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Albert Bregman

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back to myself, though, I did not experience the sequences in the order that they were recorded on the tape. It appeared that non-adjacent sounds were grouping together and appeared to be adjacent. It was the similar sounds that seemed to be forming integrated perceptual sequences. This reminded me of an essay I had written at the University of Toronto on the topic of Gestalt Psychology. Some of the Gestaltist's examples showed that similar visual forms would group together and segregate from dissimilar ones. Perhaps an analogous sort of grouping might be happening in my auditory sequence. Although I had never been trained in auditory perception research, this one subjective experience set me off on a 36-year period of study."
534:(CASA), the principles of ASA have been used in the development of computer systems that carry out ASA automatically, for example segregating speech from other concurrent sounds. The principles have been applied to music to explain the segregation and integration of musical sounds and have also been applied to speech perception ASA has been found in human newborns and in non-human animals, suggesting an innate basis for the process. 99: 25: 537:
In 1992, Bregman set up an electronic mail list, AUDITORY, on the topic of auditory perception. Administered by Professor Daniel P. Ellis, Dept. of Electrical Engineering, Columbia University, it includes over 2500 researchers and practitioners of the auditory arts and sciences in about 45 countries
252:. His ideas about ASA have provided a new framework for research in the auditory systems of both humans and non-human animals, for behavioral and neurological studies of speech perception, for music theory, hearing aids, audio technology, and the separation of speech from other sounds by computers ( 518:
Bregman developed the concept of auditory stream segregation (also called "streaming") to describe how a single sequence of sounds could be interpreted by the auditory system as two or more concurrent streams of sound. Extensive research by Bregman and his students and postdoctoral fellows exposed
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I was preparing an experiment on learning, involving a rapid sequence of unrelated sounds, each about the length of a speech phoneme. I spliced together one-tenth-second segments of many different sounds – water splashing in a sink, a dentist's drill, a tone, a vowel, etc. When I played the tape
302:. His graduate students have included, among others, Gary L. Dannenbring, Valter Ciocca, Howard Steiger, Martine Turgeon, Poppy A.C. Crum, Michael Mills (Communications), James K. Wright (Music), and Francesco Tordini (Electrical Engineering). Postdoctoral fellows in his laboratory have included 393:
Bregman arrived at McGill University in 1965 as an assistant professor in the Department of Psychology, rose to the rank of full professor, and in 1999 received a lifetime post-retirement appointment in the Psychology Department at the rank of emeritus professor. He spent sabbatical periods at
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Bregman's extensive research on ASA yielded one book, one audio compact disk, three articles in encyclopedias or handbooks, 16 book chapters, and 53 papers in scientific journals. In addition he published 12 scientific articles on other perception-related topics, and six on human memory.
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Bregman's first research at McGill was a continuation of his earlier research on memory. However, in 1969, while preparing a recording of a rapid succession of sounds for an experiment on learning, he made a fortuitous discovery.
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set up one of the earliest computer systems for controlling psychological experiments, based on a PDP-4 computer. He also taught two courses in the Harvard Psychology Department. One was the laboratory section of a course in
567: 346:, with a concentration in Philosophy (ethics), in 1957. He received a master's degree in Psychology, also from the University of Toronto, in 1959, after which he worked as a research assistant for two summers for 514:
computer for working with auditory and visual signals and testing human subjects. Laboratory supervisors included Gary Bernstein, Gary Dannenbring, Philippe Grall, Sharif Qureshi, and Pierre Abdel Ahad.
350:, studying how subjective organization affected the process of memorization. In 1963, he received a PhD degree from Yale University, where he had gone, in 1959, to study the formation of concepts with 1468:
Fay, R.R. (2008) Sound source perception and stream segregation in non-human vertebrate animals. In Yost, W. A., Popper, A.N., & Fay, R.R. (Eds.) Auditory perception of sound sources. Springer.
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Bregman, A.S. (1984) Auditory scene analysis. In Proceedings of the Seventh International Congress on Pattern Recognition. Silver Spring, MD: IEEE Computer Society Press, pp. 168-175.
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many of the acoustic variables that controlled this process. Eventually he came to think of streaming as a part of a larger auditory process, which he called "
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Scheirer, E.D. (1996) "Bregman’s chimerae: Music perception as auditory scene analysis". International Conference on Music Perception and Cognition.
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Wang, D., & Brown, G.J. (2006) Computational Auditory Scene Analysis: Principles, Algorithms, and Applications. Wiley-IEEE Press
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Many of Bregman's McGill undergraduate students have gone on to make significant contributions to intellectual life. These include
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Until his death, Bregman held a post-retirement appointment at the rank of emeritus professor in the Department of Psychology at
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Bregman, A.S.; Campbell, J. (1971). "Primary auditory stream segregation and perception of order in rapid sequences of tones".
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Bregman, A.S.; Campbell, J. (1971). "Primary auditory stream segregation and perception of order in rapid sequences of tones".
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Bregman, A.S.; Liao, C.; Levitan, R. (1990). "Auditory grouping based on fundamental frequency and formant peak frequency".
471: 354:. However, after Hovland died in 1961, he did his dissertation research on human memory, supervised by Fred D. Sheffield. 1586: 666:
Bregman, A.S. (1993). Auditory scene analysis: Listening in complex environments. In S.E. McAdams, and E. Bigand (Eds.)
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Wright, J.K.; Bregman, A.S. (1987). "Auditory stream segregation and the control of dissonance in polyphonic music".
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Bregman, A.S. (1981). Asking the "what for" question in auditory perception. In M. Kubovy and J.R. Pomerantz (Eds.),
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Bregman, A.S. (1998). Psychological data and computational ASA. In David F. Rosenthal and Hiroshi G. Okuno (Eds.),
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Moeser, S.D.; Bregman, A.S. (1972). "The role of reference in the acquisition of a miniature artificial language".
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Bregman, A.S. (2007) Auditory scene analysis. In A.I. Basbaum, A. Koneko, G.M. Shepherd & G.Westheimer (Eds.)
327:, Israel. His wife is a retired history professor and active artist. He had three stepdaughters and two stepsons. 1611: 1601: 49: 1371:"An artificial environment is often a noisy environment: auditory scene analysis and speech perception in noise" 479: 45:
correction of typographical errors and tone; biographical data also appears to rely on self-published sources.
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Winkler, I.; Kushnerenko, E.; Horváth, J.; Ceponiene, R.; Fellman, V.; Huotilainen, M.; et al. (2003).
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Bregman, A.S. (2005). "Auditory Scene Analysis and the Role of Phenomenology in Experimental Psychology".
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Bregman, A.S. (2005). "Auditory Scene Analysis and the Role of Phenomenology in Experimental Psychology".
1067:"Cumulation of the tendency to segregate auditory streams: Resetting by changes in location and loudness" 475: 387: 339: 575: 283: 256:). In acknowledgement of these contributions, he was called "the father of auditory scene analysis". 40: 1311: 752: 1208:
Coren, S., & Ward, L.M. (2004). Sensation and Perception. Sixth Edition. John Wiley & Sons
555: 527: 520: 495: 467: 459: 431: 379: 268: 241: 226: 181: 177: 160: 1306: 747: 562:. In 1995 he was awarded the Jacques Rousseau Medal for interdisciplinary contributions by the 451: 362: 455: 343: 146: 642:, P. Dallos & D. Oertel (Volume Eds.) San Diego: Academic Press, 2008, pp. 861–870. 271:, Learning Theory, Auditory Perception, Psychological Theory, and honors research seminars. 1576: 1571: 1423: 478:, as well as at research institutes including Advanced Technology Research (ATR) in Kyoto, 427: 399: 264: 8: 435: 403: 1427: 624:
Bregman, A.S. (2004) Auditory scene analysis. In N.J. Smelzer & P.B. Baltes (Eds.)
1547: 1490: 1003: 966: 815: 483: 447: 415: 395: 383: 370: 234: 1446: 1411: 1224: 1162: 790: 701: 414:. He gave invited lectures on auditory scene analysis at many universities, including 1551: 1539: 1491:"CPA Donald O. Hebb Award for Distinguished Contributions to Psychology as a Science" 1451: 1392: 1324: 1189: 1144: 1088: 1053: 995: 958: 954: 912: 879: 844: 811: 765: 726: 260: 230: 195: 185: 35: 1007: 978:
Bregman, A.S.; Mills, M.I. (1982). "Perceived movement: the Flintstone constraint".
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CPA Donald O. Hebb Award for Distinguished Contributions to Psychology as a Science
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Bregman, A.S. (1967). "Distribution of practice and between-trials interference".
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Demonstrations of Auditory Scene Analysis: The Perceptual Organization of Sound.
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Proceedings of the National Academy of Sciences of the United States of America
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Bregman, A.S. (1978). The formation of auditory streams. In J. RĂ©quin (Ed.),
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To support this research, he developed a computer-based laboratory based on a
225:(September 15, 1936 – May 18, 2023) was a Canadian academic and researcher in 1565: 1543: 892: 411: 347: 299: 287: 275: 240:
Bregman was known for having defined and conceptually organized the field of
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Bregman, A.S. (1977). "Perception and behavior as compositions of ideals".
295: 263:. Arriving at McGill in 1965, he became the first professor there to teach 1328: 1092: 1057: 999: 962: 769: 730: 916: 883: 848: 558:
in 1995. From 1984 to 1986 he held a Killam Research Fellowship from the
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Journal of Experimental Psychology: Human Perception and Performance
98: 482:(NTT) in Tokyo, the Kitano Symbiotic Systems Project in Tokyo, and 1409: 267:. He also taught courses on Computer and Man, Research methods in 858:"Auditory streaming: competition among alternative organizations" 626:
International Encyclopedia of the Social and Behavioral Sciences.
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Auditory Scene Analysis: the perceptual Organization of Sound (
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McAdams, S.; Bregman, A.S. "Hearing musical streams. (1979)".
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Cambridge, Mass.: Bradford Books, MIT Press. (Paperback, 1994)
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Auditory Scene Analysis: The Perceptual Organization of Sound.
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Auditory scene analysis: The perceptual organization of sound
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Sussman, E.; Bregman, A. S.; Wang, W.J.; Khan, F.J. (2005).
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Bregman, A.S. (1966). "Is recognition memory all-or-none?".
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Bregman, A.S. (1978). "Auditory streaming is cumulative".
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Bregman's work on ASA had influences outside the field of
895:(1978). "Auditory streaming and the building of timbre". 681: 640:
The Senses: A Comprehensive Reference, Vol. 3, Audition
1120: 237:, primarily in the perceptual organization of sound. 373:, where he continued to study memory. There, he and 1369:Ueda, K.; Nakajima, Y.; Akahane-Yamada, R. (2005). 1296: 1127:
Cognitive, Affective, & Behavioral Neuroscience
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Center for Computer Research in Music and Acoustics
357:From 1962 to 1965, he was a research fellow at the 1035: 1412:"Newborn infants can organize the auditory world" 631:Bregman, A.S. (2008) Auditory scene analysis. In 628:Amsterdam: Pergamon (Elsevier). pp. 940–942. 1563: 670:London: Oxford University Press, pp. 10–36. 338:Bregman received a Bachelor of Arts degree from 330:Bregman died on May 18, 2023, at the age of 86. 737: 614:Audio compact disk. (Distributed by MIT Press). 779:Journal of Verbal Learning and Verbal Behavior 690:Journal of Verbal Learning and Verbal Behavior 635:(L.R. Squire, Editor.) Oxford: Academic Press. 16:Canadian psychologist and academic (1936–2023) 1064: 1014: 890: 776: 1218: 1216: 1214: 977: 923: 489: 97: 1445: 1435: 1386: 1310: 1211: 1138: 1082: 873: 751: 663:Hillsdale, New Jersey: Lawrence Erlbaum. 646: 68:Learn how and when to remove this message 656:Hillsdale, New Jersey: Lawrence Erlbaum. 585: 572:Queen Elizabeth II Diamond Jubilee Medal 1269: 1183: 1179: 1177: 1099: 936: 855: 826: 797: 708: 687: 619:Articles in encyclopedias and handbooks 610:Bregman, A.S., & Ahad, P.A. (1996) 319:Bregman was born to a Jewish family in 1597:Fellows of the Royal Society of Canada 1564: 1514: 1161:For a full list of publications, see: 682:Selected papers in scientific journals 675:Computational Auditory Scene Analysis. 564:Association francophone pour le savoir 386:; the other was a graduate seminar in 306:, Sheila Williams, and Brian Roberts. 1225:"Al Bregman, Auditory Scene Analysis" 1156: 604: 532:Computational auditory scene analysis 1174: 1163:Al Bregman, Auditory scene analysis. 1065:Rogers, W.L.; Bregman, A.S. (1998). 541: 18: 1582:Academic staff of McGill University 1222: 406:, where he was associated with the 13: 1495:Canadian Psychological Association 1375:J Physiol Anthropol Appl Human Sci 1299:Journal of Experimental Psychology 740:Journal of Experimental Psychology 552:American Psychological Association 548:Canadian Psychological Association 546:Bregman was elected fellow of the 333: 14: 1623: 294:, Stephen McAdams, Bruce Walker, 23: 1508: 1483: 1471: 1462: 1403: 1362: 1188:. Cambridge, Mass.: MIT Press. 1353: 1344: 1335: 1290: 1263: 1238: 1202: 1071:Perception & Psychophysics 1038:Canadian Journal of Psychology 897:Canadian Journal of Psychology 862:Perception & Psychophysics 711:Canadian Journal of Psychology 654:Attention and Performance VII. 480:Nippon Telegraph and Telephone 1: 1167: 791:10.1016/s0022-5371(72)80010-0 702:10.1016/s0022-5371(66)80098-1 633:Encyclopedia of Neuroscience. 298:, Alexander I. Rudnicky, and 1515:Dozois, David J. A. (2018). 955:10.1016/0010-0277(81)90022-6 812:10.1016/0010-0285(77)90009-3 359:Center for Cognitive Studies 309: 7: 1259:– via Remembering.ca. 566:. In 2004, he received the 314: 43:. The specific problem is: 10: 1628: 1587:Jewish Canadian scientists 939:"Chomsky without language" 576:Governor General of Canada 493: 1029:10.1080/07494468708567054 1017:Contemporary Music Review 841:10.1037/0096-1523.4.3.380 211: 201: 191: 173: 166: 156: 142: 130: 108: 96: 82: 1478:http://www.auditory.org/ 1184:Bregman, Albert (1990). 661:Perceptual Organization. 590: 476:New University of Lisbon 244:(ASA) in his 1990 book, 1607:Scientists from Toronto 1437:10.1073/pnas.2031891100 556:Royal Society of Canada 528:experimental psychology 521:auditory scene analysis 496:Auditory scene analysis 490:Auditory scene analysis 380:experimental psychology 269:experimental psychology 242:auditory scene analysis 227:experimental psychology 182:experimental psychology 178:Auditory scene analysis 161:Auditory scene analysis 1612:Yale University alumni 1602:Canadian psychologists 937:Bregman, A.S. (1981). 926:Computer Music Journal 856:Bregman, A.S. (1978). 647:Selected book chapters 596:Bregman, A.S. (1990). 508: 218:Albert Stanley Bregman 84:Albert Stanley Bregman 586:Selected publications 530:. In a field called 503: 344:University of Toronto 290:, Alfonso Caramazza, 147:University of Toronto 800:Cognitive Psychology 677:Mahwah, NJ: Erlbaum. 410:(CCRMA), founded by 400:University of Sussex 265:cognitive psychology 50:improve this article 39:to meet Knowledge's 1592:Auditory scientists 1524:Canadian Psychology 1428:2003PNAS..10011812W 1422:(20): 11812–11815. 1272:Canadian Psychology 1140:10.3758/cabn.5.1.93 1102:Canadian Psychology 550:(CPA) in 1978, the 404:Stanford University 1536:10.1037/cap0000135 1388:10.2114/jpa.24.129 1157:Other publications 1084:10.3758/bf03206171 875:10.3758/bf03204141 668:Thinking in sound. 605:Audio compact disk 538:(as of Aug 2011). 486:in San Francisco. 396:Cornell University 384:Richard Herrnstein 371:Harvard University 340:University College 235:Gestalt psychology 119:September 15, 1936 1195:978-0-262-02297-2 570:and in 2012, the 554:in 1984, and the 542:Honors and awards 261:McGill University 231:cognitive science 215: 214: 207:Fred D. Sheffield 196:McGill University 186:cognitive science 168:Scientific career 78: 77: 70: 41:quality standards 32:This article may 1619: 1556: 1555: 1521: 1512: 1506: 1505: 1503: 1502: 1487: 1481: 1475: 1469: 1466: 1460: 1459: 1449: 1439: 1407: 1401: 1400: 1390: 1366: 1360: 1357: 1351: 1348: 1342: 1339: 1333: 1332: 1321:10.1037/h0031163 1314: 1294: 1288: 1287: 1284:10.1037/h0085822 1267: 1261: 1260: 1258: 1256: 1250:Montreal Gazette 1246:"Albert Bregman" 1242: 1236: 1235: 1233: 1231: 1220: 1209: 1206: 1200: 1199: 1181: 1152: 1142: 1117: 1114:10.1037/h0085822 1096: 1086: 1077:(7): 1216–1227. 1061: 1050:10.1037/h0084255 1032: 1011: 974: 933: 920: 909:10.1037/h0081664 887: 877: 852: 823: 794: 773: 762:10.1037/h0031163 755: 734: 723:10.1037/h0082962 705: 375:Donald A. Norman 367:Jerome S. Bruner 363:George A. Miller 321:Toronto, Ontario 304:Richard Parncutt 224: 203:Doctoral advisor 137: 123:Toronto, Ontario 118: 116: 101: 91: 80: 79: 73: 66: 62: 59: 53: 27: 26: 19: 1627: 1626: 1622: 1621: 1620: 1618: 1617: 1616: 1562: 1561: 1560: 1559: 1519: 1513: 1509: 1500: 1498: 1489: 1488: 1484: 1476: 1472: 1467: 1463: 1408: 1404: 1367: 1363: 1358: 1354: 1349: 1345: 1340: 1336: 1312:10.1.1.615.7744 1295: 1291: 1268: 1264: 1254: 1252: 1244: 1243: 1239: 1229: 1227: 1221: 1212: 1207: 1203: 1196: 1182: 1175: 1170: 1159: 992:10.1068/p110201 891:Bregman, A.S.; 753:10.1.1.615.7744 684: 649: 621: 607: 593: 588: 544: 498: 492: 388:learning theory 361:established by 352:Carl I. 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FRSC

Toronto, Ontario
University of Toronto
Yale University
Auditory scene analysis
Auditory scene analysis
experimental psychology
cognitive science
McGill University
Doctoral advisor
FRSC
experimental psychology
cognitive science
Gestalt psychology
auditory scene analysis
MIT Press
CASA
McGill University
cognitive psychology
experimental psychology
Steven Pinker
Adam Gopnik
Paul Bloom
Stevan Harnad
Marcel Just

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