630:â"the Anatahan Chart"âwas prepared, which provided schematics for every aspect of the narrative. Flow charts for actors were colour-coded to indicate timing and intensity of emotions, action, and dialogue, so as to dictate the "psychological and dramatic" continuity of each scene. These visual aids served, in part, to obviate misunderstandings related to language barriers, as Sternberg spoke no Japanese and the crew and actors, which Sternberg selected "based on his first impression by seeing their physical appearance disregarding their acting skills", spoke no English.
322:, but ends when he suffers a catastrophic loss of face, and a struggle for power and possession of the woman develops. Two of the men discover pistols in the wreckage of an American airplane, and, by the time they can be convinced that the war is really over and are rescued in 1951, five of the men are dead. The warrant officer decides to stay on the island, leaving seven men and the woman as the only survivors to return to Japan.
475:, was the scene of a wartime stranding of thirty Japanese sailors and soldiers and one Japanese woman in June 1944. The castaways remained in hiding until surrendering to a US Navy rescue team in 1951, six years after Japan was defeated by allied forces. The twenty who survived the ordeal were warmly received upon their return to post-war Japan. International interest, including an article in
289:, which he worked on earlier, was his final film to be released), and he had an unusually high degree of control over the project, which was made outside the studio system, allowing him to not only direct, but also to write, photograph, and narrate. It opened modestly well in Japan in 1953 and was screened in competition at the
652:
human isolationâa universal allegory. The premiere and first-run public showings in Tokyo and Kyoto received "lukewarm" support. While
Sternberg's English-language narration was subtitled on Japanese prints of the film, the Japanese-language dialogue was not subtitled on American prints of the film.
651:
s release in Japan in June 1953, Sternberg produced a pamphlet and issued press statements in which he promised his upcoming film would be an artistic endeavor, pleasing to
Japanese audiences, rather than a forensic recreation of a wartime disaster, and said his goal was to create a timeless tale of
484:
By the end of 1951, lurid personal accounts surfaced describing deaths and disappearances on
Anatahan arising from inter-male competition for the only woman on the island, Higo Kazuko. These sensationalised depictions produced a backlash in popular opinion, and sympathy for the survivors cooled. The
691:
Journalists lambasted the film by severely critiquing
Sternbergâs direction, his exotic view, the castâs amateurish acting, and his idea of making a film out of the story in the first place. They criticized Kawakita and Osawa for granting Sternberg complete control over an expensive film production
638:
Production began in
December 1952 and ended in February 1953. Virtually the entire film was shot on the stylised and highly crafted sets in Kyoto. The actors in the film speak Japanese, and Sternberg's "disembodied" narration, which explains "the action, events and Japanese culture and rituals", is
603:
vernacular to the film's dialogue. Sternberg's narrative requirements reduced the number of participants to thirteen men and one woman and spanned the entire seven years they spent in isolation. The actual number of castaways in 1944 had been reported at 30-32 people, of whom twenty survived.
602:
After arriving in Japan in August 1952, Sternberg examined numerous accounts of the
Anatahan affair translated into English, some of which were dramatized and lurid, and decided to adapt the memoir of survivor Michiro Maruyama for the film. Scriptwriter Tatsuo Asano was enlisted to add local
682:
Critics questioned why
Sternberg had adapted a story that might trigger "unpleasant feelings" among many Japanese who had been traumatized by war and defeat, and critical evaluation of the film was uniformly hostile, including a multi-journalist round-table published in
671:. When Kawakita edited Anatahan for distribution in Europe, Sternbergâs "monotonous" narration was replaced with that of a Japanese youth, delivering the same text in broken English so as to make it more "authentically" Japanese to English-speaking audiences.
614:
studios with two
Japanese interpreters and launched a painstaking collaborative process, wielding control over every aspect of the production. When Sternberg was asked by a French critic why he had gone to the Far East to build a studio set to film
309:
On June 12, 1944, a small fleet of
Japanese supply ships are attacked by American planes between Japan and New Guinea. Only twelve seamen, some soldiers and some fishermen drafted into service, are able to make it to the nearby jungle island of
702:, Patrick Fleet was highly critical of the film, saying that "the treatment is generally heavy-handed and at times tedious", and "The film is re commended only for devotees of the 'art of cinema'âand more as a curiosity than anything else."
489:
in 1952 saw a revival of political and economic sovereignty and a desire among the
Japanese to suppress memories of wartime suffering. This "rapid transformation of the political and social climate" negatively influenced perceptions of
518:
Kawakita established the Towa Trading Company in 1928 to promote an exchange of Japanese and European films in âthe urban art cinema market.â He also acted as a representative for German film corporation
705:
Criticism was also directed at Sternberg for adopting a sympathetic attitude towards the lone woman on the island and the male survivors. Condemnation of the film was particularly harsh from critic
541:
in Germany) to foster mutual cultural bonds between the countries. Filmed entirely in Japan, the high-profile, big-budget feature was endorsed and promoted by Reich Minister of Propaganda
29:
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The film received a limited theatrical released in the United States in 1954. Overall, it was a modest commercial success, and investors broke even on the project.
567:
Both Kawakita and Osawa served Imperial Japan throughout the war, producing propaganda films in China and Japan, respectively. When Japan was defeated in 1945, the
583:
Sternberg reestablished contact with Kawakita in 1951, and in 1952 the producer agreed to finance a large-budget film based on the Anatahan incident, engaging the
462:
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556:. He met with Japanese critics and film enthusiasts who had studied and admired his silent and sound films. Kawakita and Fanck were filming
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Unable to obtain permission to use the Toho studio facilities in Tokyo, producer Osawa moved the project to the Okazaki Industrial Park in
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company as distributor. Kazuo Takimura was hired as credited producer on the project, with Kawakita and Osawa going uncredited.
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Daiwa Productions, Inc., an independent Japanese film production company, was founded in 1952 solely for the purpose of making
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at the time, and Sternberg visited them on location to discuss a possible collaboration, but the talks were suspended when
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293:, but it did poorly in the US, and Sternberg continued to re-cut the film for four more years. Eventually, he abandoned
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series, was hired as the film's special effects director, the film score and sound effects were created by composer
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1147:. Transnationalism and Film Genres in East Asian Cinema. Dong Hoon Kom, editor, Spectator 29:2 (Fall 2009): 9-24
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Hiroshi KondÅ as Yananuma, a signalman who finds a gun, shoots Nishio, and is stabbed in the back by Kusakabe
314:, where they remain stranded for seven years. The island's only inhabitants are the overseer of an abandoned
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255:'s English translation of Michiro Maruyama's nonfiction account of the seven years he and a group of
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plantation and an attractive young Japanese woman. Discipline is initially enforced by a former
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magazine on 16 July 1951, inspired Josef von Sternberg to adapt the story as a fictional film.
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Tadashi Suganuma as Kusakabe, who stabs Yananuma and is stabbed in the jungle by Yoshiri
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Sternberg travelled to Japan in 1937, shortly after ending his professional ties with
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Jun Fujikawa as Yoshiri, a cook who stabs Kusakabe and is shot (probably by Keiko)
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in August 1953, where it was overshadowed by another Kawakita entry, director
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joined with Kawakita in 1936 to produce the German-Japanese propaganda film
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1117:. The International Film Guide Series. A.S Barners & Company, New York.
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who finds a gun, stabs Sennba, and is shot twice in the back by Yananuma
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765:"'How We Beat 'Em Pix' Irk Nips, So They Slug U.S. With Own Hay-Makers"
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of the United States. This story also inspired the 1998 Japanese novel
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reportedly cited it as one of the ten best American films ever made.
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801:"The Screen in Review; 'Ana-ta-han,' Filmed in Japan, at the Plaza"
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https://www.jonathanrosenbaum.net/2020/12/aspects-of-anatahan-tk/
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Kikuji Onoe as Kaneda, captain of the lead boat, the Hyosuke Meru
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Shozo Miyashita as Sennba, who is stabbed in a hammock by Nishio
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Takeshi Suzuki as Takahashi, the first sailor to approach Keiko
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Kisaburo Sawamura as Kuroda, the oldest sailor, who has a beard
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in Nazi Germany, where it opened to critical acclaim in 1937.
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Daijiro Tamura as Kanzaki, a lookout, who gets several letters
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575:, barring them from the Japanese film industry until 1950.
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The film was the final one directed by Sternberg (although
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1139:
http://sensesofcinema.com/2002/feature-articles/sternberg/
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1129:
https://www.filmcomment.com/blog/sternberg-full-anatahan/
1158:. Posted January 11, 1978. Retrieved 23. January, 2021.
1137:. Senses of Cinema, March 2002. Retrieved 29 May 2018.
619:, when he could have constructed an identical set in a
1069:"Jim Morrison's favourite film is an unsung classic"
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1043:"Royal Tour Epic Makes You You Are There Too"
692:that only objectified the Japanese on screen.
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623:back lot, he replied "because I am a poet".
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1149:http://cinema.usc.edu/assets/096/15618.pdf
728:when Sternberg was a professor there, and
687:. As film historian Sachiko Mizuno wrote:
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1568:Films set in the Northern Mariana Islands
1083:"'Saga Of Anatahan' To Be Screened At HC"
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511:. The co-executives included Sternberg,
270:of Imperial Japan and is now one of the
1127:, May 15, 1017. Retrieved 29 May 2018.
661:14th Venice International Film Festival
569:Supreme Commander for the Allied Powers
301:for most of the remainder of his life.
291:14th Venice International Film Festival
227:, also known by its on-screen title of
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1548:Films directed by Josef von Sternberg
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1001:Mizuno, 2009. p. 19 (see footnote 41)
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571:(SCPA) designated both producers as
340:as Keiko, the only woman on Anatahan
523:in Japan. German director-producer
266:island, which was then part of the
251:. It was adapted by Sternberg from
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14:
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1115:The Cinema of Josef von Sternberg
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537:in English language releases and
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16:1953 film by Josef von Sternberg
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1145:The Saga of Anatahan and Japan
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876:Mizuno, 2009. p. 19, 20-21, 22
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821:"Screen: Von Sternberg's Coda"
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591:, soon to be renowned for his
1:
1563:1950s Japanese-language films
1558:Films scored by Akira Ifukube
1168:. New York: Doubleday, 1966.
1041:Fleet, Patrick (1954-10-02).
735:
497:
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297:and went on to teach film at
1122:Sternberg in Full: Anatahan.
773:. August 19, 1953. p. 2
724:, who was a film student at
677:
655:Producer Kawakita presented
233:, is a 1953 black-and-white
7:
1573:Japanese World War II films
1154:Rosenbaum, Jonathan. 1978.
530:The Daughter of the Samurai
503:Daiwa and Towa Corporations
10:
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921:Mizuno, 2009. p. 14, 16-17
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421:Chizuru Kitagawa as Nagasa
247:, with special effects by
33:American re-release poster
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867:Mizuno, 2009 p. 9, 14, 17
754:Accessed 10 February 2009
716:was the favorite film of
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1543:Japanese war drama films
1089:. 1972-10-26. p. 24
894:Baxter, 1971. p. 169-170
408:Rokuriro Kineya as Marui
272:Northern Mariana Islands
1143:Mizuno, Sachiko. 2009.
325:
304:
161:June 28, 1953
1320:The Case of Lena Smith
1151:Retrieved 24 May 2018.
1133:Gallagher, Tag. 2002.
1013:Mizuno, 2009. p. 19-20
992:Mizuno, 2009. p. 18-19
903:Mizuno, 2009. p. 11-12
885:Mizuno, 2009. p. 10-11
694:
539:Die Tocher der Samurai
487:US occupation of Japan
392:Tsuruemon Bando as Doi
1538:1950s war drama films
1310:The Docks of New York
1250:The Salvation Hunters
1087:Hawaii Tribune-Herald
689:
573:Class B war criminals
467:Anatahan, one of the
137:Daiwa Production Inc.
1578:1950s Japanese films
1471:The Shanghai Gesture
1431:Crime and Punishment
1421:The Devil is a Woman
1260:The Exquisite Sinner
1197:Italian movie poster
1120:Eyman, Scott. 2017.
960:Baxter, 1971. p. 174
657:The Saga of Anatahan
485:end of the post-war
230:The Saga of Anatahan
1411:The Scarlet Empress
1381:An American Tragedy
1234:Josef von Sternberg
1156:Aspects of Anatahan
1135:Josef von Sternberg
1031:Mizuno, 2009. p. 19
983:Mizuno, 2009. p. 16
969:Sarris, 1966. p. 53
933:Mizuno, 2009. p. 14
912:Mizuno, 2009. p. 13
858:Mizuno, 2009. p. 17
712:On the other hand,
449:Josef von Sternberg
245:Josef von Sternberg
106:Josef von Sternberg
98:Josef von Sternberg
66:by Michiro Maruyama
52:Josef von Sternberg
43:Josef von Sternberg
1454:(1937, unfinished)
1441:The King Steps Out
1273:(1926, unfinished)
1270:A Woman of the Sea
1232:Films directed by
826:The New York Times
806:The New York Times
626:A highly detailed
550:Paramount Pictures
268:South Seas Mandate
1520:
1519:
730:François Truffaut
707:Fuyuhiko Kitagawa
554:Columbia Pictures
513:Nagamasa Kawakita
434:Shiro Amikura as
413:The Homesick Ones
260:Japanese holdouts
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1071:. 18 March 2022.
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799:(May 18, 1954).
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829:. May 19, 1977.
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1091:. Retrieved
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177:Running time
154:Release date
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54:Tatsuo Asano
1451:I, Claudius
1341:Thunderbolt
1332:Sound films
429:The Patriot
95:Narrated by
71:Produced by
39:Directed by
1533:1953 films
1527:Categories
1371:Dishonored
1280:Underworld
1174:B000LQTJG4
1093:2023-12-26
1054:2023-12-26
752:Jmdb.ne.jp
736:References
628:storyboard
533:(entitled
498:Production
473:Micronesia
463:ã¢ãã¿ãã³ã®å¥³çäºä»¶
461:See also:
457:Background
241:drama film
181:92 minutes
165:1953-06-28
130:Production
1509:Jet Pilot
777:March 16,
722:The Doors
678:Reception
649:Anatahan'
647:Ahead of
621:Hollywood
564:in 1939.
368:signalman
286:Jet Pilot
262:spent on
207:$ 375,000
194:Languages
111:Edited by
1499:Anatahan
1480:The Town
1187:Anatahan
1113:. 1971.
714:Anatahan
617:Anatahan
593:Godzilla
521:UFA GmbH
509:Anatahan
492:Anatahan
443:Narrator
402:Shamisen
386:Skippers
312:Anatahan
295:Anatahan
264:Anatahan
235:Japanese
215:Anatahan
199:Japanese
119:Music by
79:Starring
63:Anatahan
59:Based on
22:Anatahan
1361:Morocco
1105:Sources
770:Variety
659:at the
643:Release
634:Filming
438:Amanuma
400:At the
197:English
186:Country
163: (
132:company
1512:(1957)
1502:(1953)
1492:(1952)
1482:(1943)
1474:(1941)
1464:(1939)
1444:(1936)
1434:(1935)
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1404:(1932)
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1253:(1925)
1172:
669:Ugetsu
612:ad hoc
384:The 2
204:Budget
1489:Macao
608:Kyoto
316:copra
222:ã¢ãã¿ãã³
189:Japan
1192:IMDb
1170:ASIN
779:2024
726:UCLA
585:Toho
552:and
478:Life
326:Cast
305:Plot
299:UCLA
147:Toho
1190:at
720:of
667:âs
471:in
238:war
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