Exposition Universelle (1900)

1427: 1215:, were among the most popular sights. The Palace of Electricity was built partly incorporating architectural elements of the old Palace of the Champ de Mars from the 1889 Exposition. The Palace was enormous, 420 metres (1,380 ft) long and 60 metres (200 ft) wide, and its form suggested a giant peacock spreading its tail. The central tower was crowned by an enormous illuminated star and a chariot carrying a statue of the Spirit of Electricity 6.5 metres (21 ft) high, holding aloft a torch powered by 50,000 volts of electricity, provided by the steam engines and generators inside the Palace. Electrical lighting was used extensively to keep the Fair open well into the night. Producing the light for the exposition consumed 200,000 kilograms (440,000 lb) of oil an hour. The facade of the Palace and the Water Castle, across from it, were lit by an additional 7,200 incandescent lamps and seventeen arc lamps. Visitors could go inside to see the steam-powered generators which provided electricity for the buildings of the exposition. 1713: 1439: 1808: 1463: 1769: 3346: 1475: 3374: 1352: 1725: 1090: 1078: 1971: 1781: 2214: 1371: 1850: 2160: 2792: 2780: 3674: 3011: 1823: 1959: 1757: 1884: 1226: 2604: 1741: 2086: 1066: 3397: 996: 1192: 2352: 2589: 1451: 2364: 1835: 2340: 1165: 2262: 1865: 1983: 902: 3358: 457: 3651: 3725: 3051: 2768: 2137: 2804: 2507: 2105: 36: 969:, who designed the figure's fashionable attire. Below the statue was a sculptural prow of a boat, the symbol of Paris, and friezes depicting the workers who built the exposition. The central arch was flanked by two slender, candle-like towers, resembling minarets. The gateway was brightly illuminated at night by 3,200 light bulbs and an additional forty arc lamps. Forty thousand visitors an hour could pass beneath the arch to approach the twenty-six ticket booths. Above the ticket booth windows, the names of provincial cities were inscribed, symbolically enacting a hierarchical relation between Paris and the provinces. 926: 2574: 3701: 2412: 1793: 3106: 3023: 3686: 914: 1177: 2428: 3793:, in a chapter titled "The Dynamo and the Virgin." Adams used the occasion to ruminate upon the implications of the Machine Age, expressing concern over what he perceived to be a clash between technology ("the dynamo," a reference to the new engines on display) and the tradition of art and spirituality ("the Virgin," in reference to displays of older artwork) in addressing human needs. The chapter is considered to be an early iteration of the conversations about technology and life that continued in the 20th and 21st centuries. 2121: 1011: 2302:, passing through nine stations along the way, where passengers could board. The fare was an average of fifty centimes. The sidewalk was accessed from a platform 7 metres (23 ft) above the ground level. The passengers stepped from the platform onto the moving sidewalk traveling at 4.2 kilometres per hour (2.6 mph), then onto a more rapid sidewalk moving at 8.5 kilometres per hour (5.3 mph). The sidewalks had posts with handles which passengers could hold onto, or they could walk. It was designed by architect 2202: 7261: 2491: 3035: 2880: 3412: 2896: 3434: 3301: 3453: 3830: 3079: 2457:, who had made the first public projections of a motion picture in 1895, presented their films on a colossal screen, 21 metres (69 ft) by 16 metres (52 ft), in the Gallery of Machines. Another innovation in motion pictures was presented at the exposition at the Phono-Cinema Theater; a primitive talking motion picture, where the image on the screen was synchronized to the sound from phonographs. 1517:, were located the national pavilions of Italy, Turkey, the United States, Austria, Bosnia and Herzegovina, Hungary, Great Britain, Belgium, Norway, Germany, Spain, Monaco, Sweden, Greece, Serbia and Mexico. Behind them, in second line, were located the pavilions of Denmark, Portugal, Peru, Persia, Finland, Luxembourg, Bulgaria and Romania. The other nations were located elsewhere in the exposition site. 3327: 3170:("New Art") style began to appear in Belgium and France in the 1880s and became fashionable in Europe and the United States during the 1890s. It was highly decorative and took its inspiration from the natural world, particularly from the curving lines of plants and flowers and other vegetal forms. The architecture of the exposition was largely of the 3620:, in the palace of agriculture and foods. The statues of women in theatrical costumes by the front door came from the Indochina pavilion, while the ornamental iron gate at the entrance was part of the Palace of Women. In the years after the exposition, La Ruche served as the temporary studio and home of dozens of young artists and writers including 1327:, the facade is Beaux-Arts and Neo-Baroque, reminiscent of the Grand Trianon and the stable at Chantilly. The interior offers examples of Art Nouveau, particularly in the railings of the curving stairways, the tiles of the floors, the stained glass, and the murals on the ceiling of the arcade around the garden. The entrance murals were painted by 2479: 3216:, had many forms at the exposition. He designed the posters for the official Austrian participation in the exposition, painting murals depicting scenes from the history of Bosnia as well as the menu for the restaurant at the Bosnian pavilion, and designed the menu for the official opening banquet. He produced displays for the jeweler 3117:

was 2.50 francs, the half-day wages of a worker. The amount budgeted for the Paris Exposition was one hundred million francs; twenty million from the French State, twenty million from the City of Paris, and the remaining sixty million expected to come from admissions, and backed by French banks and financial institutions.

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was divided into national sections, which were the responsibility of the corresponding country and where its exhibitors were located. Some country with a strong presence in a specific sector, at its own request, was even granted a plot adjoining to the main building to build a small pavilion to house its exhibitors.

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same time, the lifts in the east and west legs were replaced by lifts running as far as the second level and the lift in the north pillar was removed and replaced by a staircase to the first level. The layout of both first and second levels was modified, with the space available for visitors on the second level.

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The organizers of the exposition were not miserly in recognizing the 83,047 exhibitors of products, about half of whom came from France, and 7,161 from the United States. The awards ceremony was held on 18 August 1900, and was attended by 11,500 persons. 3,156 grand prizes were handed out, 8,889 gold

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theater, and the celebrated "Backwards House", which had its furniture on the ceiling, its chandeliers on the floor, and windows which gave reverse images. Other diversions elsewhere in and around the exposition included an orchestra from Madagascar, a Comedy Theater, and the Columbia Theater at Port

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The exposition had several large theatres and music halls, the largest of which was the Palais des Fêtes, which had fifteen thousand seats, and offered programs of music, ballet, historical recreations and diverse spectacles. A separate thoroughfare of the exposition, the Rue de Paris, was lined with

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The largest space was for the French colonies in Africa, the Caribbean, the Pacific and Southeast Asia. These pavilions featured traditional architecture of the countries and displays of local products mixed with modern electric lighting, motion pictures, dioramas, and guides, soldiers, and musicians

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The pavilions of the Austro-Hungarian domains in the Balkans, Bosnia and Herzegovina, offered displays on their lifestyles, consisting of folklore traditions, highlighting peasanthood and the embroidery goods produced in the country. Designed by Karl Panek, it featured murals on the history of Slavic

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The 83,047 French and foreign exhibitors at the Fair were divided into eighteen groups based on their subject matter, which in turn were divided into 121 classes, and based on the class to which they belonged, they were allocated in the corresponding official thematic pavilion. Each thematic pavilion

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The official final cost was 119 million francs, while the total amount actually collected from admission fees was 126 million francs. However, there were unplanned expenses of twenty-two million francs for the French State, and six million francs for the City of Paris, bringing the total cost to 147

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The Water castle, facing the Palace of Electricity, had an equally imposing appearance. It had two large domes, between which was a gigantic fountain, circulating 100,000 litres (22,000 imp gal; 26,000 US gal) of water a minute. Thanks to the power from Palace of Electricity, the

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The cost of an admission ticket was one franc. At the time, the average hourly wage for Paris workers was between forty and fifty centimes. In addition, most popular attractions charged an admission fee, usually between fifty centimes and a franc. The average cost of a simple meal at the exposition

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The 1900 Summer Olympics were the second modern Olympics games held, and the first ones held outside Greece. Between 14 May and 28 October 1900, an enormous number of sporting activities were held along the exposition. The sporting events rarely used the term of "Olympic". Indeed, the term "Olympic

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The Eiffel Tower, that was built as the main entrance of the 1889 Exposition, was the main and central attraction of the 1900 Exposition. For this exposition, it was repainted in shaded tones from yellow-orange at the base to light yellow at the top, and was fitted with 7,000 electric lamps. At the

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The industrial and commercial exhibits were located inside several large palaces on the esplanade between les Invalides and the Alexander III Bridge. One of the largest and most ornate was the Palais des Manufactures Nationale, whose facade included a colorful ceramic gateway, designed by sculptor

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The Gateway, like the exposition buildings, was intended to be temporary, and was demolished as soon as the exposition was finished. The ceramic frieze depicting the workers of the exposition was designed by Anatole Guillot, an academic sculptor. The workers frieze was preserved by the head of the

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Countries from around the world were invited by France to showcase their achievements and cultures. Of the fifty-six countries invited to participate with official representation, forty accepted, plus an additional number of colonies and protectorates of France, the Netherlands, Great Britain, and

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of Raoul Grimoin Sanson, which simulated a voyage in a balloon. The film, projected on a circular screen 93 metres (305 ft) in circumference by ten synchronized projectors, depicted a landscape passing below. The spectators sat in the center above the projectors, in what resembled the basket

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electric train followed the same route, running at an average speed of 17 kilometres per hour (11 mph) in the opposite direction of the moving sidewalk. The rail track was sometimes at 7 metres (23 ft) high like the movable sidewalks, sometimes at ground level and sometimes underground.

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in which she waved large silk scarves which seemed to envelop her into a cloud. Her performance was widely reproduced in photographs, paintings and drawings by Art Nouveau artists and sculptors, and were captured in very early motion pictures. She was filmed on ten 70mm projectors that created a

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in 1896, and the bridge was finished in 1900. It was the work of engineers Jean Resal and Amédée D'Alby and architect Gaston Cousin. The widest and longest of the Paris bridges at the time, it was constructed on a single arch of steel 108 metres (354 ft) long. Though it was named after the

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The structure of the entrance tower as a whole was adorned with Byzantine motifs and Persian ceramic ornamentation, but the true inspiration behind the piece was not of cultural background. Binet sought inspiration from science, tucking the vertebrae of a dinosaur, the cells of a beehive, rams,

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sold to raise money for the event and therefore lost their investment. With a much larger than expected turnout the exhibit sites had gone up in value. Continuing to pay rent for the sites became increasingly hard for concessionaires as they were receiving fewer customers than anticipated. The

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Another scientific attraction was the aquarium, the largest in the world at the time, viewed from an underground gallery 722 metres (2,369 ft) long. The water tanks were each 38 metres (125 ft) long, 18 metres (59 ft) wide and 6.5 metres (21 ft) deep, and contained a wide

2472:, which simulated a voyage by ship from Villefranche to Constantinople. The viewers stood on the railing of a ship simulator, watching painted images pass by of the cities and seascapes en route. The illusion was aided by machinery that rocked the ship, and fans which blew gusts of wind. 1529:

The pavilion of Turkey was designed by a French architect, Adrien-René Dubuisson, and was a mixture of copies of Islamic architecture from mosques in Istanbul and elsewhere in the Ottoman Empire. Turkey managed 4,000 square metres (43,000 sq ft) of exhibition space at the Fair.

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The Palais des Illusions (Palace of Illusions), adjoining the Palace of Optics, was an extremely popular exhibition. It was a large hall which used mirrors and electric lighting to create a show of colorful and bizarre optical illusions. It was preserved after the exposition in the

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and built of wood and stained glass. However, most of the German presence at the exposition was in the commercial pavilions, where they had important displays of German technology and machinery, as well as models of German steamships and a full-scale model of a German lighthouse.

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The exposition was so expensive to organize and run that the cost per visitor ended up being about six hundred francs more than the price of admission. The exhibition lost a grand total of 82,000 francs after six months in operation. Many Parisians had invested money in

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In addition to their own national pavilion, the countries managed other spaces at the Fair. The industrial, commercial, scientific and cultural exhibitors of each country were distributed among the national sections of the different official thematic pavilions.

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at that time. The optical tube assembly was 60 metres (200 ft) long and 1.5 metres (4 ft 11 in) in diameter, and was fixed in place due to its mass. Light from the sky was sent into the tube by a movable 2 metres (6 ft 7 in) mirror.

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Most of the palaces and buildings constructed for the Exposition Universelle were demolished after the conclusion of the exposition and all items and materials that could be salvaged were sold or recycled. They were built largely of wood and covered with

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million francs, or a deficit of twenty-one million francs. The deficit was to a degree offset by the long-term additions to the city infrastructure; new buildings and bridges, including the Grand and Petit Palais, the Pont Alexander III and the

1047:. At the base of the pedestals are allegorical statues representing the France of Charlemagne, the France of the Renaissance, the France of Louis XIV and France in 1900. The Russian element was in the center, with statuary of the Nymphs of the 6939: 1295:

with the paintings of French artists in the north wing, the paintings of artists from other countries in the south wing and the sculptures in the central hall, with some outdoor sculptures nearby. The Palais d'Antin, or west wing, housed the

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in Vienna. The play ended with a memorable death scene; according to one critic, she died "as dying angels would die if they were allowed to." The play ran for nearly a year, with standing-room places selling for as much as 600 gold francs.

4469: 2952:) in the official report of the exposition. The press reported competitions variously as "International Championships", "International Games", "Paris Championships", "World Championships" and "Grand Prix of the Paris Exposition". The 2672:

The Swiss Village, at the edge of the exposition near Avenue de Sufren and Motte-Piquet, was a recreation of a Swiss mountainside village, complete with a 35 metres (115 ft) cascade, a lake and collection of thirty-five chalets.

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style, particularly in the railings of the staircase, which were intricately woven in fluid, organic forms. During the Fair, the interior served as the setting for the exhibitions of paintings and sculptures. The main body of the

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was quite modern for its time; it appeared light, but in fact, it used 9,000 tonnes (8,900 long tons; 9,900 short tons) of metal, compared with seven thousand for the construction of the Eiffel Tower. The facade was in the ornate

3673: 1077: 2627:) was a recreation of the streets of old Paris, from the Middle Ages to the 18th century, with recreations of historic buildings and streets filled with performers and musicians in costumes. It was built following an idea by 1130:, which enlarged the image of the moon ten thousand times. The image was projected on a screen 144 square metres (1,550 sq ft) in size, in a hall which seated two thousand visitors. This telescope was the largest 2393:

which offered a presentation on the night sky. The globe, designed by Napoléon de Tédesco, was 45 metres (148 ft) in diameter, and the blue and gold exterior was painted with the constellations and the signs of the

3700: 3178:, or of eclectic national styles. Art Nouveau decoration appeared in the interiors and decoration of many of the buildings, notably the interior ironwork and decoration of the Monumental gateway of the exposition, the 2895: 2543:) was a 5,000 m (54,000 sq ft) Spanish-themed open air attraction with folkloric live performances at Quai Debilly, at the western end of Trocadéro, on the right bank of the Seine, featuring full-scale 5418: 1902:

Russia had an imposing presence on the Trocadéro hill. The Russian pavilion, designed by Robert Meltzer, was inspired by the towers of the Kremlin and had exhibits and architecture presenting artistic treasures from

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Response to the monumental gateway was mixed, with some critics comparing it to a pot-bellied stove. It was described as "lacking in taste" and was considered by some critics to be the ugliest of all the exhibits.

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concessionaires then went on strike, which ultimately resulted in the closure of a large part of the exposition. To resolve the matter, the concessionaires were given a fractional refund of the rent they had paid.

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To house the industrial, commercial, scientific, technological and cultural exhibitions, the French organization built huge thematic pavilions on the esplanade of Les Invalides and the Champ de Mars and reused the

6716: 3508:(CMP) installed a total of 141 of the Art Nouveau metro station entrances designed by Hector Guimard –with and without canopy– between 1900 and 1913. In 1978, the 86 entrances that still existed were protected as 3345: 1677:. Serbia presented numerous products at the exposition, such as wine, food, fabrics, minerals and won a total of 19 gold, 69 silver and 98 bronze medals. Some of the Serbian fine art on display were the painting 2959:

According to the IOC, 997 competitors took part in nineteen different sports, including women competing for the first time. A number of events were held for the first and only time in Olympic history, including

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included hangings that were more than 12 by 13 feet (3.7 by 4.0 m), which had taken 56 ladies six weeks to embroider. The pavilion was largely used for receptions for important visitors to the exposition.

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style by José Urioste Velada. It housed the Retrospective Exhibition of Spanish Art formed by the collection of tapestries, in which thirty-seven pieces made between the 15th and 18th centuries from the

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Russian Czar, the themes of the decoration were almost entirely French. At the ends, the bridge was supported by four massive stone pylons 13 metres (43 ft) high, decorated with statues of the

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The Chinese pavilion, designed by Louis Masson-Détourbet, was in the form of a Buddhist temple with staff in Chinese traditional dress. This pavilion suffered some disruption in August 1900, when

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held office before it was completed. President Carnot died shortly before it was completed. Though many of the buildings were not finished, the exposition was opened on 14 April 1900 by President

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An area of several dozen hectares on the hill of the Trocadéro Palace was set aside for the pavilions of the colonies and protectorates of France, the Netherlands, Great Britain, and Portugal.

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The exposition was a showcase not only of French Art Nouveau, but also the variations that had appeared in other parts of Europe, including the furniture of the Belgian architect and designer

1780: 3593:) and moved there the original entry pavilion to the tower from Paris. He also built the Chinese Pavilion whose wooden panelling was sculpted in Shanghai. Both structures are now part of the 2956:(IOC) had no real control over the organization, no official interpretation has ever been made and various sources list differing events, further adding to the confusion that was Paris 1900. 2363: 1756: 4899:

Journal of Olympic History, Special Issue – December 2008, The Official Publication of the International Society of Olympic Historians, p. 77, by Karl Lennartz, Tony Bijkerk and Volker Kluge

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Maillot, with acts ranging from panoramas of life in the Orient to a water ballet. These diversions were popular but expensive; entry to the Comedy Theater cost up to five francs.

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Twenty-one of the thirty-three official pavilions were devoted to technology and the sciences. Among the most popular was the Palace of Optics, whose main attractions included the

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in four and a half hours. The free balloon competition race was won by a balloon which travelled 1,925 kilometres (1,196 mi) from Paris to Russia in 35 hours and 45 minutes.

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This includes six world expositions (in 1855, 1867, 1878, 1889, 1900 and 1937), two specialized expositions (in 1881 and 1925) and two colonial expositions (in 1907 and 1931).

1089: 6804: 5620: 1970: 1849: 1450: 3753:, made by Moreau-Vauthier, was referred to by some as "the triumph of prostitution" because of her flowing robe and modernized figure and was criticized by many visitors. 2405:, collapsed onto the street below, killing nine people. Following the accident the French government established the first regulations for the use of reinforced concrete. 1958: 4875: 6238: 2085: 1864: 3768:, who was a symbol of light. La Porte Monumental is considered to be a structure of the Salammbô style and 'the most typically 1900 monument of the entire exhibition'. 2490: 946: 3685: 279:, and it was visited by more than fifty million people. Many international congresses and other events were held within the framework of the exposition, including the 4480:, #038;r=g'; #038;d=identicon; Garcevic, #038;r=g 2x' class='avatar avatar-20 photo' height='20' width='20' loading='lazy' decoding='async' />Srdjan (2022-03-31). 2136: 1740: 3094: 2294:) moving sidewalk was a very popular and useful attraction, given the large size of the exposition. It ran along the edge of the exposition, from the esplanade of 995: 895:, a kind of inexpensive artificial stone. Many of the buildings were unfinished when the exposition opened, and most were demolished immediately after it closed. 3224:, with statuettes and panels of women depicting the scents of rose, orange blossom, violet and buttercup. His more serious art works, including his drawings for 2427: 5190: 1593:), and, most memorably, some five hundred photographs of African-American men and women, homes, churches, businesses and landscapes including photographs from 1370: 5419:

Inventing Entertainment: The Early Motion Pictures and Sound Recordings of the Edison Companies: "exposition universelle internationale de 1900 paris, france"

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Fifty-six countries were invited to the exposition, and forty accepted. The Rue des Nations was created along the banks of the Seine between the esplanade of

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Besides its official scientific, industrial and artistic palaces, the exposition offered an extraordinary variety of attractions, amusements and diversions.

2728:(Japan). The visit continued by showing dioramas of Rome, Moscow, New York and Amsterdam and ended with a mobile panorama of a boat trip along the coast of 1502:

on a metal frame and were designed in an architectural style that represented a period in the country's history, often imitating famous national monuments.

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U.S. Commission to the Paris Exposition, Report of the Commissioner-General for the United States to the International Universal Exposition, Paris, 1900

1416:, an enormous iron-framed building from the 1889 Exposition. Its most popular feature was the Champagne Palace, offering displays and samples of French 6849: 2255:

for a second class car, and two francs for a more spacious first-class car. Despite the high price, passengers often had to wait an hour for a place.

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and the other French African colonies presented pavilions based on their traditional religious architecture and marketplaces, with guides in costume.

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in front of which groups of native people, dressed accordingly, move, play, dance, stroll or work. The visitor traveled through representations of

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for the national pavilions of the larger countries. Each country paid for its own pavilion. The pavilions were all temporary, made of plaster and

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Other recreations with costumed vendors and musicians elsewhere the exposition included recreations of the bazaars, souks and street markets of

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was an essential link of the exposition, connecting the pavilions and palaces on the left and right banks of the Seine. It was named after Czar

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Dymond, Anne (2011), "Embodying the Nation: Art, Fashion and Allegorical Women at the 1900 Exposition Universelle," RACAR, v. 36, no. 2, 1–14.

3477:, which was formed into columns, statuary, walls, stairs. A few of the major structures built for the exposition were preserved, including the 255:, from 14 April to 12 November 1900, to celebrate the achievements of the past century and to accelerate development into the next. It was the 2588: 2052:

also had an impressive presence, with recreations of pagodas and palaces, musicians and dancers, and a recreation of a riverside village from

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and Georges Morin-Goustiaux. The main U.S. presence was in the commercial and industrial palaces. One unusual aspect of the U.S. presence was

6834: 6354: 4913: 456: 1176: 1142:, which attracted three million visitors. Other features of the optics pavilion included demonstrations of X-rays and dancers performing in 7176: 6799: 3209:

created a series of monumental swan vases for the exposition, as well as the monumental entrance to the Palace of National Manufacturers.

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Many international congresses and other events were held in Paris in 1900 within the framework of the exposition. A large area within the

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Martin, Henry (1902). Lignes Aeriennes et Trolleys pour Automobile sur Route (Report) (in French). Libraire Polytechnique Ch. p. 29.

4408: 3608:). This is a three-story building constructed entirely out of bits and pieces of exposition buildings, purchased at auctions by sculptor 1608:

The pavilion of Hungary was designed by Zoltán Bálint and Lajos Jámbor. Its cupola displayed agricultural produce and hunting equipment.

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The interior of the central dome had niches holding large sculptures. One was described as both a personification of electricity and as

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among the public because it resembled the stocky and intricately designed salamander-stoves of the time, only adding to its ridicule.

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The sphere was the scene of a fatal accident on 29 April 1900 when one of access ramps, hastily made of a newly introduced material,

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on the right bank. An additional section of 104 hectares (260 acres) for agricultural exhibits and other structures was built in the

3171: 6864: 6223: 6173: 6148: 5811: 2965: 2961: 2767: 1183: 1127: 6553: 6163: 4035:(Report) (in French). Vol. 8. Paris: Ministry of Commerce, Industry, Posts and Telegraphs. French Republic. 1902. p. 640 2803: 1792: 7070: 6854: 6193: 6045: 733:. The few exhibitors from countries without an official presence at the Fair participated under a joint "International Section". 4481: 4346:

Exposition Universelle de 1900 - Catalogue illustré officiel de l'exposition rétrospective de l'art français des origines à 1800

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The site of the exposition covered 112 hectares (280 acres) along the left and right banks of the Seine from the esplanade of

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arrived and recaptured the city. During the disruption at the Fair, a Chinese procession was attacked by angered Parisians.

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holding a gilded seal of the Russian Empire. At the same time that the Pont Alexander III was built, a similar bridge, the

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The Palace of Furniture and Decoration was particularly lavish and presented many displays of the new Art Nouveau style.

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Exposition Universelle de 1900 - Catalogue illustré officiel de l'exposition centennale de l'Art français de 1800 à 1889

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Many exposition posters also made use of the Art Nouveau style. The work of the most famous Art Nouveau poster artist,

2989: 2631:. There were also several recreations depicting picturesque or touristic regions of France, including exhibitions from 1262: 3569:

commissioned the architect of the building, Alexandre Marcel, to build a Japanese tower and a Chinese pavilion in the

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Sweden's yellow and red structure covered in pine shingles drew attention with its bright colours. It was designed by

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Rue des Nations. From left to right: Pavilions of Belgium, Norway, Germany, Spain, Monaco, Sweden, Greece and Serbia.

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Exposition Universelle de 1900 - Catalogue illustré officiel de l'exposition décennale des BEAUX-ARTS de 1889 à 1900

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medals, 13,300 silver medals, 12,108 bronze medals, and 8,422 honorable mentions. Many of the participants, such as

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style. The more modern interior iron framework, huge skylights and stairways offered decorative elements in the new

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was set aside for sporting events, which included, among others, many of the events of the 1900 Summer Olympics. A

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from the 1889 Exposition. On the other bank of the Seine, they built the Grand Palais and the Petit Palais for the

1052: 2992:

provided 72 percent of all athletes (720 of the 997) and won the most gold, silver and bronze medal placings. The

2567:. It was a French-produced attraction that had no relation with the official representation of Spain at the Fair. 2002:

in local costumes. The French Caribbean islands promoted their rum and other products, while the French colony of

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Hélène Pévost, French women's tennis champion at the 1900 Paris Olympics, the first games in which women competed

2953: 2248: 2127: 2049: 1538: 741: 725:, although having a national pavilion located at the Rue des Nations, officially participated as part of Russia. 684: 615: 3692: 3513: 2478: 913: 7222: 6879: 6809: 5741: 5535: 5089: 2111: 2010: 821: 1774:

Pavilions of Bosnia and Herzegovina by Karl Panek (left) and Hungary by Zoltán Bálint and Lajos Jámbor (right)

7338: 7212: 7125: 6859: 6774: 6701: 6603: 6568: 6233: 6158: 6138: 6123: 6108: 6103: 6098: 5697: 3679:

Ceramic gateway of Sèvres Porcelain from the Palace of National Manufacturers, now on Square Félx-Desruelles

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in Chicago. It could carry 1,600 passengers in its forty cars in a single voyage. The cost of a ride was one

1890: 1703: 1542: 891:

The exposition buildings were meant to be temporary; they were built on iron frames covered with plaster and

888:. The total area of the exposition, 216 hectares (530 acres), was ten times larger than the 1855 Exposition. 443: 424: 416: 412: 408: 214: 200: 6018: 5747: 3452: 1936:

The Korean pavilion, designed by Eugène Ferret, was mostly stocked by French Oriental collectors, including

435: 7045: 6949: 6894: 6869: 6563: 6264: 5191:"The 1900 World's Fair Produced Dazzling Dynamos, Great Art, and Our Current Conversation About Technology" 5061: 4702:

Benjamin, Roger (2005). "Andalusia In The Time Of The Moors: Regret and Colonial Presence in Paris, 1900".

4477: 4471: 3819: 3789: 3605: 2045: 1277: 817: 439: 4409:"Whichelo, Mary Eleanor [Nellie] (1862–1959), head designer of the Royal School of Art Needlework" 3860: 7100: 7090: 6979: 6964: 6794: 6444: 6384: 6113: 5878: 3529: 2923: 2758: 2655:

rather than their departments. Provence was represented by two reconstructions, a Provençal farmhouse or

2053: 845: 777: 5372:(Report) (in French). Paris: Ministry of Commerce, Industry, Posts and Telegraphs. French Republic. 1901 6919: 6389: 5955: 5771: 4380:, "A Small Nation of People: W.E.B. Du Bois and Black Americans at the Turn of the Twentieth Century", 3656: 3590: 3440: 3264: 1665:

presented itself with a 550 square metres (5,900 sq ft) pavilion resembling a church, in the

3271:, and in the portal of the Palace of National Manufacturers made by the Sèvres Porcelain Manufactory. 7120: 6969: 6954: 6924: 6884: 6814: 6061: 5759: 5709: 3911: 3474: 2684:

in the architectural styles of India, China, Cambodia, Japan and Renaissance Europe. It consisted in

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The United States pavilion was modest, a variation on the United States Capitol Building designed by

892: 829: 256: 3517: 3310: 411:. Its purpose was to promote French commerce, technology and culture. It was followed by another in 6909: 6449: 5857: 5848: 4596: 3532:

is a 2000 recreation. None of the three pavilion-type entrances designed by Guimard have survived.

3501:, though the latter was later dismantled and moved a few dozen meters from its original placement. 2833: 1813: 1645: 1636: 1254: 717:

Austria, Bosnia-Herzegovina and Hungary participated as independent nations, although belonging to

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The Pont Alexandre III with the Grand Palais (left) and the Petit Palais (right) in the background

1055:

was built in Saint-Petersburg, and was dedicated to French-Russian friendship by French President

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Exposition universelle internationale de 1900 à Paris. Rapport général administratif et technique

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of ten major expositions held in the city between 1855 and 1937. It was held at the esplanade of

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The Art Nouveau style was very popular in the pavilions of decorative arts. The jewelry firm of

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Another special event at the exposition was a gigantic banquet hosted by the French President,

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The Palais des Illusions created a show of optical illusions with mirrors and lighting effects.

722: 674: 5143:"Embodying the Nation: Art, Fashion, and Allegorical Women at the 1900 Exposition Universelle" 4735:"Embodying the Nation: Art, Fashion, and Allegorical Women at the 1900 Exposition Universelle" 4199:"Embodying the Nation: Art, Fashion, and Allegorical Women at the 1900 Exposition Universelle" 4091:"Embodying the Nation: Art, Fashion, and Allegorical Women at the 1900 Exposition Universelle" 2322: 1468:

Pavilion of Agriculture and Food, inside the former Palace of Machines of the 1889 Exposition.

977:

ceramics firm that made it, Émile Müller, and moved to what is now Parc Müller in the town of

6248: 6118: 5691: 3637: 3566: 2742: 1930: 1612: 1590: 1035: 531: 252: 5982: 5409: 3536: 3126: 2908:, the son of Napoleon Bonaparte, played to full houses in her theater during the exposition. 2560: 380: 7065: 6984: 6533: 6434: 5909: 5873: 5785: 5475: 4377: 3850: 3601: 3130: 2935: 2544: 2303: 2230: 1413: 1131: 1107: 1002: 962: 942: 325: 288: 280: 5400: 4979:

Gontar, Cybele. (2006), "Art Nouveau", Heilbrunn Timeline of Art History. Retrieved from:

2853: 35: 8: 7186: 7025: 7015: 6874: 6711: 6270: 6203: 6178: 6168: 5800: 5665: 3815: 3509: 2652: 2402: 2345:

Quai d'Orsay-Pont des Invalides station of the moving sidewalk near the Pavilion of Italy

1402:. After the exposition it was moved to the wall of Square Felix-Déésroulles, next to the 1332: 1328: 679: 639: 5839: 5576: 2860:

Another popular diversion during the exposition was the theater of the American dancer,

2454: 268: 142: 6904: 5929: 5924: 5919: 5678: 5172: 4764: 4228: 4120: 3715: 3555: 3498: 3494: 3142: 3122: 3105: 3090: 2849: 2685: 2278: 2147: 2076: 2014: 1582: 1578: 1558: 1546: 1510: 1027: 978: 825: 773: 726: 644: 372: 297: 2500:, a simulated voyage in a balloon with motion pictures projected on a circular screen. 1940:, with a supplement of Korean goods from Korea. One object of note on display was the 1875: 1674: 1553:. The goal of the exhibition was to demonstrate progress and commemorate the lives of 7250: 6934: 6469: 5977: 5646: 5588: 5318: 5308: 5291: 5268: 5253: 5238: 5227: 5212: 5164: 4841: 4756: 4501: 4424: 4382:

A Small Nation of People: W. E. B. Du Bois and African American Portraits of Progress

4220: 4112: 4071: 4061: 3707: 3629: 3547: 2919: 2845: 2166: 2060: 1871: 1662: 1648:

were exhibited. The pavilion basement housed a Spanish-themed café-restaurant, named

1570: 1514: 1151: 945:, was the main entrance of the exposition. The architect of the monument overall was 885: 833: 809: 781: 664: 620: 546: 428: 391:; all of them remaining today, including two original canopied entrances by Guimard. 276: 150: 4980: 2820:

amusements, including music venues, a comedy theater, marionettes, American jazz, a

2552: 1684: 6696: 6409: 6093: 6005: 5633: 5518: 5351: 5154: 4746: 4652: 4416: 4344: 4328: 4210: 4102: 3899: 3761: 3640:. It was threatened with demolition in the 1960s but was saved by culture minister 3578: 3570: 3287: 3221: 2865: 2681: 2243:

110 metres (360 ft) high, which took its name from a similar wheel created by

2143: 2041: 1841: 1656: 1554: 1550: 1273: 797: 769: 565: 400: 5904: 5369: 4837:

The 1900 Olympic Games: Results for All Competitors in All Events, with Commentary

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The Palace of National Manufacturers (left), with the Italian pavilion in distance

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La Ruche, an artist's colony composed of pieces of different exposition buildings

3403: 3294:. Their display at the exposition brought the new style international attention. 3217: 3138: 2901: 2852:, imprisoned by his unloving mother and family until his melancholy death in the 2829: 2516:

simulated a sea voyage, complete with rocking ship and unrolling painted scenery.

1926: 1640: 1620: 1594: 1566: 1506: 1318: 986: 718: 570: 556: 496: 376: 341: 244: 235: 7260: 5284: 5075:, 1999, rev. 2011, p. 3, at Association pour l'histoire des chemins de fer 3067: 2693: 1952:

had its pavilion near the Eiffel Tower and was designed by Henri-Jules Saladin.

447: 3903: 3823: 3811: 3613: 3609: 3314: 3256: 3154: 3109: 2841: 2709: 2689: 2092: 2030: 2022: 1799: 1747: 1652:, that was the first restaurant in History with a completely electric kitchen. 1628: 1602: 1143: 837: 805: 749: 737: 730: 694: 649: 388: 301: 5481: 5453: 5425: 5391: 5322: 4452:

España en París. La imagen nacional en las Exposiciones Universales, 1855-1900

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and have been preserved to this day, including two original canopied ones: at

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Beginning of the balloon event at the 1900 Summer Olympics (Bois de Vincennes)

2996:

athletes won the second largest number, with just 75 of the 997 athletes. The

2836:), and premiered one of her most famous roles during the exposition. This was 2761:, a Venetian canal with gondolas, a Russian village and a Japanese tea house. 1056: 1043:(The Renowned), female figures with trumpets, and gilded statues of the horse 7312: 7294: 7281: 6726: 6623: 6608: 6593: 6578: 6558: 6538: 6528: 6459: 5972: 5735: 5580: 5572: 5503: 5447: 5295: 5168: 4760: 4224: 4116: 3625: 3402:

The Bigot pavilion, showcasing the work of Art Nouveau ceramics manufacturer

2821: 2644: 2628: 2580: 2556: 2330: 2299: 2295: 2034: 2003: 1627:

The German pavilion was the tallest, at 76 metres (249 ft), designed by

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Nymph lamp by Egide Rombaux & François Hoosemans made for the exposition

3097:, added the Paris award to the advertisements and labels of their products. 2369:

The first ever trolleybuses in regular passenger service (Bois de Vincennes)

1619:

that was decorated with pictures and furniture. The furnishings designed by

352:

power through numerous pavilions built on the hill of the Trocadéro Palace.

7265: 5950: 5899: 5834: 5608: 4032: 3621: 3535:

The monumental portal of the Palace of National Manufacturers, made by the

3488: 3480: 3444: 3386: 3380: 3364: 3275: 3268: 3239: 3231: 3213: 3189: 3181: 3146: 2267:

The Grande Roue at the Paris Exposition could carry 1600 passengers at once

2252: 2240: 2096: 2072: 2026: 1912: 1856: 1395: 1379: 1359: 1306: 1244: 1139: 981:. The workers were situated above a frieze of animals designed by sculptor 973:

peacocks, and poppies into the design alongside other animalistic stimuli.

879: 871: 861: 813: 765: 745: 516: 404: 366: 358: 333: 317: 292: 5894: 4057:

Art nouveau in fin-de-siècle France : politics, psychology, and style

3926:

of Ethiopia. The titles of the figures are given in the border below them.

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fountain was illuminated at night by continually changing colored lights.

6573: 6479: 6474: 6424: 6419: 6258: 4450: 4055: 3915: 3808: 3784: 3332: 3291: 3228:, were shown in the Austrian pavilion and in the Austrian section of the 3167: 2905: 2886: 2861: 2705: 2390: 2170: 2064: 1731: 1565:

by African Americans, photographs from several educational institutions (

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Many technological innovations were displayed at the Fair, including the

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https://Secure.gravatar.com/Avatar/C9e8c4f79e6a7ed9d23957380b5c3606?s=40

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https://Secure.gravatar.com/Avatar/C9e8c4f79e6a7ed9d23957380b5c3606?s=20

4232: 4124: 3757: 2433:

The Globe Céleste was featured in an advertisement for Suchard Chocolate

2006:

highlighted its exotic varieties of wood and its rich mineral deposits.

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Fahr-Becker, Gabriele (2015). L'Art Nouveau (in French). H.F. Ullmann.

3996:, Great Britain: Cassell & Collier Macmillan Publishers, pp. 7–107. 3923: 3907: 3459: 3417: 3279: 3260: 3134: 2717: 2713: 2680:

was an animated panorama journey from Europe to Japan in a building by

2333:. It was the first trolleybus in regular passenger service in History. 2318: 2310: 2174: 2068: 1048: 982: 965:

who collaborated with Paris' pre-eminiment haute couturier of the day,

785: 753: 659: 625: 590: 585: 329: 305: 5159: 5142: 4751: 4734: 4215: 4198: 4107: 4090: 2059:

The Netherlands displayed the exotic culture of its crown colony, the

1929:

and held them for several weeks until an expeditionary force from the

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Hector Guimard's original Art Nouveau entrance of the Paris Métro at

2737: 2733: 2535: 2448: 2357:

Viaducts of the electric train (left) and the moving sidewalk (right)

2272: 1904: 1417: 957:. Unlike classical statues, she was dressed in modern Paris fashion. 736:

Among the colonies and protectorates present in the Fair were French

610: 551: 309: 218: 6030: 5519:

The Burton Holmes lectures; v.2. Round about Paris. Paris exposition

5370:

Liste des récompenses : Exposition universelle de 1900, à Paris

5099: 4703: 6394: 4990: 4988: 3740:

The exposition had numerous critics from different points of view.

2729: 2721: 2701: 2648: 2636: 2632: 2610: 2548: 1919: 1670: 1138:

Another very popular feature of the Palace of Optics was the giant

1111: 337: 204: 5237:

Lahor, Jean (2007) . L'Art nouveau (in French). Baseline Co. Ltd.

3617: 3539:, was preserved and moved to Square Felix-Desruelles, next to the 3078: 2725: 2063:. The pavilion displayed a faithful reconstruction of 8th-century 1231:

The Palace of Electricity (behind) and the Water Castle (in front)

19:"Paris Exposition, 1900" redirects here. For the film series, see 6464: 6454: 6429: 6414: 6399: 6253: 6243: 5765: 5513: 3202: 3198: 2750: 2595: 2564: 1949: 1908: 1202: 1044: 789: 600: 580: 526: 521: 501: 491: 4985: 2950: "International physical exercises and sports competition" 2832:, who had her own theater, The Théâtre Sarah Bernhardt (now the 1557:

at the turn of the century. The exhibit included a statuette of

1121: 434:

Planning for the 1900 Exposition began in 1892, under President

6404: 3664: 3582: 3574: 2640: 2395: 2009:

The North African French colonies were especially present; The

1562: 1444:

United States section at the Palace of Furniture and Decoration

595: 5413: 4397:, Vol. 2 (Washington, D.C.: Government Printing Office, 1901). 3040:

A combined Swedish-Danish team defeated France in the Olympic

1505:

At the Rue des Nations, on the left bank of the Seine, on the

1343:

Exposition rétrospective de l'art français des origines à 1800

16:

World's Fair held in Paris, France (14 April–12 November 1900)

6369: 5621:

A Meeting in the Royal Danish Academy of Sciences and Letters

5592: 5584: 5421:(search results). A set of films by Edison from the Expo 1900 5404: 5338:

Fleeting Cities. Imperial Expositions in Fin-de-Siècle Europe

4013: 4011: 3425: 3145:, and the new facade and enlargement and redecoration of the 2754: 2539: 2460:

An even more ambitious experiment in motion pictures was the

2151: 2018: 1942: 1762:

Pavilion of the United States by Coolidge and Morin-Goustiaux

407:

attended and was deeply impressed. He commissioned the first

272: 248: 146: 4815: 4679: 4677: 1265:

for the west wing, or Palais d'Antin. The iron frame of the

5395: 3001: 2697: 1257:

of the 1855 Exposition. It was the work of two architects,

630: 4803: 4008: 3194:, and in the portal of the Palace of National Industries. 1946:, the oldest extant book printed with movable metal type. 1480:

The Champagne Palace at the Palace of Agriculture and Food

1456:

Austrian section at the Palace of Furniture and Decoration

1207:

The Palace of Electricity and the adjoining Water Castle (

5522: 4674: 4554: 4552: 4550: 4548: 4546: 4482:"Serbia and Yugoslavia at the World Fairs (1): 1885-1939" 3367:

for the restaurant of the Bosnia and Herzegovina pavilion

2943:

Concours internationaux d'exercices physiques et de sport

1549:, a lawyer and the primary organizer of the exhibit, and 1412:

The Palace of Agriculture and Food was inside the former

5034: 5032: 4719: 4717: 4715: 3516:, on its original site and with the wall panels, and at 2665:

which reconstructed certain Roman ruins and part of the

2207:

Aerial view of the exposition including the Eiffel Tower

415:, and, after the Emperor's downfall in 1870, another in 4280: 4278: 2889:

had her own theater in Paris during the 1900 Exposition

2563:

and a 80 m (260 ft) tall reproduction of the

1828:

Pavilion of Monaco by Jean Marquet and François Medecin

1786:

Pavilion of Belgium by Ernest Acker and Gustave Maukels

4963: 4961: 4543: 3205:

all presented collections of Art Nouveau objects. The

3000:

was won by a bird that flew from Paris to its home in

2828:

The most celebrated actress during the exposition was

1298:

Exposition centennale de l'art français de 1800 à 1889

355:

Major structures built for the exposition include the

5029: 4933: 4931: 4712: 729:, also with an own pavilion, participated as part of 419:, celebrating national unity after the defeat of the 5410:

Universal and International Exhibition of Paris 1900

4275: 1541:

at the Palace of Social Economy, a joint project of

1236: 438:, with Alfred Picard as Commissioner-General. Three 348:

style. Additionally, it showcased France as a major

5510:"Unrecognizable Paris: The Monuments that Vanished" 5147:

RACAR: Revue d'art canadienne / Canadian Art Review

4958: 4739:

RACAR: Revue d'art canadienne / Canadian Art Review

4622:. Washington, D.C.: Smithsonian Institution: 20–21. 4579:"Paris 1900 - Korea - Foreign Nations and Colonies" 4203:

RACAR: Revue d'art canadienne / Canadian Art Review

4187:, New York, New York: Larousse & Co, pp. 38–83. 4095:

RACAR: Revue d'art canadienne / Canadian Art Review

1389:

The Palaces of Industry, Decoration and Agriculture

1253:, was built on the right bank upon the site of the 1071:

View of the Pont Alexandre III toward Les Invalides

5356:(in French). Paris: Ludovic Baschet, éditeur. 1900 5283: 5040:The Triumph of Art Nouveau: Paris exhibition, 1900 5017: 4928: 2273:The moving sidewalk, electric train and electrobus 1293:Exposition décennale des beaux-arts de 1889 à 1900 1251:Grand Palais des beaux-arts et des arts decoratifs 5340:, Basingstoke/New York: Palgrave Macmillan, 2010. 4981:http://www.metmuseum.org/toah/hd/artn/hd_artn.htm 4185:The Triumph of Art Nouveau: Paris Exhibition 1900 3581:, Belgium. Marcel rebuilt there the Japanese red 3506:Compagnie du chemin de fer métropolitain de Paris 2239:was a very popular attraction. It was a gigantic 344:. It also brought international attention to the 7310: 5506:and 10 seconds of Chateau d'Eau from Tour Eiffel 3866:Mexico at the 1900 Universal Exhibition in Paris 3706:A 2.87 metres (9 ft 5 in) copy of the 3546:A 2.87 metres (9 ft 5 in) copy of the 3161: 3016:Gymnasts at opening ceremony (Bois de Vincennes) 2219:View of the Champ de Mars under the Eiffel Tower 1669:whose main architect was Milan Kapetanović from 275:between them, with an additional section in the 4861: 4705:Edges of Empire: Orientalism and Visual Culture 4701: 4257: 3616:, originally covered the kiosk of the Wines of 1611:The British Royal pavilion consisted of a mock- 941:The Porte Monumentale de Paris, located on the 399:The first international exposition was held in 5353:Le Panorama : Exposition universelle 1900 4650: 3814:documenting the exposition by French director 1364:central hall with the exhibition of sculptures 1203:The Palace of Electricity and the Water Castle 6046: 5822: 5794: 5722: 5685: 5640: 5543: 5455:1900 Panoramic view of the Place de l'Concord 4669: 4448: 4260:Encyclopedia of World's Fairs and Expositions 3125:; and additions to the transport system; The 3100: 3073: 2929: 1398:and architect Charles Risler and made by the 1122:The Palaces of Optics, Illusions and Aquarium 1095:View of the Seine from the Pont Alexandre III 4833: 4612:"Elevator Systems of the Eiffel Tower, 1889" 4506:: CS1 maint: multiple names: authors list ( 4349:(in French). Ludovic Baschet, éditeur. 1900. 4333:(in French). Ludovic Baschet, éditeur. 1900. 4317:(in French). Ludovic Baschet, éditeur. 1900. 4060:. Berkeley: University of California Press. 3521: 3486: 3478: 3384: 3237: 3236:. Some of his murals can be seen now in the 3229: 3187: 3179: 1897: 1561:, four bound volumes of nearly 400 official 1377: 1357: 1336: 1322: 1312: 1304: 1286: 1266: 1242: 1211:), designed by architects Eugène Hénard and 877: 869: 364: 356: 5209:Sur les traces des Expositions Universelles 4179: 4177: 4175: 4173: 4171: 4169: 4167: 4139:Sur les traces des Expositions Universelles 2814: 2224: 2013:pavilion was a miniature recreation of the 1976:Pavilion of China by Louis Masson-Détourbet 6053: 6039: 5550: 5536: 4510:) CS1 maint: numeric names: authors list ( 4421:10.1093/odnb/9780198614128.013.90000382475 4371: 4165: 4163: 4161: 4159: 4157: 4155: 4153: 4151: 4149: 4147: 3988: 3986: 3984: 3982: 3980: 3978: 3976: 3948:Sur les traces des Exposition universelles 3771:The controversial gateway became known as 3743: 3379:Bosnia and Herzegovina pavilion murals by 1988:Pavilion of Morocco by Henri-Jules Saladin 34: 5557: 5302: 5158: 4975: 4973: 4821: 4750: 4449:Lasheras Peña, Ana Belén (2 March 2010). 4393:Thomas Calloway, "The Negro Exhibit", in 4214: 4106: 4053: 4027: 4025: 4023: 3974: 3972: 3970: 3968: 3966: 3964: 3962: 3960: 3958: 3956: 3796: 3554:exhibited at the Fair, was placed in the 3201:and the glass and crystal manufactory of 2700:hill in Athens (Greece), the cemetery of 2521: 1734:, Costantino Gilodi and Giacomo Salvadori 1021: 907:Aerial view of the Exposition Universelle 336:(the first magnetic audio recorder), the 5265:Alphonse Mucha - the Artist as Visionary 5090:"History of The Museums of the Far East" 4653:"Les trottoirs roulants de l'Exposition" 4253: 4251: 3828: 3104: 3077: 1184:Great Paris Exhibition Telescope of 1900 1016:Detail of the Porte Monumentale entrance 936: 467: 5614: 5514:Messy Nessy Cabinet of Chic Curiosities 5474:1 minute 39 seconds film pan shot from 5281: 4840:. McFarland & Company. p. 11. 4809: 4413:Oxford Dictionary of National Biography 4262:. McFarland & Company. p. 150. 4144: 3528:in 1974). A third canopied entrance at 3112:for the Exposition Universelle de 1900. 1545:, the Assistant Librarian of Congress, 1261:for the main body of the building, and 864:(built for the 1889 Exposition) at the 7311: 5778:The Seine at Port-Marly, Piles of Sand 5672: 5653: 5140: 4970: 4732: 4708:. Oxford: Blackwell. pp. 181–205. 4616:United States National Museum Bulletin 4258:Brown, Robert W (2008). "Paris 1900". 4196: 4088: 4020: 4005:Mabire, Jean Christophe (2000), p. 31. 3953: 3247:The most famous appearance was in the 1706:, had clean-cut, modern architecture. 1524: 6060: 6034: 5660:The Proclamation of Dušan's Law Codex 5627: 5531: 5062:Ministry of Culture and Communication 4893: 4881:from the original on 6 September 2015 4781: 4609: 4474:, <img Data-Lazy-Fallback="1" Alt= 4406: 4248: 3840:1900 Paris Exposition footage montage 3783:The American memoirist and historian 3558:in 1905 at the request of his widow. 3420:hallway from the German pavilion, by 3061: 2740:. It was funded and sponsored by the 1993: 1702:The pavilion of Finland, designed by 1680:The Proclamation of Dušan's Law Codex 1485: 1100: 234: 6073:Bureau International des Expositions 5401:Exposition Universelle 1900 in Paris 5305:Sarah Bernhardt: Madame "quand même" 5262: 5023: 4869:"The Olympic Summer Games Factsheet" 4597:"Les points sur les i - Madame Choi" 3600:One of the most curious vestiges is 2374: 1964:Pavilion of Russia by Robert Meltzer 1923:seized the International delegations 485: 427:, celebrating the centennial of the 21:Paris Exposition, 1900 (film series) 7249: Postponed to 2021 due to the 6955:British Empire Exhibition 1924–1925 5066:"Le patrimoine ferroviaire protégé" 4916:from the original on April 26, 2019 4874:. International Olympic Committee. 3714:, exhibited in 1900, placed in the 3644:. It is now a historical monument. 2946: 2743:Compagnie des messageries maritimes 2621: 2530: 2484:Poster for the Phono-Cinema Theater 2468:Another popular attraction was the 2465:suspended beneath a large balloon. 2288: 304:, the first ever regular passenger 66:International Recognized Exhibition 13: 5754:Greece on the Ruins of Missolonghi 5716:Struggle of the Two Natures in Man 5345:Paris 1900: The great world's fair 5330: 4996:"ArtfixDaily.com ArtGuild Members" 4784:"Paris 1900 - World Tour Panorama" 3883: 3137:, and two new train stations, the 2438: 2069:Indonesian vernacular architecture 1911:and other Russian dependencies in 1509:, overlooking the river, from the 851: 409:Paris Universal Exposition of 1855 239:), better known in English as the 14: 7365: 5385: 5252:(in French) (2019), L.Harmattan. 4384:. New York: Amistad, 2003. 24–49. 3871:Grande fresque de la gare de Lyon 3493:, and the two major bridges, the 2245:George Washington Gale Ferris Jr. 1237:The Grand Palais and Petit Palais 1158:selection of exotic marine life. 462:Opening ceremony on 14 April 1900 7259: 5946:Chemin de fer de Petite Ceinture 5250:L'Exposition Universelle de 1900 4576: 4527:"EXPO Serbia | Istorijat Srbija" 3778: 3723: 3699: 3684: 3672: 3649: 3451: 3432: 3410: 3395: 3372: 3356: 3344: 3325: 3299: 3049: 3033: 3021: 3009: 2894: 2878: 2869:330-degree picture, patented by 2802: 2790: 2778: 2766: 2651:, using their pre-revolutionary 2602: 2587: 2572: 2527:L'Andalousie au temps des Maures 2505: 2489: 2477: 2426: 2410: 2362: 2350: 2338: 2327:Porte de Vincennes metro station 2260: 2212: 2200: 2158: 2135: 2119: 2103: 2084: 1981: 1969: 1957: 1882: 1863: 1848: 1833: 1821: 1806: 1791: 1779: 1767: 1755: 1739: 1723: 1711: 1673:, in cooperation with architect 1473: 1461: 1449: 1437: 1425: 1369: 1350: 1224: 1190: 1175: 1170:Entrance of the Palace of Optics 1163: 1128:Great Paris Exposition Telescope 1088: 1076: 1064: 1009: 994: 924: 912: 900: 455: 7006:Bryant Park, New York City 1853 5828:The Exhibit of American Negroes 5490:from the original on 2021-11-17 5462:from the original on 2021-11-17 5434:from the original on 2021-11-17 5282:Skinner, Cornelia Otis (1967). 5201: 5183: 5134: 5131:, 14 May 1901 and 23 April 1901 5122: 5113: 5082: 5054: 5045: 4949: 4940: 4902: 4827: 4794: 4775: 4726: 4695: 4686: 4663: 4644: 4635: 4626: 4603: 4589: 4570: 4561: 4519: 4463: 4442: 4400: 4387: 4362: 4353: 4337: 4321: 4305: 4296: 4287: 4266: 4239: 4190: 4131: 3910:of the United Kingdom, Emperor 3541:Abbey of Saint-Germain-des-Prés 2954:International Olympic Committee 2189: 1539:The Exhibit of American Negroes 1404:Abbey of Saint-Germain-des-Prés 394: 5786:Palace of Agriculture and Food 5742:A Cotton Office in New Orleans 5290:. New York: Houghton-Mifflin. 4651:Blaizot, Denis (26 May 1900). 4082: 4047: 3999: 3940: 3892: 3787:wrote about the exposition in 2181: 1406:, where it can be seen today. 236:[ɛkspozisjɔ̃ynivɛʁsɛl] 228:Exposition Universelle of 1900 1: 7349:Festivals established in 1900 7319:Exposition Universelle (1900) 5790:Palace of Diverse Industries 5307:. Paris: Éditions Télémaque. 5119:Ageorges (2006), pp. 124–125. 4683:Ageorges (2006), pp. 110–111. 4567:Ageorges (2006), pp. 116–117. 4302:Ageorges (2006), pp. 113–114. 4017:Ageorges (2006), pp. 104-105. 3933: 3162:Art Nouveau at the exposition 2980:, a 200 metres (660 ft) 2306:and engineer Max E. Schmidt. 1891:Gesellius, Lindgren, Saarinen 1704:Gesellius, Lindgren, Saarinen 931:Poster with the world leaders 848:and the Portuguese colonies. 215:Louisiana Purchase Exposition 201:Brussels International (1897) 5502:2 minute film pan shot from 5483:1900 Esplanade des Invalides 5446:1 minute film pan shot from 4476:; #038;d=identicon; Srcset=' 3914:of Austria-Hungary, Emperor 3876: 3820:Edison Manufacturing Company 3790:The Education of Henry Adams 3735: 3207:Sèvres Porcelain Manufactory 3083:Michigan Stove Company label 2661:and a reconstruction called 2389:was an immense globe-shaped 2249:World's Columbian Exposition 1689:Monument to heroes of Kosovo 1400:Sèvres Porcelain manufactory 7: 5879:Paris 1900 chess tournament 4415:, Oxford University Press, 3844: 3604:, at 2 Passage de Dantzig ( 2292: Street of the future 985:and executed by ceramicist 10: 7370: 6019:Verset laïque et somptueux 5772:Portrait of Alphonse Leroy 5427:1900 Palace of Electricity 5303:Tierchant, Hélène (2009). 5207:Ageorges, Sylvain (2006), 4407:Hulse, Lynn (2024-07-11), 4054:Silverman, Debora (1989). 3800: 3552:Frédéric Auguste Bartholdi 3101:Admission charges and cost 3074:Medals and awards ceremony 2933: 2930:1900 Summer Olympics Games 2579:Poster from a painting by 2442: 2378: 2317:An experimental passenger 2276: 2228: 180:12 November 1900 75:L'Exposition de Paris 1900 18: 7245: 7205: 7134: 6993: 6752: 6684: 6653: 6644: 6517: 6318: 6212: 6082: 6068: 5998: 5938: 5887: 5866: 5818:Palace of Social Economy 5760:Haymaking in the Auvergne 5601: 5565: 5336:Alexander C. T. Geppert: 5248:Mabire, Jean-Christophe, 5211:(in French), Parigramme. 4800:Mabire (2000), pp. 80–81. 4641:Mabire (2000), pp. 87–89. 4610:Vogel, Robert M. (1961). 4558:Mabire (2000), pp. 62–63. 4183:Jullian, Philipe (1974), 3861:Paris in the Belle Époque 3764:'s infamous Carthaginian 3612:. The iron roof, made by 3587:Panorama du Tour du Monde 3563:Panorama du Tour du Monde 3522: 3487: 3479: 3467: 3439:The 1900 interior of the 3385: 3238: 3230: 3188: 3180: 2913: 2864:, who performed a famous 2809:Panorama du Tour du Monde 2678:Panorama du Tour du Monde 1898:Nations located elsewhere 1874:by Milan Kapetanović and 1575:Roger Williams University 1535:Charles Allerton Coolidge 1378: 1358: 1337: 1323: 1313: 1305: 1287: 1267: 1243: 1001:Porte Monumentale on the 961:was executed by sculptor 878: 870: 830:Saint Pierre and Miquelon 379:railroad station and the 365: 357: 210: 196: 191: 176: 161: 156: 129: 121: 113: 108: 100: 95: 87: 79: 71: 61: 50: 45: 33: 28: 5849:The Defense of the Sampo 5042:(London: Phaidon, 1974). 4955:Ageorges (2006), p. 105. 4910:"1900 Paris Medal Tally" 4692:Ageorges (2006), p. 112. 4368:Ageorges (2006), p. 123. 4359:Ageorges (2006), p. 127. 4293:Ageorges (2006), p. 110. 4245:Ageorges (2006), p. 118. 3278:, designs of the German 2941:Games" was replaced by " 2844:in which she played the 2815:Theatres and music halls 2225:The Grande Roue de Paris 1750:by Adrien-René Dubuisson 1695:, which stands today in 1615:mansion designed by Sir 271:and at the banks of the 83:216 hectares (530 acres) 7344:Art Nouveau exhibitions 7126:New York City 1964–1965 7116:San Francisco 1939–1940 7001:New York City 1826–1897 5858:Royal Pavilion of Spain 5748:Le Déjeuner sur l'herbe 5504:Esplanade des Invalides 5095:Museums of the Far East 4457:University of Cantabria 4455:(Thesis) (in Spanish). 3922:of Russia, and Emperor 3661:Museums of the Far East 3595:Museums of the Far East 3339:made for the exposition 3251:of the stations of the 2773:Le Vieux Paris exterior 2547:reproductions from the 2040:The French colonies of 1938:Victor Collin de Plancy 1889:Pavilion of Finland by 1814:Royal Pavilion of Spain 1798:Pavilion of Germany by 1637:Royal Pavilion of Spain 1335:. During the Fair, the 1032:Alexander III of Russia 868:. It also included the 165:14 April 1900 7354:World's fairs in Paris 6676:Johannesburg 1936–1937 6012:Paris Exposition, 1900 5051:Ageorges (2006) p. 130 4723:Mabire (2000), p. 177. 4284:Mabire (2000), p. 116. 3992:Allwood, John (1977), 3902:of the United States, 3856:French Colonial Empire 3841: 3803:Paris Exposition, 1900 3797:Motion picture footage 3220:and the perfume maker 3113: 3095:Michigan Stove Company 3085: 2982:swimming obstacle race 2522:World live recreations 2114:by Henri-Jules Saladin 1855:Pavilion of Greece by 1840:Pavilion of Sweden by 1816:by José Urioste Velada 1591:North Carolina A&T 1022:The Pont Alexandre III 675:South African Republic 507:Bosnia and Herzegovina 479:Participating nations 7061:Portland, Oregon 1905 6717:Taihoku (Taipei) 1935 5968:Gare du Champ de Mars 5704:The Little White Girl 5559:1900 Paris Exposition 5263:Sato, Tamako (2015). 5141:Dymond, Anne (2011). 4967:Mabire (2000), pp. 51 4946:Mabire (1900), p. 44. 4937:Mabire (2000), p. 46. 4834:Mallon, Bill (2009). 4733:Dymond, Anne (2011). 4657:La Revue Scientifique 4632:Mabire (2000), p. 86. 4272:Mabire (2000), p. 89. 4197:Dymond, Anne (2011). 4089:Dymond, Anne (2011). 3994:The Great Exhibitions 3839: 3744:The Porte Monumentale 3638:Guillaume Apollinaire 3567:Leopold II of Belgium 3108: 3081: 2716:(Egypt), Ceylon, the 2712:(Turkey), Syria, the 1931:Eight-Nation Alliance 1730:Pavilion of Italy by 1667:Serbo-Byzantine style 1311:, that is facing the 937:The Porte Monumentale 919:Map of the exposition 468:Participating nations 444:Ministers of Commerce 403:. The French Emperor 326:electric fire engines 241:1900 Paris Exposition 232:French pronunciation: 192:Universal expositions 7339:1900 Summer Olympics 7197:Wellington 1939–1940 7056:Charleston 1901–1902 7016:Louisville 1883–1887 6737:Chiang Mai 2011–2012 6604:Chiang Mai 2006–2007 5874:1900 Summer Olympics 5844:Pavilion of Finland 5486:. Thomas A. Edison. 5476:Place de la Concorde 5458:. Thomas A. Edison. 5430:. Thomas A. Edison. 5343:Richard D. Mandell, 5267:. Cologne: Taschen. 4378:David Levering Lewis 3898:Including President 3851:Art Nouveau in Paris 3510:historical monuments 3309:station entrance at 3149:and other stations. 2936:1900 Summer Olympics 2545:moorish architecture 2421:and the Eiffel Tower 2304:Joseph Lyman Silsbee 2237:Grande Roue de Paris 2231:Grande Roue de Paris 1414:Galerie des machines 1132:refracting telescope 1108:Galerie des machines 1003:Place de la Concorde 963:Paul Moreau-Vauthier 943:Place de la Concorde 289:Grande Roue de Paris 281:1900 Summer Olympics 57:Universal exposition 7291: / 7233:Rio de Janeiro 1922 7106:Cleveland 1936–1937 7096:San Diego 1935–1936 7081:San Diego 1915–1917 6671:Kimberley 1892–1893 6594:Haarlemmermeer 2002 6239:Port-au-Prince 1949 5692:Colonel Thomas Cass 5666:The Takovo Uprising 5000:www.artfixdaily.com 4824:, pp. 287–288. 4812:, pp. 260–261. 4459:. pp. 449–474. 3946:Ageorges, Sylvain, 3906:and her son Prince 3667:, Brussels, Belgium 3606:15th arrondissement 3561:After visiting the 2986:underwater swimming 2834:Théâtre de la Ville 2720:temple (Cambodia), 2686:panoramic paintings 2538:In The Time Of The 2403:reinforced concrete 2323:Louis Lombard-Gérin 1920:anti-Western rebels 1525:The Rue des Nations 1333:Paul Albert Laurens 1329:Paul-Albert Besnard 7295:48.8561°N 2.2978°E 7187:Auckland 1913–1914 7031:San Francisco 1894 6692:Calcutta 1883–1884 6522:exhibitions (AIPH) 6234:New York 1939–1940 6189:San Francisco 1915 5925:Pont Alexandre III 5920:Passerelle Debilly 5679:Out into the World 5071:2018-04-15 at the 5038:Philippe Jullian, 4782:Rousselet, Louis. 4486:The Nutshell Times 4137:Ageorges, Sylvan. 3842: 3716:Luxembourg Gardens 3589:(now known as the 3556:Luxembourg Gardens 3537:Sèvres Manufactory 3499:Passerelle Debilly 3495:Pont Alexandre III 3337:Sèvres Manufactory 3267:restaurant of the 3172:Belle Epoque style 3143:Gare des Invalides 3127:Paris Métro Line 1 3123:Passerelle Debilly 3114: 3086: 3062:Banquet des maires 2850:Napoleon Bonaparte 2609:Recreation of the 2561:Alcázar of Seville 2321:line, designed by 2015:Sidi Mahrez Mosque 1994:Colonial pavilions 1925:in Beijing in the 1583:Claflin University 1579:Tuskegee Institute 1559:Frederick Douglass 1547:Thomas J. Calloway 1511:Pont des Invalides 1486:National pavilions 1317:, was designed by 1255:Palace of Industry 1101:Thematic pavilions 1028:Pont Alexandre III 979:Breuillet, Essonne 836:, British Canada, 381:Paris Métro Line 1 373:Pont Alexandre III 322:dry cell batteries 7274: 7273: 7251:COVID-19 pandemic 7241: 7240: 7228:Buenos Aires 1910 7182:Christchurch 1906 7091:Philadelphia 1926 6501:Buenos Aires 2023 6119:Philadelphia 1876 6062:World exhibitions 6028: 6027: 5939:Urban development 5807:Palace of Optics 5698:The Great God Pan 5589:Bois de Vincennes 5403:. Photographs at 5314:978-2-7533-0092-7 5274:978-3-8365-5009-3 5243:978-1-85995-667-0 5232:978-3-8480-0857-5 5193:. 30 August 2016. 5160:10.7202/1066739ar 4752:10.7202/1066739ar 4430:978-0-19-861412-8 4216:10.7202/1066739ar 4108:10.7202/1066739ar 3837: 3826:, have survived. 3708:Statue of Liberty 3630:Amedeo Modigliani 3548:Statue of Liberty 3335:swan vase by the 3131:funicular railway 2966:motorcycle racing 2920:Bois de Vincennes 2854:Schönbrunn Palace 2846:Duc de Reichstadt 2797:The Swiss Village 2375:The Globe Céleste 2167:Dutch East Indies 2146:- Replica of the 2130:- Buddhist Temple 2061:Dutch East Indies 1646:Royal Collections 1571:Howard University 1555:African Americans 1376:Courtyard of the 1249:, officially the 886:Bois de Vincennes 846:Western Australia 834:Dutch East Indies 715: 714: 710: 709: 621:Orange Free State 440:French Presidents 429:French Revolution 277:Bois de Vincennes 224: 223: 151:Bois de Vincennes 7361: 7306: 7305: 7303: 7302: 7301: 7296: 7292: 7289: 7288: 7287: 7284: 7266:World portal 7264: 7263: 7021:New Orleans 1884 6785:London 1871–1874 6651: 6650: 6440:New Orleans 1984 6410:San Antonio 1968 6385:Helsingborg 1955 6055: 6048: 6041: 6032: 6031: 6006:Lafayette dollar 5840:Trocadéro Palace 5826: 5824: 5798: 5796: 5739: 5737: 5726: 5724: 5710:The Medicine Man 5689: 5687: 5676: 5674: 5663:first version - 5657: 5655: 5644: 5642: 5634:Sad Inheritance! 5631: 5629: 5618: 5616: 5579:, esplanade des 5552: 5545: 5538: 5529: 5528: 5523:Internet Archive 5512:, an article at 5501: 5496: 5495: 5473: 5468: 5467: 5445: 5440: 5439: 5381: 5379: 5377: 5365: 5363: 5361: 5326: 5299: 5289: 5278: 5217:978-28409-6444-5 5195: 5194: 5187: 5181: 5180: 5162: 5138: 5132: 5126: 5120: 5117: 5111: 5110: 5108: 5107: 5098:. Archived from 5086: 5080: 5078: 5058: 5052: 5049: 5043: 5036: 5027: 5021: 5015: 5014: 5012: 5011: 5002:. Archived from 4992: 4983: 4977: 4968: 4965: 4956: 4953: 4947: 4944: 4938: 4935: 4926: 4925: 4923: 4921: 4906: 4900: 4897: 4891: 4890: 4888: 4886: 4880: 4873: 4865: 4859: 4858: 4856: 4854: 4831: 4825: 4819: 4813: 4807: 4801: 4798: 4792: 4791: 4779: 4773: 4772: 4754: 4730: 4724: 4721: 4710: 4709: 4699: 4693: 4690: 4684: 4681: 4672: 4671: 4667: 4661: 4660: 4648: 4642: 4639: 4633: 4630: 4624: 4623: 4607: 4601: 4600: 4593: 4587: 4586: 4574: 4568: 4565: 4559: 4556: 4541: 4540: 4538: 4537: 4523: 4517: 4515: 4505: 4496: 4493: 4492: 4467: 4461: 4460: 4446: 4440: 4439: 4438: 4437: 4404: 4398: 4391: 4385: 4375: 4369: 4366: 4360: 4357: 4351: 4350: 4341: 4335: 4334: 4325: 4319: 4318: 4309: 4303: 4300: 4294: 4291: 4285: 4282: 4273: 4270: 4264: 4263: 4255: 4246: 4243: 4237: 4236: 4218: 4194: 4188: 4181: 4142: 4135: 4129: 4128: 4110: 4086: 4080: 4079: 4051: 4045: 4044: 4042: 4040: 4029: 4018: 4015: 4006: 4003: 3997: 3990: 3951: 3950:(2006) pp. 12-15 3944: 3927: 3900:William McKinley 3896: 3890: 3887: 3838: 3762:Gustave Flaubert 3727: 3703: 3688: 3676: 3653: 3527: 3526: 3492: 3491: 3484: 3483: 3455: 3436: 3414: 3399: 3390: 3389: 3376: 3360: 3348: 3329: 3303: 3288:Vienna Secession 3243: 3242: 3235: 3234: 3193: 3192: 3185: 3184: 3176:Beaux-Arts style 3053: 3037: 3025: 3013: 2951: 2948: 2924:chess tournament 2898: 2882: 2866:Serpentine dance 2840:, a new play by 2806: 2794: 2782: 2770: 2682:Alexandre Marcel 2667:town's cathedral 2653:provincial names 2626: 2625: Old Paris 2623: 2606: 2591: 2576: 2542: 2532: 2509: 2493: 2481: 2455:Lumière brothers 2430: 2414: 2366: 2354: 2342: 2293: 2290: 2264: 2216: 2204: 2162: 2144:French Indochina 2139: 2123: 2107: 2088: 2079:, West Sumatra. 1985: 1973: 1961: 1886: 1867: 1852: 1842:Ferdinand Boberg 1837: 1825: 1810: 1795: 1783: 1771: 1759: 1743: 1727: 1715: 1657:Ferdinand Boberg 1639:was designed in 1551:W. E. B. Du Bois 1477: 1465: 1453: 1441: 1429: 1383: 1382: 1373: 1363: 1362: 1354: 1340: 1339: 1326: 1325: 1321:. Much like the 1316: 1315: 1310: 1309: 1290: 1289: 1274:Beaux-Arts style 1270: 1269: 1248: 1247: 1228: 1194: 1179: 1167: 1092: 1080: 1068: 1013: 998: 928: 916: 904: 883: 882: 875: 874: 486: 476: 475: 459: 370: 369: 362: 361: 342:matryoshka dolls 238: 233: 187: 185: 172: 170: 38: 26: 25: 7369: 7368: 7364: 7363: 7362: 7360: 7359: 7358: 7309: 7308: 7300:48.8561; 2.2978 7299: 7297: 7293: 7290: 7285: 7282: 7280: 7278: 7277: 7275: 7270: 7258: 7255: Cancelled 7237: 7201: 7130: 6989: 6950:Gothenburg 1923 6930:Kristiania 1914 6815:Copenhagen 1888 6770:Manchester 1857 6748: 6743:Udon Thani 2026 6680: 6646: 6640: 6579:Zoetermeer 1992 6521: 6519: 6513: 6390:Beit Dagan 1956 6322: 6320: 6314: 6216: 6214: 6208: 6086: 6084: 6078: 6064: 6059: 6029: 6024: 5994: 5934: 5930:Rue de l'Avenir 5883: 5862: 5821: 5812:Great Telescope 5793: 5734: 5721: 5684: 5671: 5652: 5639: 5626: 5613: 5597: 5583:, banks of the 5561: 5556: 5493: 5491: 5480: 5465: 5463: 5452: 5437: 5435: 5424: 5414:worldfairs.info 5388: 5375: 5373: 5368: 5359: 5357: 5350: 5333: 5331:Further reading 5315: 5275: 5204: 5199: 5198: 5189: 5188: 5184: 5139: 5135: 5127: 5123: 5118: 5114: 5105: 5103: 5088: 5087: 5083: 5076: 5073:Wayback Machine 5059: 5055: 5050: 5046: 5037: 5030: 5022: 5018: 5009: 5007: 4994: 4993: 4986: 4978: 4971: 4966: 4959: 4954: 4950: 4945: 4941: 4936: 4929: 4919: 4917: 4908: 4907: 4903: 4898: 4894: 4884: 4882: 4878: 4871: 4867: 4866: 4862: 4852: 4850: 4848: 4832: 4828: 4820: 4816: 4808: 4804: 4799: 4795: 4788:worldfairs.info 4780: 4776: 4731: 4727: 4722: 4713: 4700: 4696: 4691: 4687: 4682: 4675: 4668: 4664: 4649: 4645: 4640: 4636: 4631: 4627: 4608: 4604: 4599:. 28 July 2006. 4595: 4594: 4590: 4583:worldfairs.info 4575: 4571: 4566: 4562: 4557: 4544: 4535: 4533: 4525: 4524: 4520: 4499: 4498: 4490: 4488: 4468: 4464: 4447: 4443: 4435: 4433: 4431: 4405: 4401: 4392: 4388: 4376: 4372: 4367: 4363: 4358: 4354: 4343: 4342: 4338: 4327: 4326: 4322: 4311: 4310: 4306: 4301: 4297: 4292: 4288: 4283: 4276: 4271: 4267: 4256: 4249: 4244: 4240: 4195: 4191: 4182: 4145: 4141:(2004), p. 238. 4136: 4132: 4087: 4083: 4068: 4052: 4048: 4038: 4036: 4031: 4030: 4021: 4016: 4009: 4004: 4000: 3991: 3954: 3945: 3941: 3936: 3931: 3930: 3897: 3893: 3888: 3884: 3879: 3847: 3829: 3812:actuality films 3805: 3799: 3781: 3746: 3738: 3731: 3728: 3719: 3704: 3695: 3689: 3680: 3677: 3668: 3654: 3470: 3463: 3458:1893 facade of 3456: 3447: 3437: 3428: 3415: 3406: 3404:Alexandre Bigot 3400: 3391: 3383:(1900), now in 3377: 3368: 3361: 3352: 3349: 3340: 3330: 3321: 3304: 3218:Georges Fouquet 3164: 3103: 3091:Campbell's Soup 3084: 3076: 3064: 3057: 3054: 3045: 3038: 3029: 3026: 3017: 3014: 2949: 2938: 2932: 2926:was also held. 2916: 2909: 2902:Sarah Bernhardt 2899: 2890: 2883: 2830:Sarah Bernhardt 2817: 2810: 2807: 2798: 2795: 2786: 2783: 2774: 2771: 2624: 2613: 2607: 2598: 2592: 2583: 2577: 2533: 2524: 2517: 2510: 2501: 2494: 2485: 2482: 2451: 2443:Main articles: 2441: 2439:Motion pictures 2434: 2431: 2422: 2415: 2383: 2377: 2370: 2367: 2358: 2355: 2346: 2343: 2291: 2285:Rue de l'Avenir 2281: 2279:Rue de l'Avenir 2275: 2268: 2265: 2233: 2227: 2220: 2217: 2208: 2205: 2192: 2184: 2177: 2163: 2154: 2140: 2131: 2124: 2115: 2108: 2099: 2089: 1996: 1989: 1986: 1977: 1974: 1965: 1962: 1927:Boxer Rebellion 1900: 1893: 1887: 1878: 1876:Milorad Ruvidić 1868: 1859: 1853: 1844: 1838: 1829: 1826: 1817: 1811: 1802: 1796: 1787: 1784: 1775: 1772: 1763: 1760: 1751: 1744: 1735: 1728: 1719: 1716: 1693:Đorđe Jovanović 1675:Milorad Ruvidić 1641:Neo-Plateresque 1621:Nellie Whichelo 1595:Thomas E. Askew 1567:Fisk University 1527: 1488: 1481: 1478: 1469: 1466: 1457: 1454: 1445: 1442: 1433: 1430: 1391: 1384: 1374: 1365: 1355: 1319:Charles Girault 1239: 1232: 1229: 1205: 1198: 1195: 1186: 1182:Diagram of the 1180: 1171: 1168: 1124: 1103: 1096: 1093: 1084: 1081: 1072: 1069: 1024: 1017: 1014: 1005: 999: 987:Alexandre Bigot 939: 932: 929: 920: 917: 908: 905: 854: 852:Exposition site 719:Austria-Hungary 711: 470: 463: 460: 397: 302:moving sidewalk 298:Rue de l'Avenir 231: 183: 181: 168: 166: 145:, banks of the 41: 24: 17: 12: 11: 5: 7367: 7357: 7356: 7351: 7346: 7341: 7336: 7331: 7329:1900 in France 7326: 7324:1900 festivals 7321: 7272: 7271: 7269: 7268: 7256: 7253: 7246: 7243: 7242: 7239: 7238: 7236: 7235: 7230: 7225: 7220: 7215: 7209: 7207: 7203: 7202: 7200: 7199: 7194: 7189: 7184: 7179: 7174: 7172:Melbourne 1888 7169: 7164: 7159: 7154: 7152:Melbourne 1875 7149: 7144: 7142:Melbourne 1866 7138: 7136: 7132: 7131: 7129: 7128: 7123: 7118: 7113: 7108: 7103: 7098: 7093: 7088: 7083: 7078: 7076:Knoxville 1913 7073: 7068: 7066:Jamestown 1907 7063: 7058: 7053: 7048: 7043: 7041:Nashville 1897 7038: 7033: 7028: 7023: 7018: 7013: 7008: 7003: 6997: 6995: 6991: 6990: 6988: 6987: 6985:Stockholm 1943 6982: 6977: 6972: 6967: 6965:Stockholm 1930 6962: 6957: 6952: 6947: 6945:Marseille 1922 6942: 6937: 6932: 6927: 6922: 6917: 6912: 6907: 6902: 6897: 6892: 6887: 6882: 6877: 6875:Marseille 1906 6872: 6867: 6862: 6857: 6852: 6850:Stockholm 1897 6847: 6842: 6837: 6832: 6827: 6825:Frankfurt 1891 6822: 6817: 6812: 6807: 6805:Liverpool 1886 6802: 6800:Amsterdam 1883 6797: 6792: 6787: 6782: 6780:Stockholm 1866 6777: 6772: 6767: 6762: 6756: 6754: 6750: 6749: 6747: 6746: 6739: 6734: 6729: 6724: 6719: 6714: 6709: 6704: 6699: 6694: 6688: 6686: 6682: 6681: 6679: 6678: 6673: 6668: 6666:Cape Town 1877 6663: 6657: 6655: 6648: 6642: 6641: 6639: 6638: 6631: 6626: 6621: 6616: 6611: 6606: 6601: 6596: 6591: 6586: 6584:Stuttgart 1993 6581: 6576: 6571: 6569:Liverpool 1984 6566: 6561: 6559:Amsterdam 1982 6556: 6551: 6546: 6541: 6539:Amsterdam 1972 6536: 6531: 6529:Rotterdam 1960 6525: 6523: 6518:BIE-recognized 6515: 6514: 6512: 6511: 6504: 6497: 6492: 6487: 6482: 6477: 6472: 6467: 6462: 6457: 6455:Vancouver 1986 6452: 6447: 6442: 6437: 6435:Knoxville 1982 6432: 6427: 6422: 6417: 6412: 6407: 6402: 6397: 6392: 6387: 6382: 6377: 6372: 6367: 6365:Jerusalem 1953 6362: 6357: 6352: 6350:Stockholm 1949 6347: 6342: 6337: 6332: 6330:Stockholm 1936 6326: 6324: 6319:BIE-recognized 6316: 6315: 6313: 6312: 6305: 6298: 6293: 6288: 6283: 6278: 6273: 6268: 6261: 6256: 6251: 6246: 6241: 6236: 6231: 6226: 6220: 6218: 6213:BIE-recognized 6210: 6209: 6207: 6206: 6201: 6196: 6194:Barcelona 1929 6191: 6186: 6181: 6176: 6171: 6166: 6161: 6159:St. Louis 1904 6156: 6151: 6146: 6141: 6136: 6134:Barcelona 1888 6131: 6129:Melbourne 1880 6126: 6121: 6116: 6111: 6106: 6101: 6096: 6090: 6088: 6080: 6079: 6077: 6076: 6069: 6066: 6065: 6058: 6057: 6050: 6043: 6035: 6026: 6025: 6023: 6022: 6015: 6008: 6002: 6000: 5996: 5995: 5993: 5992: 5991: 5990: 5980: 5975: 5970: 5965: 5960: 5959: 5958: 5948: 5942: 5940: 5936: 5935: 5933: 5932: 5927: 5922: 5917: 5912: 5907: 5902: 5897: 5891: 5889: 5885: 5884: 5882: 5881: 5876: 5870: 5868: 5864: 5863: 5861: 5860: 5855: 5854: 5853: 5842: 5837: 5832: 5831: 5830: 5816: 5815: 5814: 5805: 5804: 5803: 5788: 5783: 5782: 5781: 5732: 5719: 5682: 5669: 5650: 5637: 5624: 5605: 5603: 5599: 5598: 5596: 5595: 5570: 5566: 5563: 5562: 5555: 5554: 5547: 5540: 5532: 5526: 5525: 5516: 5507: 5478: 5450: 5422: 5416: 5407: 5398: 5387: 5386:External links 5384: 5383: 5382: 5366: 5348: 5341: 5332: 5329: 5328: 5327: 5313: 5300: 5279: 5273: 5260: 5246: 5235: 5224: 5219: 5203: 5200: 5197: 5196: 5182: 5133: 5121: 5112: 5081: 5053: 5044: 5028: 5016: 4984: 4969: 4957: 4948: 4939: 4927: 4901: 4892: 4860: 4846: 4826: 4822:Tierchant 2009 4814: 4802: 4793: 4774: 4725: 4711: 4694: 4685: 4673: 4662: 4643: 4634: 4625: 4602: 4588: 4569: 4560: 4542: 4518: 4462: 4441: 4429: 4399: 4386: 4370: 4361: 4352: 4336: 4320: 4304: 4295: 4286: 4274: 4265: 4247: 4238: 4189: 4143: 4130: 4081: 4066: 4046: 4019: 4007: 3998: 3952: 3938: 3937: 3935: 3932: 3929: 3928: 3912:Franz Joseph I 3904:Queen Victoria 3891: 3881: 3880: 3878: 3875: 3874: 3873: 3868: 3863: 3858: 3853: 3846: 3843: 3824:James H. White 3816:Georges Méliès 3801:Main article: 3798: 3795: 3780: 3777: 3745: 3742: 3737: 3734: 3733: 3732: 3729: 3722: 3720: 3705: 3698: 3696: 3693:Porte Dauphine 3690: 3683: 3681: 3678: 3671: 3669: 3657:Japanese Tower 3655: 3648: 3614:Gustave Eiffel 3610:Alfred Boucher 3591:Japanese Tower 3524:Hôtel de Ville 3514:Porte Dauphine 3469: 3466: 3465: 3464: 3457: 3450: 3448: 3438: 3431: 3429: 3416: 3409: 3407: 3401: 3394: 3392: 3378: 3371: 3369: 3362: 3355: 3353: 3350: 3343: 3341: 3331: 3324: 3322: 3315:Hector Guimard 3305: 3298: 3257:Hector Guimard 3163: 3160: 3102: 3099: 3082: 3075: 3072: 3063: 3060: 3059: 3058: 3055: 3048: 3046: 3039: 3032: 3030: 3027: 3020: 3018: 3015: 3008: 2934:Main article: 2931: 2928: 2915: 2912: 2911: 2910: 2900: 2893: 2891: 2884: 2877: 2842:Edmond Rostand 2816: 2813: 2812: 2811: 2808: 2801: 2799: 2796: 2789: 2787: 2785:Le Vieux Paris 2784: 2777: 2775: 2772: 2765: 2710:Constantinople 2690:Louis Dumoulin 2618:Le Vieux Paris 2615: 2614: 2608: 2601: 2599: 2593: 2586: 2584: 2578: 2571: 2523: 2520: 2519: 2518: 2511: 2504: 2502: 2495: 2488: 2486: 2483: 2476: 2440: 2437: 2436: 2435: 2432: 2425: 2423: 2416: 2409: 2379:Main article: 2376: 2373: 2372: 2371: 2368: 2361: 2359: 2356: 2349: 2347: 2344: 2337: 2277:Main article: 2274: 2271: 2270: 2269: 2266: 2259: 2229:Main article: 2226: 2223: 2222: 2221: 2218: 2211: 2209: 2206: 2199: 2191: 2188: 2183: 2180: 2179: 2178: 2164: 2157: 2155: 2141: 2134: 2132: 2125: 2118: 2116: 2112:French Tunisia 2109: 2102: 2100: 2093:French Algeria 2090: 2083: 1995: 1992: 1991: 1990: 1987: 1980: 1978: 1975: 1968: 1966: 1963: 1956: 1899: 1896: 1895: 1894: 1888: 1881: 1879: 1869: 1862: 1860: 1854: 1847: 1845: 1839: 1832: 1830: 1827: 1820: 1818: 1812: 1805: 1803: 1800:Johannes Radke 1797: 1790: 1788: 1785: 1778: 1776: 1773: 1766: 1764: 1761: 1754: 1752: 1745: 1738: 1736: 1729: 1722: 1720: 1717: 1710: 1685:Paja Jovanović 1629:Johannes Radke 1603:Alphonse Mucha 1526: 1523: 1515:Pont de l'Alma 1487: 1484: 1483: 1482: 1479: 1472: 1470: 1467: 1460: 1458: 1455: 1448: 1446: 1443: 1436: 1434: 1431: 1424: 1390: 1387: 1386: 1385: 1375: 1368: 1366: 1356: 1349: 1238: 1235: 1234: 1233: 1230: 1223: 1204: 1201: 1200: 1199: 1196: 1189: 1187: 1181: 1174: 1172: 1169: 1162: 1144:phosphorescent 1123: 1120: 1102: 1099: 1098: 1097: 1094: 1087: 1085: 1082: 1075: 1073: 1070: 1063: 1053:Trinity Bridge 1023: 1020: 1019: 1018: 1015: 1008: 1006: 1000: 993: 938: 935: 934: 933: 930: 923: 921: 918: 911: 909: 906: 899: 853: 850: 721:at that time. 713: 712: 708: 707: 703: 702: 697: 692: 687: 682: 677: 672: 667: 662: 657: 652: 647: 642: 635: 634: 633: 628: 623: 618: 613: 608: 603: 598: 593: 588: 583: 578: 573: 568: 561: 560: 559: 554: 549: 544: 539: 534: 529: 524: 519: 514: 509: 504: 499: 494: 484: 481: 480: 469: 466: 465: 464: 461: 454: 423:, and then in 401:London in 1851 396: 393: 389:Hector Guimard 314:diesel engines 222: 221: 212: 208: 207: 198: 194: 193: 189: 188: 178: 174: 173: 163: 159: 158: 154: 153: 133:Esplanade des 131: 127: 126: 123: 119: 118: 115: 111: 110: 106: 105: 102: 98: 97: 96:Participant(s) 93: 92: 89: 85: 84: 81: 77: 76: 73: 69: 68: 63: 59: 58: 55: 48: 47: 43: 42: 39: 31: 30: 15: 9: 6: 4: 3: 2: 7366: 7355: 7352: 7350: 7347: 7345: 7342: 7340: 7337: 7335: 7334:1900 in Paris 7332: 7330: 7327: 7325: 7322: 7320: 7317: 7316: 7314: 7307: 7304: 7267: 7262: 7257: 7254: 7252: 7248: 7247: 7244: 7234: 7231: 7229: 7226: 7224: 7221: 7219: 7218:Santiago 1875 7216: 7214: 7211: 7210: 7208: 7206:South America 7204: 7198: 7195: 7193: 7190: 7188: 7185: 7183: 7180: 7178: 7175: 7173: 7170: 7168: 7167:Adelaide 1887 7165: 7163: 7160: 7158: 7157:Brisbane 1876 7155: 7153: 7150: 7148: 7145: 7143: 7140: 7139: 7137: 7133: 7127: 7124: 7122: 7119: 7117: 7114: 7112: 7109: 7107: 7104: 7102: 7099: 7097: 7094: 7092: 7089: 7087: 7084: 7082: 7079: 7077: 7074: 7072: 7069: 7067: 7064: 7062: 7059: 7057: 7054: 7052: 7049: 7047: 7044: 7042: 7039: 7037: 7034: 7032: 7029: 7027: 7024: 7022: 7019: 7017: 7014: 7012: 7009: 7007: 7004: 7002: 6999: 6998: 6996: 6994:North America 6992: 6986: 6983: 6981: 6978: 6976: 6973: 6971: 6968: 6966: 6963: 6961: 6958: 6956: 6953: 6951: 6948: 6946: 6943: 6941: 6938: 6936: 6933: 6931: 6928: 6926: 6923: 6921: 6918: 6916: 6913: 6911: 6908: 6906: 6903: 6901: 6898: 6896: 6893: 6891: 6890:Zaragoza 1908 6888: 6886: 6883: 6881: 6878: 6876: 6873: 6871: 6868: 6866: 6863: 6861: 6858: 6856: 6853: 6851: 6848: 6846: 6843: 6841: 6838: 6836: 6833: 6831: 6828: 6826: 6823: 6821: 6818: 6816: 6813: 6811: 6808: 6806: 6803: 6801: 6798: 6796: 6793: 6791: 6788: 6786: 6783: 6781: 6778: 6776: 6773: 6771: 6768: 6766: 6763: 6761: 6758: 6757: 6755: 6751: 6745: 6744: 6740: 6738: 6735: 6733: 6732:Shenyang 2006 6730: 6728: 6725: 6723: 6720: 6718: 6715: 6713: 6712:Hangzhou 1929 6710: 6708: 6707:Semarang 1914 6705: 6703: 6700: 6698: 6695: 6693: 6690: 6689: 6687: 6683: 6677: 6674: 6672: 6669: 6667: 6664: 6662: 6661:Freetown 1865 6659: 6658: 6656: 6652: 6649: 6643: 6637: 6636: 6635:Yokohama 2027 6632: 6630: 6627: 6625: 6622: 6620: 6617: 6615: 6612: 6610: 6607: 6605: 6602: 6600: 6597: 6595: 6592: 6590: 6587: 6585: 6582: 6580: 6577: 6575: 6572: 6570: 6567: 6565: 6562: 6560: 6557: 6555: 6554:Montreal 1980 6552: 6550: 6547: 6545: 6542: 6540: 6537: 6535: 6532: 6530: 6527: 6526: 6524: 6520:horticultural 6516: 6510: 6509: 6508:Belgrade 2027 6505: 6503: 6502: 6498: 6496: 6493: 6491: 6488: 6486: 6485:Zaragoza 2008 6483: 6481: 6478: 6476: 6473: 6471: 6468: 6466: 6463: 6461: 6460:Brisbane 1988 6458: 6456: 6453: 6451: 6448: 6446: 6443: 6441: 6438: 6436: 6433: 6431: 6428: 6426: 6423: 6421: 6418: 6416: 6415:Budapest 1971 6413: 6411: 6408: 6406: 6403: 6401: 6398: 6396: 6393: 6391: 6388: 6386: 6383: 6381: 6378: 6376: 6373: 6371: 6368: 6366: 6363: 6361: 6358: 6356: 6353: 6351: 6348: 6346: 6343: 6341: 6338: 6336: 6335:Helsinki 1938 6333: 6331: 6328: 6327: 6325: 6317: 6311: 6310: 6306: 6304: 6303: 6299: 6297: 6294: 6292: 6289: 6287: 6286:Shanghai 2010 6284: 6282: 6279: 6277: 6276:Hannover 2000 6274: 6272: 6269: 6267: 6266: 6262: 6260: 6257: 6255: 6254:Montreal 1967 6252: 6250: 6247: 6245: 6244:Brussels 1958 6242: 6240: 6237: 6235: 6232: 6230: 6227: 6225: 6224:Brussels 1935 6222: 6221: 6219: 6211: 6205: 6202: 6200: 6197: 6195: 6192: 6190: 6187: 6185: 6182: 6180: 6177: 6175: 6174:Brussels 1910 6172: 6170: 6167: 6165: 6162: 6160: 6157: 6155: 6152: 6150: 6149:Brussels 1897 6147: 6145: 6142: 6140: 6137: 6135: 6132: 6130: 6127: 6125: 6122: 6120: 6117: 6115: 6112: 6110: 6107: 6105: 6102: 6100: 6097: 6095: 6092: 6091: 6089: 6083:Retroactively 6081: 6074: 6071: 6070: 6067: 6063: 6056: 6051: 6049: 6044: 6042: 6037: 6036: 6033: 6021: 6020: 6016: 6014: 6013: 6009: 6007: 6004: 6003: 6001: 5997: 5989: 5986: 5985: 5984: 5981: 5979: 5976: 5974: 5973:Gare de Javel 5971: 5969: 5966: 5964: 5961: 5957: 5956:Le Train Bleu 5954: 5953: 5952: 5949: 5947: 5944: 5943: 5941: 5937: 5931: 5928: 5926: 5923: 5921: 5918: 5916: 5913: 5911: 5908: 5906: 5905:Globe Céleste 5903: 5901: 5898: 5896: 5893: 5892: 5890: 5886: 5880: 5877: 5875: 5872: 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2706:Golden Horn 2663:Vieil Arles 2391:planetarium 2182:Attractions 2171:Sari Temple 2077:Minangkabau 2065:Sari temple 1732:Carlo Ceppi 1601:peoples by 1341:housed the 1291:housed the 1282:Art Nouveau 1278:Neo-Baroque 1057:Félix Faure 1036:Nicholas II 826:West Africa 774:Ivory Coast 690:Switzerland 655:El Salvador 606:Netherlands 346:Art Nouveau 7313:Categories 7283:48°51′22″N 7223:Quito 1909 7086:Bronx 1918 7046:Omaha 1898 6975:Porto 1934 6970:Paris 1931 6935:Malmö 1914 6775:Porto 1865 6727:Clark 1998 6697:Hanoi 1902 6647:recognized 6609:Venlo 2012 6574:Osaka 1990 6534:Paris 1969 6490:Yeosu 2012 6470:Genoa 1992 6400:Turin 1961 6380:Turin 1955 6360:Lille 1951 6345:Paris 1947 6340:Liège 1939 6302:Osaka 2025 6296:Dubai 2020 6291:Milan 2015 6281:Aichi 2005 6259:Osaka 1970 6229:Paris 1937 6184:Ghent 1913 6179:Turin 1911 6169:Milan 1906 6164:Liège 1905 6154:Paris 1900 6139:Paris 1889 6124:Paris 1878 6109:Paris 1867 6099:Paris 1855 6085:recognized 5729:Melancolie 5499:1900-08-09 5494:2009-05-20 5471:1900-08-29 5466:2009-05-20 5443:1900-08-09 5438:2009-05-20 5392:1900 Paris 5376:6 December 5360:6 December 5323:2753300925 5106:2021-11-30 5010:2015-11-24 4536:2023-06-22 4491:2023-06-22 4436:2024-07-30 3934:References 3924:Menelik II 3462:restaurant 3441:Train Bleu 3418:Jugendstil 3280:Jugendstil 3263:, and the 3135:Montmartre 3042:Tug-of-War 2970:ballooning 2962:automobile 2718:Angkor Wat 2714:Suez Canal 2319:electrobus 2311:Decauville 2175:Yogyakarta 1146:costumes. 1049:Neva River 983:Paul Jouve 947:René Binet 810:Somaliland 786:Martinique 782:Madagascar 754:Guadeloupe 660:San Marino 586:Luxembourg 473:Portugal. 310:escalators 306:trolleybus 184:1900-11-12 169:1900-04-14 91:48,130,300 29:1900 Paris 7286:2°17′52″E 7213:Lima 1872 6915:Lyon 1914 6860:Cork 1902 6835:Lyon 1894 6790:Lyon 1872 6629:Doha 2023 6370:Rome 1953 6355:Lyon 1949 6215:Universal 5988:entrances 5915:Mareorama 5895:Cinéorama 5602:Pavilions 5581:Invalides 5577:Trocadéro 5296:912389162 5169:0315-9906 5024:Sato 2015 4920:April 26, 4761:0315-9906 4225:0315-9906 4117:0315-9906 3920:Alexandra 3877:Footnotes 3822:producer 3736:Criticism 3712:Bartholdi 3424:, now in 3249:entrances 3222:Houbigant 2871:Cinéorama 2738:La Ciotat 2734:Marseille 2536:Andalusia 2514:Mareorama 2498:Cinéorama 2470:Mareorama 2462:Cinéorama 2449:Mareorama 2445:Cinéorama 2067:and also 2042:Indochina 1905:Samarkand 1418:Champagne 1112:fine arts 770:Indochina 611:Nicaragua 552:Guatemala 385:entrances 383:with its 269:Trocadéro 219:St. Louis 143:Trocadéro 135:Invalides 6645:Not BIE- 5488:Archived 5460:Archived 5432:Archived 5177:42630841 5129:L'Aurore 5069:Archived 4914:Archived 4885:5 August 4876:Archived 4769:42630841 4502:cite web 4233:42630841 4125:42630841 4076:17953895 3845:See also 3758:Salammbô 3602:La Ruche 3579:Brussels 3530:Châtelet 3518:Abbesses 3497:and the 3485:and the 3363:Menu by 3317:for the 3311:Abbesses 3226:Le Pater 3186:and the 3141:and the 2906:L'Aiglon 2838:L'Aiglon 2730:Provence 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557:Hungary 537:Germany 527:Ecuador 522:Denmark 502:Belgium 497:Austria 492:Andorra 182: ( 177:Closure 167: ( 162:Opening 114:Country 6753:Europe 6654:Africa 5999:Others 5867:Events 5852:fresco 5647:Spring 5347:(1967) 5321: 5311: 5294: 5271: 5256: 5241: 5230: 5215: 5175: 5167: 4844: 4767: 4759: 4427: 4231: 4223: 4123: 4115: 4074: 4064: 3908:Edward 3809:silent 3807:Short 3665:Laeken 3583:pagoda 3575:Laeken 3468:Legacy 3129:, the 2990:France 2914:Events 2641:Poitou 2559:, the 2557:Toledo 2396:zodiac 2046:Tonkin 2035:Guinea 1872:Serbia 1748:Turkey 1663:Serbia 838:Ceylon 832:, the 818:Tonkin 762:Guinea 758:Guiana 731:Turkey 705: 695:Turkey 685:Sweden 665:Serbia 650:Russia 626:Persia 616:Norway 596:Monaco 591:Mexico 547:Greece 532:France 436:Carnot 375:, the 371:, the 363:, the 332:, the 308:line, 295:, the 267:, the 263:, the 253:France 117:France 104:76,112 54:-class 40:Poster 6075:(BIE) 5593:Paris 5585:Seine 5173:JSTOR 4879:(PDF) 4872:(PDF) 4765:JSTOR 4470:Src=' 4229:JSTOR 4121:JSTOR 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Exposition Universelle (1900)

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