333:Chirimia 5111:Cassotto 4810:Virginal 4741:Melodica 4686:Carillon 4681:Calliope 4502:Archived 4476:22 April 4392:cite web 4327:22 April 4177:"Sevdah" 3930:22 April 3844:Archived 3819:tmbw.net 3738:67-23789 3434:22 April 3408:22 April 3273:Archived 3019:Archived 2874:22 April 2868:Archived 2746:Archived 2716:Nürnberg 2648:See also 2375:tropipop 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