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Hans Waldemar Wessolowski

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614:, pp. 1–2: "In Graudenz (das heute zu Polen gehört) 1894 geboren, begann er seine Karriere beim legendären MĂĽncher Satiremagazin ,,Simplicissimus'', nachdem er an der Königlichen Akademie Belin sein Handwerk gelernt hatte. Durch sein fehlendes Auge werde er vom Militärdiesnt befruit — verspĂĽrte aber nach geraumer Zeit doch eine unstillbare Abenteuerlust und ging zur deutchsen Handelsmarine. Des harten Dienstes ĂĽberdrĂĽssig, sprang er 1912 in der Nähe von New Orleans uber Bord and schwamm an Land. Schon 1913 gelang ihm die EinbĂĽrgerung, under er wurde amerikanischer StaatsbĂĽrger." 84: 1258:, p. 43: "Am 18 Mai 1918 heiratete er die gut vier Jahre ältere Minnie Isabella Ross, die aus der Ortschaft Milo 150 Kilometer sĂĽdlich von Kansas City stammte. Noch 1925 war das Paar in Kansas City gemeldet. Vor der Volkszahlung 1930 zogen die Wessolowskis nach New York um. Zwischen 1935 und 1940 velieĂź das Paar die Stadr wieder und lieĂź sich in Fairport, Connecticut, nieder." 305:
His covers were brightly colored and eye-catching. He was particularly proficient at drawing monsters, and less so at depicting advanced technology. His human figures are distinctive, thin, and sharp-featured. They invariably show strained muscles and extended limbs. The proportions of his humans are
175:. He became a commercial artist in 1916, working for the Ferry Hanly Advertising Company as well as for companies such as the Union Bank Note Company, the Burger-Braid Engraving Company. When the United States entered World War I, he registered for military service but was never drafted. 505:
unexpectedly arrived in New Orleans on June 7, 1914. American authorities suspected the ship was picking up a private arms shipment, but an inspection of loading cargo revealed only miscellaneous merchandise. She remained under surveillance until she departed for Veracruz on June
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In financial difficulty due to the Great Depression, Clayton ceased publication in October 1932; issues cover dated March 1933 were the last to be sold. Clayton Magazines declared bankruptcy in April 1930 and sold its magazine titles. T.R. Foley purchased
1096:, p. 44: "Der kunstler hat offenbar gut verdient, denn er konnte sich in New York ein Penthouse "way up in the sky" mit Blick auf den Riverside Drive, damals wie heute eine der begehrtesten Adressen in der Stadt, leisten." 1222:, p. 45: "Bis 1942 folgten sechs weitere Cover fĂĽr 'Astounding', drei fĂĽr 'Thrilling Wonder Stories' und eines fĂĽr die 'Marvel Science Stories'. Das Titelbild fĂĽr 'Astonishing Stories' im März 1942 war sein letztes." 824:, p. 43: "In Kansas City war Wessolowski als 'commercial artist', als Werbegrafiker, gemelder und fur die Union Bank Note Company, di Burger-Braid Engraving Company und die Ferry Hanly Advertising Company tätig." 318:, Wesso became the key artist for similar pulps issued by Clayton Magazines. He spent anywhere from two days to a week on a cover, occasionally using toys as models for his work. His work was often lauded by readers. 1012:, p. 44: "Wesso war daneben fĂĽr die Titelbilder der kurzlebigen Strange Tales of Mystery and Terror zuständig. Dieses Fantasy- und Horrormagazin wurde ebenfalls von Bates herausgegeben." 497:
and attempted to bar all German arms shipments to Mexico. The U.S. could not, however, stop the private sale of American arms to the Huerta regime. The surprisingly passengerless
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Hans Wessolowski married Minnie Isabella Ross on May 18, 1918. They lived in Kansas City until at least 1925, then resided in New York City. Some time before 1940, they moved to
1108:, p. 44: "Die Illustration zu dieser Story ist von Leo Morey, der mit Paul R. Frank, Howard V. Brown und Wesso zu den 'Big Four' der frĂĽhen Pulp-KĂĽnstler gezählt wird." 710:, p. 43: "Hans Wessolowski erst einen Monat später, im Juni 1914, in die USA. Er war angeblich In New Orleans vom Schiff ins Wasser gesprungen und an Land geschwommen." 239:
Although he worked primarily for science fiction and fantasy magazines after 1929, Wesso occasionally did illustrations for other Clayton magazines. For example, he drew an
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und andere Pulp-Magazine, wie die auf billigem Papier gedruckten Hefte genannt wurden. Seine ersten Pulp-Titelbilder malte Wessolowski 1928 fĂĽr die Oktober-Ausgaben von
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Wesso ceased to work for pulps for a time after the collapse of Clayton Magazines in 1933, only returning in 1937 when he drew the cover for the June 1937
197: 836:, p. 43: "1917, also die USA in den Ersten Weltkrieg eintraten, wurde er in Kansas City fĂĽr den Militärdienst registriert, aber nicht eingezogen." 284: 1320:
The History of the Science-Fiction Magazine. Volume 1: The Time Machines: The Story of the Science-Fiction Pulp Magazines From the Beginning to 1950
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magazine in winter 1940 (street date December 1939). Each issue contained a full-length novel featuring the science super hero, Curtis Newton
97:(August 19, 1894 – May 12, 1948) was a German-American artist best known under the pseudonym "Wesso" for his many cover illustrations for 325: 397:
as a staff artist. His output for sci fi and fantasy pulps dropped dramatically: Between 1937 and 1942, he drew only six covers for
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Throughout his pulp magazine career, Hans Wessolowski continued to work as a freelance commercial artist. In 1940, Wesso joined the
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in Mexico. The new regime was recognized by the German Empire, which wished to support it with guns and ammunition. U.S. President
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in March 1942 was his last sci fi cover. He ceased working for pulp magazines after 1942, except for the occasional commission.
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commission as an illustrator in December of that year. His work accompanied the short story "The Apple Tree Sage" by
1654: 1664: 848:, p. 43: "Im Dezember 1927 trat er erstmals also freischaffender Zeichner in Erscheinung und illustriarte fĂĽr 140:
Blind in one eye, Wessolowski was rejected for military service. Anxious to see the world, he joined the German
904:, p. 45: "1934 zeichnete Wesso das Titelbild fĂĽr das January-Ausgabe des Motor Magazine im Art-dĂ©co-Stil" 1669: 292: 122: 1649: 784: 758: 321:
He signed his work "Wesso", and it is this name that is most commonly cited when his art is given credit.
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Science-Fiction: The Gernsback Years: A Complete Coverage of the Genre Magazines From 1926 Through 1936
732: 377: 341: 852:'The Apple-Tree Saga' von Manuel Komroff. ... Vermutlich lebte Wessolowski do schon in New York." 311: 1532:
Käther, Matthias (2021). "Hommage an Hans Wessolowski (1894-1948)". In Käther, Matthias (ed.).
812:, p. 43: "Wessolowski ging nach Missouri, Also Beruf fab er dort bereits 1916 'artist an." 426: 407: 346: 129:, worked as a commercial artist, and found his first permanent position at the satire magazine 1621:
at the FictionMags Index; contains a complete listing of his magazine work after December 1927
1270:, p. 46: "Minnie Ross starb im Oktober 1972 und wurde in ihrem Heimatort Milo bestattet." 324:
Wesso earned a good income from his pulp work. Along with Frank R. Paul, Howard V. Brown, and
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oddly distorted, with sunken chests, peculiarly large thigh muscles, and elongated limbs. As
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was the best and primary illustrator for science fiction and fantasy magazines published by
1639: 1634: 438: 429:. Minnie Ross returned to Kansas City some time after his death, and died in October 1972. 270: 256: 200:, a major publisher of pulp magazines. His first work for Clayton appeared on the cover of 66: 698:, p. 43: "mutlich als Besatzungsmitglied — mit der FĂĽrst Bismarck in New Orleans an." 8: 413: 393: 1618: 1341:
The Gernsback Days: A Study of the Evolution of Modern Science Fiction From 1911 to 1936
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usually published a full novel, accompanied by one or two short stories, in each issue.
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He got his first job as a science fiction and fantasy pulp cover artist when editor
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took over cover art duties in October 1933. He created 34 covers for the magazine.
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Derleth, August; Lovecraft, H.P. (2008). Joshi, S.T.; Schultz, David E. (eds.).
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in May 1914. Dissatisfied with the hard work required, he jumped ship in
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By 1927, Wessolowski was living in New York City. He received his first
315: 179: 158:, in June 1914. He became a naturalized American citizen a year later. 1615:; contains a complete listing of his fantasy and science fiction works 686:, p. 43: "Als letzten Wohnsitz in Deutschland gab er Hamburg an." 155: 1425:
Essential Solitude: The Letters of H.P. Lovecraft and August Derleth
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The World of Science Fiction, 1926–1976: The History of a Subculture
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Hans Waldemar Wessolowski was born August 19, 1894, in the city of
44: 360:, but the artist refused to accept the low fee Gernsback offered. 290:
Wessolowski also drew covers for another Clayton Magazine effort,
279:, which had a cover date of January 1930. He drew the covers for 134: 457:
From 1906 until the outbreak of World War I in August 1914, the
441:, on May 12, 1948. His wife survived him; they had no children. 916: 914: 912: 910: 667: 665: 663: 661: 659: 657: 474: 470: 126: 118: 437:
Hans Wessolowski died at the age of 53 at Norwalk Hospital in
1072:, p. 44: "Wessolowskis Bilder kamen bei den Lesern an." 907: 654: 328:, he was considered one of the top four early pulp artists. 296:
beginning in September 1931. He also drew illustrations for
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World Wrecker: An Annotated Bibliography of Edmond Hamilton
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served as a passenger liner operating between Hamburg and
388:. Wessolowski drew illustrations for the first 15 issues. 1165: 991: 166: 1116: 1114: 375:
in the May 1939 issue. The company began publication of
121:). He had a brother and a sister. He studied art at the 1027: 931: 929: 644: 642: 640: 363:
Better Publications began issuing a new pulp magazine,
1237: 1225: 1177: 1445:"Ein Stern am Pulp-Himmel: Hans Waldemar Wessolowski" 1111: 1075: 1015: 941: 1189: 1138: 1126: 1039: 953: 926: 637: 713: 273:hired him to draw the cover for the first issue of 250: 1578:. Hillsborough, N.H.: Experimenter Publishing Co. 565:was published at that time by Postal Publications. 259:hired him in September 1929 to draw the cover for 192:magazine. He received three more commissions from 1626: 1421: 1057: 367:, in January 1939. Wesso drew illustrations for 1515:The Blood 'n' Thunder Guide to Collecting Pulps 1358: 1338:Ashley, Michael; Lowndes, Robert A.W. (2004). 671: 196:, and in the summer of 1928 began working for 1555:Deutsche Ozean-Passagierschiffe 1896 bis 1918 1538:(in German). Windeck, Germany: BLITZ-Verlag. 1337: 1323:. Liverpool, UK: Liverpool University Press. 920: 1386:. Jefferson, N.C.: McFarland & Company. 499: 459: 1365:. Kent, Ohio: Kent State University Press. 561:was published by Popular Publications, and 1496:The Classic Era of American Pulp Magazines 1451:(in German). No. 83. pp. 42–46. 1293: 1291: 971: 524:for $ 100; Foley resold them in August to 356:tried to hire Wesso as a cover artist for 243:style cover for the January 1934 issue of 144:, taking a job as a crew member on the SS 1359:Bleiler, E.F.; Bleiler, Richard (1998). 82: 1493: 1479:. San Bernardino, Calif.: Borgo Press. 1472: 1400: 1288: 1243: 1231: 1183: 1132: 1081: 1021: 864:, p. 43: "Es folgten Aufträge fĂĽr 624: 622: 620: 16:German-American illustrator (1894–1948) 1645:Analog Science Fiction and Fact people 1627: 1571: 1531: 1517:. Morris Plains, N.J.: Murania Press. 1379: 1316: 1195: 1171: 1144: 1120: 1045: 1033: 959: 947: 935: 648: 611: 202:Clues: A Magazine of Detective Stories 167:Commercial artist and entry into pulps 1675:German emigrants to the United States 1552: 1512: 997: 972:Nevala-Lee, Alec (January 10, 2019). 719: 382: 204:in July 1928. He provided covers for 1442: 1407:. Abingdon, Oxfordshire: Routledge. 1267: 1255: 1219: 1207: 1105: 1093: 1069: 1009: 901: 892:aus dem Verlag von William Clayton." 861: 845: 833: 821: 809: 707: 695: 683: 617: 13: 1600:Works by Hans Waldemar Wessolowski 1383:Robots in American Popular Culture 759:"Fuerst Bismarck's Cargo Not Arms" 133:. By early 1914, he was living in 14: 1686: 1593: 1498:. Chicago: Chicago Review Press. 1344:. Holicong, Pa.: Wildside Press. 591:Internet Science Fiction Database 226:Complete Detective Novel Magazine 171:Wessolowski took up residence in 481:. On February 18, 1913, General 251:Science fiction and fantasy work 1428:. New York: Hippocampus Press. 1310: 1273: 1261: 1249: 1213: 1201: 1159:The American News Trade Journal 1150: 1099: 1087: 1063: 1003: 974:"How Astounding Saw the Future" 965: 895: 855: 839: 827: 815: 803: 777: 751: 725: 552: 543: 531: 528:, a well-established publisher. 509: 451: 420: 339:) and the August 1937 cover of 216:in October, and added work for 90:, Fall 1929, cover art by Wesso 701: 689: 677: 605: 579: 101:in the 1930s and early 1940s. 1: 572: 269:before. Late in 1929, editor 104: 77:Science fiction, pulp fiction 1473:Gombert, Richard W. (2009). 1443:Fiks, Norbert (March 2021). 1161:. November 1939. p. 13. 1058:Derleth & Lovecraft 2008 335:(now owned and published by 7: 1284:. May 14, 1948. p. 23. 265:. Wesso had never heard of 10: 1691: 1302:. May 14, 1948. p. 6. 791:. June 10, 1914. p. 2 672:Bleiler & Bleiler 1998 633:. May 13, 1948. p. 4. 234:All Star Detective Stories 1619:Hans Waldemar Wessolowski 1609:Hans Waldemar Wessolowski 921:Ashley & Lowndes 2004 765:. June 8, 1914. p. 2 739:. June 7, 1914. p. 2 733:"Liner Going for Huerta?" 629:"Newspaper Artist Dies". 302:magazine in August 1931. 236:over the next 18 months. 161: 95:Hans Waldemar Wessolowski 88:Amazing Stories Quarterly 73: 55: 30: 25:Hans Waldemar Wessolowski 23: 1660:People from West Prussia 1401:del Rey, Lester (2021). 1317:Ashley, Michael (2000). 549:Only 17 issues appeared. 444: 432: 403:Thrilling Wonder Stories 342:Thrilling Wonder Stories 1665:Science fiction artists 1494:Haining, Peter (2000). 1157:"What's in Magazines". 866:Clues Detective Stories 785:"Fuerst Bismarck Sails" 312:Experimenter Publishing 1575:Captain Future in Love 1572:Steele, Allen (2018). 1380:Carper, Steve (2019). 563:Marvel Science Stories 500: 473:, usually stopping in 460: 427:Fairfield, Connecticut 408:Marvel Science Fiction 91: 1655:People from GrudziÄ…dz 1553:Rothe, Klaus (1986). 882:Wide World Adventures 173:Kansas City, Missouri 86: 1670:Pulp fiction artists 1298:"Hans Wessolowski". 1280:"Hans Wessolowski". 1000:, pp. 187, 210. 439:Norwalk, Connecticut 373:The Prisoner of Mars 67:Norwalk, Connecticut 1650:German illustrators 1060:, pp. 599–601. 878:Three Star Magazine 559:Astonishing Stories 414:Astonishing Stories 394:New York Daily News 347:Better Publications 214:Three Star Magazine 123:Royal School of Art 1513:Hulse, Ed (2009). 1282:The New York Times 1174:, p. 151-152. 978:The New York Times 850:McClure's Magazine 789:The New York Times 763:The New York Times 737:The New York Times 631:Fitchburg Sentinel 526:Street & Smith 518:Astounding Stories 485:seized power in a 337:Street & Smith 333:Astounding Stories 283:every month until 281:Astounding Stories 276:Astounding Stories 92: 1604:Project Gutenberg 1458:978-3-86402-800-7 1036:, pp. 76–77. 483:Victoriano Huerta 365:Startling Stories 257:T. O'Conor Sloane 198:Clayton Magazines 81: 80: 1682: 1589: 1568: 1549: 1535:Fantastic Pulp 2 1528: 1509: 1490: 1469: 1467: 1465: 1439: 1418: 1397: 1376: 1355: 1334: 1304: 1303: 1300:Hartford Courant 1295: 1286: 1285: 1277: 1271: 1265: 1259: 1253: 1247: 1241: 1235: 1229: 1223: 1217: 1211: 1205: 1199: 1193: 1187: 1181: 1175: 1169: 1163: 1162: 1154: 1148: 1142: 1136: 1130: 1124: 1118: 1109: 1103: 1097: 1091: 1085: 1079: 1073: 1067: 1061: 1055: 1049: 1043: 1037: 1031: 1025: 1019: 1013: 1007: 1001: 995: 989: 988: 986: 984: 969: 963: 957: 951: 945: 939: 933: 924: 918: 905: 899: 893: 874:The Danger Trail 859: 853: 843: 837: 831: 825: 819: 813: 807: 801: 800: 798: 796: 781: 775: 774: 772: 770: 755: 749: 748: 746: 744: 729: 723: 717: 711: 705: 699: 693: 687: 681: 675: 669: 652: 646: 635: 634: 626: 615: 609: 603: 602: 600: 598: 583: 566: 556: 550: 547: 541: 535: 529: 513: 507: 503: 463: 455: 411:. His cover for 384: 210:The Danger Trail 62: 40: 38: 21: 20: 1690: 1689: 1685: 1684: 1683: 1681: 1680: 1679: 1625: 1624: 1596: 1586: 1565: 1546: 1525: 1506: 1487: 1463: 1461: 1459: 1436: 1415: 1394: 1373: 1352: 1331: 1313: 1308: 1307: 1297: 1296: 1289: 1279: 1278: 1274: 1266: 1262: 1254: 1250: 1242: 1238: 1230: 1226: 1218: 1214: 1206: 1202: 1194: 1190: 1182: 1178: 1170: 1166: 1156: 1155: 1151: 1143: 1139: 1131: 1127: 1119: 1112: 1104: 1100: 1092: 1088: 1080: 1076: 1068: 1064: 1056: 1052: 1044: 1040: 1032: 1028: 1020: 1016: 1008: 1004: 996: 992: 982: 980: 970: 966: 958: 954: 946: 942: 934: 927: 919: 908: 900: 896: 860: 856: 844: 840: 832: 828: 820: 816: 808: 804: 794: 792: 783: 782: 778: 768: 766: 757: 756: 752: 742: 740: 731: 730: 726: 718: 714: 706: 702: 694: 690: 682: 678: 670: 655: 651:, pp. 1–2. 647: 638: 628: 627: 618: 610: 606: 596: 594: 585: 584: 580: 575: 570: 569: 557: 553: 548: 544: 536: 532: 514: 510: 495:Monroe Doctrine 456: 452: 447: 435: 423: 369:Edmund Hamilton 358:Amazing Stories 285:Howard V. Brown 267:science fiction 262:Amazing Stories 253: 218:Adventure Tails 169: 164: 107: 69: 64: 60: 51: 42: 41:August 19, 1894 36: 34: 26: 17: 12: 11: 5: 1688: 1678: 1677: 1672: 1667: 1662: 1657: 1652: 1647: 1642: 1637: 1623: 1622: 1616: 1606: 1595: 1594:External links 1592: 1591: 1590: 1584: 1569: 1563: 1550: 1544: 1529: 1523: 1510: 1504: 1491: 1485: 1470: 1457: 1440: 1434: 1419: 1413: 1398: 1392: 1377: 1371: 1356: 1350: 1335: 1329: 1312: 1309: 1306: 1305: 1287: 1272: 1260: 1248: 1246:, p. 170. 1236: 1234:, p. 125. 1224: 1212: 1200: 1188: 1186:, p. 283. 1176: 1164: 1149: 1137: 1125: 1123:, p. 136. 1110: 1098: 1086: 1074: 1062: 1050: 1048:, pp. 82. 1038: 1026: 1014: 1002: 990: 964: 952: 950:, p. 136. 940: 925: 923:, p. 162. 906: 894: 886:Air Adventures 870:Air Adventures 854: 838: 826: 814: 802: 776: 750: 724: 722:, p. 102. 712: 700: 688: 676: 674:, p. 601. 653: 636: 616: 604: 577: 576: 574: 571: 568: 567: 551: 542: 530: 508: 501:FĂĽrst Bismarck 491:Woodrow Wilson 461:FĂĽrst Bismarck 449: 448: 446: 443: 434: 431: 422: 419: 405:, and one for 386:Captain Future 378:Captain Future 354:Hugo Gernsback 345:(published by 252: 249: 245:Motor Magazine 206:Air Adventures 184:Manuel Komroff 168: 165: 163: 160: 147:FĂĽrst Bismarck 131:Simplicissimus 106: 103: 99:pulp magazines 79: 78: 75: 71: 70: 65: 63:(aged 53) 57: 53: 52: 43: 32: 28: 27: 24: 15: 9: 6: 4: 3: 2: 1687: 1676: 1673: 1671: 1668: 1666: 1663: 1661: 1658: 1656: 1653: 1651: 1648: 1646: 1643: 1641: 1638: 1636: 1633: 1632: 1630: 1620: 1617: 1614: 1610: 1607: 1605: 1601: 1598: 1597: 1587: 1585:9781704073767 1581: 1577: 1576: 1570: 1566: 1564:9783921564806 1560: 1556: 1551: 1547: 1545:9783957196132 1541: 1537: 1536: 1530: 1526: 1524:9780979595509 1520: 1516: 1511: 1507: 1505:9781556523892 1501: 1497: 1492: 1488: 1486:9781434457264 1482: 1478: 1477: 1471: 1460: 1454: 1450: 1449:Phantastisch! 1446: 1441: 1437: 1435:9781614980605 1431: 1427: 1426: 1420: 1416: 1414:9780367748395 1410: 1406: 1405: 1399: 1395: 1393:9781476670416 1389: 1385: 1384: 1378: 1374: 1372:9780873386043 1368: 1364: 1363: 1357: 1353: 1351:9780809510559 1347: 1343: 1342: 1336: 1332: 1330:9780853238553 1326: 1322: 1321: 1315: 1314: 1301: 1294: 1292: 1283: 1276: 1269: 1264: 1257: 1252: 1245: 1240: 1233: 1228: 1221: 1216: 1209: 1204: 1198:, p. 90. 1197: 1192: 1185: 1180: 1173: 1168: 1160: 1153: 1147:, p. 89. 1146: 1141: 1134: 1129: 1122: 1117: 1115: 1107: 1102: 1095: 1090: 1084:, p. 52. 1083: 1078: 1071: 1066: 1059: 1054: 1047: 1042: 1035: 1030: 1024:, p. 58. 1023: 1018: 1011: 1006: 999: 994: 979: 975: 968: 962:, p. 38. 961: 956: 949: 944: 938:, p. 69. 937: 932: 930: 922: 917: 915: 913: 911: 903: 898: 891: 887: 883: 879: 875: 871: 867: 863: 858: 851: 847: 842: 835: 830: 823: 818: 811: 806: 790: 786: 780: 764: 760: 754: 738: 734: 728: 721: 716: 709: 704: 697: 692: 685: 680: 673: 668: 666: 664: 662: 660: 658: 650: 645: 643: 641: 632: 625: 623: 621: 613: 608: 592: 588: 587:"H. 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Index

Graudenz
German Empire
Norwalk, Connecticut

pulp magazines
Graudenz
German Empire
Poland
Royal School of Art
Berlin
Hamburg
merchant navy
FĂĽrst Bismarck
New Orleans
Louisiana
Kansas City, Missouri
freelance
Manuel Komroff
McClure's
Clayton Magazines
Art Deco
T. O'Conor Sloane
Amazing Stories
science fiction
Harry Bates
Astounding Stories
Howard V. Brown
Strange Tales
Weird Tales
Frank R. Paul

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