28:
887:
164:
53:
20:
961:
194:, saying, "I could have had velvet paws like that if I had wanted to." Henselt's influence on the next generation of Russian pianists was immense. Henselt's playing and teaching greatly influenced the Russian school of music, developing from seeds planted by
148:, and was ennobled in 1876. Henselt usually spent summer holidays in Germany. In 1852, and again in 1867, he visited England, though in the latter year he made no public appearance. Saint Petersburg was his home nearly until his death from
145:
188:
playing was highly regarded. "Find out the secret of
Henselt's hands," Liszt told his pupils. Once he commented on the lengths Henselt took to achieve his famous
976:
73:. At the age of three he began to learn the violin, and at five the piano under Josephe von Flad (1778â1843), who had trained in composition with
1121:
1216:
213:. His Piano Concerto in F minor, Op. 16 was once frequently played in Europe, and of his many valuable studies, the Ătude in F-sharp major
1171:
981:
1156:
1107:
228:
Despite his relatively long life, Henselt ceased nearly all composition by the age of thirty, for reasons that are unclear. Chronic
1181:
1161:
27:
1206:
1030:
1166:
1130:
723:
1082:
1196:
1186:
1201:
1060:
1043:
930:
908:
901:
313:
Rhapsodie in F minor, Op. 4 (1838). Originally published as "Erinnerung und
Freundschaft" Op. 4, No. 1. See Op. 51.
648:
136:
In 1836, to improve his health, he made a prolonged tour through the chief German towns. In 1837, he settled at
1211:
1069:
Hyperion records CDA67495 âEtudesâ op.2 & op.5; Piers Lane, pianist. Liner notes by
Richard Beattie Davis.
1191:
567:
Romance russe, transcription of song by
Dargomyzhsky, Op. 33b (sometimes referred to as Romance No. 6) (1856)
222:
1103:
1176:
144:, where previous visits made him welcome. He became court pianist and inspector of musical studies in the
895:
558:
Ballade in B-flat major, Op. 31 (original version 1854, second version 1854, third revision 1879?)
1092:
102:
178:'s sonority with Hummel's smoothness. It was full of poetry, remarkable for his use of extended
912:
259:
149:
101:). His concert debut was at the Odeon in Munich, where he played the opening Allegro to one of
195:
118:
966:
One or more of the preceding sentences incorporates text from a publication now in the
1151:
1146:
678:
618:
614:
543:
478:
210:
206:
106:
8:
199:
114:
78:
790:
202:
held him in very great esteem, and considered him one of his most important influences.
1098:
777:
701:
693:
Souvenir de
Varsovie, A-flat major, Op. 51 (1838). Originally published as Op. 4 No. 2.
632:
551:
31:
Portrait of Adolf
Henselt, composer (1814-1889), before 1889. Archivio Storico Ricordi.
1126:
1056:
1039:
811:
625:
381:
254:
98:
94:
90:
52:
483:
816:
218:
163:
141:
1086:
153:
663:
642:
495:
130:
19:
117:
that
Henselt was provided the financial means to undertake further study with
1140:
1079:
972:
967:
179:
126:
82:
1029:
List of works taken from the article on
Henselt by Richard Beattie Davis on
525:
Nocturne in A-flat major, Op. 27. Transcription of
Romance de R. Thal (1843)
229:
86:
1009:
175:
74:
985:. Vol. 13 (11th ed.). Cambridge University Press. p. 302.
140:, where he had married Rosalie Vogelâbut the following year migrated to
113:, and a rondo by Kalkbrenner. It was through Flad's influence with King
236:, caused him to withdraw from concert appearances by age thirty-three.
655:
489:
184:
168:
105:'s C major concertos, a free fantasy with variations on a theme from
66:
502:"Pressentiment" for piano, Romance Michel Wielhorsky, Op. 20 (1850)
233:
43:
39:
1046:
1053:
Adolph von
Henselt. Ein Leben fĂŒr die KlavierpĂ€dagogik in RuĂland
137:
70:
46:
1114:
687:
Romance du Compte G. Koucheleff-Besborodko, Op. 49. See Op. 40a.
573:
Marche du couronnement d'Alexandre II, Op. 35. In G major (1855)
750:
PoĂšme d'amour - Andante et Allegro concertante, WoO, in B major
190:
157:
122:
121:
in Weimar in 1832 for some months. Later that year, he went to
1099:
Piano Trio in A minor, Op. 24 Sound-bites and short bio sketch
1008:
Referred to as "Henselt's F-minor exercise in narcissism" by
56:
Original Church Record showing Henselt's birth as 9 May 1814
849:"Das ferne Land", Romanze fĂŒr Singstimme und Klavier (1843)
546:'s Piano Concerto No. 3 in C minor (Op. 37), Op. 29b (1854)
38:(9 May 1814 – 10 October 1889) was a German
1063:
522:"Das ferne Land", Romanze fĂŒr Solo-Klavier, Op. 26b (1843)
697:
452:
1125:, second edition, 27 volumes. London: MacMillan 2000.
217:, was very popular. At one time Henselt was second to
846:"Der Dumbau" fĂŒr vierstimmigen Acappella-Chor (1840)
759:
Preambules in all the keys, WoO (published in 1884)
582:
MorgenstĂ€ndchen in D-flat major, Op. 39 (1866â1867)
570:
Impromptu No. 3 in B-flat minor, Op. 34 (1854â1855)
505:Deux Romances russes de Soumarokoff, Op. 22 (1850)
690:Duo pour le chant, transcrit pour le piano, Op. 50
448:Fantaisie sur un air bohemien-russe, Op. 16 (1843)
299:in E minor, "Comme le ruisseau dans la mer repand"
23:Portrait of Adolf von Henselt, with scrap of music
305:in B-flat minor, "Plein de soupirs, de souvenirs"
269:Douze Ătudes caractĂ©ristiques, Op. 2 (1837â1838)
1138:
588:No. 1, Compte Koucheleff-Besborodko. See Op. 49.
1122:The New Grove Dictionary of Music and Musicians
1119:Richard Beattie Davis "Henselt, Adolph von" in
762:Preparatory exercises, WoO (published in 1894)
732:Meister-Studien fĂŒr Klavier (published in 1892)
296:in F major, "Jeunesse d'amour, plaisir céleste"
786:Rondoletto, WoO (written 1832, published 1865)
997:The Great Pianists from Mozart to the Present
576:Valse mélancolique in D minor, Op. 36 (1857?)
564:Chant sans paroles in B minor, Op. 33 (1850?)
434:"Marche, dédiée à S.M. l'Empereur Nicholas I"
205:He excelled in his own works and in those of
125:, where, besides studying composition under
735:Mon Chant du cynge, WoO (published in 1885)
272:in D minor, "Orage, tu ne saurais abbattre"
133:), he was successful as a concert pianist.
1093:Downloadable recordings of Henselt's works
360:in G-flat major, "Schmerz im GlĂŒck" (1839)
352:in G-sharp minor, "NĂ€chtlicher Geisterzug"
1108:International Music Score Library Project
931:Learn how and when to remove this message
674:Wiegenlied in G-flat major, Op. 45 (1840)
669:Transcription of Weber's Polacca (Op. 72)
579:Impromptu No. 4 in B minor, Op. 37 (1859)
174:To some ears, Henselt's playing combined
971:
954:
952:
950:
948:
894:This article includes a list of general
823:Piano Concerto in F minor, Op. 16 (1847)
519:Toccatina in E-flat major, Op. 25 (1850)
516:Marche funĂšbre in G minor, Op. 23 (1850)
371:Pensée fugitive in F minor, Op. 8 (1839)
162:
51:
26:
18:
833:Duo, Op. 14, for cello and piano (1842)
684:Polacca brillante de C.M. Weber, Op. 48
561:Nocturne in A-flat major, Op. 32 (1854)
293:in E minor, "Tu m'attires, m'entraines"
1139:
638:Transcription of Romance by O.K. Klemm
425:in D-flat major, "Air de Balfe" (1846)
377:Romance in B-flat minor, Op. 10 (1840)
340:in G minor, "Romanze mit Chor-Refrain"
334:in A-flat major, "Danklied nach Sturm"
275:in D-flat major, "Pensez un peu Ă moi"
146:Imperial Institute of Female Education
1217:Musicians from the Kingdom of Bavaria
1038:`Edition I.M.E.` Bonn, Germany 2002.
945:
661:Transcription of Weber's Overture to
653:Transcription of Weber's Overture to
331:in F-sharp minor, "Verlorene Heimath"
287:in F-sharp major, "Si oiseau j'etais"
167:Statue of Henselt in his hometown of
880:
836:Piano Trio in A minor, Op. 24 (1851)
719:"Feuillet d'Album", WoO (about 1870)
716:FantasiestĂŒck in C minor, manuscript
707:Canon pour piano Ă quatre mains, WoO
466:in B-flat minor, "Der Dombau" (1848)
416:in G-flat major, "La Gondola" (1841)
316:Douze Ătudes de salon, Op. 5 (1838)
741:Petite Romance in B-flat minor, WoO
599:No. 2, "Der Abendstern" (1868â1869)
413:, "Air russe de Noroff" (1840â1841)
253:Variations on âIo son' riccoâ from
13:
1172:19th-century German male musicians
900:it lacks sufficient corresponding
852:"Die Nacht im Walde", song, Op. 52
613:Five transcriptions of overtures (
368:Impromptu in C minor, Op. 7 (1838)
346:in F minor, "Entschwundenes GlĂŒck"
290:in D major, "C'est la jeunesse..."
14:
1228:
1073:
738:Morgenlied von Uhland, WoO (1876)
302:in E-flat major, "Dors tu ma vie"
1157:19th-century classical composers
1113:International Henselt Society â
1104:Free scores by Adolf von Henselt
959:
885:
753:Polka brilliante in D minor, WoO
477:Arrangements of 12 numbers from
374:Scherzo in B minor, Op. 9 (1839)
363:in F major, "La Fontaine" (1839)
284:in C-sharp minor, "Vie orageuse"
281:in B-flat major, "Repos d'amour"
266:Rondo Serioso in D minor, Op. 1b
1182:German male classical composers
1162:19th-century classical pianists
1047:http://www.studiopunktverlag.de
1207:German male classical pianists
1002:
989:
789:Six Themes avec Variations de
773:Romance in C minor, WoO (1838)
710:Chant du printemps, WoO (1833)
585:Deux Romances russes, Op. 40a
457:Impromptu No. 2, Op. 17 (1843)
278:in B minor, "Exauce mes voeux"
36:Georg Martin Adolf von Henselt
1:
1167:19th-century German composers
1115:http://www.henseltsociety.org
1023:
808:Quand je quittai la Normandie
800:
631:Transcription of Beethoven's
624:Transcription of Beethoven's
244:
223:Saint Petersburg Conservatory
783:Romance in D-flat major, WoO
747:Petite Valse in F major, WoO
713:Etude in A minor, WoO (1876)
641:Transcription of a Waltz by
604:Etude de J.B. Cramer, Op. 41
528:Deux petites valses, Op. 28
445:FrĂŒhlingslied, Op. 15 (1843)
440:"Romance russe de S. Tanéef"
7:
1016:(Knopf, New York 1984), 74.
596:Duo pour le chant, Op. 40b
463:in E-flat major (1847â1848)
428:, "Mazurka et polka" (1846)
310:PoĂšme d'amour, Op. 3 (1838)
79:Abbé (George Joseph) Vogler
16:German composer and pianist
10:
1233:
827:
610:"Mi manca la voce", Op. 43
1197:German Romantic composers
1187:German classical pianists
1051:Natalia Keil-Zenzerova.
677:Invitation Ă la danse de
647:Transcription of Weber's
591:No. 2, Prince Kotschoubey
380:Variations on a Theme by
337:in C major, "Elfenreigen"
319:in E-flat major, "Eroica"
1202:German untitled nobility
876:
840:
776:Deux romances du Compte
696:"Bozhe, Tsarya khrani",
472:in C-sharp minor (1843?)
349:in B major, "Liebeslied"
239:
221:in the direction of the
1066:In German & Russian
1064:http://www.peterlang.de
982:EncyclopĂŠdia Britannica
915:more precise citations.
700:. Transcription of the
649:Invitation to the Dance
469:in B-flat major (1843?)
431:"Rakoczy-Marche" (1843)
410:Concert Etudes, Op. 13
328:in E major, "Ave Maria"
325:in A minor, "Hexentanz"
85:and studied piano with
60:
1014:The Glenn Gould Reader
460:Vier Romanzen, Op. 18
422:"Barcarolle de Glinka"
357:Deux Nocturnes, Op. 6
171:
129:(the later teacher of
57:
32:
24:
1212:People from Schwabach
995:Harold C. Schonberg,
724:Prinz Pyotr Oldenburg
702:Russian national hymn
166:
119:Johann Nepomuk Hummel
55:
30:
22:
1192:German male pianists
1012:in: Tim Page (ed.),
607:Air bohémien, Op. 42
539:Sophie-polka, Op. 29
419:"Cavatine de Glinka"
207:Carl Maria von Weber
65:Henselt was born at
1177:Composers for piano
756:Polka favorite, WoO
200:Sergei Rachmaninoff
182:and technique. His
115:Ludwig I of Bavaria
89:(who later coached
1085:2014-05-08 at the
1055:(Frankfurt 2007)
1032:Grove Music Online
977:Henselt, Adolf von
729:"L'Innocence", WoO
172:
156:, Germany (now in
58:
33:
25:
1131:978-0-19-517067-2
941:
940:
933:
864:"Die Auswanderer"
778:Michel Wielhorsky
765:Set 1 (1854â1855)
744:Petite PiĂšce, WoO
626:Coriolan Overture
534:in C major (1854)
531:in F major (1854)
451:Impromptu No. 1,
249:(selective list)
215:Si oiseau j'Ă©tais
152:during a stay at
99:Fanny Mendelssohn
1224:
1017:
1006:
1000:
993:
987:
986:
965:
963:
962:
956:
936:
929:
925:
922:
916:
911:this article by
902:inline citations
889:
888:
881:
817:Robert le diable
796:Vasa-marche, WoO
552:L'aurore boréale
384:, Op. 11 (1840)
260:L'elisir d'amore
219:Anton Rubinstein
142:Saint Petersburg
1232:
1231:
1227:
1226:
1225:
1223:
1222:
1221:
1137:
1136:
1087:Wayback Machine
1076:
1026:
1021:
1020:
1007:
1003:
994:
990:
975:, ed. (1911). "
960:
958:
957:
946:
937:
926:
920:
917:
907:Please help to
906:
890:
886:
879:
861:"Pakitas Klage"
843:
830:
820:, Op. 11 (1840)
803:
633:Egmont Overture
555:, Op. 30 (1854)
549:Grande valse â
247:
242:
232:, bordering on
211:Frédéric Chopin
150:cardiac disease
63:
17:
12:
11:
5:
1230:
1220:
1219:
1214:
1209:
1204:
1199:
1194:
1189:
1184:
1179:
1174:
1169:
1164:
1159:
1154:
1149:
1135:
1134:
1117:
1111:
1101:
1096:
1090:
1080:Henselt Museum
1075:
1074:External links
1072:
1071:
1070:
1067:
1049:
1036:
1025:
1022:
1019:
1018:
1001:
999:, 1963, p. 201
988:
973:Chisholm, Hugh
943:
942:
939:
938:
921:September 2016
893:
891:
884:
878:
875:
874:
873:
872:
871:
870:"Stumme Liebe"
868:
865:
862:
859:
853:
850:
847:
842:
839:
838:
837:
834:
829:
826:
825:
824:
821:
806:Variations on
802:
799:
798:
797:
794:
787:
784:
781:
774:
771:
770:
769:
766:
760:
757:
754:
751:
748:
745:
742:
739:
736:
733:
730:
727:
720:
717:
714:
711:
708:
705:
694:
691:
688:
685:
682:
675:
672:
671:
670:
667:
659:
651:
645:
643:Johann Strauss
639:
636:
629:
611:
608:
605:
602:
601:
600:
594:
593:
592:
589:
583:
580:
577:
574:
571:
568:
565:
562:
559:
556:
547:
540:
537:
536:
535:
532:
526:
523:
520:
517:
514:
513:
512:
509:
503:
500:
484:Der FreischĂŒtz
475:
474:
473:
470:
467:
464:
458:
455:
449:
446:
443:
442:
441:
438:
437:"Polka" (1850)
435:
432:
429:
426:
423:
420:
417:
414:
408:
407:
406:
403:
400:
397:
394:
391:
388:
378:
375:
372:
369:
366:
365:
364:
361:
355:
354:
353:
350:
347:
344:
341:
338:
335:
332:
329:
326:
323:
320:
314:
311:
308:
307:
306:
303:
300:
297:
294:
291:
288:
285:
282:
279:
276:
273:
267:
264:
263:, Op. 1 (1830)
246:
243:
241:
238:
131:Anton Bruckner
111:Der FreischĂŒtz
62:
59:
15:
9:
6:
4:
3:
2:
1229:
1218:
1215:
1213:
1210:
1208:
1205:
1203:
1200:
1198:
1195:
1193:
1190:
1188:
1185:
1183:
1180:
1178:
1175:
1173:
1170:
1168:
1165:
1163:
1160:
1158:
1155:
1153:
1150:
1148:
1145:
1144:
1142:
1132:
1128:
1124:
1123:
1118:
1116:
1112:
1109:
1105:
1102:
1100:
1097:
1095:in MP3 format
1094:
1091:
1088:
1084:
1081:
1078:
1077:
1068:
1065:
1062:
1061:3-631-53925-8
1058:
1054:
1050:
1048:
1045:
1044:3-89564-106-5
1041:
1037:
1034:
1033:
1028:
1027:
1015:
1011:
1005:
998:
992:
984:
983:
978:
974:
969:
968:public domain
955:
953:
951:
949:
944:
935:
932:
924:
914:
910:
904:
903:
897:
892:
883:
882:
869:
867:"Liebesfahrt"
866:
863:
860:
857:
856:
854:
851:
848:
845:
844:
835:
832:
831:
822:
819:
818:
813:
809:
805:
804:
795:
792:
788:
785:
782:
779:
775:
772:
767:
764:
763:
761:
758:
755:
752:
749:
746:
743:
740:
737:
734:
731:
728:
725:
721:
718:
715:
712:
709:
706:
703:
699:
695:
692:
689:
686:
683:
680:
676:
673:
668:
666:
665:
660:
658:
657:
652:
650:
646:
644:
640:
637:
634:
630:
627:
623:
622:
620:
616:
612:
609:
606:
603:
598:
597:
595:
590:
587:
586:
584:
581:
578:
575:
572:
569:
566:
563:
560:
557:
554:
553:
548:
545:
541:
538:
533:
530:
529:
527:
524:
521:
518:
515:
510:
507:
506:
504:
501:
498:
497:
492:
491:
486:
485:
480:
476:
471:
468:
465:
462:
461:
459:
456:
454:
450:
447:
444:
439:
436:
433:
430:
427:
424:
421:
418:
415:
412:
411:
409:
404:
401:
398:
396:Variation III
395:
392:
389:
386:
385:
383:
379:
376:
373:
370:
367:
362:
359:
358:
356:
351:
348:
345:
342:
339:
336:
333:
330:
327:
324:
321:
318:
317:
315:
312:
309:
304:
301:
298:
295:
292:
289:
286:
283:
280:
277:
274:
271:
270:
268:
265:
262:
261:
256:
252:
251:
250:
237:
235:
231:
226:
224:
220:
216:
212:
208:
203:
201:
197:
193:
192:
187:
186:
181:
177:
170:
165:
161:
159:
155:
151:
147:
143:
139:
134:
132:
128:
127:Simon Sechter
124:
120:
116:
112:
108:
104:
100:
96:
92:
88:
84:
83:Joseph Graetz
80:
76:
72:
68:
54:
50:
48:
45:
41:
37:
29:
21:
1120:
1052:
1031:
1013:
1004:
996:
991:
980:
927:
918:
899:
858:"Morgenlied"
855:Five Lieder
815:
807:
793:, WoO (1830)
780:, WoO (1840)
768:Set 2 (1881)
662:
654:
550:
542:Cadenza for
494:
488:
482:
399:Variation IV
393:Variation II
387:Introduction
258:
248:
230:stage fright
227:
214:
204:
189:
183:
173:
135:
110:
87:Franz Lauska
64:
35:
34:
1152:1889 deaths
1147:1814 births
1010:Glenn Gould
913:introducing
791:N. Paganini
402:Variation V
390:Variation I
176:Franz Liszt
75:Franz Danzi
1141:Categories
1024:References
896:references
801:Orchestral
679:C.M. Weber
621:), Op. 44
511:in A major
508:in D minor
481:'s operas
343:in A major
322:in G major
245:Piano solo
196:John Field
812:Meyerbeer
722:Hymn fĂŒr
656:Euryanthe
615:Beethoven
544:Beethoven
490:Euryanthe
382:Meyerbeer
255:Donizetti
185:cantabile
169:Schwabach
154:Warmbrunn
91:Meyerbeer
67:Schwabach
1089:(German)
1083:Archived
681:, Op. 47
635:(Op. 84)
628:(Op. 62)
499:, Op. 19
234:paranoia
44:virtuoso
40:composer
1110:(IMSLP)
1106:at the
970::
909:improve
828:Chamber
138:Breslau
71:Bavaria
47:pianist
1129:
1059:
1042:
964:
898:, but
726:(1882)
664:Oberon
496:Oberon
405:Finale
191:legato
180:chords
158:Poland
123:Vienna
103:Mozart
877:Notes
841:Vocal
810:from
619:Weber
479:Weber
240:Works
107:Weber
95:Felix
69:, in
1127:ISBN
1057:ISBN
1040:ISBN
617:and
493:and
209:and
97:and
61:Life
42:and
979:".
814:'s
698:WoO
453:WoO
257:'s
160:).
109:'s
1143::
947:^
487:,
225:.
198:.
93:,
81:,
77:,
49:.
1133:.
1035:.
934:)
928:(
923:)
919:(
905:.
704:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.