4446:, and Dell was in turn acquired by Crosstown Publications in 1996. That year the Mid-December issues stopped appearing, and the following year the July and August issues were combined into a single bimonthly issue. An ebook edition became available in 2000 and has become increasingly popular, with the ebook numbers not reflected in the published annual circulation numbers, which by 2011 were down to under 27,000. In 2004 the January and February issues were combined, so that only ten issues a year appeared. Having just surpassed John W. Campbell's tenure of 34 years, Schmidt retired in August 2012. His place was taken by
5323:, and his scientific background was well-suited to the magazine's readership. He avoided making drastic changes, and continued the long-standing tradition of writing provocative editorials, though he rarely discussed science fiction. In 1979 he resurrected "Probability Zero", a feature that Campbell had run in the early 1940s that published tall tales—humorous stories with ludicrous or impossible scientific premises. Also in 1979 Schmidt began a series of columns titled "The Alternate View", an opinion column that was written in alternate issues by
2965:
date gave the impression that it was a weekly magazine. The cover date was changed back to the current month starting with the April 1982 issue, but the new schedule remained in place, with a "Mid-September" issue in 1982 and 1983, and "Mid-December" issues for more than a decade thereafter. Circulation trended slowly down over the 1980s, to 83,000 for the year ending in 1990; by this time the great majority of readers were subscribers, as newsstand sales declined to only 15,000.
4671:
2718:
8906:
4564:, a nonfiction work about strange and inexplicable phenomena, in eight parts between April and November 1934, in an attempt to stimulate new ideas for stories. The best-remembered story of 1934 is probably Jack Williamson's "The Legion of Space", which began serialization in April, but other notable stories include Murray Leinster's "Sidewise in Time", which was the first genre science fiction story to use the idea of
4534:, dated October 1933. This issue and the next were unremarkable in quality, but with the December issue, Tremaine published a statement of editorial policy, calling for "thought variant" stories containing original ideas and not simply reproducing adventure themes in a science fiction context. The policy was probably worked out between Tremaine and Desmond Hall, his assistant editor, in an attempt to give
4642:" in June 1936, though protests from science fiction purists occurred. Generally, however, Tremaine was unable to maintain the high standard he had set in the first few years, perhaps because his workload was high. Tremaine's slow responses to submissions discouraged new authors, although he could rely on regular contributors such as Jack Williamson, Murray Leinster, Raymond Gallun, Nat Schachner, and
33:
4926:, began serialization; the book was partly inspired by a challenge Campbell laid down to van Vogt that it was impossible to tell a superman story from the point of view of the superman. It proved to be one of the most popular stories Campbell published, and is an example of the way Campbell worked with his writers to feed them ideas and generate the material he wanted to buy. Isaac Asimov's
2734:. The "/" in the title was often replaced by a symbol of Campbell's devising, resembling an inverted U pierced by a horizontal arrow and meaning "analogous to". The change began with the February 1960 issue, and was complete by October; for several issues both "Analog" and "Astounding" could be seen on the cover, with "Analog" becoming bolder and "Astounding" fading with each issue.
4863:, were publishing space opera, stories of interplanetary adventure, or other well-worn ideas from the early days of the genre. Campbell's attempts to make science fiction more mature led to a natural division of the writers: those who were unable to write to his standards continued to sell to other magazines; and those who could sell to Campbell quickly focused their attention on
4879:", Asimov's first sale to Campbell and his second story to see print. Later fans identified the issue as the start of the Golden Age. Other first sales that year included Heinlein's "Lifeline" in August and Sturgeon's "Ether Breather" the following month. One of the most popular authors of space opera, E.E. Smith, reappeared in October, with the first installment of
4683:
the stories in order. The payment rate at the time was one cent a word, and Street & Smith agreed to let
Campbell pay a bonus of an extra quarter-cent a word to the writer whose story was voted top of the list. Unlike other editors Campbell paid authors when he accepted—not published—their work; publication usually occurred several months after acceptance.
4468:
4990:, which was serialized in 1945. Kuttner and Moore contributed a humorous series about an inventor, Galloway Gallegher, who could only invent while drunk, but they were also capable of serious fiction. Campbell had asked them to write science fiction with the same freedom from constraints that he had allowed them in the fantasy works they were writing for
4687:
stories in a magazine of the future; a reader of the future would not need long explanations for the gadgets in their lives, so
Campbell asked his writers to find ways of naturally introducing technology to their stories. He also instituted regular nonfiction pieces, with the goal of stimulating story ideas. The main contributors of these were
2701:, but in 1939 a new magazine with that title appeared. Although "Astounding" was retained in the title, thereafter it was often printed in a color that made it much less visible than "Science-Fiction". At the start of 1942 the price was increased, for the first time, to 25 cents; the magazine simultaneously switched to the larger
294:, one of his editors at the time, Hersey had "discussed plans with Clayton to launch a pseudo-science fantasy sheet". Clayton was unconvinced, but the following year decided to launch a new magazine, mainly because the sheet on which the color covers of his magazines were printed had a space for one more cover. He suggested to
5070:'s first sale, "Alexander the Bait", appeared in May 1946, and H. Beam Piper's "Time and Time Again" in the April 1947 issue was his first story. Along with these newer writers, Campbell was still publishing strong material by authors who had become established during the war. Among the better-known stories of this era are "
5235:
to continue to focus on stories with a scientific foundation, though he also made it clear that change was inevitable. Over his first few months some long-time readers sent in letters of complaint when they judged that Bova was not living up to
Campbell's standards, particularly when sex scenes began
4682:
until the March 1938 issue, Campbell was able to introduce some new features before then. In
January 1938, he began to include a short description of stories in the next issue, titled "In Times To Come"; and in March, he began "The Analytical Laboratory", which compiled votes from readers and ranked
4979:
Campbell emphasized scientific accuracy over literary style. Asimov, Heinlein, and de Camp were trained scientists and engineers. After 1942, several of the regular contributors such as
Heinlein, Asimov, and Hubbard, who had joined the war effort, appeared less frequently. Among those who remained,
4808:
as "possibly the greatest single adventure story in science fiction history", began serialization in the following issue. De Camp contributed a nonfiction article, "Language for Time
Travelers", in the July issue, which also contained Hubbard's first science fiction sale, "The Dangerous Dimension".
4686:
Campbell wanted his writers to provide action and excitement, but he also wanted the stories to appeal to a readership that had matured over the first decade of the science fiction genre. He asked his writers to write stories that felt as though they could have been published as non-science fiction
2729:
was priced at 50 cents in some areas to find out what the impact would be on circulation. The results were apparently satisfactory, and the price was raised with the
November 1959 issue. The following year, Campbell finally achieved his goal of getting rid of the word "Astounding" in the magazine's
6733:
A British edition published by Atlas
Publishing and Distributing Company ran from August 1939 until August 1963, initially in pulp format, switching to digest from November 1953. The pulp issues began at 96 pages, then dropped to 80 pages with the March 1940 issue, and to 64 pages in December that
4813:
to the pulps for several years by that time. The same issue contained
Clifford Simak's "Rule 18"; Simak had more-or-less abandoned science fiction within a year after breaking into the field in 1931, but he was drawn back by Campbell's editorial approach. The next issue featured one of Campbell's
5101:
In the
November 1948 issue, Campbell published a letter to the editor by a reader named Richard A. Hoen that contained a detailed ranking of the contents of an issue "one year in the future". Campbell went along with the joke and contracted stories from most of the authors mentioned in the letter
5025:
was still not known to the public; Cartmill used his background in atomic physics to assemble a plausible story that had strong similarities to the real-world secret research program. Military Intelligence agents called on Campbell to investigate, and were satisfied when he explained how Cartmill
2654:
in that stack. Two days before press time of each magazine, Tremaine would start reading. He would start at the top of the pile and read stories until he had found enough to fill the issue. Now, to be perfectly fair, Tremaine would take the stack of remaining stories and turn it upside down, so
5468:
was phased in between February and October (i.e., the words "Astounding" and "Analog" both appeared on the cover, with "Analog" gradually increasing in prominence over the months, culminating in the name "Astounding" being completely dropped.) In April 1965 the subtitle was reversed, so that the
2964:
to a four-weekly schedule, rather than monthly, to align the production schedule with a weekly calendar. Instead of being dated "January 1981", the first issue under the new regime was dated "January 5, 1981", but this approach led to newsstands removing the magazine much more quickly, since the
2678:
under his own name, and more thoughtful stories under the pseudonym "Don A. Stuart". He started working for Street & Smith in October 1937, so his initial editorial influence appeared in the issue dated December 1937. The March 1938 issue was the first that was fully his responsibility. In
6738:
until October 1953; thereafter it was 1/6 until February 1961, and 2/6 until the end of the run. The material in the British editions was selected from the U.S. issues, most stories coming from a single U.S. number, and other stories picked from earlier or later issues to fill the magazine. The
5336:
no longer permits itself to be read." The magazine thrived nevertheless, and though part of the increase in circulation during the early 1980s may have been due to Davis Publications' energetic efforts to increase subscriptions, Schmidt knew what his readership wanted and made sure they got it,
5327:
and Jerry Pournelle, and which is still a feature of the magazine as of 2016, though now with different contributors. The stable of fiction contributors remained largely unchanged from Bova's day, and included many names, such as Poul Anderson, Gordon R. Dickson, and George O. Smith, familiar to
4930:
began to take shape in 1941, with "Reason" and "Liar!" appearing in the April and May issues; as with "Slan", these stories were partly inspired by conversations with Campbell. Van Vogt's "The Seesaw", in the July 1941 issue, was the first story in his "Weapon Shop" series, described by critic
2531:
to a bimonthly schedule with the June 1932 issue. Some printers bought the magazines which were indebted to them: Clayton decided to buy his printer to prevent this from happening. This proved a disastrous move. Clayton did not have the money to complete the transaction, and in October 1932,
5439:
was published in pulp format until the January 1942 issue, when it switched to bedsheet. It reverted to pulp for six issues, starting in May 1943, and then became the first of the genre sf magazines to be published in digest format, beginning with the November 1943 issue. The format remained
4976:, all of whom became regular contributors. The September 1942 issue contained del Rey's "Nerves", which was one of the few stories to be ranked top by every single reader who voted in the monthly Analytical Laboratory poll; it dealt with the aftermath of an explosion at a nuclear plant.
2526:
caused Clayton problems. Normally a publisher would pay a printer three months in arrears, but when a credit squeeze began in May 1931, it led to pressure to reduce this delay. The financial difficulties led Clayton to start alternating the publication of his magazines, and he switched
5444:
between March 1963 and March 1965, after which it returned to digest format. In May 1998, and again in December 2008, the format was changed to be slightly larger than the usual digest size: first to 8.25 x 5.25 in (210 x 135 mm), and then to 8.5 x 5.75 in (217 x 148 mm).
5194:. The spaceship is carrying urgently needed medical supplies to a planet in distress, and has a single pilot; the ship does not have enough fuel to reach the planet if the girl stays on the ship, so the "cold equations" of physics force the pilot to jettison the girl, killing her.
2786:
s inventory to allow the remaining staff to put together issues for the rest of the year. Condé Nast had given the magazine very little attention, since it was both profitable and cheap to produce, but they were proud that it was the leading science fiction magazine. They asked
2612:
was the leading science fiction magazine by the end of 1934, and it was also the largest, at 160 pages, and the cheapest, at 20 cents. Street & Smith's rates of one cent per word (sometimes more) on acceptance were not as high as the rates paid by Bates for the Clayton
2815:
was interested, but suspected his desire to change the direction of the magazine lessened his chances with Condé Nast. The Condé Nast vice president in charge of selecting the new editor decided to read both fiction and nonfiction writing samples from the applicants, since
8909:
4580:'s "Old Faithful", which appeared in the December 1934 issue and was sufficiently popular that Gallun wrote a sequel, "Son of Old Faithful", published the following July. Space opera continued to be popular, though, and two overlapping space opera novels were running in
4576:", by John W. Campbell, writing as Don A. Stuart. "Twilight", which was written in a more literary and poetic style than Campbell's earlier space opera stories, was particularly influential, and Tremaine encouraged other writers to produce similar stories. One such was
101:. At the end of 1937, Campbell took over editorial duties under Tremaine's supervision, and the following year Tremaine was let go, giving Campbell more independence. Over the next few years Campbell published many stories that became classics in the field, including
4698:
Campbell changed the approach to the magazine's cover art, hoping that more mature artwork would attract more adult readers and enable them to carry the magazine without embarrassment. Howard V. Brown had done almost every cover for the Street & Smith version of
4545:
The "thought variant" policy may have been introduced for publicity, rather than as a real attempt to define the sort of fiction Tremaine was looking for; the early "thought variant" stories were not always very original or well executed. Ashley describes the first,
5272:" sequence; Campbell had rejected it, listing multiple reasons including the frequent use of profanity and the implausibility of men and women serving in combat together. Bova asked to see it again and ran it without asking for changes. Other new writers included
2960:, so Schmidt regarded the change as likely to be beneficial, and in fact circulation quickly grew, reversing a gradual decline over the Bova years, from just over 92,000 in 1981 to almost 110,000 two years later. Starting with the first 1981 issue, Davis switched
4867:
and sold relatively little to the other magazines. The expansion of the market also benefited Campbell because writers knew that if he rejected their submissions, they could resubmit those stories elsewhere; this freed them to try to write to his standards.
4735:, because of the immense influence he had on the genre. Within two years of becoming editor, he had published stories by many of the writers who would become central figures in science fiction. The list of names included established authors like
231:, who continued to publish many of the same authors who had been contributing for years; the result was some criticism of the magazine as stagnant and dull, though Schmidt was initially successful in maintaining circulation. The title was sold to
5026:
had been able to make so many accurate guesses. In the words of science fiction critic John Clute, "Cartmill's prediction made sf fans enormously proud", as some considered the story proof that science fiction could be predictive of the future.
2830:
Bova planned to stay for five years, to ensure a smooth transition after Campbell's sudden death; the salary was too low for him to consider remaining indefinitely. In 1975, he proposed a new magazine to Condé Nast management, to be titled
2595:
The first Street & Smith issue was dated October 1933; until the third issue, in December 1933, the editorial team was not named on the masthead. Street & Smith had an excellent distribution network, and they were able to get
4554:, was not a new idea, but was energetically written. Over the succeeding issues, it became apparent that Tremaine was genuinely willing to publish material that would have fallen foul of editorial taboos elsewhere. He serialized
2485:. The first issue appeared in January 1930, with Bates as editor. Bates aimed for straightforward action-adventure stories, with scientific elements only present to provide minimal plausibility. Clayton paid much better rates than
2713:
in November 1943, increasing the number of pages to maintain the same total word count. The price remained at 25 cents through these changes in format. The hyphen was dropped from the title with the November 1946 issue.
5341:
for the kind of science fiction I've described here: good stories about people with problems in which some piece of plausible (or at least not demonstrably implausible) speculative science plays an indispensable role".
2536:, with the expectation that the January 1933 issue would be the last one. As it turned out, enough stories were in inventory, and enough paper was available, to publish one further issue, so the last Clayton
2679:
early 1938, Street & Smith abandoned its policy of having editors-in-chief, with the result that Tremaine was made redundant. His departure, on May 1, 1938, gave Campbell a freer rein with the magazine.
2578:, and who had come to Street & Smith as part of the transfer of titles after Clayton's bankruptcy. Desmond Hall, who had also come from Clayton, was made assistant editor; because Tremaine was editor of
196:
took over from 1972 to 1978, and the character of the magazine changed noticeably, since Bova was willing to publish fiction that included sexual content and profanity. Bova published stories such as
4984:, all of whom were less oriented towards technology in their fiction than writers like Asimov or Heinlein. This led to the appearance of more psychologically oriented fiction, such as van Vogt's
5046:
was still the leading magazine in the field, it was no longer the only market for the writers who had been regularly selling to Campbell. Many of the best new writers still broke into print in
5002:, serialized in 1943, was set in a world where scientific knowledge is hidden from the masses and presented as magic; as with Kuttner and Moore, he was simultaneously publishing fantasies in
4490:
and similarly action-filled; the first issue showed a giant beetle attacking a man. Bates would not accept any experimental stories, relying mostly on formulaic plots. In the eyes of
220:" sequence; Pohl had been unable to sell to Campbell, and "Hero" had been rejected by Campbell as unsuitable for the magazine. Bova won five consecutive Hugo Awards for his editing of
7039:
For example, Malcolm Edwards and Brian Stableford describe the story as a "classic", and Ashley describes it as "a brilliant story merging the wonders of the unknown with its horrors".
2662:
In 1936 the magazine switched from untrimmed to trimmed edges; Brian Stableford comments that this was "an important symbolic" step, as the other sf pulps were still untrimmed, making
2725:
The price increased again, to 35 cents, in August 1951. In the late 1950s, it became apparent to Street & Smith that they were going to have to raise prices again. During 1959,
9784:
9023:
2791:, who had been Campbell's assistant, to help them find a replacement: she contacted regular contributors to ask for suggestions. Several well-known writers turned down the job;
2659:
Gruber pointed out that stories in the middle might go many months before Tremaine read them; the result was erratic response times that sometimes stretched to over 18 months.
4711:
in February 1939; Rogers quickly became a regular, painting all but four of the covers between September 1939 and August 1942. They differentiated the magazine from rivals.
2764:
were changed to glossy paper, to carry both advertisements and scientific features. The change did not attract advertising support, however, and from the April 1965 issue
9774:
9520:
9292:
5106:, by Heinlein. Other stories and articles were written by some of the most famous authors of the time: Asimov, Sturgeon, del Rey, van Vogt, de Camp, and the astronomer
186:; he had long wanted to get rid of the word "Astounding" in the title, which he felt was too sensational. At about the same time Street & Smith sold the magazine to
4956:" stories; "Foundation" appeared in May and "Bridle and Saddle" in June. The March 1942 issue included Van Vogt's novella "Recruiting Station", an early version of a
9754:
4719:
was the last magazine I picked up" as a child because, without covers showing men with ray guns and women with large breasts, "it didn't look like an SF magazine".
4662:". Tremaine printed some nonfiction articles during his tenure, with Campbell providing an 18-part series on the solar system between June 1936 and December 1937.
2827:, afterwards telling Bova that his stories and articles "were the only ones I could understand". January 1972 was the first issue to credit Bova on the masthead.
17:
2835:; he wanted to publish articles about science and technology, leavened with some science fiction stories. Condé Nast was not interested, and refused to assist
5456:
from February 1931 to November 1932, and the longer title returned for the three Clayton issues at the start of 1933. The Street & Smith issues began as
5190:" appeared. The story, about a girl who stows away on a spaceship, generated much reader debate, and has been described as capturing the ethos of Campbell's
2956:, and by February 1980 the deal was agreed. The first issue published by Davis was dated September 1980. Davis was willing to put some effort into marketing
9016:
6776:
4609:
s readership was more knowledgeable and more mature than the readers of the other magazines, and this was reflected in the cover artwork, almost entirely by
4621:. Ashley describes the interior artwork as "entrancing, giving hints of higher technology without ignoring the human element", and singles out the work of
9558:
6744:
9525:
8473:
4486:
was an adventure-oriented magazine: unlike Gernsback, Bates had no interest in educating his readership through science. The covers were all painted by
2482:
4818:", and included Kuttner's "The Disinherited"; Kuttner had been selling successfully to the other pulps for a few years, but this was his first story in
9313:
9215:
6753:
5244:—it turned out that Campbell had bought the story in question. As the 1970s went on, Bova continued to publish authors such as Anderson, Dickson, and
2574:
9749:
9739:
8093:"Hubbard Bubble, Dianetics Trouble: An Evaluation of the Representations of Dianetics and Scientology in Science Fiction Magazines From 1949 to 1999"
7210:
4610:
270:, the first science fiction (sf) magazine. Gernsback had been printing scientific fiction stories for some time in his hobbyist magazines, such as
9009:
4703:, and Campbell asked him to do an astronomically accurate picture of the Sun as seen from Mercury for the February 1938 issue. He also introduced
7195:
2552:
Science fiction was not entirely a departure for Street & Smith. They already had two pulp titles that occasionally ventured into the field:
4708:
2690:, starting with the March 1938 issue. Campbell's editorial policy was targeted at the more mature readers of science fiction, and he felt that "
298:, a newly hired editor, that they start a magazine of historical adventure stories. Bates proposed instead a science fiction pulp, to be titled
5260:. Frederik Pohl, who later commented in his autobiography about his difficulties in selling to Campbell, appeared in the March 1972 issue with "
2768:
reverted to digest size once again. Circulation, which had been increasing before the change, was not harmed, and continued to increase while
4494:, a science fiction historian, Bates was "destroying the ideals of science fiction". One historically important story that almost appeared in
4622:
2788:
2540:
was dated March 1933. In April, Clayton went bankrupt, and sold his magazine titles to T.R. Foley for $ 100; Foley resold them in August to
5382:
4512:
not folded in early 1933. The cover Wesso had painted for the story appeared on the March 1933 issue, the last to be published by Clayton.
9663:
5124:
141:
2697:
did not convey the right image. He intended to subsequently drop the "Astounding" part of the title, as well, leaving the magazine titled
9376:
9131:
5066:, began his career with "Christmas Tree" in February 1949. Youd would become much better known under his pseudonym "John Christopher".
4957:
5248:, who had appeared regularly during Campbell's tenure, but he also attracted authors who had not been able to sell to Campbell, such as
2940:
4628:
Tremaine's policy of printing material that he liked without staying too strictly within the bounds of the genre led him to serialize
4538:
a clear identity in the market that would distinguish it from both the existing science fiction magazines and the hero pulps, such as
5220:
290:, a successful and well-respected publisher of several pulp magazines, considered starting a competitive title in 1928; according to
8656:
Berger, Albert I.; Ashley, Mike (1985). "Information Sources & Publication History". In Tymn, Marshall B.; Ashley, Mike (eds.).
2843:
to succeed him. Schmidt's first issue was December 1978, though material purchased by Bova continued to appear for several months.
9734:
9551:
8947:
2666:
smarter-looking than its competitors. Tremaine was promoted to assistant editorial director in 1937. His replacement as editor of
2839:
with marketing or promotions. Bova resigned in June 1978, having stayed for a little longer than he had planned, and recommended
9208:
6760:, was published by Phoenix Enterprise in 1994/1995, for a total of five issues. Danish publisher Skrifola produced six issues of
5308:
9744:
9475:
9459:
8968:
4936:
9759:
9567:
9404:
8712:
8619:
8600:
243:
acquired Dell in 1996 and remains the publisher. Schmidt continued to edit the magazine until 2012, when he was replaced by
2746:, the owner of Condé Nast, in August 1959, though Street & Smith was not merged into Condé Nast until the end of 1961.
9446:
5464:
in March 1938. The hyphen disappeared in November 1946, and the title then remained unchanged until 1960, when the title
5118:
By 1950, Campbell's strong personality had led him into conflict with some of his leading writers, some of whom abandoned
4432:
from 1984 to 2019, showing volume and issue number. The editors were Stanley Schmidt (green) and Trevor Quachri (yellow).
9544:
9257:
8629:
Berger, Albert I. (1985). "Analog Science Fiction/Science Fact: Parts I–III". In Tymn, Marshall B.; Ashley, Mike (eds.).
2944:, and after Bova's departure, Joel Davis, the owner of Davis Publications, contacted Condé Nast with a view to acquiring
5231:
Bova, like Campbell, was a technophile with a scientific background, and he declared early in his tenure that he wanted
4829:
The market for science fiction expanded dramatically the following year; several new magazines were launched, including
2600:
s circulation up to an estimated 50,000 by the middle of 1934. The two main rival science fiction magazines of the day,
8975:
7917:
4530:, and acquired material for it before deciding not to proceed. These stories appeared in the first Street & Smith
2772:
was in slick format. From the April 1965 issue the title switched the "fiction" and "fact" elements, so that it became
5397:, who mostly continued the editorial policies of Schmidt. Starting in January 2017, the publication became bimonthly.
2495:—two cents a word on acceptance, rather than half a cent a word, on publication (or sometimes later)—and consequently
162:
was no longer regarded as the leader of the field, though it did continue to publish popular and influential stories:
8814:
8792:
8765:
8673:
8646:
8577:
8554:
8535:
8516:
8482:
5215:
in two separate sequences, in 1963 and 1965, and soon became "one of the most famous of all sf novels", according to
5332:
writing in 1984 that the magazine "has become old, dull, and drivelling... It is a situation screaming for reform.
2756:. All the advertisers in these magazines had plates made up to take advantage of this size, and Condé Nast changed
9769:
9082:
6860:
Issued yearly, 1963–1968, then 1970 and 1971. The first eight volumes were edited by Campbell; the ninth by Bova.
5473:, and it has remained unchanged since then, though it has undergone several stylistic and orthographic variations.
5261:
5018:
201:
2709:
returned to pulp-size in mid-1943 for six issues, and then became the first science fiction magazine to switch to
98:
9032:
8738:
8405:
190:, and the name changed again to its current form by 1965. Campbell remained as editor until his death in 1971.
5168:
continued to publish some popular and influential science fiction. In 1953, Campbell serialized Hal Clement's
2717:
9390:
5285:
4732:
4526:
127:
7409:
5381:. Schmidt never won an editing Hugo while in charge of the magazine, but after he resigned he won the 2013
9334:
9299:
8940:
5094:
7214:
9607:
8982:
4634:
287:
83:
the leading magazine in the nascent pulp science fiction field, publishing well-regarded stories such as
64:
7608:
4935:
as the most compelling of all van Vogt's work. The September 1941 issue included Asimov's short story "
9779:
9677:
9453:
9411:
9383:
9173:
8887:
8878:
8869:
8857:
5102:
that would follow the Hoen's imaginary story titles. One of the best-known stories from that issue is
2743:
4796:
The April 1938 issue included the first story by del Rey, "The Faithful", and de Camp's second sale, "
4678:
Street & Smith hired Campbell in October 1937. Although he did not gain full editorial control of
9691:
9327:
9278:
9236:
9194:
9103:
9075:
8775:
Montanari, Gianni; de Turres, Gianfranco (1985). "Italy". In Tymn, Marshall B.; Ashley, Mike (eds.).
7833:
7719:
7191:
4823:
4487:
2721:
The changes in layout during 1960, showing the January, February, September and October title layouts
41:
7736:
9670:
9579:
9229:
9036:
8092:
4995:
4953:
4916:
106:
54:
5157:
in May 1950, and promoting it heavily in the months beforehand; later in the decade he championed
9764:
9705:
9635:
9439:
9222:
9201:
9166:
9159:
9145:
9117:
8933:
7065:
more equitable, and the distinction between a science crackpot and a genuine unrecognized genius.
4822:. In October, de Camp began a popular series about an intelligent bear named Johnny Black with "
4454:
as of 2023. From January 2017, the publication frequency became bimonthly (six issues per year).
2800:
2750:
was the only digest-sized magazine in Condé Nast's inventory—all the others were slicks, such as
2630:
2625:
2592:, Hall did much of the editorial work, though Tremaine retained final control over the contents.
2504:
278:
7755:
7048:
For example, Isaac Asimov, in his memoirs, recalls that many fans, including himself, felt that
2558:, which had begun in 1931 and was tremendously successful, with a circulation over 300,000; and
9243:
9068:
8784:
8757:
8665:
8508:
5358:
5354:
5295:, continued to appear after Bova took over, and Bova also began to regularly feature covers by
5269:
5130:
5055:
4639:
4573:
240:
135:
89:
8748:
Remar, Frits; Schiøler, Carsten (1985). "Denmark". In Tymn, Marshall B.; Ashley, Mike (eds.).
8638:
5345:
Over the decades of Schmidt's editorship, many writers became regular contributors, including
9649:
9621:
9614:
9536:
9397:
9362:
9264:
9250:
9138:
9001:
8528:
The Time Machines: The Story of the Science-Fiction Pulp Magazines from the Beginning to 1950
7905:
4927:
4592:
2671:
2635:
8776:
8749:
8657:
8630:
8500:
2634:, and was replaced by R.V. Happel. Tremaine remained in control of story selection. Writer
9628:
9489:
9320:
9180:
8492:
7016:
Into the New Millennium: Trailblazing Tales From Analog Science Fiction and Fact, 2000–2010
5307:, who had had a poor relationship with Campbell, sold several covers to Bova. Bova won the
5291:
Two of the cover artists who had been regular contributors under Campbell, Kelly Freas and
5010:
4941:
4904:
4876:
4845:
4688:
4504:
4491:
295:
68:
8031:
7139:"Culture : Astounding Science-Fiction : SFE : Science Fiction Encyclopedia"
7094:
Ashley (2000), p. 69. The quote is from Hersey (1937), p. 188, cited by Ashley.
5149:
also damaged his reputation in the field. Campbell was deeply involved with the launch of
8:
9503:
9089:
8545:
Ashley, Mike (2004). "The Gernsback Days". In Ashley, Mike; Lowndes, Robert A.W. (eds.).
6933:
5277:
5080:
4986:
8547:
The Gernsback Days: A Study of the Evolution of Modern Science Fiction from 1911 to 1936
5626:$ 4.50 for the January issue; $ 5.50 for the July/August issue; $ 3.50 for other issues
2646:
As the stories came in Tremaine piled them up on a stack. All the stories intended for
282:, but decided that interest in the genre was sufficient to justify a monthly magazine.
9684:
9468:
9341:
9271:
8727:
8589:
8566:
8125:
6748:, published seven issues from April 1952 to March 1953, the contents drawn mostly from
5362:
5187:
5170:
4765:
4748:
4655:
4643:
4586:
2935:
2584:
232:
180:" appeared the following year. In 1960, Campbell changed the title of the magazine to
177:
168:
123:
8347:
9369:
8810:
8788:
8777:
8761:
8750:
8734:
8708:
8691:
8669:
8658:
8642:
8631:
8615:
8596:
8573:
8550:
8531:
8512:
8501:
8478:
8201:
8129:
8117:
7913:
7669:
5374:
5245:
5241:
5198:
5075:
5042:
began to publish much more mature fiction than they had during the war, and although
5022:
4831:
4778:
4704:
4577:
4565:
4550:'s "Ancestral Voices", as "not amongst Schachner's best"; the second, "Colossus", by
2808:
2569:
2541:
76:
72:
8612:
Science Fiction Rebels: The Story of the Science-Fiction Magazines from 1981 to 1990
8032:"Authors : Campbell, John W, Jr : SFE : Science Fiction Encyclopedia"
7774:
7020:
This title was published strictly as an ebook, without any physical print editions.
5328:
readers from the Campbell era. This continuity led to criticisms within the field,
5074:", by C.L. Moore (under the pseudonym Lawrence O'Donnell); Jack Williamson's story "
5021:", a story about the development of the atomic bomb. It appeared in 1944, when the
4855:
in December. All of the competing magazines, including the two main extant titles,
9712:
9698:
9656:
9418:
9285:
9187:
9124:
8920:
8864:
8155:
8107:
5378:
5370:
5281:
5107:
5063:
5051:
4969:
4815:
4646:. New writers who did appear during the latter half of Tremaine's tenure included
2752:
2523:
272:
94:
7982:
6959:
These four anthologies are drawn from the Clayton era, and have the running title
2799:, who also felt the salary was too small. Before he died, Campbell had talked to
2655:
next month he would start with the stories that had been on the bottom this month.
2437:, showing volume/issue number; the apparent volume numbering error in January 1975
9642:
9586:
9432:
9110:
9061:
8896:
8802:
8591:
Gateways to Forever: The Story of the Science-Fiction Magazines from 1970 to 1980
8468:
7948:
7010:
5350:
5300:
5292:
5273:
5216:
5103:
4973:
4887:
4872:
4790:
4744:
4659:
4629:
2840:
2796:
2508:
2500:
266:
228:
217:
84:
7879:
7853:
7670:"Themes : Alternate History : SFE : Science Fiction Encyclopedia"
5650:$ 7.99 for the January/February and July/August issues; $ 4.99 for other issues
9496:
9348:
9306:
8956:
8495:(1985). "Analog Science Fiction/Science Fact: IV: The Post-Campbell Years". In
7983:"Authors : Cartmill, Cleve : SFE : Science Fiction Encyclopedia"
7775:"Themes : Golden Age of SF : SFE : Science Fiction Encyclopedia"
5394:
5329:
5324:
5319:
Stanley Schmidt was an assistant professor of physics when he became editor of
5296:
5257:
5179:
5071:
5014:
4998:", which appeared in February 1943 and is now regarded as a classic. Leiber's
4851:
4801:
4786:
4774:
4740:
4736:
4651:
4647:
4551:
4447:
4443:
2804:
2761:
2491:
261:
244:
236:
126:. The period beginning with Campbell's editorship is often referred to as the
113:
8202:"Authors : Herbert, Frank : SFE : Science Fiction Encyclopedia"
7949:"Authors : Kuttner, Henry : SFE : Science Fiction Encyclopedia"
7495:
5476:
As of 2016, the sequence of prices over the magazine's history is as follows:
4920:; and half a dozen short stories. In September 1940, van Vogt's first novel,
2948:
had always been something of a misfit in Condé Nast's line up, which included
9728:
9600:
9355:
9039:
8722:
8683:
8568:
Transformations: The Story of the Science-Fiction Magazines from 1950 to 1970
8496:
8439:
8121:
8112:
7880:"Authors : Asimov, Isaac : SFE : Science Fiction Encyclopedia"
7854:"Authors : van Vogt, A E : SFE : Science Fiction Encyclopedia"
7189:
See the individual issues. For convenience, an online index is available at
5366:
5346:
5253:
5202:
5146:
4810:
4797:
4752:
4547:
2846:
2812:
2792:
2760:
to the larger size from the March 1963 issue to conform. The front and back
291:
197:
147:
8838:
8298:
8156:"Authors : Clement, Hal : SFE : Science Fiction Encyclopedia"
7580:
6727:, showing volume/issue number; "nn" indicates that the issue had no number.
5264:", which was nominated for both the Hugo and Nebula Awards, and that summer
4964:, often under the pseudonym "Lewis Padgett", and more new writers appeared:
2803:
about taking over as editor, but Harrison did not want to live in New York.
187:
9152:
8695:
7061:
Typical themes for his editorials included scientific rapport, how to make
6869:
5304:
5276:, whose first sale was "The Guy With the Eyes" in the February 1973 issue;
5265:
5237:
5207:
5067:
4981:
4910:
4881:
4782:
4712:
4555:
2481:
was initially published by Publisher's Fiscal Corporation, a subsidiary of
213:
209:
102:
7908:. In Bould, Mark; Butler, Andrew M.; Roberts, Adam; Vint, Sherryl (eds.).
2572:, an experienced editor who had been working for Clayton as the editor of
9482:
9054:
8703:
Joshi, S.T.; Schultz, David E.; Derleth, August; Lovecraft, H.P. (2008).
6756:, and the publisher was Editrice Krator. Another Italian edition, called
4965:
4670:
4569:
2710:
2675:
2564:, which had been launched in March 1933. They gave the post of editor of
163:
155:
5201:, Poul Anderson, and Harry Harrison appeared regularly in the magazine.
2811:
were also rumored to have been offered the job, though Simak denied it;
7138:
5249:
5183:
5175:
4932:
4805:
4756:
4499:
2560:
2554:
205:
173:
7496:"Culture : Analog : SFE : Science Fiction Encyclopedia"
2779:
Campbell died suddenly in July 1971, but there was enough material in
2674:
Campbell had made his name in the early 1930s as a writer, publishing
9425:
7062:
5150:
4692:
2928:
Issue data for 1981 to 1983. Stanley Schmidt was editor throughout.
2823:
s title included both "science fiction" and "science fact". He chose
151:
8705:
Essential Solitude: The Letters of H.P. Lovecraft and August Derleth
8915:
6943:
Facsimile of the July 1939 issue, with some additional commentary.
5158:
2824:
2702:
2439:
is in fact correct. The colors identify the editors for each issue:
193:
6734:
year. All the digest issues were 128 pages long. The price was 9
5240:' story "Foundling Fathers", and its accompanying illustration by
5219:
and John Clute. 1965 marked the year Campbell received his eighth
286:
was very successful, quickly reaching a circulation over 100,000.
8925:
4898:
Heinlein rapidly became one of the most prolific contributors to
216:'s "Hero", the first story in the Hugo and Nebula Award–winning "
5610:$ 4.50 for the January and July issues; $ 2.95 for other issues
5602:$ 3.95 for the January and July issues; $ 2.95 for other issues
5594:$ 3.95 for the January and July issues; $ 2.50 for other issues
2617:, but they were still better than those of the other magazines.
4769:, and new writers who published some of their first stories in
9566:
9031:
6735:
4952:
The following year brought the first installment of Asimov's "
2638:
described Tremaine's editorial selection process in his book,
71:. Clayton went bankrupt in 1933 and the magazine was sold to
8845:
8406:"Analog Fantascienza (Phoenix Enterprise Publishing Company)"
8068:
Mike Ashley, "Analog Science Fiction/Science Fact", in Gunn,
5268:'s "Hero" appeared. This was the first story in Haldeman's "
5164:
Although these enthusiasms diminished Campbell's reputation,
5009:
Campbell continued to publish technological sf alongside the
4960:. Henry Kuttner and C.L. Moore began to appear regularly in
57:
published under various titles since 1930. Originally titled
32:
7293:
Joshi, Schultz, Derleth & Lovecraft (2008), pp. 599–601.
9521:
History of US science fiction and fantasy magazines to 1950
8830:
8549:. Holicong, Pennsylvania: Wildside Press. pp. 16–254.
7242:"Publishers Fiscal Corp., Manhattan, to Clayton Magazines."
6739:
covers were usually repainted from the American originals.
5393:
Schmidt retired in August 2012, and his place was taken by
4922:
4467:
118:
5642:$ 5.99 for the July/August issue; $ 3.99 for other issues
5634:$ 5.50 for the July/August issue; $ 3.50 for other issues
5618:$ 4.50 for the July/August issue; $ 2.95 for other issues
5440:
unchanged until Condé Nast produced 25 bedsheet issues of
4980:
the key figures were van Vogt, Simak, Kuttner, Moore, and
4475:, by Wesso, originally painted to illustrate E.E. Smith's
2847:
Davis Publications, Dell Magazines, and Penny Publications
2682:
One of Campbell's first acts was to change the title from
5145:
as the leading magazine. Campbell's growing interest in
4707:
as a cover artist, starting with the May 1938 issue, and
4600:
was the clear leader of the small field of sf magazines.
4560:
2499:
attracted some of the better-known pulp writers, such as
9785:
Science fiction magazines published in the United States
7211:"Magazine: Analog Science Fiction and Fact – ISFDB"
5141:
s dominance of science fiction, with many now regarding
4875:", the first sale by van Vogt; the issue also included "
7668:
Stableford, Brian M.; Wolfe, Gary K.; Langford, David.
6771:
A German anthology series of recent 1980s stories from
63:, the first issue was dated January 1930, published by
5586:$ 3.95 for the January issue; $ 2.50 for other issues
4994:, Street & Smith's fantasy title; the result was "
4524:, they also planned to relaunch another Clayton pulp,
8779:
Science Fiction, Fantasy, and Weird Fiction Magazines
8752:
Science Fiction, Fantasy, and Weird Fiction Magazines
8660:
Science Fiction, Fantasy, and Weird Fiction Magazines
8633:
Science Fiction, Fantasy, and Weird Fiction Magazines
8503:
Science Fiction, Fantasy, and Weird Fiction Magazines
7323:
Ashley (2000), p. 85. The estimate is Ashley's.
5182:
as "one of the best-loved novels in sf", and in 1954
4658:, whose first appearance was in September 1937 with "
2624:
in 1934 to become editor of Street & Smith's new
6752:, along with some original stories. The editor was
9526:
George Kelley Paperback and Pulp Fiction Collection
8783:. Westport, Connecticut: Greenwood Press. pp.
8756:. Westport, Connecticut: Greenwood Press. pp.
8664:. Westport, Connecticut: Greenwood Press. pp.
8637:. Westport, Connecticut: Greenwood Press. pp.
8507:. Westport, Connecticut: Greenwood Press. pp.
8474:
Trillion Year Spree: The History of Science Fiction
7667:
7192:"Magazine: Astounding Science Fiction – ISFDB"
5423:
John W. Campbell, Jr., October 1937 – December 1971
4727:The period beginning with Campbell's editorship of
4638:
in early 1936. He followed this with Lovecraft's "
9775:Science fiction magazines established in the 1930s
8726:
8588:
8565:
7947:Edwards, Malcolm; Stableford, Brian; Clute, John.
7946:
5134:in 1949 and 1950, respectively, marked the end of
2795:did not want to leave California, and neither did
7137:Edwards, Malcolm; Nicholls, Peter; Ashley, Mike.
7136:
4902:, publishing three novels in the next two years:
9755:Monthly magazines published in the United States
9726:
5197:Later in the 1950s and early 1960s writers like
7825:
7711:
5311:for five consecutive years, 1973 through 1977.
8395:Montanari & de Turris (1985), pp. 881–882.
7747:
7229:
5420:F. Orlin Tremaine, October 1933 – October 1937
5153:, publishing Hubbard's first article on it in
158:), alienated some of his regular writers, and
9664:The Magazine of Fantasy & Science Fiction
9552:
9017:
8941:
8410:Catalogo Vegetti della letteratura fantastica
7704:
7702:
7700:
7698:
7696:
7694:
7692:
7690:
7407:
7052:became the field's leader almost immediately.
5125:The Magazine of Fantasy & Science Fiction
142:The Magazine of Fantasy & Science Fiction
8345:
7838:. Garden City NY: Doubleday. pp. 79–82.
7835:The early Asimov; or, Eleven years of trying
7818:
7816:
7814:
7812:
7810:
7808:
7806:
7804:
7724:. Garden City NY: Doubleday. pp. 25–28.
7721:The early Asimov; or, Eleven years of trying
7603:
7601:
7539:
7537:
7527:
7525:
5429:Stanley Schmidt, December 1978 – August 2012
7654:
7652:
7650:
7648:
7646:
7644:
7353:
5280:, with "A Song for Lya", in June 1974; and
2608:, each had a circulation about half that.
133:By 1950, new competition had appeared from
40:, dated January 1930. The cover art is by
9568:Current American science fiction magazines
9559:
9545:
9024:
9010:
8948:
8934:
8284:
8282:
7910:The Routledge Companion to Science Fiction
7897:
7772:
7754:Pontin, Mark Williams (October 20, 2008).
7728:
7687:
7385:
7383:
7213:. Texas A&M University. Archived from
6764:in 1958; it carried reprints, mostly from
8614:. Liverpool: Liverpool University Press.
8595:. Liverpool: Liverpool University Press.
8572:. Liverpool: Liverpool University Press.
8530:. Liverpool: Liverpool University Press.
8111:
8075:
8062:
8000:
7801:
7623:
7598:
7534:
7522:
7427:
7362:
7344:
7326:
7310:
7308:
7296:
7271:
7269:
7257:
5221:Hugo Award for Best Professional Magazine
4457:
9740:1930 establishments in the United States
8336:Berger & Ashley (1985), pp. 102–103.
8049:
8029:
7877:
7847:
7845:
7641:
7408:Towles Canote, Terence (June 29, 2008).
7317:
7250:
7248:
7185:
7183:
7181:
7179:
7177:
7102:
7100:
6822:The Astounding Science Fiction Anthology
6768:, and was edited by Knud Erik Andersen.
5432:Trevor Quachri, September 2012 – present
5400:
4669:
4596:, by Campbell. By the end of the year,
4466:
2716:
2532:Clayton decided to cease publication of
31:
9209:Flash Gordon Strange Adventure Magazine
8377:Berger & Ashley (1985), pp. 99–102.
8279:
8090:
7940:
7392:
7380:
7371:
7335:
7088:
5309:Hugo Award for Best Professional Editor
4508:, which Bates would have published had
2941:Isaac Asimov's Science Fiction Magazine
2917:with an additional Mid-September issue.
2897:through March 29. No April issue; then
18:Analog Science Fiction and Science Fact
14:
9750:Magazines formerly owned by Condé Nast
9727:
9476:Vargo Statten Science Fiction Magazine
8851:
8091:Menadue, Christopher Benjamin (2018).
8025:
8023:
8021:
7903:
7831:
7792:
7753:
7717:
7632:
7490:
7488:
7486:
7305:
7266:
7156:
6879:Two volumes, issued in 1972 and 1973.
5656:
5575:Mid-December 1984 – Mid-December 1989
5426:Ben Bova, January 1972 – November 1978
5417:Harry Bates, January 1930 – March 1933
5223:; this was the last one he would win.
4674:A sketch of John W. Campbell from 1932
2511:. In February 1931, the original name
9540:
9005:
8929:
8440:"Series: Analog (German anthologies)"
8373:
8371:
8369:
8332:
8330:
8328:
8245:
8243:
8233:
8231:
8187:
8185:
8141:
8139:
7972:Aldiss & Wingrove (1986), p. 224.
7933:
7931:
7929:
7842:
7551:
7549:
7513:
7484:
7482:
7480:
7478:
7476:
7474:
7472:
7470:
7468:
7466:
7454:
7436:
7350:Quoted in Ashley (2000), p. 105.
7245:
7174:
7132:
7097:
7079:
6875:The Astounding–Analog Reader Volume 1
5088:; and the final book in E.E. Smith's
2522:The magazine was profitable, but the
250:
9447:Two Complete Science-Adventure Books
8429:Remar & Schiøler (1985), p. 856.
7734:
7130:
7128:
7126:
7124:
7122:
7120:
7118:
7116:
7114:
7112:
5723:
2895:Four-weekly intervals from January 4
2879:Four-weekly intervals from January 5
122:, and several novels and stories by
9258:Miracle Science and Fantasy Stories
8969:Alfred Hitchcock's Mystery Magazine
8018:
6779:from October 1981 up to June 1984.
5450:Astounding Stories of Super-Science
5448:The magazine was originally titled
2915:Monthly issues January to December,
2899:May to December, with an additional
2774:Analog Science Fiction/Science Fact
2742:Street & Smith was acquired by
2732:Analog Science Fact/Science Fiction
2547:
2513:Astounding Stories of Super-Science
300:Astounding Stories of Super Science
154:(an early non-religious version of
60:Astounding Stories of Super-Science
38:Astounding Stories of Super-Science
24:
8955:
8366:
8325:
8240:
8228:
8182:
8136:
7926:
7629:Ashley (2000), pp. 69–70, 72.
7546:
7463:
7410:"Should Analog Become Astounding?"
6775:was published in eight volumes by
5113:
4871:In July 1939, the lead story was "
4804:", described by author and editor
204:", which was nominated for both a
25:
9796:
8824:
7851:
7198:from the original on July 5, 2008
7109:
5583:January 1990 – Mid-December 1990
5471:Analog Science Fiction & Fact
5466:Analog Science Fact & Fiction
5029:
4839:in March (a fantasy companion to
4542:, that frequently used sf ideas.
4520:When Street & Smith acquired
183:Analog Science Fact & Fiction
9153:Dusty Ayres and His Battle Birds
8904:
8081:Ashley (2000), pp. 226–227.
8006:Ashley (2000), pp. 190–193.
7822:Ashley (2000), pp. 153–158.
7708:Ashley (2000), pp. 106–111.
7543:Ashley (2007), pp. 341–346.
7433:Ashley (2005), pp. 201–202.
7359:Ashley (2000), pp. 105–106.
5631:January 2001 – July/August 2003
5122:as a result. The launch of both
4759:, who became regulars in either
4613:, which was less garish than at
2705:format, but this did not last.
2544:, a well-established publisher.
9735:Analog Science Fiction and Fact
9594:Analog Science Fiction and Fact
8990:Analog Science Fiction and Fact
8976:Ellery Queen's Mystery Magazine
8832:Analog Science Fiction and Fact
8707:. New York: Hippocampus Press.
8477:. London: Victor Gollancz Ltd.
8432:
8423:
8398:
8389:
8380:
8339:
8316:
8291:
8270:
8261:
8252:
8219:
8194:
8173:
8148:
8084:
8070:Encyclopedia of Science Fiction
8030:Edwards, Malcolm; Clute, John.
8009:
7975:
7966:
7878:Clute, John; Edwards, Malcolm.
7871:
7773:Nicholls, Peter; Ashley, Mike.
7766:
7735:Pohl, Frederik (October 1965).
7661:
7585:Analog Science Fiction and Fact
7573:
7569:. February 2012. pp. 56–7.
7558:
7445:
7401:
7287:
7278:
7055:
7042:
7033:
5731:Issue data for British edition
5337:commenting in 1985: "I reserve
50:Analog Science Fiction and Fact
9426:Terence X. O'Leary's War Birds
8900:Bookshelf at Project Gutenberg
7798:Williamson (1977), back cover.
7658:Ashley (2000), pp. 84–87.
7531:Ashley (2007), pp. 17–18.
7368:Ashley (2000), pp. 86–87.
7332:Ashley (2000), pp. 85–87.
7302:Ashley (2000), pp. 82–83.
7263:Ashley (2000), pp. 76–77.
7165:
6961:The Clayton Astounding Stories
6782:
5567:December 1982 – December 1984
5062:, and another British writer,
5058:", appeared in the April 1946
4731:is usually referred to as the
13:
1:
9745:Magazines established in 1930
9083:A. Merritt's Fantasy Magazine
7912:. Routledge. pp. 80–89.
7072:
5495:January 1930 – December 1941
5288:", in the August 1977 issue.
5262:The Gold at the Starbow's End
4949:series, began serialization.
4733:Golden Age of Science Fiction
4722:
2737:
202:The Gold at the Starbow's End
128:Golden Age of Science Fiction
9760:Penny Publications magazines
9335:Scientific Detective Monthly
9300:Out of This World Adventures
8888:First two issues of 1933 of
8299:"Series: The Alternate View"
7194:. Texas A&M University.
6787:Anthologies of stories from
5647:April 2008 – September 2016
5639:September 2003 – March 2008
5591:January 1991 – October 1993
5236:to appear. On one occasion—
4945:, the next novel in Smith's
4843:, also edited by Campbell),
4625:as particularly impressive.
4568:; "The Bright Illusion", by
4471:The cover of the March 1933
2971:Issue data for 1984 to 2019
2854:Issue data for 1981 to 1983
2650:in this pile, all those for
308:Issue data for 1930 to 1980
146:Campbell's interest in some
7:
8914:public domain audiobook at
8191:Ashley (2005), pp. 128–129.
8015:Rogers (1970), pp. 176–180.
7937:Ashley (2000), pp. 169–174.
7460:Ashley (2005), p. 213.
7442:Ashley (2005), p. 202.
7398:Ashley (2000), p. 158.
7389:Ashley (2000), p. 108.
7377:Ashley (2000), p. 107.
7341:Ashley (2000), p. 105.
7171:Ashley (2007), p. 425.
7162:Ashley (2000), p. 239.
6848:John W. Campbell, Ben Bova
5559:April 1981 – November 1982
5511:August 1951 – October 1959
4665:
4635:At the Mountains of Madness
4515:
27:US science fiction magazine
10:
9801:
9678:Perihelion Science Fiction
9405:Tales of Magic and Mystery
9174:Famous Fantastic Mysteries
8921:The Pulp Magazines Project
8471:; Wingrove, David (1986).
8461:
7638:Ashley (2000), p. 77.
7314:Ashley (2000), p. 84.
7275:Ashley (2000), p. 82.
7254:Ashley (2000), p. 72.
7106:Ashley (2000), p. 69.
7085:Ashley (2000), p. 48.
6975:Out of the Dreadful Depths
6722:
5730:
5623:June 1999 – December 2000
5607:July 1995 – December 1996
5599:November 1993 – June 1995
5535:July 1974 – February 1975
5519:November 1959 – July 1966
5462:Astounding Science-Fiction
5388:
5383:Hugo for Editor Short Form
5314:
4691:, L. Sprague de Camp, and
4427:
2970:
2688:Astounding Science-Fiction
2432:
307:
255:
9574:
9513:
9328:Science Fiction Quarterly
9195:Fantastic Story Quarterly
9076:Amazing Stories Quarterly
9046:
8963:
8690:. New York: F.A. Stokes.
8322:Ashley (2016), pp. 56–60.
8288:Ashley (2016), pp. 56–58.
8276:Ashley (2007), pp. 33–34.
8267:Ashley (2007), pp. 28–29.
8249:Ashley (2007), pp. 18–20.
8225:Ashley (1985), pp. 89–90.
8145:Berger (1985), pp. 80–81.
7565:"2011 Magazine Summary".
7555:Ashley (2016), pp. 58–59.
7519:Ashley (2007), p. 6.
6958:
5503:January 1942 – July 1951
5481:
5161:and antigravity devices.
4809:Hubbard had been selling
4482:The first incarnation of
4412:
4409:
4406:
4403:
4393:
4390:
4387:
4384:
4381:
4378:
4368:
4365:
4362:
4359:
4356:
4353:
4331:
4316:
4294:
4279:
4257:
4242:
4220:
4205:
4183:
4168:
4146:
4131:
4109:
4094:
4072:
4057:
4035:
4020:
3998:
3983:
3961:
3946:
3924:
3909:
3887:
3872:
3850:
3810:
3770:
3730:
3690:
3650:
3610:
2927:
2853:
42:Hans Waldemar Wessolowski
9608:Asimov's Science Fiction
9377:Stirring Science Stories
8983:Asimov's Science Fiction
8729:A Requiem for Astounding
8346:Stephensen-Payne, Phil.
8237:Ashley (1985), p. 90–91.
8113:10.1177/2158244018807572
7737:"The Day After Tomorrow"
7026:
5615:January 1997 – May 1999
5551:April 1977 – March 1980
5543:March 1975 – March 1977
5527:August 1966 – June 1974
5452:; this was shortened to
5050:rather than elsewhere.
5034:In the late 1940s, both
4996:Mimsy Were the Borogoves
4891:, which had appeared in
4885:. This was a sequel to
4763:or its sister magazine,
4462:
4450:, who continues to edit
2468:
2462:
2456:
2452: F. Orlin Tremaine
2450:
2444:
55:science fiction magazine
9770:Science fiction digests
9706:Three-Lobed Burning Eye
9636:FIYAH Literary Magazine
9440:Tops in Science Fiction
9223:G-8 and His Battle Aces
9167:Dynamic Science Stories
9160:Dynamic Science Fiction
8893:at the Internet Archive
8884:at the Internet Archive
8875:at the Internet Archive
8499:; Ashley, Mike (eds.).
8206:www.sf-encyclopedia.com
8160:www.sf-encyclopedia.com
8036:www.sf-encyclopedia.com
7500:www.sf-encyclopedia.com
5226:
5084:, van Vogt's sequel to
279:Electrical Experimenter
9244:Marvel Science Stories
9216:Future Science Fiction
9069:Amazing Stories Annual
8870:Second year (1931) of
8106:(4): 215824401880757.
7832:Asimov, Isaac (1972).
7741:Galaxy Science Fiction
7718:Asimov, Isaac (1972).
7451:Ashley (2016), p. 448.
7284:Ashley (2004), p. 204.
6921:The Analog Anthologies
6906:The Best of Astounding
5355:Maya Kaathryn Bohnhoff
5131:Galaxy Science Fiction
4800:". Jack Williamson's "
4675:
4640:The Shadow Out of Time
4587:The Skylark of Valeron
4479:
4458:Contents and reception
2730:title, changing it to
2722:
2657:
2458: John W. Campbell
302:, and Clayton agreed.
241:Crosstown Publications
172:appeared in 1953, and
136:Galaxy Science Fiction
45:
9622:Daily Science Fiction
9615:Clarkesworld Magazine
9398:Super Science Stories
8879:Third year (1932) of
8858:First year (1930) of
8610:Ashley, Mike (2016).
8587:Ashley, Mike (2007).
8564:Ashley, Mike (2005).
8526:Ashley, Mike (2000).
8258:Ashley (1985), p. 92.
8179:Berger (1985), p. 82.
7760:MIT Technology Review
7236:"Corporate Changes".
6868:Harry Harrison &
6742:An Italian magazine,
5405:Editorial history at
5401:Bibliographic details
5081:The Players of Null-A
4917:Methuselah's Children
4814:best-known stories, "
4673:
4593:The Mightiest Machine
4470:
2720:
2672:John W. Campbell, Jr.
2644:
2470: Stanley Schmidt
227:Bova was followed by
75:. The new editor was
35:
9321:Science-Fiction Plus
9181:Fantastic Adventures
8386:Stone (1977), p. 19.
7906:"Fiction, 1950-1963"
7904:Latham, Rob (2009).
7756:"The Alien Novelist"
7414:A Shroud of Thoughts
5095:Children of the Lens
5011:soft science fiction
4942:Second Stage Lensman
4846:Fantastic Adventures
2901:Mid-September issue.
9504:Wonder Story Annual
9090:Astonishing Stories
8852:Public domain texts
8733:. Chicago: Advent.
8348:"Astounding/Analog"
8057:In Memory Yet Green
7987:sf-encyclopedia.com
7953:sf-encyclopedia.com
7884:sf-encyclopedia.com
7858:sf-encyclopedia.com
7779:sf-encyclopedia.com
7674:sf-encyclopedia.com
7611:. November 16, 2016
7217:on January 13, 2022
7143:sf-encyclopedia.com
6988:Planetoids of Peril
6934:Martin H. Greenberg
6777:Pabel-Moewig Verlag
6758:Analog Fantascienza
5662:
5657:Circulation figures
5086:The World of Null-A
5013:. One example was
4939:" and in November,
4787:A. E. van Vogt
4590:by E.E. Smith, and
114:A. E. van Vogt
9780:Street & Smith
9097:Astounding Stories
8911:Astounding Stories
8898:Astounding Stories
8809:. London: Sphere.
8807:The Legion of Time
8354:. Galactic Central
7238:The New York Times
6955:Vagabonds of Space
6891:The Best of Analog
6837:Prologue to Analog
6745:Scienza Fantastica
6725:Astounding Stories
5661:
5458:Astounding Stories
5454:Astounding Stories
5363:Geoffrey A. Landis
5278:George R.R. Martin
5211:was serialized in
5188:The Cold Equations
5171:Mission of Gravity
4895:two years before.
4749:L. Sprague de Camp
4676:
4656:L. Sprague de Camp
4644:Frank Belknap Long
4584:late in the year:
4480:
2936:Davis Publications
2881:through December 7
2723:
2692:Astounding Stories
2684:Astounding Stories
2542:Street & Smith
2517:Astounding Stories
2435:Astounding Stories
251:Publishing history
233:Davis Publications
178:The Cold Equations
169:Mission of Gravity
124:Robert A. Heinlein
73:Street & Smith
46:
9722:
9721:
9534:
9533:
9490:The Witch's Tales
9370:Startling Stories
8999:
8998:
8840:Astounding/Analog
8834:official web site
8714:978-0-9793806-4-8
8621:978-1-78138-260-8
8602:978-1-84631-003-4
8497:Tymn, Marshall B.
8072:, pp. 17–18.
7581:"From the Editor"
7240:. March 28, 1931.
7024:
7023:
6833:John W. Campbell
6731:
6730:
5724:Overseas editions
5721:
5720:
5669:Number of Copies
5654:
5653:
5460:, and changed to
5375:Charles Sheffield
5246:Christopher Anvil
5199:Gordon R. Dickson
5076:With Folded Hands
5054:'s first story, "
5040:Startling Stories
5023:Manhattan Project
5000:Gather, Darkness!
4835:in January 1939,
4832:Startling Stories
4779:Theodore Sturgeon
4705:Charles Schneeman
4578:Raymond Z. Gallun
4566:alternate history
4436:
4435:
2932:
2931:
2833:Tomorrow Magazine
2809:Clifford D. Simak
2570:F. Orlin Tremaine
2515:was shortened to
2483:Clayton Magazines
2476:
2475:
2446: Harry Bates
235:in 1980, then to
77:F. Orlin Tremaine
16:(Redirected from
9792:
9713:Uncanny Magazine
9699:Strange Horizons
9580:Abyss & Apex
9561:
9554:
9547:
9538:
9537:
9419:10 Story Fantasy
9286:Oriental Stories
9188:Fantastic Novels
9026:
9019:
9012:
9003:
9002:
8950:
8943:
8936:
8927:
8926:
8908:
8907:
8865:Internet Archive
8820:
8803:Williamson, Jack
8798:
8782:
8771:
8755:
8744:
8732:
8718:
8699:
8679:
8663:
8652:
8636:
8625:
8606:
8594:
8583:
8571:
8560:
8541:
8522:
8506:
8488:
8469:Aldiss, Brian W.
8455:
8454:
8452:
8450:
8436:
8430:
8427:
8421:
8420:
8418:
8416:
8402:
8396:
8393:
8387:
8384:
8378:
8375:
8364:
8363:
8361:
8359:
8343:
8337:
8334:
8323:
8320:
8314:
8313:
8311:
8309:
8295:
8289:
8286:
8277:
8274:
8268:
8265:
8259:
8256:
8250:
8247:
8238:
8235:
8226:
8223:
8217:
8216:
8214:
8212:
8198:
8192:
8189:
8180:
8177:
8171:
8170:
8168:
8166:
8152:
8146:
8143:
8134:
8133:
8115:
8097:
8088:
8082:
8079:
8073:
8066:
8060:
8053:
8047:
8046:
8044:
8042:
8027:
8016:
8013:
8007:
8004:
7998:
7997:
7995:
7993:
7979:
7973:
7970:
7964:
7963:
7961:
7959:
7944:
7938:
7935:
7924:
7923:
7901:
7895:
7894:
7892:
7890:
7875:
7869:
7868:
7866:
7864:
7849:
7840:
7839:
7829:
7823:
7820:
7799:
7796:
7790:
7789:
7787:
7785:
7770:
7764:
7763:
7751:
7745:
7744:
7732:
7726:
7725:
7715:
7709:
7706:
7685:
7684:
7682:
7680:
7665:
7659:
7656:
7639:
7636:
7630:
7627:
7621:
7620:
7618:
7616:
7605:
7596:
7595:
7593:
7591:
7577:
7571:
7570:
7562:
7556:
7553:
7544:
7541:
7532:
7529:
7520:
7517:
7511:
7510:
7508:
7506:
7492:
7461:
7458:
7452:
7449:
7443:
7440:
7434:
7431:
7425:
7424:
7422:
7420:
7405:
7399:
7396:
7390:
7387:
7378:
7375:
7369:
7366:
7360:
7357:
7351:
7348:
7342:
7339:
7333:
7330:
7324:
7321:
7315:
7312:
7303:
7300:
7294:
7291:
7285:
7282:
7276:
7273:
7264:
7261:
7255:
7252:
7243:
7241:
7233:
7227:
7226:
7224:
7222:
7207:
7205:
7203:
7187:
7172:
7169:
7163:
7160:
7154:
7153:
7151:
7149:
7134:
7107:
7104:
7095:
7092:
7086:
7083:
7066:
7059:
7053:
7046:
7040:
7037:
6917:Stanley Schmidt
6818:John W. Campbell
6798:
6797:
6754:Lionello Torossi
5728:
5727:
5663:
5660:
5479:
5478:
5469:magazine became
5379:Harry Turtledove
5371:Robert J. Sawyer
5282:Orson Scott Card
5140:
5108:R. S. Richardson
5064:Christopher Youd
5052:Arthur C. Clarke
5036:Thrilling Wonder
4970:Raymond F. Jones
4905:If This Goes On—
4608:
2968:
2967:
2851:
2850:
2822:
2785:
2696:
2670:was 27-year-old
2548:Street and Smith
2524:Great Depression
2471:
2469:
2465:
2463:
2459:
2457:
2453:
2451:
2447:
2445:
305:
304:
273:Modern Electrics
150:topics, such as
95:John W. Campbell
79:, who soon made
67:, and edited by
21:
9800:
9799:
9795:
9794:
9793:
9791:
9790:
9789:
9725:
9724:
9723:
9718:
9643:The Future Fire
9587:Amazing Stories
9570:
9565:
9535:
9530:
9509:
9454:Uncanny Stories
9433:The Thrill Book
9412:Tales of Wonder
9384:Strange Stories
9314:Science Fiction
9111:Captain Hazzard
9062:Amazing Stories
9042:
9033:Science fiction
9030:
9000:
8995:
8959:
8954:
8905:
8854:
8827:
8817:
8801:
8795:
8774:
8768:
8747:
8741:
8721:
8715:
8702:
8688:Pulpwood Editor
8682:
8676:
8655:
8649:
8628:
8622:
8609:
8603:
8586:
8580:
8563:
8557:
8544:
8538:
8525:
8519:
8491:
8485:
8467:
8464:
8459:
8458:
8448:
8446:
8438:
8437:
8433:
8428:
8424:
8414:
8412:
8404:
8403:
8399:
8394:
8390:
8385:
8381:
8376:
8367:
8357:
8355:
8344:
8340:
8335:
8326:
8321:
8317:
8307:
8305:
8297:
8296:
8292:
8287:
8280:
8275:
8271:
8266:
8262:
8257:
8253:
8248:
8241:
8236:
8229:
8224:
8220:
8210:
8208:
8200:
8199:
8195:
8190:
8183:
8178:
8174:
8164:
8162:
8154:
8153:
8149:
8144:
8137:
8095:
8089:
8085:
8080:
8076:
8067:
8063:
8054:
8050:
8040:
8038:
8028:
8019:
8014:
8010:
8005:
8001:
7991:
7989:
7981:
7980:
7976:
7971:
7967:
7957:
7955:
7945:
7941:
7936:
7927:
7920:
7902:
7898:
7888:
7886:
7876:
7872:
7862:
7860:
7850:
7843:
7830:
7826:
7821:
7802:
7797:
7793:
7783:
7781:
7771:
7767:
7752:
7748:
7743:. pp. 4–7.
7733:
7729:
7716:
7712:
7707:
7688:
7678:
7676:
7666:
7662:
7657:
7642:
7637:
7633:
7628:
7624:
7614:
7612:
7607:
7606:
7599:
7589:
7587:
7579:
7578:
7574:
7564:
7563:
7559:
7554:
7547:
7542:
7535:
7530:
7523:
7518:
7514:
7504:
7502:
7494:
7493:
7464:
7459:
7455:
7450:
7446:
7441:
7437:
7432:
7428:
7418:
7416:
7406:
7402:
7397:
7393:
7388:
7381:
7376:
7372:
7367:
7363:
7358:
7354:
7349:
7345:
7340:
7336:
7331:
7327:
7322:
7318:
7313:
7306:
7301:
7297:
7292:
7288:
7283:
7279:
7274:
7267:
7262:
7258:
7253:
7246:
7235:
7234:
7230:
7220:
7218:
7209:
7201:
7199:
7190:
7188:
7175:
7170:
7166:
7161:
7157:
7147:
7145:
7135:
7110:
7105:
7098:
7093:
7089:
7084:
7080:
7075:
7070:
7069:
7060:
7056:
7047:
7043:
7038:
7034:
7029:
7011:Stanley Schmidt
7001:Invasion Earth!
6870:Brian W. Aldiss
6785:
6762:Planetmagazinet
5726:
5659:
5403:
5391:
5351:Catherine Asaro
5317:
5301:Vincent Di Fate
5293:John Schoenherr
5274:Spider Robinson
5229:
5217:Malcolm Edwards
5174:, described by
5138:
5116:
5114:1950s and 1960s
5032:
4987:World of Null-A
4974:George O. Smith
4888:Galactic Patrol
4873:Black Destroyer
4861:Amazing Stories
4816:Who Goes There?
4791:Robert Heinlein
4745:Jack Williamson
4725:
4715:recalled that "
4689:R.S. Richardson
4668:
4660:The Isolinguals
4619:Amazing Stories
4611:Howard V. Brown
4606:
4518:
4465:
4460:
4394:138/11 & 12
4369:137/11 & 12
2946:Analog. Analog
2920:103/1 to 103/13
2916:
2904:102/1 to 102/13
2900:
2898:
2896:
2884:101/1 to 101/13
2880:
2870:
2865:
2849:
2841:Stanley Schmidt
2820:
2797:Jerry Pournelle
2783:
2744:Samuel Newhouse
2740:
2699:Science Fiction
2694:
2640:The Pulp Jungle
2606:Amazing Stories
2550:
2509:Jack Williamson
2505:Victor Rousseau
2501:Murray Leinster
2467:
2466:
2461:
2460:
2455:
2454:
2449:
2448:
2443:
2442:
2440:
2438:
288:William Clayton
267:Amazing Stories
258:
253:
229:Stanley Schmidt
90:Legion of Space
85:Jack Williamson
65:William Clayton
53:is an American
36:First issue of
28:
23:
22:
15:
12:
11:
5:
9798:
9788:
9787:
9782:
9777:
9772:
9767:
9765:Pulp magazines
9762:
9757:
9752:
9747:
9742:
9737:
9720:
9719:
9717:
9716:
9709:
9702:
9695:
9692:Space and Time
9688:
9681:
9674:
9667:
9660:
9653:
9646:
9639:
9632:
9625:
9618:
9611:
9604:
9597:
9590:
9583:
9575:
9572:
9571:
9564:
9563:
9556:
9549:
9541:
9532:
9531:
9529:
9528:
9523:
9517:
9515:
9511:
9510:
9508:
9507:
9500:
9497:Wonder Stories
9493:
9486:
9479:
9472:
9465:
9457:
9450:
9443:
9436:
9429:
9422:
9415:
9408:
9401:
9394:
9387:
9380:
9373:
9366:
9359:
9352:
9349:Secret Agent X
9345:
9338:
9331:
9324:
9317:
9310:
9307:Planet Stories
9303:
9296:
9289:
9282:
9275:
9268:
9261:
9254:
9247:
9240:
9237:Jungle Stories
9233:
9226:
9219:
9212:
9205:
9198:
9191:
9184:
9177:
9170:
9163:
9156:
9149:
9142:
9135:
9132:Cosmic Stories
9128:
9121:
9114:
9107:
9104:Captain Future
9100:
9093:
9086:
9079:
9072:
9065:
9058:
9050:
9048:
9044:
9043:
9040:pulp magazines
9029:
9028:
9021:
9014:
9006:
8997:
8996:
8994:
8993:
8986:
8979:
8972:
8964:
8961:
8960:
8957:Dell Magazines
8953:
8952:
8945:
8938:
8930:
8924:
8923:
8918:
8902:
8894:
8885:
8876:
8867:
8853:
8850:
8849:
8848:
8836:
8826:
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5482:Price history
5434:
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5402:
5399:
5395:Trevor Quachri
5390:
5387:
5330:Bruce Sterling
5325:G. Harry Stine
5316:
5313:
5297:Rick Sternbach
5258:Harlan Ellison
5228:
5225:
5180:David Langford
5115:
5112:
5072:Vintage Season
5031:
5030:Post-war years
5028:
5015:Cleve Cartmill
4928:"Robot" series
4857:Wonder Stories
4852:Planet Stories
4802:Legion of Time
4775:Lester del Rey
4741:Clifford Simak
4737:L. Ron Hubbard
4724:
4721:
4667:
4664:
4652:Nelson S. Bond
4648:Ross Rocklynne
4630:H.P. Lovecraft
4615:Wonder Stories
4552:Donald Wandrei
4517:
4514:
4464:
4461:
4459:
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4448:Trevor Quachri
4444:Dell Magazines
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2805:Lester del Rey
2801:Harry Harrison
2739:
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2602:Wonder Stories
2549:
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2492:Wonder Stories
2474:
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2464: Ben Bova
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262:Hugo Gernsback
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245:Trevor Quachri
237:Dell Magazines
148:pseudo-science
26:
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2:
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9671:Not One of Us
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9391:Strange Tales
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8303:www.isfdb.org
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7852:Clute, John.
7848:
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7739:. Editorial.
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6925:Ten volumes.
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5431:
5428:
5425:
5422:
5419:
5416:
5415:
5414:
5412:
5408:
5398:
5396:
5386:
5384:
5380:
5376:
5372:
5368:
5367:Paul Levinson
5364:
5360:
5359:Michael Flynn
5356:
5352:
5348:
5347:Arlan Andrews
5343:
5340:
5335:
5331:
5326:
5322:
5312:
5310:
5306:
5302:
5298:
5294:
5289:
5287:
5283:
5279:
5275:
5271:
5267:
5263:
5259:
5255:
5254:Roger Zelazny
5251:
5247:
5243:
5239:
5234:
5224:
5222:
5218:
5214:
5210:
5209:
5204:
5203:Frank Herbert
5200:
5195:
5193:
5189:
5185:
5181:
5177:
5173:
5172:
5167:
5162:
5160:
5156:
5152:
5148:
5147:pseudoscience
5144:
5137:
5133:
5132:
5127:
5126:
5121:
5111:
5109:
5105:
5099:
5097:
5096:
5091:
5087:
5083:
5082:
5077:
5073:
5069:
5065:
5061:
5057:
5053:
5049:
5045:
5041:
5037:
5027:
5024:
5020:
5016:
5012:
5007:
5005:
5001:
4997:
4993:
4989:
4988:
4983:
4977:
4975:
4971:
4967:
4963:
4959:
4955:
4950:
4948:
4944:
4943:
4938:
4934:
4929:
4925:
4924:
4919:
4918:
4913:
4912:
4907:
4906:
4901:
4896:
4894:
4890:
4889:
4884:
4883:
4878:
4874:
4869:
4866:
4862:
4858:
4854:
4853:
4848:
4847:
4842:
4838:
4834:
4833:
4827:
4825:
4821:
4817:
4812:
4811:genre fiction
4807:
4803:
4799:
4798:Hyperpilosity
4794:
4792:
4788:
4784:
4780:
4776:
4772:
4768:
4767:
4762:
4758:
4754:
4753:Henry Kuttner
4750:
4746:
4742:
4738:
4734:
4730:
4720:
4718:
4714:
4710:
4709:Hubert Rogers
4706:
4702:
4696:
4694:
4690:
4684:
4681:
4672:
4663:
4661:
4657:
4653:
4649:
4645:
4641:
4637:
4636:
4631:
4626:
4624:
4620:
4616:
4612:
4605:
4601:
4599:
4595:
4594:
4589:
4588:
4583:
4579:
4575:
4571:
4567:
4563:
4562:
4557:
4553:
4549:
4548:Nat Schachner
4543:
4541:
4537:
4533:
4529:
4528:
4527:Strange Tales
4523:
4513:
4511:
4507:
4506:
4501:
4497:
4493:
4489:
4485:
4478:
4474:
4469:
4455:
4453:
4449:
4445:
4441:
4431:
4426:
4423:
4421:
4419:
4417:
4415:
4413:139/7 & 8
4410:139/5 & 6
4407:139/3 & 4
4404:139/1 & 2
4400:
4399:
4396:
4388:138/7 & 8
4385:138/5 & 6
4382:138/3 & 4
4379:138/1 & 2
4375:
4374:
4371:
4363:137/7 & 8
4360:137/5 & 6
4357:137/3 & 4
4354:137/1 & 2
4350:
4349:
4346:
4343:
4340:
4337:
4334:
4332:136/7 & 8
4328:
4325:
4322:
4319:
4317:136/1 & 2
4313:
4312:
4309:
4306:
4303:
4300:
4297:
4295:135/7 & 8
4291:
4288:
4285:
4282:
4280:135/1 & 2
4276:
4275:
4272:
4269:
4266:
4263:
4260:
4258:134/7 & 8
4254:
4251:
4248:
4245:
4243:134/1 & 2
4239:
4238:
4235:
4232:
4229:
4226:
4223:
4221:133/7 & 8
4217:
4214:
4211:
4208:
4206:133/1 & 2
4202:
4201:
4198:
4195:
4192:
4189:
4186:
4184:132/7 & 8
4180:
4177:
4174:
4171:
4169:132/1 & 2
4165:
4164:
4161:
4158:
4155:
4152:
4149:
4147:131/7 & 8
4143:
4140:
4137:
4134:
4132:131/1 & 2
4128:
4127:
4124:
4121:
4118:
4115:
4112:
4110:130/7 & 8
4106:
4103:
4100:
4097:
4095:130/1 & 2
4091:
4090:
4087:
4084:
4081:
4078:
4075:
4073:129/7 & 8
4069:
4066:
4063:
4060:
4058:129/1 & 2
4054:
4053:
4050:
4047:
4044:
4041:
4038:
4036:128/7 & 8
4032:
4029:
4026:
4023:
4021:128/1 & 2
4017:
4016:
4013:
4010:
4007:
4004:
4001:
3999:127/7 & 8
3995:
3992:
3989:
3986:
3984:126/1 & 2
3980:
3979:
3976:
3973:
3970:
3967:
3964:
3962:126/7 & 8
3958:
3955:
3952:
3949:
3947:126/1 & 2
3943:
3942:
3939:
3936:
3933:
3930:
3927:
3925:125/7 & 8
3921:
3918:
3915:
3912:
3910:125/1 & 2
3906:
3905:
3902:
3899:
3896:
3893:
3890:
3888:124/7 & 8
3884:
3881:
3878:
3875:
3873:124/1 & 2
3869:
3868:
3865:
3862:
3859:
3856:
3853:
3851:123/7 & 8
3847:
3844:
3841:
3838:
3835:
3832:
3829:
3828:
3825:
3822:
3819:
3816:
3813:
3811:122/7 & 8
3807:
3804:
3801:
3798:
3795:
3792:
3789:
3788:
3785:
3782:
3779:
3776:
3773:
3771:121/7 & 8
3767:
3764:
3761:
3758:
3755:
3752:
3749:
3748:
3745:
3742:
3739:
3736:
3733:
3731:120/7 & 8
3727:
3724:
3721:
3718:
3715:
3712:
3709:
3708:
3705:
3702:
3699:
3696:
3693:
3691:119/7 & 8
3687:
3684:
3681:
3678:
3675:
3672:
3669:
3668:
3665:
3662:
3659:
3656:
3653:
3651:118/7 & 8
3647:
3644:
3641:
3638:
3635:
3632:
3629:
3628:
3625:
3622:
3619:
3616:
3613:
3611:117/7 & 8
3607:
3604:
3601:
3598:
3595:
3592:
3589:
3588:
3585:
3582:
3579:
3576:
3573:
3570:
3567:
3564:
3561:
3558:
3555:
3552:
3549:
3546:
3545:
3541:
3538:
3535:
3532:
3529:
3526:
3524:115/8 & 9
3523:
3520:
3517:
3514:
3511:
3508:
3506:115/1 & 2
3505:
3502:
3501:
3497:
3494:
3491:
3488:
3485:
3482:
3480:114/8 & 9
3479:
3476:
3473:
3470:
3467:
3464:
3462:114/1 & 2
3461:
3458:
3457:
3453:
3450:
3447:
3444:
3441:
3438:
3436:113/8 & 9
3435:
3432:
3429:
3426:
3423:
3420:
3418:113/1 & 2
3417:
3414:
3413:
3409:
3406:
3403:
3400:
3397:
3394:
3392:112/8 & 9
3391:
3388:
3385:
3382:
3379:
3376:
3374:112/1 & 2
3373:
3370:
3369:
3365:
3362:
3359:
3356:
3353:
3350:
3348:111/8 & 9
3347:
3344:
3341:
3338:
3335:
3332:
3330:111/1 & 2
3329:
3326:
3325:
3321:
3318:
3315:
3312:
3309:
3306:
3303:
3300:
3297:
3294:
3291:
3288:
3286:110/1 & 2
3285:
3282:
3281:
3277:
3274:
3271:
3268:
3265:
3262:
3259:
3256:
3253:
3250:
3247:
3244:
3241:
3238:
3237:
3233:
3230:
3227:
3224:
3221:
3218:
3215:
3212:
3209:
3206:
3203:
3200:
3197:
3194:
3193:
3189:
3186:
3183:
3180:
3177:
3174:
3171:
3168:
3165:
3162:
3159:
3156:
3153:
3150:
3149:
3145:
3142:
3139:
3136:
3133:
3130:
3127:
3124:
3121:
3118:
3115:
3112:
3109:
3106:
3105:
3101:
3098:
3095:
3092:
3089:
3086:
3083:
3080:
3077:
3074:
3071:
3068:
3065:
3062:
3061:
3057:
3054:
3051:
3048:
3045:
3042:
3039:
3036:
3033:
3030:
3027:
3024:
3021:
3018:
3017:
3013:
3010:
3007:
3004:
3001:
2998:
2995:
2992:
2989:
2986:
2983:
2980:
2977:
2975:
2974:
2969:
2966:
2963:
2959:
2955:
2951:
2947:
2943:
2942:
2937:
2926:
2922:
2919:
2914:
2911:
2910:
2906:
2903:
2894:
2891:
2890:
2886:
2883:
2878:
2875:
2874:
2868:
2863:
2860:
2858:
2857:
2852:
2844:
2842:
2838:
2834:
2828:
2826:
2819:
2814:
2813:Frederik Pohl
2810:
2806:
2802:
2798:
2794:
2793:Poul Anderson
2790:
2782:
2777:
2775:
2771:
2767:
2763:
2759:
2755:
2754:
2749:
2745:
2735:
2733:
2728:
2719:
2715:
2712:
2708:
2704:
2700:
2693:
2689:
2685:
2680:
2677:
2673:
2669:
2665:
2660:
2656:
2653:
2649:
2643:
2641:
2637:
2633:
2632:
2627:
2623:
2618:
2616:
2611:
2607:
2603:
2599:
2593:
2591:
2588:, as well as
2587:
2586:
2581:
2577:
2576:
2571:
2567:
2563:
2562:
2557:
2556:
2545:
2543:
2539:
2535:
2530:
2525:
2520:
2518:
2514:
2510:
2506:
2502:
2498:
2494:
2493:
2488:
2484:
2480:
2472:
2436:
2431:
2427:
2424:
2421:
2418:
2415:
2412:
2409:
2406:
2403:
2400:
2397:
2394:
2391:
2390:
2386:
2383:
2380:
2377:
2374:
2371:
2368:
2365:
2362:
2359:
2356:
2353:
2350:
2349:
2345:
2342:
2339:
2336:
2333:
2330:
2327:
2324:
2321:
2318:
2315:
2312:
2309:
2308:
2304:
2301:
2298:
2295:
2292:
2289:
2286:
2283:
2280:
2277:
2274:
2271:
2268:
2267:
2263:
2260:
2257:
2254:
2251:
2248:
2245:
2242:
2239:
2236:
2233:
2230:
2227:
2226:
2222:
2219:
2216:
2213:
2210:
2207:
2204:
2201:
2198:
2195:
2192:
2189:
2186:
2185:
2181:
2178:
2175:
2172:
2169:
2166:
2163:
2160:
2157:
2154:
2151:
2148:
2145:
2144:
2140:
2137:
2134:
2131:
2128:
2125:
2122:
2119:
2116:
2113:
2110:
2107:
2104:
2103:
2099:
2096:
2093:
2090:
2087:
2084:
2081:
2078:
2075:
2072:
2069:
2066:
2063:
2062:
2058:
2055:
2052:
2049:
2046:
2043:
2040:
2037:
2034:
2031:
2028:
2025:
2022:
2021:
2017:
2014:
2011:
2008:
2005:
2002:
1999:
1996:
1993:
1990:
1987:
1984:
1981:
1980:
1976:
1973:
1970:
1967:
1964:
1961:
1958:
1955:
1952:
1949:
1946:
1943:
1940:
1939:
1935:
1932:
1929:
1926:
1923:
1920:
1917:
1914:
1911:
1908:
1905:
1902:
1899:
1898:
1894:
1891:
1888:
1885:
1882:
1879:
1876:
1873:
1870:
1867:
1864:
1861:
1858:
1857:
1853:
1850:
1847:
1844:
1841:
1838:
1835:
1832:
1829:
1826:
1823:
1820:
1817:
1816:
1812:
1809:
1806:
1803:
1800:
1797:
1794:
1791:
1788:
1785:
1782:
1779:
1776:
1775:
1771:
1768:
1765:
1762:
1759:
1756:
1753:
1750:
1747:
1744:
1741:
1738:
1735:
1734:
1730:
1727:
1724:
1721:
1718:
1715:
1712:
1709:
1706:
1703:
1700:
1697:
1694:
1693:
1689:
1686:
1683:
1680:
1677:
1674:
1671:
1668:
1665:
1662:
1659:
1656:
1653:
1652:
1648:
1645:
1642:
1639:
1636:
1633:
1630:
1627:
1624:
1621:
1618:
1615:
1612:
1611:
1607:
1604:
1601:
1598:
1595:
1592:
1589:
1586:
1583:
1580:
1577:
1574:
1571:
1570:
1566:
1563:
1560:
1557:
1554:
1551:
1548:
1545:
1542:
1539:
1536:
1533:
1530:
1529:
1525:
1522:
1519:
1516:
1513:
1510:
1507:
1504:
1501:
1498:
1495:
1492:
1489:
1488:
1484:
1481:
1478:
1475:
1472:
1469:
1466:
1463:
1460:
1457:
1454:
1451:
1448:
1447:
1443:
1440:
1437:
1434:
1431:
1428:
1425:
1422:
1419:
1416:
1413:
1410:
1407:
1406:
1402:
1399:
1396:
1393:
1390:
1387:
1384:
1381:
1378:
1375:
1372:
1369:
1366:
1365:
1361:
1358:
1355:
1352:
1349:
1346:
1343:
1340:
1337:
1334:
1331:
1328:
1325:
1324:
1320:
1317:
1314:
1311:
1308:
1305:
1302:
1299:
1296:
1293:
1290:
1287:
1284:
1283:
1279:
1276:
1273:
1270:
1267:
1264:
1261:
1258:
1255:
1252:
1249:
1246:
1243:
1242:
1238:
1235:
1232:
1229:
1226:
1223:
1220:
1217:
1214:
1211:
1208:
1205:
1202:
1201:
1197:
1194:
1191:
1188:
1185:
1182:
1179:
1176:
1173:
1170:
1167:
1164:
1161:
1160:
1156:
1153:
1150:
1147:
1144:
1141:
1138:
1135:
1132:
1129:
1126:
1123:
1120:
1119:
1115:
1112:
1109:
1106:
1103:
1100:
1097:
1094:
1091:
1088:
1085:
1082:
1079:
1078:
1074:
1071:
1068:
1065:
1062:
1059:
1056:
1053:
1050:
1047:
1044:
1041:
1038:
1037:
1033:
1030:
1027:
1024:
1021:
1018:
1015:
1012:
1009:
1006:
1003:
1000:
997:
996:
992:
989:
986:
983:
980:
977:
974:
971:
968:
965:
962:
959:
956:
955:
951:
948:
945:
942:
939:
936:
933:
930:
927:
924:
921:
918:
915:
914:
910:
907:
904:
901:
898:
895:
892:
889:
886:
883:
880:
877:
874:
873:
869:
866:
863:
860:
857:
854:
851:
848:
845:
842:
839:
836:
833:
832:
828:
825:
822:
819:
816:
813:
810:
807:
804:
801:
798:
795:
792:
791:
787:
784:
781:
778:
775:
772:
769:
766:
763:
760:
757:
754:
751:
750:
746:
743:
740:
737:
734:
731:
728:
725:
722:
719:
716:
713:
710:
709:
705:
702:
699:
696:
693:
690:
687:
684:
681:
678:
675:
672:
669:
668:
664:
661:
658:
655:
652:
649:
646:
643:
640:
637:
634:
631:
628:
627:
623:
620:
617:
614:
611:
608:
605:
602:
599:
596:
593:
590:
587:
586:
582:
579:
576:
573:
570:
567:
564:
561:
558:
555:
552:
549:
546:
545:
541:
538:
535:
532:
529:
526:
523:
520:
517:
514:
511:
508:
505:
504:
500:
497:
494:
492:
490:
488:
486:
484:
482:
479:
477:
474:
471:
470:
467:
464:
462:
459:
457:
455:
452:
449:
446:
443:
440:
437:
434:
433:
429:
426:
423:
420:
417:
414:
411:
408:
405:
402:
399:
396:
393:
392:
388:
385:
382:
379:
376:
373:
370:
367:
364:
361:
358:
355:
352:
351:
347:
344:
341:
338:
335:
332:
329:
326:
323:
320:
317:
314:
312:
311:
306:
303:
301:
297:
293:
292:Harold Hersey
289:
285:
281:
280:
275:
274:
269:
268:
263:
248:
246:
242:
238:
234:
230:
225:
223:
219:
215:
211:
207:
203:
199:
198:Frederik Pohl
195:
191:
189:
185:
184:
179:
175:
171:
170:
165:
161:
157:
153:
149:
145:
143:
138:
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129:
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111:
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96:
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78:
74:
70:
66:
62:
61:
56:
52:
51:
43:
39:
34:
30:
19:
9711:
9704:
9697:
9690:
9683:
9676:
9669:
9662:
9655:
9648:
9641:
9634:
9627:
9620:
9613:
9606:
9599:
9593:
9592:
9585:
9578:
9502:
9495:
9488:
9481:
9474:
9467:
9460:
9452:
9445:
9438:
9431:
9424:
9417:
9410:
9403:
9396:
9389:
9382:
9375:
9368:
9361:
9354:
9347:
9342:The Scorpion
9340:
9333:
9326:
9319:
9312:
9305:
9298:
9293:Other Worlds
9291:
9284:
9277:
9270:
9263:
9256:
9249:
9242:
9235:
9228:
9221:
9214:
9207:
9200:
9193:
9186:
9179:
9172:
9165:
9158:
9151:
9146:Doctor Death
9144:
9137:
9130:
9123:
9118:Captain Zero
9116:
9109:
9102:
9096:
9095:
9088:
9081:
9074:
9067:
9060:
9053:
8989:
8988:
8981:
8974:
8967:
8910:
8897:
8889:
8880:
8871:
8859:
8842:bibliography
8839:
8831:
8806:
8778:
8751:
8728:
8723:Rogers, Alva
8704:
8687:
8659:
8632:
8611:
8590:
8567:
8546:
8527:
8502:
8493:Ashley, Mike
8472:
8449:December 20,
8447:. Retrieved
8443:
8434:
8425:
8415:December 20,
8413:. Retrieved
8409:
8400:
8391:
8382:
8356:. Retrieved
8351:
8341:
8318:
8306:. Retrieved
8302:
8293:
8272:
8263:
8254:
8221:
8209:. Retrieved
8205:
8196:
8175:
8163:. Retrieved
8159:
8150:
8103:
8099:
8086:
8077:
8069:
8064:
8056:
8051:
8039:. Retrieved
8035:
8011:
8002:
7990:. Retrieved
7986:
7977:
7968:
7956:. Retrieved
7952:
7942:
7909:
7899:
7887:. Retrieved
7883:
7873:
7861:. Retrieved
7857:
7834:
7827:
7794:
7782:. Retrieved
7778:
7768:
7759:
7749:
7740:
7730:
7720:
7713:
7677:. Retrieved
7673:
7663:
7634:
7625:
7613:. Retrieved
7590:December 20,
7588:. Retrieved
7584:
7575:
7566:
7560:
7515:
7503:. Retrieved
7499:
7456:
7447:
7438:
7429:
7417:. Retrieved
7413:
7403:
7394:
7373:
7364:
7355:
7346:
7337:
7328:
7319:
7298:
7289:
7280:
7259:
7237:
7231:
7219:. Retrieved
7215:the original
7200:. Retrieved
7167:
7158:
7146:. Retrieved
7142:
7090:
7081:
7057:
7049:
7044:
7035:
7015:
7000:
6997:G.W. Thomas
6987:
6984:G.W. Thomas
6974:
6971:G.W. Thomas
6960:
6954:
6951:G.W. Thomas
6938:
6920:
6905:
6890:
6874:
6855:
6851:
6836:
6821:
6792:
6788:
6786:
6772:
6770:
6765:
6761:
6757:
6749:
6743:
6741:
6732:
6724:
5475:
5470:
5465:
5461:
5457:
5453:
5449:
5447:
5441:
5436:
5435:
5410:
5406:
5404:
5392:
5344:
5338:
5333:
5320:
5318:
5305:Jack Gaughan
5290:
5286:Ender's Game
5266:Joe Haldeman
5238:Jack Wodhams
5232:
5230:
5212:
5206:
5196:
5191:
5169:
5165:
5163:
5154:
5142:
5135:
5129:
5123:
5119:
5117:
5100:
5093:
5089:
5085:
5079:
5068:William Tenn
5059:
5047:
5043:
5039:
5035:
5033:
5008:
5003:
4999:
4991:
4985:
4982:Fritz Leiber
4978:
4961:
4951:
4946:
4940:
4921:
4915:
4911:Sixth Column
4909:
4903:
4899:
4897:
4892:
4886:
4882:Gray Lensman
4880:
4870:
4864:
4860:
4856:
4850:
4849:in May, and
4844:
4840:
4836:
4830:
4828:
4819:
4795:
4783:Isaac Asimov
4770:
4764:
4760:
4728:
4726:
4716:
4713:Algis Budrys
4700:
4697:
4685:
4679:
4677:
4633:
4627:
4618:
4614:
4603:
4602:
4597:
4591:
4585:
4581:
4559:
4556:Charles Fort
4544:
4539:
4535:
4531:
4525:
4521:
4519:
4509:
4505:Triplanetary
4503:
4495:
4483:
4481:
4477:Triplanetary
4476:
4472:
4451:
4442:was sold to
4439:
4437:
4429:
2961:
2957:
2953:
2950:Mademoiselle
2949:
2945:
2939:
2933:
2836:
2832:
2829:
2817:
2780:
2778:
2773:
2769:
2765:
2757:
2751:
2747:
2741:
2731:
2726:
2724:
2706:
2698:
2691:
2687:
2683:
2681:
2667:
2663:
2661:
2658:
2651:
2647:
2645:
2639:
2636:Frank Gruber
2631:Mademoiselle
2629:
2621:
2619:
2614:
2609:
2605:
2601:
2597:
2594:
2589:
2583:
2579:
2573:
2565:
2559:
2553:
2551:
2537:
2533:
2528:
2521:
2516:
2512:
2496:
2490:
2486:
2478:
2477:
2441:
2434:
299:
283:
277:
271:
265:
259:
226:
221:
214:Joe Haldeman
192:
182:
181:
167:
159:
140:
134:
132:
117:
107:
103:Isaac Asimov
88:
80:
59:
58:
49:
48:
47:
37:
29:
9483:Weird Tales
9279:Operator #5
9272:The Octopus
9055:Ace Mystery
7615:January 12,
6902:Tony Lewis
6783:Anthologies
5270:Forever War
5242:Kelly Freas
4966:Hal Clement
4824:The Command
4623:Elliot Dold
4492:Mike Ashley
2861:Issue dates
2789:Kay Tarrant
2711:digest size
2676:space opera
2598:Astounding'
296:Harry Bates
218:Forever War
212:Award, and
164:Hal Clement
156:Scientology
69:Harry Bates
9729:Categories
9650:Lightspeed
9629:Escape Pod
9463:(Canadian)
9363:The Spider
9265:New Worlds
9251:Mind Magic
9139:Doc Savage
8890:Astounding
8881:Astounding
8872:Astounding
8860:Astounding
8740:0911682082
8358:January 6,
8308:January 6,
8211:January 6,
8165:January 6,
8041:January 7,
7992:January 6,
7958:January 7,
7889:January 7,
7863:January 7,
7784:January 7,
7679:January 6,
7505:January 6,
7148:January 6,
7073:References
6939:Astounding
6914:1980–1984
6865:1972–1973
6845:1963–1971
6789:Astounding
6766:Astounding
6750:Astounding
6723:Issues of
5437:Astounding
5407:Astounding
5250:Gene Wolfe
5192:Astounding
5184:Tom Godwin
5176:John Clute
5166:Astounding
5155:Astounding
5136:Astounding
5120:Astounding
5060:Astounding
5048:Astounding
5044:Astounding
4962:Astounding
4954:Foundation
4933:John Clute
4900:Astounding
4893:Astounding
4865:Astounding
4841:Astounding
4820:Astounding
4806:Lin Carter
4773:, such as
4771:Astounding
4761:Astounding
4757:C.L. Moore
4729:Astounding
4723:Golden Age
4717:Astounding
4701:Astounding
4680:Astounding
4604:Astounding
4598:Astounding
4582:Astounding
4570:C.L. Moore
4540:The Shadow
4536:Astounding
4532:Astounding
4522:Astounding
4510:Astounding
4500:E.E. Smith
4496:Astounding
4484:Astounding
4473:Astounding
4430:Astounding
4428:Issues of
2871:of issues
2762:signatures
2738:Condé Nast
2727:Astounding
2707:Astounding
2668:Astounding
2664:Astounding
2652:Astounding
2628:magazine,
2622:Astounding
2620:Hall left
2615:Astounding
2610:Astounding
2590:Astounding
2566:Astounding
2561:Doc Savage
2555:The Shadow
2538:Astounding
2534:Astounding
2529:Astounding
2497:Astounding
2479:Astounding
2433:Issues of
239:in 1992.
188:Condé Nast
174:Tom Godwin
160:Astounding
108:Foundation
99:"Twilight"
81:Astounding
9047:Magazines
8130:149743140
8122:2158-2440
8100:SAGE Open
7063:the draft
6887:Ben Bova
6795:include:
5538:75 cents
5530:60 cents
5522:50 cents
5514:35 cents
5506:25 cents
5498:20 cents
5151:Dianetics
4958:Changewar
4937:Nightfall
4693:Willy Ley
4632:'s novel
2938:launched
2934:In 1977,
2866:numbering
2585:Top-Notch
264:launched
260:In 1926,
166:'s novel
152:Dianetics
8916:LibriVox
8805:(1977).
8725:(1970).
8686:(1937).
8055:Asimov,
7221:June 26,
7202:June 26,
7196:Archived
6856:Analog 9
6854:through
6852:Analog 1
5701:110,000
5677:100,000
5284:, with "
5159:psionics
5092:series,
5056:Loophole
5019:Deadline
4666:Campbell
4574:Twilight
4516:Tremaine
4438:In 1992
3014:Mid-Dec
2825:Ben Bova
2703:bedsheet
194:Ben Bova
9685:Reactor
9514:Related
9469:Unknown
9202:Fantasy
9037:fantasy
8863:at the
8696:2770489
8462:Sources
7609:"Locus"
7419:May 12,
5717:27,000
5709:83,000
5693:92,000
5685:50,000
5578:$ 2.00
5570:$ 1.75
5562:$ 1.50
5554:$ 1.25
5546:$ 1.00
5389:Quachri
5315:Schmidt
5090:Lensman
5004:Unknown
4992:Unknown
4947:Lensman
4837:Unknown
4766:Unknown
4572:, and "
3542:115/15
3498:114/15
3454:113/15
3410:112/15
3366:111/15
3322:110/14
3278:109/13
3234:108/13
3190:107/13
3146:106/13
3102:105/13
3058:104/13
2487:Amazing
2428:100/12
284:Amazing
256:Clayton
8813:
8791:
8787:–884.
8764:
8760:–856.
8737:
8711:
8694:
8672:
8668:–103.
8645:
8618:
8599:
8576:
8553:
8534:
8515:
8481:
8128:
8120:
7916:
7050:Galaxy
6810:Notes
6807:Title
6804:Editor
6793:Analog
6773:Analog
6681:18/12
6678:18/11
6675:18/10
6640:17/12
6637:17/11
6634:17/10
6599:16/10
6569:15/12
6566:15/11
6558:15/10
6519:14/12
6516:14/11
6513:14/10
6478:13/12
6475:13/11
6472:13/10
6437:12/12
6434:12/11
6431:12/10
6396:11/12
6393:11/11
6390:11/10
6355:10/12
6352:10/11
6349:10/10
5490:Price
5487:Issues
5442:Analog
5411:Analog
5339:Analog
5334:Analog
5321:Analog
5256:, and
5233:Analog
5213:Analog
5143:Galaxy
5104:"Gulf"
4972:, and
4914:, and
4877:Trends
4789:, and
4755:, and
4654:, and
4452:Analog
4440:Analog
4344:136/12
4341:136/11
4338:136/10
4307:135/12
4304:135/11
4301:135/10
4270:134/12
4267:134/11
4264:134/10
4233:133/12
4230:133/11
4227:133/10
4196:132/12
4193:132/11
4190:132/10
4159:131/12
4156:131/11
4153:131/10
4122:130/12
4119:130/11
4116:130/10
4085:129/12
4082:129/11
4079:129/10
4048:128/12
4045:128/11
4042:128/10
4011:127/12
4008:127/11
4005:127/10
3974:126/12
3971:126/11
3968:126/10
3937:125/12
3934:125/11
3931:125/10
3900:124/12
3897:124/11
3894:124/10
3863:123/12
3860:123/11
3857:123/10
3823:122/12
3820:122/11
3817:122/10
3783:121/12
3780:121/11
3777:121/10
3743:120/12
3740:120/11
3737:120/10
3703:119/12
3700:119/11
3697:119/10
3663:118/12
3660:118/11
3657:118/10
3623:117/12
3620:117/11
3617:117/10
3583:116/12
3580:116/11
3577:116/10
3539:115/14
3536:115/13
3533:115/12
3530:115/11
3527:115/10
3495:114/14
3492:114/13
3489:114/12
3486:114/11
3483:114/10
3451:113/14
3448:113/13
3445:113/12
3442:113/11
3439:113/10
3407:112/14
3404:112/13
3401:112/12
3398:112/11
3395:112/10
3363:111/14
3360:111/13
3357:111/12
3354:111/11
3351:111/10
3319:110/13
3316:110/12
3313:110/11
3310:110/10
3275:109/12
3272:109/11
3269:109/10
3231:108/12
3228:108/11
3225:108/10
3187:107/12
3184:107/11
3181:107/10
3143:106/12
3140:106/11
3137:106/10
3099:105/12
3096:105/11
3093:105/10
3055:104/12
3052:104/11
3049:104/10
2962:Analog
2958:Analog
2869:Number
2864:Volume
2837:Analog
2818:Analog
2781:Analog
2770:Analog
2766:Analog
2758:Analog
2748:Analog
2507:, and
2425:100/11
2422:100/10
2387:99/12
2346:98/12
2305:97/12
2264:96/12
2223:95/12
222:Analog
210:Nebula
110:series
9657:Locus
9125:Comet
8846:ISFDB
8641:–88.
8511:–96.
8444:ISFDB
8126:S2CID
8096:(PDF)
7567:Locus
7027:Notes
7007:2011
6994:2010
6981:2010
6968:2010
6948:2010
6930:1981
6899:1978
6884:1978
6830:1962
6710:19/8
6707:19/7
6704:19/6
6701:19/5
6698:19/4
6695:19/3
6692:19/2
6689:19/1
6686:1963
6672:18/9
6669:18/8
6666:18/7
6663:18/6
6660:18/5
6657:18/4
6654:18/3
6651:18/2
6648:18/1
6645:1962
6631:17/9
6628:17/8
6625:17/7
6622:17/6
6619:17/5
6616:17/4
6613:17/3
6610:17/2
6607:17/1
6604:1961
6596:16/9
6593:16/8
6590:16/7
6587:16/6
6584:16/5
6581:16/4
6578:16/3
6575:16/2
6572:16/1
6563:1960
6555:15/9
6548:15/8
6545:15/7
6542:15/6
6539:15/5
6536:15/4
6533:15/3
6530:15/2
6527:15/1
6524:1959
6510:14/9
6507:14/8
6504:14/7
6501:14/6
6498:14/5
6495:14/4
6492:14/3
6489:14/2
6486:14/1
6483:1958
6469:13/9
6466:13/8
6463:13/7
6460:13/6
6457:13/5
6454:13/4
6451:13/3
6448:13/2
6445:13/1
6442:1957
6428:12/9
6425:12/8
6422:12/7
6419:12/6
6416:12/5
6413:12/4
6410:12/3
6407:12/2
6404:12/1
6401:1956
6387:11/9
6384:11/8
6381:11/7
6378:11/6
6375:11/5
6372:11/4
6369:11/3
6366:11/2
6363:11/1
6360:1955
6346:10/9
6343:10/8
6340:10/7
6337:10/6
6334:10/5
6331:10/4
6328:10/3
6325:10/2
6322:10/1
6319:1954
6314:9/12
6311:9/11
6308:9/10
6278:1953
6273:8/12
6270:8/11
6267:8/10
6238:1952
6228:7/12
6223:7/11
6218:7/10
6203:1951
6167:1950
6158:6/12
6155:6/11
6148:6/10
6133:1949
6098:1948
6088:5/12
6083:5/11
6078:5/10
6063:1947
6028:1946
6016:4/12
6011:4/11
6006:4/10
5994:1945
5959:1944
5935:31/1
5930:30/4
5927:30/2
5924:1943
5915:30/1
5910:29/4
5903:29/3
5898:28/6
5893:28/5
5890:1942
5885:28/4
5882:28/3
5877:28/1
5874:27/6
5871:27/5
5868:27/4
5863:27/2
5860:27/1
5857:26/6
5854:26/5
5851:1941
5846:26/4
5843:26/3
5840:26/2
5837:26/1
5834:25/6
5831:25/5
5828:25/4
5825:25/3
5822:25/2
5819:25/1
5816:24/6
5813:24/5
5810:1940
5805:24/4
5776:1939
5714:2011
5706:1990
5698:1983
5690:1981
5682:1934
5674:1926
5666:Year
5409:and
5139:'
4607:'
4488:Wesso
4463:Bates
4401:2019
4376:2018
4351:2017
4335:136/9
4329:136/6
4326:136/5
4323:136/4
4320:136/3
4314:2016
4298:135/9
4292:135/6
4289:135/5
4286:135/4
4283:135/3
4277:2015
4261:134/9
4255:134/6
4252:134/5
4249:134/4
4246:134/3
4240:2014
4224:133/9
4218:133/6
4215:133/5
4212:133/4
4209:133/3
4203:2013
4187:132/9
4181:132/6
4178:132/5
4175:132/4
4172:132/3
4166:2012
4150:131/9
4144:131/6
4141:131/5
4138:131/4
4135:131/3
4129:2011
4113:130/9
4107:130/6
4104:130/5
4101:130/4
4098:130/3
4092:2010
4076:129/9
4070:129/6
4067:129/5
4064:129/4
4061:129/3
4055:2009
4039:128/9
4033:128/6
4030:128/5
4027:128/4
4024:128/3
4018:2008
4002:127/9
3996:127/6
3993:127/5
3990:127/4
3987:127/3
3981:2007
3965:126/9
3959:126/6
3956:126/5
3953:126/4
3950:126/3
3944:2006
3928:125/9
3922:125/6
3919:125/5
3916:125/4
3913:125/3
3907:2005
3891:124/9
3885:124/6
3882:124/5
3879:124/4
3876:124/3
3870:2004
3854:123/9
3848:123/6
3845:123/5
3842:123/4
3839:123/3
3836:123/2
3833:123/1
3830:2003
3814:122/9
3808:122/6
3805:122/5
3802:122/4
3799:122/3
3796:122/2
3793:122/1
3790:2002
3774:121/9
3768:121/6
3765:121/5
3762:121/4
3759:121/3
3756:121/2
3753:121/1
3750:2001
3734:120/9
3728:120/6
3725:120/5
3722:120/4
3719:120/3
3716:120/2
3713:120/1
3710:2000
3694:119/9
3688:119/6
3685:119/5
3682:119/4
3679:119/3
3676:119/2
3673:119/1
3670:1999
3654:118/9
3648:118/6
3645:118/5
3642:118/4
3639:118/3
3636:118/2
3633:118/1
3630:1998
3614:117/9
3608:117/6
3605:117/5
3602:117/4
3599:117/3
3596:117/2
3593:117/1
3590:1997
3574:116/9
3571:116/8
3568:116/7
3565:116/6
3562:116/5
3559:116/4
3556:116/3
3553:116/2
3550:116/1
3547:1996
3521:115/7
3518:115/6
3515:115/5
3512:115/4
3509:115/3
3503:1995
3477:114/7
3474:114/6
3471:114/5
3468:114/4
3465:114/3
3459:1994
3433:113/7
3430:113/6
3427:113/5
3424:113/4
3421:113/3
3415:1993
3389:112/7
3386:112/6
3383:112/5
3380:112/4
3377:112/3
3371:1992
3345:111/7
3342:111/6
3339:111/5
3336:111/4
3333:111/3
3327:1991
3307:110/9
3304:110/8
3301:110/7
3298:110/6
3295:110/5
3292:110/4
3289:110/3
3283:1990
3266:109/9
3263:109/8
3260:109/7
3257:109/6
3254:109/5
3251:109/4
3248:109/3
3245:109/2
3242:109/1
3239:1989
3222:108/9
3219:108/8
3216:108/7
3213:108/6
3210:108/5
3207:108/4
3204:108/3
3201:108/2
3198:108/1
3195:1988
3178:107/9
3175:107/8
3172:107/7
3169:107/6
3166:107/5
3163:107/4
3160:107/3
3157:107/2
3154:107/1
3151:1987
3134:106/9
3131:106/8
3128:106/7
3125:106/6
3122:106/5
3119:106/4
3116:106/3
3113:106/2
3110:106/1
3107:1986
3090:105/9
3087:105/8
3084:105/7
3081:105/6
3078:105/5
3075:105/4
3072:105/3
3069:105/2
3066:105/1
3063:1985
3046:104/9
3043:104/8
3040:104/7
3037:104/6
3034:104/5
3031:104/4
3028:104/3
3025:104/2
3022:104/1
3019:1984
2954:Vogue
2912:1983
2892:1982
2876:1981
2821:'
2784:'
2753:Vogue
2648:Clues
2626:slick
2580:Clues
2575:Clues
2419:100/9
2416:100/8
2413:100/7
2410:100/6
2407:100/5
2404:100/4
2401:100/3
2398:100/2
2395:100/1
2392:1980
2384:99/11
2381:99/10
2351:1979
2343:98/11
2340:98/10
2310:1978
2302:97/11
2299:97/10
2269:1977
2261:96/11
2258:96/10
2228:1976
2220:95/11
2217:95/10
2187:1975
2182:94/4
2146:1974
2141:92/4
2105:1973
2100:90/4
2064:1972
2059:88/4
2023:1971
2018:87/4
1982:1970
1977:84/4
1941:1969
1936:82/4
1900:1968
1895:80/4
1859:1967
1854:78/4
1818:1966
1813:76/4
1777:1965
1772:74/4
1736:1964
1731:72/4
1695:1963
1690:70/4
1654:1962
1649:68/4
1613:1961
1608:66/4
1572:1960
1567:64/4
1531:1959
1526:62/4
1490:1958
1485:60/4
1449:1957
1444:58/4
1408:1956
1403:56/4
1367:1955
1362:54/4
1326:1954
1321:52/4
1285:1953
1280:50/4
1244:1952
1239:48/4
1203:1951
1198:46/4
1162:1950
1157:44/4
1121:1949
1116:42/4
1080:1948
1075:40/4
1039:1947
1034:38/4
998:1946
993:36/4
957:1945
952:34/4
916:1944
911:32/4
875:1943
870:30/4
834:1942
829:28/4
793:1941
788:26/4
752:1940
747:24/4
711:1939
706:22/4
670:1938
665:20/4
629:1937
624:18/4
588:1936
583:16/4
547:1935
542:14/4
506:1934
501:12/4
472:1933
435:1932
394:1931
353:1930
9035:and
8811:ISBN
8789:ISBN
8762:ISBN
8735:ISBN
8709:ISBN
8692:OCLC
8670:ISBN
8643:ISBN
8616:ISBN
8597:ISBN
8574:ISBN
8551:ISBN
8532:ISBN
8513:ISBN
8479:ISBN
8451:2023
8417:2023
8360:2017
8310:2017
8213:2017
8167:2017
8118:ISSN
8043:2017
7994:2017
7960:2017
7914:ISBN
7891:2017
7865:2017
7786:2017
7681:2017
7617:2017
7592:2023
7507:2017
7421:2020
7223:2008
7208:and
7204:2008
7150:2017
6815:1952
6801:Year
6305:9/9
6302:9/8
6299:9/7
6296:9/6
6293:9/5
6290:9/4
6287:9/3
6284:9/2
6281:9/1
6264:8/9
6261:8/8
6258:8/7
6255:8/6
6252:8/5
6249:8/4
6246:8/3
6243:8/2
6233:8/1
6213:7/9
6208:7/8
6198:7/7
6193:7/6
6188:7/5
6183:7/4
6180:7/3
6173:7/2
6170:7/1
6143:6/9
6138:6/8
6128:6/7
6123:6/6
6118:6/5
6113:6/4
6108:6/3
6103:6/2
6093:6/1
6073:5/9
6066:5/8
6058:5/7
6051:5/6
6046:5/5
6041:5/4
6036:5/3
6031:5/2
6021:5/1
5999:4/9
5802:24/3
5799:24/2
5796:24/1
5793:23/6
5771:Dec
5377:and
5299:and
5227:Bova
5208:Dune
5186:'s "
5178:and
5128:and
5038:and
5017:'s "
4923:Slan
4859:and
4498:was
2952:and
2807:and
2604:and
2582:and
2489:and
2378:99/9
2375:99/8
2372:99/7
2369:99/6
2366:99/5
2363:99/4
2360:99/3
2357:99/2
2354:99/1
2337:98/9
2334:98/8
2331:98/7
2328:98/6
2325:98/5
2322:98/4
2319:98/3
2316:98/2
2313:98/1
2296:97/9
2293:97/8
2290:97/7
2287:97/6
2284:97/5
2281:97/4
2278:97/3
2275:97/2
2272:97/1
2255:96/9
2252:96/8
2249:96/7
2246:96/6
2243:96/5
2240:96/4
2237:96/3
2234:96/2
2231:96/1
2214:95/9
2211:95/8
2208:95/7
2205:95/6
2202:95/5
2199:95/4
2196:95/3
2193:95/2
2190:94/5
2179:94/3
2176:94/2
2173:94/1
2170:93/6
2167:93/5
2164:93/4
2161:93/3
2158:93/2
2155:93/1
2152:92/6
2149:92/5
2138:92/3
2135:92/2
2132:92/1
2129:91/6
2126:91/5
2123:91/4
2120:91/3
2117:91/2
2114:91/1
2111:90/6
2108:90/5
2097:90/3
2094:90/2
2091:90/1
2088:89/6
2085:89/5
2082:89/4
2079:89/3
2076:89/2
2073:89/1
2070:88/6
2067:88/5
2056:88/3
2053:88/2
2050:88/1
2047:87/6
2044:87/5
2041:87/4
2038:87/3
2035:87/2
2032:87/1
2029:86/6
2026:86/5
2015:87/3
2012:87/2
2009:87/1
2006:85/6
2003:85/5
2000:85/4
1997:85/3
1994:85/2
1991:85/1
1988:84/6
1985:84/5
1974:84/3
1971:84/2
1968:84/1
1965:83/6
1962:83/5
1959:83/4
1956:83/3
1953:83/2
1950:83/1
1947:82/6
1944:82/5
1933:82/3
1930:82/2
1927:82/1
1924:81/6
1921:81/5
1918:81/4
1915:81/3
1912:81/2
1909:81/1
1906:80/6
1903:80/5
1892:80/3
1889:80/2
1886:80/1
1883:79/6
1880:79/5
1877:79/4
1874:79/3
1871:79/2
1868:79/1
1865:78/6
1862:78/5
1851:78/3
1848:78/2
1845:78/1
1842:77/6
1839:77/5
1836:77/4
1833:77/3
1830:77/2
1827:77/1
1824:76/6
1821:76/5
1810:76/3
1807:76/2
1804:76/1
1801:75/6
1798:75/5
1795:75/4
1792:75/3
1789:75/2
1786:75/1
1783:74/6
1780:74/5
1769:74/3
1766:74/2
1763:74/1
1760:73/6
1757:73/5
1754:73/4
1751:73/3
1748:73/2
1745:73/1
1742:72/6
1739:72/5
1728:72/3
1725:72/2
1722:72/1
1719:71/6
1716:71/5
1713:71/4
1710:71/3
1707:71/2
1704:71/1
1701:70/6
1698:70/5
1687:70/3
1684:70/2
1681:70/1
1678:69/6
1675:69/5
1672:69/4
1669:69/3
1666:69/2
1663:69/1
1660:68/6
1657:68/5
1646:68/3
1643:68/2
1640:68/1
1637:67/6
1634:67/5
1631:67/4
1628:67/3
1625:67/2
1622:67/1
1619:66/6
1616:66/5
1605:66/3
1602:66/2
1599:66/1
1596:65/6
1593:65/5
1590:65/4
1587:65/3
1584:65/2
1581:65/1
1578:64/6
1575:64/5
1564:64/3
1561:64/2
1558:64/1
1555:63/6
1552:63/5
1549:63/4
1546:63/3
1543:63/2
1540:63/1
1537:62/6
1534:62/5
1523:62/3
1520:62/2
1517:62/1
1514:61/6
1511:61/5
1508:61/4
1505:61/3
1502:61/2
1499:61/1
1496:60/6
1493:60/5
1482:60/3
1479:60/2
1476:60/1
1473:59/6
1470:59/5
1467:59/4
1464:59/3
1461:59/2
1458:59/1
1455:58/6
1452:58/5
1441:58/3
1438:58/2
1435:58/1
1432:57/6
1429:57/5
1426:57/4
1423:57/3
1420:57/2
1417:57/1
1414:56/6
1411:56/5
1400:56/3
1397:56/2
1394:56/1
1391:55/6
1388:55/5
1385:55/4
1382:55/3
1379:55/2
1376:55/1
1373:54/6
1370:54/5
1359:54/3
1356:54/2
1353:54/1
1350:53/6
1347:53/5
1344:53/4
1341:53/3
1338:53/2
1335:53/1
1332:52/6
1329:52/5
1318:52/3
1315:52/2
1312:52/1
1309:51/6
1306:51/5
1303:51/4
1300:51/3
1297:51/2
1294:51/1
1291:50/6
1288:50/5
1277:50/3
1274:50/2
1271:50/1
1268:49/6
1265:49/5
1262:49/4
1259:49/3
1256:49/2
1253:49/1
1250:48/6
1247:48/5
1236:48/3
1233:48/2
1230:48/1
1227:47/6
1224:47/5
1221:47/4
1218:47/3
1215:47/2
1212:47/1
1209:46/6
1206:46/5
1195:46/3
1192:46/2
1189:46/1
1186:45/6
1183:45/5
1180:45/4
1177:45/3
1174:45/2
1171:45/1
1168:44/6
1165:44/5
1154:44/3
1151:44/2
1148:44/1
1145:43/6
1142:43/5
1139:43/4
1136:43/3
1133:43/2
1130:43/1
1127:42/6
1124:42/5
1113:42/3
1110:42/2
1107:42/1
1104:41/6
1101:41/5
1098:41/4
1095:41/3
1092:41/2
1089:41/1
1086:40/6
1083:40/5
1072:40/3
1069:40/2
1066:40/1
1063:39/6
1060:39/5
1057:39/4
1054:39/3
1051:39/2
1048:39/1
1045:38/6
1042:38/5
1031:38/3
1028:38/2
1025:38/1
1022:37/6
1019:37/5
1016:37/4
1013:37/3
1010:37/2
1007:37/1
1004:36/6
1001:36/5
990:36/3
987:36/2
984:36/1
981:35/6
978:35/5
975:35/4
972:35/3
969:35/2
966:35/1
963:34/6
960:34/5
949:34/3
946:34/2
943:34/1
940:33/6
937:33/5
934:33/4
931:33/3
928:33/2
925:33/1
922:32/6
919:32/5
908:32/3
905:32/2
902:32/1
899:31/6
896:31/5
893:31/4
890:31/3
887:31/2
884:31/1
881:30/6
878:30/5
867:30/3
864:30/2
861:30/1
858:29/6
855:29/5
852:29/4
849:29/3
846:29/2
843:29/1
840:28/6
837:28/5
826:28/3
823:28/2
820:28/1
817:27/6
814:27/5
811:27/4
808:27/3
805:27/2
802:27/1
799:26/6
796:26/5
785:26/3
782:26/2
779:26/1
776:25/6
773:25/5
770:25/4
767:25/3
764:25/2
761:25/1
758:24/6
755:24/5
744:24/3
741:24/2
738:24/1
735:23/6
732:23/5
729:23/4
726:23/3
723:23/2
720:23/1
717:22/6
714:22/5
703:22/3
700:22/2
697:22/1
694:21/6
691:21/5
688:21/4
685:21/3
682:21/2
679:21/1
676:20/6
673:20/5
662:20/3
659:20/2
656:20/1
653:19/6
650:19/5
647:19/4
644:19/3
641:19/2
638:19/1
635:18/6
632:18/5
621:18/3
618:18/2
615:18/1
612:17/6
609:17/5
606:17/4
603:17/3
600:17/2
597:17/1
594:16/6
591:16/5
580:16/3
577:16/2
574:16/1
571:15/6
568:15/5
565:15/4
562:15/3
559:15/2
556:15/1
553:14/6
550:14/5
539:14/3
536:14/2
533:14/1
530:13/6
527:13/5
524:13/4
521:13/3
518:13/2
515:13/1
512:12/6
509:12/5
498:12/3
495:12/2
480:12/1
475:11/3
465:11/2
460:11/1
453:10/3
450:10/2
447:10/1
430:8/3
389:4/3
348:Dec
276:and
208:and
206:Hugo
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176:'s "
139:and
119:Slan
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5964:nn
5954:nn
5943:nn
5940:nn
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5762:Sep
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5750:May
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5303:.
5205:'s
5078:";
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4502:'s
3011:Dec
3008:Nov
3005:Oct
3002:Sep
2999:Aug
2996:Jul
2993:Jun
2990:May
2987:Apr
2984:Mar
2981:Feb
2978:Jan
2923:13
2907:13
2887:13
2686:to
2568:to
444:9/3
441:9/2
438:9/1
427:8/2
424:8/1
421:7/3
418:7/2
415:7/1
412:6/3
409:6/2
406:6/1
403:5/3
400:5/2
397:5/1
386:4/2
383:4/1
380:3/3
377:3/2
374:3/1
371:2/3
368:2/2
365:2/1
362:1/3
359:1/2
356:1/1
345:Nov
342:Oct
339:Sep
336:Aug
333:Jul
330:Jun
327:May
324:Apr
321:Mar
318:Feb
315:Jan
116:'s
105:'s
97:'s
87:'s
9731::
8666:99
8639:60
8509:88
8442:.
8408:.
8368:^
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8327:^
8301:.
8281:^
8242:^
8230:^
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8184:^
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8124:.
8116:.
8102:.
8098:.
8034:.
8020:^
7985:.
7951:.
7928:^
7882:.
7856:.
7844:^
7803:^
7777:.
7758:.
7689:^
7672:.
7643:^
7600:^
7583:.
7548:^
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7524:^
7498:.
7465:^
7412:.
7382:^
7307:^
7268:^
7247:^
7176:^
7141:.
7111:^
7099:^
6963:.
5413::
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5373:,
5369:,
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2503:,
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8770:.
8743:.
8717:.
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8678:.
8651:.
8624:.
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8559:.
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8521:.
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8453:.
8419:.
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