560:) was published in 1941. This was and is considered one of Savinio's finest novels, containing a witty but intensely narrative-driven style, an autobiographical fantasy about his childhood in Athens (Nivasio is an anagram for Savinio). 1950 saw the publication of two more operas by Savinio, Orfeo vedova and Agenzia Fix. Savinio completed his fifth and final opera, conceived for the radio,
594:. Savinio chose this name partly because Savine was a relative unknown in the literary world. Savinio believed that the selection of a penname allowed him a moment of self-determination; something in which he could choose his own destiny. For Savinio, being an ethnic and cultural Italian was much like a cultural penname for him. In his somewhat autobiographical novel,
401:). Scuola Metafisica became known as one of the most significant artistic experiences of twentieth-century Italy. In 1917, Savinio was sent to Greece as an interpreter for Italian troops. While stationed there, Savinio gained the chance to rediscover his childhood play-world of Greece, and the influence can be seen in his first published novel,
492:'s Teatro d'Arte in Rome, Italy. The theater had always been a favorite medium for Savinio as it was in many ways a crossroads of the visual, musical and linguistic creativities. Savinio immersed himself in every aspect of the theater, from scripting, to set design. While working at the Teatro d'Arte he wrote
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I was surprised and beguiled; Savinio mistreated his instrument so much that after each piece the keyboard had to be cleared of chips and splinters. I foresee that within two years he will have gutted every piano in Paris. Savinio will then go on to destroy every piano in the universe, which may be a
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was published this year, as well. The novel tells the story of
Angelica, a poor actress working in a second rate theater in Greece at the end of the nineteenth-century and Baron Felix von Rothspeer, a loveless, older aristocrat. In many ways, Savinio makes the theater a central character in the plot;
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as an engineer for the Societé des
Chemins de Fer de la Thessalie. His elder brother, three years his senior, was the renowned artist Giorgio de Chirico. Andrea also had an elder sister named Adele (or Adelaide), who died six months before his birth. Later in his life, Andrea would reflect upon his
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Judgments of
Savinio's work varied wildly depending on the phase of his life and the reviewer. Many of Savinio's most critically praised works are also amongst his most disliked and misunderstood. This is largely due to Savinio's frequent and controversial use of modernist techniques for creative
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as an
Italian born outside of Italy, Nivasio Dolcemare considers himself privileged. This "indirect" birth is an ironic situation, as stylistic solution, a condition that has added certain nuances, certain subtleties, certain half and quarter-tone passages to the national faculties of the man
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house, which
Savinio describes as being "inhabited by Ghosts". The novel is, in many ways, a darkly comic and grotesque revue of modern life. The scenes of the novel, are at once hyper real and fantastically abstract, with great attention being given to the unconscious.
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by his mother, while living in Greece. He often depicts his father as educationally restrictive, authoritarian and oppressive. Partly due to his restrictive learning environment at home, Andrea learned to love Greece. At a young age he became enthralled by the
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dealt largely with the concept of sleep (interpretatively referred to as "The Half Death") and was filled with odd, mechanical toy-like characters. This poem's description of the faceless dummy later became a hallmark in the paintings of
Giorgio de Chirico.
423:. Hermaphrodito was also a meld of autobiography, fiction, thoughts and fantasies; it has even been called a war journal, as it often deals with specific experiences from World War I. Savinio claimed a very personal connection to the novel, once stating, "
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There is evidence to suggest, however, that their relationship frayed in later life. Although their deceased sister Adele appears in and is mentioned frequently in
Savinio's memoirs and autobiographies, Giorgio fails to appear at all in any of them.
498:, a three-act drama considered fundamental to his body of work. The play was advertised in 1926, but not actually performed due to problems in the theater company. The play was eventually published in 1934, and staged at the
626:, the warrior twins. As children, there was tremendous collaboration between the brothers that led to strong overlap of themes later in life. The most well noted of these overlapping themes was that of the mythical Greek
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By 1911, when Andrea was twenty, his music had become popular enough to be performed in public in Munich. The same year, Andrea set out on his own, moving to Paris, France an epicenter of activity for the
European
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Dolcemare which "direct" birth would not have permitted ⊠. Italian more
Italian than the Italian since the "Italian" in him is not a "place of birth", but a condition discovered, wanted, conquered.
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in Paris. Savinio's contributions to the Avant-Garde movement during this period sharply contrast with the provincialism that was favored by the
National Fascist Party in Italy at this time.
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98:(25 August 1891 â 5 May 1952) was a Greek-Italian writer, painter, musician, journalist, essayist, playwright, set designer and composer. He was the younger brother of '
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in his father's memory. Andrea's family then returned to their ethnic homeland of Italy. Staying briefly in Italy, the family again relocated, this time to
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was written primarily in French, but also included passages written in Italian. The poem consisted of a single act, containing four loosely linked scenes.
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In 1928, Savinio's daughter, Angelica, was born in Paris; his son, Ruggero, was then born in 1934. Both of his children were named for characters from
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427:" (Everything that I am springs from there. Everything that I have done comes from there.). After World War I, Savinio relocated to Rome.
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in Rome in 1938. Also while working at the Teatro d'Arte, Savinio met Maria Morino, and proceeded to marry her the following year.
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presents a situation in which the world of adults and "artistic" creativity is contrasted with the world of childhood imaginings.
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In 1926, Savinio returned to Paris, and began to paint seriously. In 1927, he gave his first one-man show as a painter, at the
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In addition to his homeschooling, Andrea also enjoyed a strong musical education. At the age of twelve, he graduated from the
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480:). Set in 1910 Paris, the novel tells the story of the protagonist-narrator, who is apparently renting a room from a typical
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foreign birth as a special opportunity to determine his own destiny through the determination of his own national identity.
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From a very young age, Savinio's piano playing impressed critics nearly unanimously. Guillaume Apollinaire said of it:
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it is painted as a place where the senses and romance can be deeply explored and discovered.
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Fraquelli, Simonetta. "DĂŒsseldorf and Munich De Chirico and Savinio".
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Art of enigma: the de Chirico brothers and the politics of modernism
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Tutto che io sono nasce da li. Tutto che ho fatto viene da li
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created a room devoted solely to Savinio's artistic legacy.
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were nearly inseparable, even referring to themselves as
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The penname "Alberto Savinio" was an Italianization of
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Alberto Savinio. Savinio founded the musical movement
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Capozzi, Rocco, and Luca Somigli. "Alberto Savinio".
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733:. p. 264. Detroit: Thomson Gale, 2002. Print.
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769:. Penn State Press. p. 2.
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459:was finally published in 1937.
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913:Paintings
628:Argonauts
570:, Italy.
539:criticism
482:bourgeois
323:polyphony
300:Max Jacob
276:modernist
237:Max Reger
143:Max Jacob
438:La Ronda
166:Born in
1087:Related
1052:Museums
953:Ariadne
822:24 June
620:Giorgio
468:Perseus
383:Ferrara
327:harmony
315:penname
288:critics
260:Ricordi
249:Carmela
241:Carmela
229:requiem
202:culture
172:Genoese
135:Picasso
127:memoirs
1079:(2010)
1044:(1950)
1036:(1922)
1028:(1921)
1004:(1916)
996:(1916)
988:(1915)
980:(1914)
972:(1914)
964:(1914)
956:(1913)
948:(1913)
940:(1913)
924:(1911)
773:
421:poetry
335:rhythm
302:, and
255:, and
233:Munich
168:Athens
145:, and
119:operas
417:prose
347:), a
284:poets
221:piano
210:irony
824:2023
771:ISBN
590:and
568:Rome
419:and
333:and
325:and
308:mime
274:and
223:and
208:and
157:Life
125:and
110:and
57:Died
45:Born
531:'s
1130::
857:^
832:^
814:.
785:^
755:^
738:^
686:^
674:.
541:.
407:.
298:,
294:,
286:,
266:.
247:.
212:.
153:.
141:,
137:,
133:,
898:e
891:t
884:v
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