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where he continued to do what he preferred the most and that was painting portraits. There he also collaborated with like-minded painters who identified themselves with the same group of academically-trained, artists from the region.
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Painting by
Anastas Bocarić is really just a vestibule of Serbian modern art. Its true beginning can be accurately determined by the fact that zoographic painting pressed these spaces until the end of the nineteenth century.
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At its core, Bocarić was a romantic, he found reality in the nature of the story, but in his paintings, he could find a foothold in contemporary solutions as well as in his Woman in White. Painting a slender figure in a
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and worked as a professor at the Women's School. Bocarić intensified his work on religious compositions and painted portraits of distinguished personalities living then in
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229:, a master of decorative style. Many of the portraits that Bocarić did in Mostar and in Sarajevo are a series of parade creations, often made from photographs.
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the following year. In addition to working on portraits, he also made religious compositions for
Serbian Orthodox churches there. In 1896 he was already in
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Mostar, Sarajevo (Bosnia and
Hercegovina) Umjetnic̆ka galerija Ekspozitura; Mostar, Umjetnička galerija Bosne i Hercegovine Ekspozitura (1969).
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Great People's
Assembly of Serbs, Bunjevci and other Slavs in Banat, Bačka and Baranja, held in Novi Sad on November 25, 1918
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with his family. The image of "Guslar in the choir" was a reason because of which he had to flee to
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to teach for the next five or six years. During this period, he designed the emblem of
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Tradition and Avant-Garde: Literature and Art in
Serbian Culture, 1900–1918
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authorities. In the latter year of the 19th century, a plaster bust of
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where he continued to teach. In 1909 he ran the Balkan Art School in
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was made, so it is assumed that he resided in
Montenegro that year.
443:(in French). Umjetnička galerija Socijalistička Republike Crne Gore.
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or better known as the World
Exhibition in Paris, representing the
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103:(1 January 1864 – 17 April 1944) was a Serbian painter.
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275:Destruction of the Serbian Empire on Kosovo 1389
380:Umjetnička galerija Sarajevo Ekspoaitura Mostar
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310:The Art treasures of Bosnia and Herzegovina
63:Learn how and when to remove this message
394:Milojković-Djurić, Jelena (1988-01-01).
330:. Oxford University Press. p. 106.
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39:Relevant discussion may be found on the
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400:. East European Monographs, Boulder.
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383:(in Croatian). Umjetnička galerija.
93:Anastas Bocarić on a 2014 stamp of
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491:20th-century Serbian male artists
481:19th-century Serbian male artists
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82:Anastas Bocarić, a photo by
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210:He died in Perast in 1944.
161:Prince Nikola of Montenegro
43:. Please help Knowledge by
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440:Art moderne du Monténégro
423:Review: Yugoslav Magazine
288:List of Serbian painters
202:. In 1932 he settled in
437:Perović, Olga (1970).
168:Exposition Universelle
147:. In 1897 he moved to
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45:rewriting this article
476:Serbian male painters
356:. BritishDotCom ltd.
327:The Dictionary of Art
307:Basler, Đuro (1987).
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155:before the
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455:Categories
294:References
184:Menelik II
117:Montenegro
95:Montenegro
200:Vojvodina
107:Biography
41:talk page
31:contains
282:See also
214:Painting
196:Novi Sad
180:Ethiopia
176:Istanbul
153:Belgrade
149:Sarajevo
426:. 1972.
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222:peplos
204:Perast
188:Skopje
141:Mostar
137:Zagreb
121:Athens
133:Zadar
129:Kotor
125:Budva
113:Budva
402:ISBN
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