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Lumière de Jean Cazès, the second French catalogue of film and audiovisual rights, having itself acquired the
British catalogue Weintraub (formerly Thorn EMI) in 1991, while Lumiere Pictures and Television formed earlier in 1992 as a merger between two French companies: Jean Cazes' Initial Groupe (est. 1984) and Investissements en Droits Audiovisuelles (est. 1987). Lumiere owned a substantial library of films from the Thorn EMI Screen Entertainment/Weintraub library, representing a third of all films made in the UK from the beginning of silent pictures. Cazes then spun-off Lumiere's Los Angeles branch into a new company, Lumiere International.
1845:
de Rouvre who had embarked in the cinema in the late 1920s, Cyril de Rouvre brings together his film assets within the Robur
Financière: the Compagnie Française de cinématographie (CFC), the Consortium Financier pour la production de films (CFPF) and Coficiné, which specialises in the financing of production. Rouvre gradually separates from its industrial activities and then rachats multiple film catalogues (Les Films Gibé, Les Films Corona, Silver Films) created in August 1987 via a new subsidiary, Robur Droits Audiovisuels.
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and brought in, sometimes inexperienced technicians. And because he didn't interfere, a lot of those films under his reign were flops, also he was told to make so many films instead of being told you have got money to make a number of films when you get the right story. A lot of films, I think, were made for the sake of being made.
879:("MGM-British Studios") and move their equipment to EMI's Elstree studio. MGM and EMI would then distribute and produce films in co-operation through a joint venture to be called MGM-EMI. and MGM began to finance some of EMI's productions. EMI's studio complex was renamed EMI-MGM Elstree Studios while a
1848:
In 30 June 1992, the
Financière Robur merges its catalogue of films with that of UGC by absorbing UGC Droits Audiovisuels, its subsidiary founded in 1985. The UGC group takes control of the new company, the first catalogue of films in France with nearly 1500 feature films and 500 hours of audiovisual
1844:
In July 1981, Cyril of Rouvre Do a OPA surprise on the
Compagnie Fraissinet en difficulté. Having become specialised in the maintenance and resale of business aircraft, Fraissinet-Transair becomes the Financière Robur in tribute to the hero of Jules Verne, Robur-le-Conquérant. The grandson of Antoine
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Lambert resigned in July 1985. After this TESE wound down its in-house production arm and relied on films from independent outfits. That month, TESE signed a deal with French distributor AAA for a 30-month output of the entire
British film library, serving 20 films, and did not want to cover all home
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In March 1985, Thorn-EMI announced they would set up a production fund worth $ 175 million to make around twenty films. Film
Finance Director John Reiss said the fund would be used as loans for filmmakers or to invest in films budgeted around $ 13–14 million. Reiss said that the films would be made
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had by now greatly reduced its own investment in
British film production to a token presence. Cohen was not unaware of the problems inherent in his dominant position. Meanwhile, dependent on support from the most profitable parts of EMI, the company's financial position meant that they had to avoid
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would allow Lew
Thornburn to run the studio and would only go in on major matters. Also, because he, as a director... had been interfered with so much by front office he felt that, when he gave people the money to make a film, it shouldn't interfere and because of that he gave young people a chance
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Forbes resigned in March 1971, after committing himself to a no-redundancy policy. He had made eleven films in total for an estimated cost of £4 million. Although Forbes' regime was seen at the time to have been a commercial failure, he later claimed that by 1993 his £4 million program of films had
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Bryan Forbes was a fighter, and he did his best to discipline the oldfashioned, small-minded labour force. But the penny-pinching, unimaginative management was just as bad. The £4,000,000 ‘revolving production fund’ was never forthcoming. Worst of all was the ‘respectable’ taste which dictated the
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Deeley and
Spikings's method was to only make a film if at least half the budget was put up by an American studio, reducing their financial risk although making the studio's product less obviously British. They focused on movies with international appeal – i.e. action films – and major stars. The
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In
November 1993, UGC Droits Audiovisuels acquired United Communication, mainly holding the French-speaking rights of the catalogue of the MGM and United Artists nearly 800 American films and 2,000 hours of television. The continued consolidation in January 1996 with the acquisition of the group
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It was originally announced that MGM-EMI would make six to eight films a year, but they ended up producing far fewer. Forbes was given the title of managing director of MGM-EMI to add to his existing title of head of production. In July 1970 MGM-EMI announced they would make four co-productions:
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was hired as chairman of the television unit, corporate vice president and a member of the executive committee. In July, the Bank of America terminated its credit line with Weintraub after difficulties in syndicating parts of the loan to other banks due to the Thorn-EMI loan. The Group's first
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Nat Cohen took over Forbes' responsibilities as head of production after his resignation in 1971. Cohen backed productions intended for international success, and EMI had a more obviously commercial outlook. In October 1971, EMI's chairman John Read admitted the film division had performed
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In March 1981, Spikings admitted AFD has not "gotten off to a flying start" and would be wound up, with Universal taking over distribution of EMI Films. He argued that "production and distribution are not linked" and pointed to the five Oscars that EMI films had earned. In particular,
1344:. He admitted that sixty percent of the company's film budget would be spent in America the following year but "100% of the profits would come to this country... We have got to make films we believe are international, to get the money to bring exports back to this country."
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Later that year in June, Canal+ in turn, acquires UGC Droits Audiovisuels, with the rights of more than 5,000 films. An alliance strongly encouraged by their common shareholder, the General of the Eaux, which holds both 25% of UGC Droits Audiovisuels, and 20% of Canal+.
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in 1988, who in turn ended up selling half of the EMI Elstree Studios site to Tesco for a supermarket, before Hertsmere Council eventually acquired what was left of the Elstree Studios, and, as of 2018, continues to operate it as a film and television studios centre.
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La Compagnie Fraissinet was a Marseille arming company by maritime transport. During the 1960s, decolonization and competition with jet-powered air travel weakened the group's results and it ended up selling its maritime assets to the Chargers Gatten in 1964.
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EMI announced they would make 28 films for $ 36 million—13 of these would be from Cohen's unit for £7 million, the rest from Forbes'. Bernard Delfont called it "probably the most ambitious program ever undertaken by a British film company."
1454:). The division was primarily active in both the UK and the US, as well as in Australia. In addition to Thorn EMI's own material, the division licensed titles from other companies, mostly those who had no home video division at the time, including
1649:, and a management buyout led by Gary Dartnall. The following month, in December 1985, it accepted a £110 million ($ 161.7 million) management offer to place the entire Thorn EMI Screen Entertainment division up for sale. The company's division,
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The company was affected with labour problems. Forbes felt as though he did not have the support of the EMI board, arguing that he never had the funds to market his films, in contrast with those available to Anglo-EMI, which was headed by
653:"This is the first serious effort to revitalize the British film industry in 20 years", said Forbes. He added, "We intend to give youth a chance and not merely pay lip service to it. This is our first program and it won't be our last."
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at a cost of £5–10 million in total. His aim was to keep budgets down and create a varied slate which would increase the chances of appealing to audiences and making a sufficient return to continue productions.
966:(both 1971) performed well in relation to their budgets. "The experts say you're doing well if you make money out of one in three films", said Read. "We see filmmaking as a significant profit earner in the future."
1625:... it was terribly tough and not a very happy experience. But I was determined to see out my three-year contract. By the end I'd had enough of corporate life and wanted to see what I could do as an independent."
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It was a great tragedy that Bryan failed. Part of the reason I think was that he got himself very much involved in little things instead of letting John Hargreaves, who was his number two, to run the studio like
920:, which took over international distribution of MGM produced films. At this point the distribution company became EMI Film Distributors Ltd., and EMI-MGM Elstree Studios reverted to EMI-Elstree Studios.
527:
Forbes announced his intention to make a variety of films at Elstree, steering away from what he called the "pornography of violence." He claimed EMI would make 14 films in 18 months with such stars as
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as the head of production at Elstree in April 1969 for three years at £40,000 a year, plus a percentage of the profits. As part of the general shake up of EMI, Nat Cohen was appointed to the Board.
969:
Cohen was responsible for overseeing about 70% of the films produced in the UK during 1973, following a significant decline in domestic projects overall. In particular, long-term duopoly rival
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In January 1989, Usher left his position as President of the Weintraub International Enterprises. The Bank of America and WEG established a new credit line for two years and $ 95 million with
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Lambert recalled in 1997: "the person who hired me left, and the person who came in didn't want to produce films and didn't want me. While I managed to make some films I was proud of...
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label in the United Kingdom on VHS and DVD. However, its name in the UK was kept until 2006 when StudioCanal opened its own distribution unit in the UK, with titles distributed through
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John Heilpern (28 June 1970). "The End: In the Last Fifteen Years the British Cinema Has Lost Four-Fifths of its Audience. Today Half of the Industry'sTechnicians Are Out of Work".
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conglomerate, the corporate name was not used throughout the entire period of EMI's involvement in the film industry, from 1969 to 1986, but the company's brief connection with
817:, which made only too clear the intransigent mediocrity of the people in key positions. Thus, what was probably the last chance of saving the British film industry was lost.
1119:, became joint managing directors of EMI Distributors, with Nat Cohen remaining as chairman and chief executive. They also joined the EMI board, headed by Bernard Delfont.
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disappointingly. "Profits were negligible last year and we felt it was desirable to make one or two provisions to write off some of the costs." However films like
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company MGM-EMI Distributors Ltd. was formed as part of the co-production agreement. This company, headed by Mike Havas would handle domestic distribution of
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4947:"Creditors Agree With Weintraub to Settle Lawsuit : * Film: Two banks had accused the producer of taking an unwarranted $ 748,000 in developing 'Hook"
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in May 1987 its 2,000-title British film library, the Thorn-EMI Screen Entertainment library, for $ 85 million with $ 50 million from a loan. On July 20,
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4151:
ALJEAN HARMETZ (1 August 1977). "If a Movie Goes in America, Will Rest of World Buy It?: E.M.I. Films Chief Says Answer Depends Upon Motion and Stars".
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1726:'s RSO Films for multiple films budgeted in the $ 12-million to $ 15-million range. With Stigwood's partnership, WEG was to finance a film version of
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and Simon Perry in order to gave the independent outfits "complete freedom" to develop motion pictures. The last films made under Lambert's watch were
1328:, which was released at the end of the year, but was a box-office failure. Lord Delfont announced that the company had purchased two British scripts,
1004:(1974), which Cohen later claimed was the first British movie fully financed by a British company to reach the top of the American box office charts.
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Its early origins of Canal+ Image and StudioCanal was first founded in 5 August 1873 as Marseille Louis and Adolphe Fraissinet, under the appelation
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Lumiere Pictures and Television financed and produced films under several names and with a series of production partners. Below are the main ones:
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In December 1984, Thorn EMI offered investors the chance to invest in several films by issuing £36 million worth of shares. The films were
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4140:
Michael Deeley (2009). "Blade Runners, Deer Hunters and Blowing the Bloody Doors Off: My Life in Cult Movies". Pegasus Books. pp. 128–199.
1199:'s production company, Tomorrow Enterprises, and formed EMI Television, headed by Gimbel. They made a large number of American TV movies like
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UGC Droits Audiovisuels and Canal+ D.A. was merged and renamed as Canal+ Image International in June 1997, before the merger of the company
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to investors who had been misled by the brokerage's $ 83 million bond issue prospectus for the now-bankrupt Weintraub Entertainment Group.
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eventually brought EMI a profit of £16 million. (In 1994 he said the profit was £18 million from 18 films.) Linsday Anderson later wrote:
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video rights. On August 6, 1985, Thorn EMI Screen Entertainment agreed deals with various production outfits such as John Bradbourne and
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Film Asset Holding Co., a company formed by WEG's two primary bank creditors, sued Weintraub over his structuring of a sale of the
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EMI's other filmmaking division, Anglo-EMI Film Distributors Ltd, which had come out of Anglo-Amalgamated, was run autonomously by
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1521:, and UA would receive North American rights, while EMI received international rights to the film and pay $ 4.5 million delivery.
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In April 1986, Thorn EMI sold its film production and distribution arm (Thorn EMI Screen Entertainment), home video (
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4921:"Weintraub Is Expected to File Chapter 11 : Entertainment: The film firm seeks to cut off bondholders' action"
4517:
Newport, David (1 August 1985). "Three of the best: David Newpart on three big theatrical names going into films".
4364:
Fiddick, Peter (24 November 1983). "Cinema Verity: Peter Fiddick talks to EMI-Thorn 's new film production chief".
1946:
1719:. WEG also signed a 20-year distribution deal with Columbia and planned to release seven or eight movies per year.
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joined the Group as President of the Weintraub International Enterprises division and as a senior vice president.
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After the company shut down its assets were reorganized into the WEG Acquisition Corp, and are currently held by
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Mills, Bart (2 September 1977). "British money is suddenly big in Hollywood,'right up with Fox and Warner'".
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story to Sony Pictures Entertainment in the fall of 1990. Weintraub and Film Assets settled in January 1992.
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who acquired the library's then-owner, the United Kingdom-based Lumiere Pictures and Television in 1996, via
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1532:. The deal saw HBO take a stake in the venture and contribute their own productions for video distribution.
1220:(1979) at the last moment, after Bernard Delfont read the script and objected to its treatment of religion.
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choice of projects. However urgent the pressure, the new Elstree should not have kicked off with duds like
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In November 1985, Thorn EMI Screen Entertainment was placed up for sale with interested buyers including
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813:(Peter Sellers). Most horribly significant was the grudging, purblind treatment of Bryan’s own excellent
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In November 1969 Nat Cohen and Bernard Delfont announced a slate of eight more films for EMI including:
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Among the films Forbes wished to make but was unable to during his time at Elstree were adaptations of
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The library passed through the hands of several companies over the following years and is now owned by
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1680:. They also sold their stake in the video venture inherited from Thorn EMI (which had been renamed as
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was appointed head of production. Gary Dartnall became executive chairman. Lambert's first slate was
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In May 1973, Cohen announced a £3 million production slate of movies including an adaptation of
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Icons in the Fire: The Rise and Fall of Practically Everyone in the British Film Industry 1984–2000
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for international audiences. On 15 May 1985, Thorn EMI Screen Entertainment made an agreement with
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In March 1987, WEG signed its first production and distribution deal, a three-year agreement with
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a week later. A year after the purchase, a cash-strapped Cannon sold most of the film library to
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1508:. Lambert said they aimed to make five films a year ranging in budget from $ 5 to $ 10 million.
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November 1984 saw Thorn EMI Video's US division form a partnership with pay television company
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initial Deeley-Spikings slate included three films shot in the US, with $ 18 million in all"
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was abandoned. Forbes clashed with Bernard Delfont and their American backers, in this case
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Dennis Barker (9 August 1969). "Parable of talent: DENNIS BARKER interviews Bryan Forbes".
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2841:(October 1980) – with Brooksfilms – distributed by Columbia-EMI-Warner (UK), Paramount (US)
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whereas Thorn EMI would release Gladden's films for international theatrical distribution.
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in the meantime), resulting in HBO running the video label alone from that point forward.
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Michael Deeley left EMI in 1979 but Barry Spikings remained in charge of film production.
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were principal investors. WEG also arranged a $ 145-million, 7-year credit line with the
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In February 1981, Barry Spikings announced a slate of films worth £70 million, including
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Nouvelle Compagnie Marseillaise de navigation à vapeur A. et L. Fraissinet et compagnie
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Lagardère SCA owns these brands in the United Kingdom only. These brands are owned by
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Shamoon, Stella (9 July 1975). "EMI putting £6 million into films in next 12 months".
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4339:"It's Not TV: HBO, The Company That Changed Television: Expanding The Brand (Part 1)"
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Kilday, Gregg (28 October 1978). "FILM CLIPS: A New Dimension for a Brother Act".
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EMI also signed an agreement to invest $ 5 million in Columbia films. They picked
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EMI moved into film production with the foundation of a new company, EMI-Elstree.
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Champlin, Charles. (27 May 1977). "CRITIC AT LARGE: In Search of World Viewers".
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4720:"Weintraub's Worries : Box-Office Flops Add to Woes of Flashy 'Mini-Major'"
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McEWAN, IAN (15 August 1969). "British Film Czar Plans to Revitalize Industry".
3055:(June 1986) (TESE) - with Gladden Entertainment, distributed by 20th Century-Fox
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In July 1975, Cohen announced a £6 million programme of eleven new films:
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Kilday, Gregg (22 October 1977). "FILM CLIPS: 'The Body Snatchers' Moves Up".
4032:"BFI Screenonline: Film Studios and Industry Bodies > EMI Film Productions"
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The first few films of Forbes' regime actually performed poorly commercially:
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4020:. London. 11 February 1975. p. 7 – via The Times Digital Archive.
1796:. Later that month, Jerry Weintraub left the company and forged a deal with
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Watkins, Roger (11 December 1985). "Thorn EMI accepts bid by management".
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766:(1970). Forbes was also criticised within EMI for directing his own film,
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In August 1969 Forbes announced his slate of fifteen projects, including:
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3495:. London. 9 April 1969. p. 23 – via The Times Digital Archive.
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In April 1978, EMI announced they would make films with the newly formed
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Bulletin de la Société de l'histoire du protestantisme français (1989).
4323:
Barker, Dennis (3 March 1981). "British role in US film market is cut".
6460:
6364:
6171:
5929:
5553:
5526:
5511:
5491:
5453:
5433:
5413:
5032:
Bulletin de la Société de l'Histoire du Protestantisme Français (1903-)
3890:
The British Film Industry in the 1970s: Capital, Culture and Creativity
2996:
2948:
2527:
2096:
1782:
1586:
1549:
1504:
1137:
897:
338:
70:
31:
4196:""John Wick with spurs" – A look at Walter Hill's Unmade The Last Gun"
4005:. London. 9 May 1973. p. 4 – via The Times Digital Archive.
2881:(May 1982) – with British Lion, distributed by United Artists Classics
1394:
Also in 1981, Thorn EMI entered the fast-growing home video market as
6500:
6490:
6260:
6071:
5967:
5576:
5463:
5418:
5408:
2638:
2503:
2263:(1972) – produced by Kanter, Ladd and Kastner (AE) (Dist by P in USA)
1610:, which was distributing EMI's films ever since 1981 after acquiring
1316:
1304:
1155:
938:(1971). They also financed and distributed a series of films made by
929:
793:
696:
from a book by Gerald Durrell produced by Michael Medwin (never made)
506:
417:
413:
265:
6515:
6480:
6420:
6308:
6271:
6249:
5563:
5356:
4442:
Brown, Maggie (20 March 1985). "Thorn EMI plans $ 175m film fund".
4293:
Barker, Dennis (12 March 1980). "British films get British boost".
2411:
1517:
916:
MGM pulled out of the amalgamation in 1973, and became a member of
5734:
3874:. London. p. 37 – via The Sunday Times Digital Archive.
420:
conglomerate (following the merger with Thorn) are outlined here.
6527:
6374:
5220:
5028:"Les Fraissinet, une famille d'armateurs protestants marseillais"
4500:"Thorn EMI Signs Up Slew of British Indies To Production Pacts".
3934:
Gary Arnold. (15 July 1970). "Spectrum Of Interest: Film Notes".
2275:
2002:
1829:
Lumiere Pictures and Television/UGC DA/Canal+ Image International
1800:, while Columbia still remained indebted to releasing WEG films.
1699:. In February 1987, WEG received $ 461 million in financing from
428:
1871:
formerly handled distribution of StudioCanal titles through the
6604:
6542:
5857:
5852:
5821:
5803:
5798:
4869:"WEEKEND BOX OFFICE : Freddy Shreds the Movie Competition"
4483:"Thorn EMI Inks France's AAA To 20-Pic Exclusive Output Deal".
1707:
and others in the form of securities, bank loans and advances.
485:' shares in ABPC the previous year. At the time ABPC owned 270
356:
201:
189:
6346:
5723:
5351:
5346:
5165:"Cold Streaks: The Studio Stewardship of Bryan Forbes at EMI"
5131:
National Heroes: British Cinema in the Seventies and Eighties
857:
a post-apocalyptic story from Richard Condon. He turned down
455:
ended up purchasing the studio as well, but later sold it to
197:
4379:"EMI Sues UA Over 'War Games' Distrib Rights, Territories".
2889:(December 1982) – with Brooksfilms, distributed by Universal
1614:
elected to dissolve the U.S. partnership by mutual consent.
871:
In April 1970, EMI struck up a co-production agreement with
637:
from a script by Julian Bond based on a story by Roger Moore
6359:
3476:
Pearson, Kenneth (13 April 1969). "The Great Film Gamble".
3175:(1988): first original production, grossed only $ 7 million
2968:(November 1984) - distributed by The Samuel Goldwyn Company
2488:
1810:
In August 1998, a jury verdict for $ 7 million was lost by
490:
5189:
4625:
4609:"British Lion Subsid of TESE Sold Off To Former Staffer".
4532:"EMI & Universal To Dissolve U.S. Distribution Pact".
4084:. London. p. 3 – via The Times Digital Archive.
3480:. p. 53 – via The Sunday Times Digital Archive.
2929:(May 1983) – with Universal, distributed by AFD, Universal
231:
Christine Ghazarian (Head of Overseas Sales, Paris Office)
6589:
3954:"Women in British Cinema: Mad, Bad and Dangerous to Know"
3192:
2960:(August 1984) - with Kings Road, distributed by Universal
2833:(October 1980) – with Robert Stigwood, distributed by AFD
1767:
in August; it grossed $ 1.6 million the opening weekend.
478:
405:
260:
4457:"Thorn And Gladden Profess Ignorance of Revised Terms".
1322:
In March 1980, EMI were only making one film in Britain
1244:
Spikings announced a slate of films under his auspices:
875:. The Hollywood studio announced they would sell their
631:
a musical about Dr Barnardo with music by Michael Lewis
3346:"Lumiere sets its sights on H'wood, seeks cash allies"
2679:
Can You Hear the Laughter? The Story of Freddie Prinze
1606:
On 20 August 1985, Thorn EMI Screen Entertainment and
1141:(all 1978). They also made three British-based films,
932:. This wing of the company had released films such as
663:
starring Carol White and Malcolm McDowell (never made)
3870:
Pearson, Kenneth (4 April 1971). "News in the Arts".
3068:
Interstella 5555: The 5tory of the 5ecret 5tar 5ystem
1478:
In January 1983, Barry Spikings left the company and
1239:
756:, over the artistic and commercial value of director
2825:(October 1980) – with Orion – distributed by Warners
2801:(July 1979) – with British Lion – distributed by AFD
1102:
6395:
Messner Vetere Berger McNamee Schmetterer/Euro RSCG
3183:(1988): $ 26 million budget, grossed $ 13.8 million
2976:(December 1984) - with HBO, distributed by Columbia
1511:On 1 March 1983, EMI Films filed a lawsuit against
5088:
4165:
3422:
3420:
3418:
3156:
2183:(1971) (AE) – produced by Kanter, Ladd and Kastner
863:(1970) because its projected budget was too high.
4649:"COMPANY NEWS; Cannon Will Sell Home Video Stake"
4016:"'Murder on the Orient Express' tops US charts".
3956:. London & New York: Continuum. p. 128.
669:from the novel by Stanley Winchester (never made)
6686:
4788:
4745:"Weintraub Entertainment and RSO reached a pact"
3869:
3696:"EMI puts faith and £15 million into filmmaking"
3634:"BRYAN FORBES INTERVIEW at ABPC ELSTREE STUDIOS"
3475:
2937:(May 1983, produced in 1981) - distributed by WB
1821:, while the television rights are controlled by
1687:
1099:Cohen resigned as chairman on 31 December 1977.
708:a film directed by John Schlesinger (never made)
6775:Film production companies of the United Kingdom
4972:"Bear Stearns Misled Its Investors, Jury Finds"
3746:
3560:"Britain steps back into cinema's big league".
3415:
2441:
1307:, his brother. EMI's film division was renamed
547:(with Peter Sellers, directed by Alvin Rakoff),
4789:Knoedelseder Jr., William K. (7 August 1987).
4516:
4363:
4322:
4292:
4180:Deeley in his memoirs says the sixth film was
4150:
4139:
3919:""MGM to Close, Down English Film Facility"".
3592:"British finance backs plans for 15 new films"
3024:(March 1986) - distributed by 20th Century-Fox
887:and EMI-produced films in the United Kingdom.
5750:
5205:
4791:"Cannon Group Loses $ 9.9 Million in Quarter"
4628:"Cannon Group Loses $ 9.9 Million in Quarter"
4549:Lambert, Verity; Hughes, Scott (5 May 1997).
4548:
4441:
4277:
4094:
3893:, Basingstoke: Palgrave Macmillan, 2013, p.47
3811:Never apologise : the collected writings
3574:
3535:
1789:, Sony/Columbia traded its 15% share in WEG.
1777:In 1989, as a result of Sony/Columbia hiring
1398:, featuring an initial line-up of 14 titles (
1159:(1978). Films announced but not made include
473:The company was formed after the takeover of
468:
4843:"Weintraub Taps Rosenzweig as TV Unit Chief"
4682:"HBO said it is buying out HBO/Cannon Video"
4626:WILLIAM K. KNOEDELSEDER JR (7 August 1987).
3947:
3945:
3933:
3907:British Film Studios: An Illustrated History
3742:
3740:
3454:British Film Studios: An Illustrated History
3323:. University Press of Kentucky. p. 56.
6765:Mass media companies disestablished in 2000
5089:James, Alison; Dawtrey, Adam (7 May 2006).
4551:"CV; Verity Lambert Founder, Cinema Verity"
4109:
3883:
3881:
3658:
2992:(June 1985) - distributed by Orion Classics
1744:. However, the studio dropped the project.
998:The greatest success of Cohen's regime was
705:a film starring Julie Christie (never made)
675:from a novel by James Barlow - this became
439:'s acquisition of European cinema operator
60:Lumiere Pictures and Television (1992–1996)
5757:
5743:
5212:
5198:
3951:
3398:"Lumiere reorganizes sales, biz divisions"
3259:"Lumiere reorganizes sales, biz divisions"
2952:(December 1983) - distributed by Universal
2897:(February 1983) – distributed by Universal
643:directed by Frank Nesbitt with John Mills,
56:Thorn EMI Screen Entertainment (1979–1986)
27:British-French film studio and distributor
4894:"Harry Usher Joins Executive Search Firm"
3942:
3901:
3899:
3737:
3676:"8 new British films are in the pipeline"
3622:. No. 38.4 (Fall 1969). p. 181.
3589:
3521:"Shot in Arm for British Film Industry".
3016:(October 1985) - distributed by Universal
3008:(October 1985) - distributed by Universal
3000:(October 1985) - distributed by Universal
702:from Simon Gray's stage play (never made)
690:from a novel by Susan Baratt (never made)
501:at Shenley Road, and had recently bought
227:Chris Cary (Head of Business Development)
6760:Mass media companies established in 1969
6755:British companies disestablished in 2000
4840:
4816:"Usher Named Division Head at Weintraub"
4769:
4395:
3878:
3807:
3729:"Forbes Quits as Elstree's Film Chief".
3506:"ECONOMY: Ease the squeeze now please".
3369:
3343:
3167:(1988): distribution rights, $ 3 million
3134:TESE = as Thorn EMI Screen Entertainment
2489:Michael Deeley and Barry Spikings regime
2452:(December 1976) - also with British Lion
2010:
6735:French companies disestablished in 2000
4996:
4591:
4575:"Several Offers But No TESE Sale Yet".
4236:
4055:
3977:"EMI faces the music Braham, Michael".
3693:
3320:Columbia Pictures: Portrait of a Studio
3040:(March 1986) - distributed by Universal
3032:(March 1986) - distributed by Universal
2984:(March 1985) - distributed by Universal
2905:(March 1983) – distributed by Universal
2607:One in a Million: The Ron LeFlore Story
913:. Of these only the last was not made.
416:, and the later company as part of the
58:Cannon Screen Entertainment (1986–1988)
52:Anglo-EMI Film Distributors (1971–1973)
14:
6687:
4944:
4918:
4866:
4717:
4713:
4711:
4709:
4707:
4705:
4703:
4398:"HBO, Thorn EMI Team in Video Venture"
4312:. London. 2 February 1981. p. 11.
4133:
4088:
3896:
3781:
3451:
3395:
3312:
3310:
3256:
3088:Associated British Picture Corporation
2120:
1657:, of Britannic Film & Television.
1111:and the two men who ran British Lion,
475:Associated British Picture Corporation
6750:British companies established in 1969
5738:
5193:
4919:Cieply, Michael (14 September 1990).
4510:
3840:British Entertainment History Project
3788:British Entertainment History Project
3775:
3456:. London: B. T. Batsford. p. 75.
3283:
3281:
3279:
2913:(Mar 1983) – distributed by Universal
2268:Never Mind the Quality Feel the Width
1192:played himself in the last of these.
598:directed by John Bryson (unproduced),
6730:French companies established in 1992
6667:
5162:
4772:"Is It Time Now to Cry for 'Evita'?"
4770:Greeberg, James (19 November 1989).
4193:
3694:Shamoon, Stella (26 November 1969).
3673:
3564:. London. 13 August 1969. p. 5.
3316:
2857:(December 1980) – distributed by AFD
2849:(December 1980) – distributed by AFD
821:Editor Teddy Darvas later observed:
451:in Hertfordshire, England; in turn,
235:Martin Bigham (Technical Operations)
6710:Film production companies of France
5764:
4718:Cieply, Michael (11 January 1989).
4700:
4615:. 11 December 1985. pp. 3, 26.
3753:. London: Methuen/BFI. p. 203.
3714:"City comment: Soon the darkness".
3344:Williams, Michael (24 April 1995).
3307:
2941:
2460:(May 1977) – also with British Lion
2191:(1971) (AE) – directed by Ken Loach
1528:; the company then became known as
1107:In May 1976, the company purchased
24:
4900:. ASSOCIATED PRESS. 7 January 1989
4396:Seideman, Tony (1 December 1984).
4129:. London. 19 May 1976. p. 18.
4080:Z (9 July 1975). "News in Brief".
3909:, London: B.T Batsford, 2001, p.76
3674:Owen, Michael (25 November 1969).
3590:Day-Lewis, Sean (13 August 1969).
3372:"Lumiere rocks to French classics"
3370:Hopewell, John (20 October 2012).
3276:
2865:(August 1981) – distributed by AFD
2473:Close Encounters of the Third Kind
1651:British Lion Film Productions Ltd.
1240:Spikings, AFD and Thorn-EMI merger
1173:Close Encounters of the Third Kind
942:, which partly came about through
412:and Anglo-EMI, the division under
225:Alastair Waddell (Chief Executive)
25:
6791:
6745:2000 disestablishments in England
5163:Vagg, Stephen (10 October 2021).
5156:
5091:"Studio Canal moves into Blighty"
4427:"Producer splits cost of films".
4239:"Orion's Star Rises in Hollywood"
4237:Harmetz, Aliean (19 April 1978).
4079:
2921:(Sep 1983) – distributed by Orion
2873:(March 1982) – distributed by AFD
2790:
1792:In September 1990, WEG filed for
1473:
1299:, to distribute films of EMI and
1103:Michael Deeley and Barry Spikings
156:(as a home video label in the UK)
54:EMI Film Distributors (1973–1979)
6725:2000 disestablishments in France
6666:
6655:
6654:
4978:. Bloomberg News. 25 August 1998
4945:Citron, Alan (18 January 1992).
4841:Delugach, Al (1 February 1988).
3750:The Encyclopedia of British Film
3238:Lumière (Brazilian film company)
2817:(June 1980) – distributed by AFD
1371:film). The latter was not made.
1050:film spin offs of the TV series
296:Lumiere Pictures and Television:
233:Alison Trumpy (TV Sales Manager)
5185:Information about their history
5082:
5057:
5019:
4990:
4964:
4938:
4912:
4886:
4867:Voland, John (23 August 1988).
4860:
4834:
4808:
4782:
4763:
4737:
4674:
4641:
4619:
4602:
4585:
4568:
4542:
4525:
4493:
4476:
4467:
4450:
4435:
4420:
4411:
4389:
4372:
4357:
4331:
4316:
4301:
4286:
4271:
4256:
4230:
4215:
4206:
4187:
4174:
4159:
4144:
4118:
4103:
4073:
4064:
4049:
4024:
4009:
3994:
3985:
3970:
3927:
3912:
3863:
3854:
3828:
3801:
3766:
3757:
3722:
3707:
3687:
3667:
3652:
3626:
3611:
3602:
3583:
3568:
3553:
3544:
3529:
3525:. 29 November 1969. p. a9.
3514:
3510:. 30 November 1969. p. 18.
3499:
3484:
3469:
3289:"Cannon sells its Film Library"
2346:Monty Python and the Holy Grail
1891:
1864:with Le Studio Canal+ in 2000.
1311:, to reflect EMI's merger with
1295:Delfont created a new company,
1065:All Things Bright And Beautiful
974:backing any risky productions.
788:(1971) were Forbes' only hits.
684:the story of a penis transplant
567:from a script by Harold Pinter,
481:, following the acquisition of
382:Lumiere Pictures and Television
6740:1969 establishments in England
4637:– via Los Angeles Times.
4581:. 27 November 1985. p. 3.
4194:Vagg, Stephen (14 July 2020).
3981:. 10 October 1971. p. 14.
3460:
3445:
3396:Groves, Don (13 August 1993).
3389:
3363:
3337:
3257:Groves, Don (13 August 1993).
3250:
3191:(1989): a TV movie release on
3075:", a member of the EMI Group")
3044:
2531:(1978) – with 20th Century Fox
2333:(1974) (AE) (Dist by P in USA)
2325:(1974) (AE) (Dist by C in USA)
2108:(1971) (ME) (Dist by C in USA)
1882:
1695:was formed on July 1, 1986 by
1391:had been box-office failures.
1309:Thorn EMI Screen Entertainment
378:Thorn EMI Screen Entertainment
276:Weintraub Entertainment Group:
91:Associated British Productions
13:
1:
6720:1992 establishments in France
6309:LS Travel Retail Asia Pacific
5069:Audiovisual Identity Database
4431:. 10 January 1985. p. 4.
3836:"Interview with Teddy Darvas"
3784:"Interview with Bryan Forbes"
3782:Fowler, Roy (9 August 1994).
3747:Brian McFarlane, ed. (2003).
3733:. 26 March 1971. p. e15.
3243:
3157:Weintraub Entertainment Group
3071:(May 2003) (D) (credited as "
2775:The Legend of Walks Far Woman
2354:All Creatures Great and Small
2311:(1974) (D) (Dist by P in USA)
1867:In the 1990s to early 2000s,
1693:Weintraub Entertainment Group
1688:Weintraub Entertainment Group
1678:Weintraub Entertainment Group
1628:
1428:The Day the Earth Caught Fire
404:. A former subsidiary of the
229:Ralph Kamp (Theatrical Sales)
6299:Lagardère Live Entertainment
5832:Librairie Générale Française
4538:. 21 August 1985. p. 3.
4263:"The man who came to film".
4226:. 26 July 1976. p. f12.
3097:Associated Film Distributors
2719:The Killing of Randy Webster
2551:
2523:(1978) – with United Artists
2442:Co-productions with Columbia
2384:It Shouldn't Happen to a Vet
2330:Murder on the Orient Express
2236:Henry VIII and His Six Wives
2089:
1995:Mr. Forbush and the Penguins
1672:. Bond, in turn, sold it to
1668:) operations to businessman
1612:Associated Film Distribution
1515:, whereas EMI would finance
1297:Associated Film Distribution
1085:with Dick Emery (never made)
1069:It Shouldn't Happen to a Vet
1019:(this later was replaced by
1001:Murder on the Orient Express
923:
743:Mr. Forbush and the Penguins
605:directed by Lionel Jeffries,
463:
256:Cannon Screen Entertainment:
7:
6715:Film distributors of France
6548:Gaiam Vivendi Entertainment
5219:
5119:, Mandarin Paperbacks, 1993
4506:. 7 August 1985. p. 3.
4489:. 17 July 1985. p. 22.
4267:. 18 July 1979. p. 10.
4222:"Gimbel Will Head EMI-TV".
3718:. 8 March 1971. p. 12.
3231:
3122:Orion = co-production with
2703:Sophia Loren: Her Own Story
2026:Blood from the Mummy's Tomb
1979:The Tales of Beatrix Potter
1931:The Man Who Haunted Himself
1440:Sophia Loren: Her Own Story
1313:Thorn Electrical Industries
1233:(1979) and other projects.
807:The Man Who Haunted Himself
731:The Man Who Haunted Himself
694:My Family and Other Animals
556:The Man Who Haunted Himself
237:Jamie Carmichael (TV Sales)
147:; 18 years ago
134:; 24 years ago
106:; 55 years ago
10:
6796:
6705:International sales agents
4385:. 2 March 1983. p. 7.
3808:Anderson, Lindsay (2004).
2567:The Girl Called Hatter Fox
2284:Steptoe and Son Ride Again
1214:EMI backed out of funding
866:
516:appointed writer-director
469:Bryan Forbes and Nat Cohen
370:Canal+ Image International
40:Canal+ Image International
29:
6650:
6446:
6429:
6408:
6345:
6328:
6289:
6237:
6200:
6189:
6155:Weidenfeld & Nicolson
5977:
5959:Black Dog & Leventhal
5866:
5772:
5732:
5690:
5647:
5600:
5562:
5502:
5275:
5266:
5240:
5227:
4463:. 15 May 1985. p. 4.
4125:"Acquisition of B Lion".
3923:. April 1970. p. a6.
3452:Warren, Patricia (2001).
3317:Dick, Bernard F. (1992).
3223:The Gods Must Be Crazy II
3188:The Karen Carpenter Story
3180:My Stepmother Is an Alien
3116:MGM = co-production with
2559:The Amazing Howard Hughes
2539:(1978) (Dist by P in USA)
2515:(1978) (Dist by C in USA)
2499:(1977) (Dist by C in USA)
2223:(1972) (AE) (documentary)
1404:April Wine Live in London
1202:The Amazing Howard Hughes
1195:In July 1976, EMI bought
611:, directed by Paul Watson
505:, a film studio in which
351:
337:
251:
241:
223:Jean Cazes (Chairman/CEO)
217:
207:
185:
171:
160:
128:
118:
100:
86:
76:
66:
44:
6084:Constable & Robinson
5126:, Harrap and Stein, 1974
3149:WB = co-production with
3143:UA = co-production with
3080:AA = co-production with
2778:(May 1982) (filmed 1979)
2042:Straight on Till Morning
1963:A Fine and Private Place
1468:Hemdale Film Corporation
1082:Kind Hearts and Coronets
749:A Fine and Private Place
647:Forbush and the Penguins
621:adaptation of the novel
614:adaptation of the novel
609:A Fine and Private Place
302:Caisse des Depots (54%;)
30:Not to be confused with
3814:. Plexus. p. 381.
3704:(subscription required)
3684:(subscription required)
3550:Walker, 1974, p.426-428
3137:U = co-production with
3128:P = co-production with
3112:Hammer Film Productions
3110:H = co-production with
3101:C = co-production with
3060:It Couldn't Happen Here
2981:Morons from Outer Space
2743:A Piano for Mrs. Cimino
2547:(1978) – with Universal
2220:Afternoon of a Champion
2082:To the Devil a Daughter
1736:as writer/director and
1544:Morons from Outer Space
1499:Morons from Outer Space
1045:To The Devil A Daughter
983:(1974) and a sequel to
940:Hammer Film Productions
785:Tales of Beatrix Potter
447:. EMI Films also owned
388:) was a British-French
300:Independent (1992–1995)
164:Acquired and merged by
48:EMI-Elstree (1969–1970)
6780:The Cannon Group, Inc.
6466:Blizzard Entertainment
6332:Scholastic Corporation
6221:Le Journal du Dimanche
6006:Hodder & Stoughton
5615:Red Production Company
3428:"Vertical integration"
3295:. Reuter. 5 April 1987
2735:The Manions of America
2148:Entertaining Mr Sloane
1432:The Best of Benny Hill
855:The Loud, Loud Silence
849:; a musical about the
833:
819:
594:a film of a script by
489:, a half share in the
271:The Cannon Group, Inc.
6620:Universal Interactive
6600:Universal Music Group
6496:Radical Entertainment
6486:Massive Entertainment
6400:Snyder Communications
6334:in the United States.
6056:John Murray Learning
5253:Arnaud de Puyfontaine
5142:, Orion Books, 2005.
3095:AFD = distributed by
3052:The Manhattan Project
3013:The Holcroft Covenant
2759:Coming Out of the Ice
2711:My Kidnapper, My Love
2434:Welcome to Blood City
2400:Seven Nights in Japan
2338:Sunday in the Country
2011:Hammer co-productions
1939:The Breaking of Bumbo
1915:And Soon the Darkness
1794:Chapter 11 bankruptcy
1709:The Coca-Cola Company
1589:and Chris Chrisafis,
1571:Gladden Entertainment
1562:The Holcroft Covenant
1356:Memoirs of a Survivor
1303:, then controlled by
1038:Seven Nights in Japan
823:
802:
737:The Breaking of Bumbo
725:And Soon the Darkness
635:Question of Innocence
581:The Feathers of Death
571:The Breaking of Bumbo
433:Universal Music Group
309:Euro Clinvest (6.5%;)
280:The Coca-Cola Company
6511:Sierra Entertainment
6065:Michel Thomas Method
6036:Philip Allan Updates
5986:Hachette Children's
5232:List of owned assets
5002:"Statuts mis à jour"
4473:Walker, 1985, p35-36
3579:. London. p. 9.
3540:. London. p. 6.
3207:She's Out of Control
3107:D = distributor only
2814:Can't Stop the Music
2647:Lawman Without a Gun
2631:Lawman Without a Gun
2512:Warlords of Atlantis
2429:(1977) (documentary)
2196:Up the Chastity Belt
2140:Spring and Port Wine
2074:Holiday on the Buses
1955:Spring and Port Wine
1947:The Railway Children
1647:Heron Communications
1452:Queen: Greatest Flix
1412:Can't Stop the Music
1378:Can't Stop the Music
1150:Warlords of Atlantis
980:Swallows and Amazons
877:Borehamwood facility
779:The Railway Children
623:Candidate of Promise
603:The Railway Children
585:Richard Attenborough
551:And Now the Darkness
509:had been a partner.
6563:Knowledge Adventure
6456:Activision Blizzard
6114:Cassell Illustrated
5898:Little, Brown Spark
5882:Hachette Nashville
5136:Walker, Alexander,
5129:Walker, Alexander,
5122:Walker, Alexander,
4058:The Daily Telegraph
3952:Sue Harper (2000).
3936:The Washington Post
3763:Walker, 1985, p 114
3700:The Daily Telegraph
3640:on 24 December 2015
3596:The Daily Telegraph
3215:Troop Beverly Hills
3118:Metro-Goldwyn-Mayer
3086:ABPC = produced by
2965:Not for Publication
2751:A Question of Honor
2655:The Cracker Factory
2481:The Cheap Detective
2292:The Final Programme
2121:Nat Cohen/Anglo-EMI
2034:Mutiny on the Buses
1747:WEG purchased from
1530:Thorn EMI/HBO Video
989:(1966) released as
946:'s friendship with
873:Metro-Goldwyn-Mayer
746:(1971) flopped and
673:The Burden of Proof
616:The Bitter Lollipop
435:and parent company
410:Metro-Goldwyn-Mayer
372:(formerly known as
50:MGM-EMI (1970–1973)
41:
6583:Universal Pictures
6430:Equity investments
6320:Paradies Lagardère
5809:Gautier-Languereau
5630:Tandem Productions
5258:Pierre Rodocanachi
5065:"Lumiere Pictures"
4776:The New York Times
4653:The New York Times
4243:The New York Times
4184:. See Deeley p 134
4153:The New York Times
3618:"In the Picture".
3491:"BUSINESS diary".
3130:Paramount Pictures
2973:A Passage to India
2878:Britannia Hospital
2870:Evil Under the Sun
2862:Honky Tonk Freeway
2854:The Mirror Crack'd
2695:The Dances Goes On
2363:(1976) (abandoned)
2066:Love Thy Neighbour
2050:Demons of the Mind
1966:(1970) (abandoned)
1823:Paramount Pictures
1608:Universal Pictures
1538:A Passage to India
1383:Honky Tonk Freeway
1350:Honky Tonk Freeway
1325:The Mirror Crack'd
1263:Honky Tonk Freeway
1109:British Lion Films
1017:Evil Under The Sun
845:to be directed by
774:Long Ago, Tomorrow
734:(starring Moore).
477:(ABPC) in 1969 by
283:US Tobacco Company
62:UGC DA (1996–1997)
39:
6682:
6681:
6339:
6338:
6314:Virgin Megastores
6285:
6284:
6185:
6184:
6025:Hodder Education
5648:Vivendi Ticketing
5643:
5642:
5487:Nollywood TV Epic
5459:CStar Hits France
5449:Planète+ Aventure
5292:Canal+ (provider)
5149:978-0-7528-6484-6
5124:Hollywood England
4976:Los Angeles Times
4925:Los Angeles Times
4898:Los Angeles Times
4873:Los Angeles Times
4847:Los Angeles Times
4820:Los Angeles Times
4795:Los Angeles Times
4749:Los Angeles Times
4724:Los Angeles Times
4686:Los Angeles Times
4345:. 6 November 2013
4280:Los Angeles Times
4224:Los Angeles Times
4182:Arabian Adventure
4168:Los Angeles Times
4097:Los Angeles Times
4070:Walker, 1985 p141
4001:"News in Brief".
3921:Los Angeles Times
3821:978-0-85965-317-6
3731:Los Angeles Times
3661:Los Angeles Times
3523:Los Angeles Times
3293:New Straits Times
3103:Columbia Pictures
3092:AE = as Anglo-EMI
3082:Anglo-Amalgamated
2798:Arabian Adventure
2536:Death on the Nile
2427:Twenty Five Years
1877:Optimum Releasing
1869:Warner Home Video
1760:Barney Rosenzweig
1758:In January 1988,
1701:Columbia Pictures
1448:The Royal Wedding
1420:Death on the Nile
1388:Raise the Titanic
1342:Frederick Forsyth
1268:Franco Zeffirelli
1230:Arabian Adventure
1144:Death on the Nile
1021:Death on the Nile
881:film distribution
809:(Roger Moore) or
629:The Barnardo Boys
601:an adaptation of
577:and Andrew Mollo,
503:Anglo-Amalgamated
495:Thames Television
367:
366:
323:(3.5%; 1995–1996)
286:Columbia Pictures
95:Anglo-Amalgamated
16:(Redirected from
6787:
6670:
6669:
6658:
6657:
6471:Budcat Creations
6370:Euro RSCG London
6355:Arnold Worldwide
6198:
6197:
6135:Mitchell Beazley
5902:Mulholland Books
5864:
5863:
5759:
5752:
5745:
5736:
5735:
5665:See Tickets USA
5657:Vivendi Village
5369:MultiThématiques
5312:Canal+ Sport 360
5273:
5272:
5214:
5207:
5200:
5191:
5190:
5176:Official history
5172:
5169:Filmink Magazine
5108:
5107:
5105:
5103:
5086:
5080:
5079:
5077:
5075:
5061:
5055:
5054:
5052:
5050:
5023:
5017:
5016:
5014:
5012:
4994:
4988:
4987:
4985:
4983:
4968:
4962:
4961:
4959:
4957:
4942:
4936:
4935:
4933:
4931:
4916:
4910:
4909:
4907:
4905:
4890:
4884:
4883:
4881:
4879:
4864:
4858:
4857:
4855:
4853:
4838:
4832:
4831:
4829:
4827:
4812:
4806:
4805:
4803:
4801:
4786:
4780:
4779:
4767:
4761:
4760:
4758:
4756:
4741:
4735:
4734:
4732:
4730:
4715:
4698:
4697:
4695:
4693:
4678:
4672:
4671:
4669:
4667:
4655:. 7 April 1987.
4645:
4639:
4638:
4636:
4634:
4623:
4617:
4616:
4606:
4600:
4599:
4598:. pp. 3, 7.
4589:
4583:
4582:
4572:
4566:
4565:
4563:
4561:
4546:
4540:
4539:
4529:
4523:
4522:
4514:
4508:
4507:
4497:
4491:
4490:
4480:
4474:
4471:
4465:
4464:
4454:
4448:
4447:
4439:
4433:
4432:
4424:
4418:
4417:Walker 1985 p286
4415:
4409:
4408:
4402:
4393:
4387:
4386:
4376:
4370:
4369:
4361:
4355:
4354:
4352:
4350:
4335:
4329:
4328:
4320:
4314:
4313:
4308:"Orange order".
4305:
4299:
4298:
4290:
4284:
4283:
4275:
4269:
4268:
4260:
4254:
4253:
4251:
4249:
4234:
4228:
4227:
4219:
4213:
4210:
4204:
4203:
4191:
4185:
4178:
4172:
4171:
4163:
4157:
4156:
4148:
4142:
4141:
4137:
4131:
4130:
4122:
4116:
4115:
4107:
4101:
4100:
4092:
4086:
4085:
4077:
4071:
4068:
4062:
4061:
4053:
4047:
4046:
4044:
4042:
4028:
4022:
4021:
4013:
4007:
4006:
3998:
3992:
3989:
3983:
3982:
3974:
3968:
3967:
3949:
3940:
3939:
3931:
3925:
3924:
3916:
3910:
3905:Patricia Warren
3903:
3894:
3885:
3876:
3875:
3867:
3861:
3858:
3852:
3851:
3849:
3847:
3832:
3826:
3825:
3805:
3799:
3798:
3796:
3794:
3779:
3773:
3770:
3764:
3761:
3755:
3754:
3744:
3735:
3734:
3726:
3720:
3719:
3711:
3705:
3703:
3691:
3685:
3683:
3680:Evening Standard
3671:
3665:
3664:
3656:
3650:
3649:
3647:
3645:
3636:. Archived from
3630:
3624:
3623:
3615:
3609:
3606:
3600:
3599:
3587:
3581:
3580:
3572:
3566:
3565:
3557:
3551:
3548:
3542:
3541:
3533:
3527:
3526:
3518:
3512:
3511:
3503:
3497:
3496:
3488:
3482:
3481:
3473:
3467:
3464:
3458:
3457:
3449:
3443:
3442:
3440:
3438:
3424:
3413:
3412:
3410:
3408:
3393:
3387:
3386:
3384:
3382:
3367:
3361:
3360:
3358:
3356:
3341:
3335:
3334:
3314:
3305:
3304:
3302:
3300:
3285:
3274:
3273:
3271:
3269:
3254:
2989:Restless Natives
2918:Strange Invaders
2838:The Elephant Man
2806:The Crown Prince
2767:Deadly Encounter
2682:(September 1979)
2671:Survival of Dana
2666:(September 1979)
2610:(September 1978)
2575:Special Olympics
2085:(March 1976) (H)
1749:The Cannon Group
1682:HBO/Cannon Video
1674:The Cannon Group
1464:Carolco Pictures
1436:Scars of Dracula
1257:The Elephant Man
1067:(later retitled
1029:(later retitled
1027:Sergeant Steiner
740:(all 1970), and
625:by Dennis Barker
587:from a story by
398:animation studio
363:
360:
358:
344:France Animation
293:(15%; 1989–1990)
288:(15%; 1987–1989)
155:
153:
148:
142:
140:
135:
114:
112:
107:
42:
38:
21:
6795:
6794:
6790:
6789:
6788:
6786:
6785:
6784:
6685:
6684:
6683:
6678:
6646:
6615:Fox Interactive
6523:Animation Magic
6448:
6442:
6425:
6404:
6341:
6340:
6335:
6324:
6291:
6281:
6233:
6203:
6192:
6181:
5973:
5869:
5862:
5779:
5775:
5768:
5766:Lagardère Group
5763:
5728:
5686:
5639:
5635:Dutch FilmWorks
5596:
5558:
5504:
5498:
5279:
5262:
5248:Vincent Bolloré
5236:
5223:
5218:
5180:current version
5159:
5150:
5115:Forbes, Bryan,
5112:
5111:
5101:
5099:
5087:
5083:
5073:
5071:
5063:
5062:
5058:
5048:
5046:
5024:
5020:
5010:
5008:
4995:
4991:
4981:
4979:
4970:
4969:
4965:
4955:
4953:
4943:
4939:
4929:
4927:
4917:
4913:
4903:
4901:
4892:
4891:
4887:
4877:
4875:
4865:
4861:
4851:
4849:
4839:
4835:
4825:
4823:
4814:
4813:
4809:
4799:
4797:
4787:
4783:
4768:
4764:
4754:
4752:
4751:. 27 March 1987
4743:
4742:
4738:
4728:
4726:
4716:
4701:
4691:
4689:
4680:
4679:
4675:
4665:
4663:
4647:
4646:
4642:
4632:
4630:
4624:
4620:
4608:
4607:
4603:
4590:
4586:
4574:
4573:
4569:
4559:
4557:
4555:The Independent
4547:
4543:
4531:
4530:
4526:
4515:
4511:
4499:
4498:
4494:
4482:
4481:
4477:
4472:
4468:
4456:
4455:
4451:
4440:
4436:
4426:
4425:
4421:
4416:
4412:
4400:
4394:
4390:
4378:
4377:
4373:
4362:
4358:
4348:
4346:
4337:
4336:
4332:
4321:
4317:
4307:
4306:
4302:
4291:
4287:
4276:
4272:
4262:
4261:
4257:
4247:
4245:
4235:
4231:
4221:
4220:
4216:
4211:
4207:
4192:
4188:
4179:
4175:
4164:
4160:
4149:
4145:
4138:
4134:
4124:
4123:
4119:
4108:
4104:
4093:
4089:
4078:
4074:
4069:
4065:
4054:
4050:
4040:
4038:
4030:
4029:
4025:
4015:
4014:
4010:
4000:
3999:
3995:
3990:
3986:
3976:
3975:
3971:
3964:
3950:
3943:
3932:
3928:
3918:
3917:
3913:
3904:
3897:
3886:
3879:
3868:
3864:
3859:
3855:
3845:
3843:
3834:
3833:
3829:
3822:
3806:
3802:
3792:
3790:
3780:
3776:
3771:
3767:
3762:
3758:
3745:
3738:
3728:
3727:
3723:
3713:
3712:
3708:
3692:
3688:
3672:
3668:
3657:
3653:
3643:
3641:
3632:
3631:
3627:
3620:Sight and Sound
3617:
3616:
3612:
3607:
3603:
3588:
3584:
3573:
3569:
3559:
3558:
3554:
3549:
3545:
3534:
3530:
3520:
3519:
3515:
3505:
3504:
3500:
3490:
3489:
3485:
3474:
3470:
3465:
3461:
3450:
3446:
3436:
3434:
3426:
3425:
3416:
3406:
3404:
3394:
3390:
3380:
3378:
3368:
3364:
3354:
3352:
3342:
3338:
3331:
3315:
3308:
3298:
3296:
3287:
3286:
3277:
3267:
3265:
3255:
3251:
3246:
3234:
3229:
3159:
3047:
2957:Comfort and Joy
2944:
2894:Second Thoughts
2846:The Jazz Singer
2793:
2746:(February 1982)
2714:(December 1980)
2690:(December 1979)
2634:(December 1978)
2626:(December 1978)
2618:(November 1978)
2599:Just Me and You
2594:(February 1978)
2591:Deadman's Curve
2578:(February 1978)
2554:
2544:The Deer Hunter
2491:
2476:(November 1977)
2444:
2368:The Likely Lads
2361:Trick or Treat?
2260:Fear Is the Key
2204:Steptoe and Son
2123:
2092:
2077:(December 1973)
2053:(November 1972)
2013:
1971:The Raging Moon
1894:
1885:
1831:
1774:participating.
1772:Crédit Lyonnais
1724:Robert Stigwood
1717:Bank of America
1697:Jerry Weintraub
1690:
1664:), and cinema (
1662:Thorn EMI Video
1631:
1579:Richard Goodwin
1489:Comfort and Joy
1476:
1456:New Line Cinema
1400:The Tubes Video
1396:Thorn EMI Video
1247:The Jazz Singer
1242:
1208:Deadman's Curve
1126:The Deer Hunter
1105:
1059:The Likely Lads
944:Bernard Delfont
926:
869:
838:The Living Room
815:The Raging Moon
769:The Raging Moon
514:Bernard Delfont
499:Elstree Studios
471:
466:
449:Elstree Studios
355:
346:
329:
324:
319:
317:
315:
310:
308:
305:Credit Lyonnais
303:
301:
298:
294:
289:
284:
282:
278:
274:
269:
264:
258:
246:Motion pictures
236:
234:
232:
230:
228:
226:
224:
220:
210:
196:
178:
151:
149:
146:
144:
138:
136:
133:
110:
108:
105:
93:
61:
59:
57:
55:
53:
51:
49:
35:
28:
23:
22:
15:
12:
11:
5:
6793:
6783:
6782:
6777:
6772:
6767:
6762:
6757:
6752:
6747:
6742:
6737:
6732:
6727:
6722:
6717:
6712:
6707:
6702:
6697:
6680:
6679:
6677:
6676:
6664:
6651:
6648:
6647:
6645:
6644:
6639:
6634:
6629:
6624:
6623:
6622:
6617:
6607:
6602:
6597:
6592:
6587:
6586:
6585:
6580:
6578:Rogue Pictures
6570:
6565:
6560:
6555:
6550:
6545:
6540:
6535:
6530:
6525:
6520:
6519:
6518:
6513:
6508:
6503:
6498:
6493:
6488:
6483:
6478:
6473:
6468:
6463:
6452:
6450:
6447:Defunct/former
6444:
6443:
6441:
6440:
6437:Telecom Italia
6433:
6431:
6427:
6426:
6424:
6423:
6418:
6412:
6410:
6406:
6405:
6403:
6402:
6397:
6392:
6387:
6382:
6380:Havas Creative
6377:
6372:
6367:
6362:
6357:
6351:
6349:
6343:
6342:
6337:
6336:
6329:
6326:
6325:
6323:
6322:
6317:
6311:
6306:
6301:
6295:
6293:
6287:
6286:
6283:
6282:
6280:
6279:
6274:
6269:
6264:
6258:
6252:
6247:
6241:
6239:
6238:TV & Radio
6235:
6234:
6232:
6231:
6224:
6217:
6208:
6206:
6195:
6187:
6186:
6183:
6182:
6180:
6179:
6177:Hachette India
6174:
6169:
6164:
6163:
6162:
6157:
6147:
6146:
6145:
6142:
6137:
6132:
6127:
6124:
6121:
6119:Conran Octopus
6116:
6108:
6107:
6106:
6101:
6096:
6091:
6086:
6076:
6075:
6074:
6069:
6068:
6067:
6062:
6054:
6044:
6043:
6042:
6040:Teach Yourself
6037:
6034:
6031:
6023:
6022:
6021:
6016:
6013:
6003:
5998:
5997:
5996:
5993:
5992:Franklin Watts
5990:
5983:
5981:
5975:
5974:
5972:
5971:
5965:
5964:
5963:
5962:
5961:
5951:
5946:
5945:
5944:
5937:Hachette Books
5934:
5933:
5932:
5922:
5914:
5909:
5908:
5907:
5904:
5899:
5891:
5890:
5889:
5886:
5880:
5874:
5872:
5861:
5860:
5855:
5850:
5845:
5840:
5835:
5829:
5824:
5819:
5816:
5811:
5806:
5801:
5796:
5791:
5785:
5783:
5781:Hachette Livre
5770:
5769:
5762:
5761:
5754:
5747:
5739:
5733:
5730:
5729:
5727:
5726:
5721:
5716:
5711:
5705:
5703:Femme Actuelle
5700:
5694:
5692:
5688:
5687:
5685:
5684:
5681:
5678:
5675:
5674:
5673:
5672:
5671:
5670:
5669:
5655:
5651:
5649:
5645:
5644:
5641:
5640:
5638:
5637:
5632:
5627:
5625:StudioCanal UK
5622:
5617:
5612:
5606:
5604:
5598:
5597:
5595:
5594:
5589:
5584:
5579:
5574:
5572:Canal Digitaal
5568:
5566:
5560:
5559:
5557:
5556:
5551:
5550:
5549:
5539:
5534:
5529:
5524:
5519:
5514:
5508:
5506:
5500:
5499:
5497:
5496:
5495:
5494:
5489:
5484:
5476:
5471:
5466:
5461:
5456:
5451:
5446:
5444:Planète+ Crime
5441:
5436:
5431:
5426:
5421:
5416:
5411:
5406:
5401:
5396:
5394:Ciné+ Festival
5391:
5386:
5381:
5376:
5371:
5366:
5360:
5354:
5349:
5344:
5339:
5334:
5329:
5324:
5319:
5314:
5309:
5304:
5299:
5294:
5289:
5283:
5281:
5270:
5264:
5263:
5261:
5260:
5255:
5250:
5244:
5242:
5238:
5237:
5235:
5234:
5228:
5225:
5224:
5217:
5216:
5209:
5202:
5194:
5188:
5187:
5182:
5173:
5158:
5157:External links
5155:
5154:
5153:
5148:
5134:
5133:, Harrap, 1985
5127:
5120:
5117:A Divided Life
5110:
5109:
5081:
5056:
5018:
4989:
4963:
4937:
4911:
4885:
4859:
4833:
4822:. 12 July 1987
4807:
4781:
4762:
4736:
4699:
4688:. 7 April 1987
4673:
4640:
4618:
4601:
4584:
4567:
4541:
4524:
4509:
4492:
4475:
4466:
4449:
4434:
4419:
4410:
4388:
4371:
4356:
4330:
4315:
4300:
4285:
4282:. p. b11.
4270:
4255:
4229:
4214:
4205:
4186:
4173:
4158:
4143:
4132:
4117:
4102:
4099:. p. c11.
4087:
4072:
4063:
4048:
4023:
4008:
3993:
3984:
3969:
3962:
3941:
3926:
3911:
3895:
3877:
3862:
3853:
3827:
3820:
3800:
3774:
3765:
3756:
3736:
3721:
3706:
3686:
3666:
3663:. p. d16.
3651:
3625:
3610:
3601:
3582:
3567:
3552:
3543:
3528:
3513:
3498:
3483:
3468:
3459:
3444:
3414:
3388:
3362:
3336:
3329:
3306:
3275:
3248:
3247:
3245:
3242:
3241:
3240:
3233:
3230:
3228:
3227:
3219:
3211:
3203:
3195:
3184:
3176:
3168:
3158:
3155:
3154:
3153:
3147:
3145:United Artists
3141:
3135:
3132:
3126:
3124:Orion Pictures
3120:
3114:
3108:
3105:
3099:
3093:
3090:
3084:
3077:
3076:
3064:
3056:
3046:
3043:
3042:
3041:
3033:
3025:
3017:
3009:
3001:
2993:
2985:
2977:
2969:
2961:
2953:
2943:
2942:Verity Lambert
2940:
2939:
2938:
2930:
2922:
2914:
2910:Tender Mercies
2906:
2898:
2890:
2882:
2874:
2866:
2858:
2850:
2842:
2834:
2826:
2818:
2810:
2802:
2792:
2791:Barry Spikings
2789:
2788:
2787:
2779:
2771:
2763:
2755:
2747:
2739:
2731:
2727:Broken Promise
2723:
2715:
2707:
2706:(October 1980)
2699:
2691:
2683:
2675:
2667:
2663:S.O.S. Titanic
2659:
2651:
2643:
2635:
2627:
2619:
2611:
2603:
2595:
2587:
2586:(January 1978)
2579:
2571:
2570:(October 1977)
2563:
2553:
2550:
2549:
2548:
2540:
2532:
2524:
2516:
2508:
2500:
2490:
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2408:
2396:
2388:
2380:
2372:
2364:
2358:
2350:
2342:
2334:
2326:
2318:
2317:(1974) (short)
2312:
2304:
2296:
2288:
2280:
2272:
2264:
2256:
2248:
2240:
2232:
2224:
2216:
2208:
2200:
2192:
2184:
2176:
2168:
2160:
2152:
2144:
2136:
2128:All the Way Up
2122:
2119:
2118:
2117:
2113:The Boy Friend
2109:
2105:The Go-Between
2101:
2091:
2088:
2087:
2086:
2078:
2070:
2062:
2058:Man at the Top
2054:
2046:
2038:
2030:
2029:(October 1971)
2022:
2012:
2009:
2008:
2007:
1999:
1991:
1987:The Go-Between
1983:
1975:
1967:
1959:
1951:
1943:
1935:
1927:
1919:
1911:
1893:
1890:
1889:
1884:
1881:
1830:
1827:
1705:Cineplex Odeon
1689:
1686:
1643:Robert Maxwell
1630:
1627:
1591:Verity Lambert
1513:United Artists
1496:(which became
1494:Illegal Aliens
1480:Verity Lambert
1475:
1474:Verity Lambert
1472:
1460:Orion Pictures
1444:S.O.S. Titanic
1338:Off the Record
1241:
1238:
1225:Orion Pictures
1165:Chinese Bandit
1117:Barry Spikings
1113:Michael Deeley
1104:
1101:
1097:
1096:
1086:
1077:
1072:
1062:
1048:
1041:
1034:
1024:
1014:
948:James Carreras
925:
922:
893:The Go-Between
868:
865:
847:Michael Powell
841:, the play by
763:The Go-Between
710:
709:
706:
703:
697:
691:
685:
679:
670:
664:
651:
650:
644:
638:
632:
626:
619:
618:by John Quigly
612:
606:
599:
596:Richard Condon
592:
578:
575:Kevin Brownlow
568:
561:The Go-Between
558:
553:
548:
470:
467:
465:
462:
429:sister company
365:
364:
353:
349:
348:
341:
335:
334:
312:France Telecom
253:
249:
248:
243:
239:
238:
221:
218:
215:
214:
211:
208:
205:
204:
194:United Kingdom
187:
183:
182:
180:StudioCanal UK
173:
169:
168:
162:
158:
157:
143:(as a company)
130:
126:
125:
120:
116:
115:
102:
98:
97:
88:
84:
83:
78:
74:
73:
68:
64:
63:
46:
26:
9:
6:
4:
3:
2:
6792:
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6726:
6723:
6721:
6718:
6716:
6713:
6711:
6708:
6706:
6703:
6701:
6700:Groupe Canal+
6698:
6696:
6693:
6692:
6690:
6675:
6674:
6665:
6663:
6662:
6653:
6652:
6649:
6643:
6640:
6638:
6635:
6633:
6632:Ciné+ Premier
6630:
6628:
6625:
6621:
6618:
6616:
6613:
6612:
6611:
6610:Vivendi Games
6608:
6606:
6603:
6601:
6598:
6596:
6593:
6591:
6588:
6584:
6581:
6579:
6576:
6575:
6574:
6571:
6569:
6568:Maroc Telecom
6566:
6564:
6561:
6559:
6556:
6554:
6551:
6549:
6546:
6544:
6541:
6539:
6536:
6534:
6533:Canal+ Family
6531:
6529:
6528:Banijay Group
6526:
6524:
6521:
6517:
6514:
6512:
6509:
6507:
6504:
6502:
6499:
6497:
6494:
6492:
6489:
6487:
6484:
6482:
6479:
6477:
6476:Infinity Ward
6474:
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6105:
6102:
6100:
6097:
6095:
6092:
6090:
6087:
6085:
6082:
6081:
6080:
6079:Little, Brown
6077:
6073:
6070:
6066:
6063:
6061:
6058:
6057:
6055:
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6020:
6017:
6014:
6012:
6009:
6008:
6007:
6004:
6002:
5999:
5994:
5991:
5989:Orchard Books
5988:
5987:
5985:
5984:
5982:
5980:
5976:
5969:
5966:
5960:
5957:
5956:
5955:
5954:Running Press
5952:
5950:
5949:PublicAffairs
5947:
5943:
5940:
5939:
5938:
5935:
5931:
5928:
5927:
5926:
5923:
5921:Avalon Travel
5920:
5919:
5918:
5915:
5913:
5910:
5905:
5903:
5900:
5897:
5896:
5895:
5894:Little, Brown
5892:
5887:
5885:Center Street
5884:
5883:
5881:
5879:
5878:Grand Central
5876:
5875:
5873:
5871:
5865:
5859:
5856:
5854:
5851:
5849:
5846:
5844:
5841:
5839:
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5833:
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5823:
5820:
5817:
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5807:
5805:
5802:
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5797:
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5792:
5790:
5787:
5786:
5784:
5782:
5777:
5771:
5767:
5760:
5755:
5753:
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5737:
5731:
5725:
5722:
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5712:
5709:
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5699:
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5663:
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5650:
5646:
5636:
5633:
5631:
5628:
5626:
5623:
5621:
5618:
5616:
5613:
5611:
5608:
5607:
5605:
5603:
5599:
5593:
5592:TV Vlaanderen
5590:
5588:
5585:
5583:
5580:
5578:
5575:
5573:
5570:
5569:
5567:
5565:
5561:
5555:
5552:
5548:
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5540:
5538:
5535:
5533:
5530:
5528:
5525:
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5515:
5513:
5510:
5509:
5507:
5501:
5493:
5490:
5488:
5485:
5483:
5480:
5479:
5477:
5475:
5472:
5470:
5467:
5465:
5462:
5460:
5457:
5455:
5452:
5450:
5447:
5445:
5442:
5440:
5437:
5435:
5432:
5430:
5427:
5425:
5422:
5420:
5417:
5415:
5412:
5410:
5407:
5405:
5402:
5400:
5399:Ciné+ Classic
5397:
5395:
5392:
5390:
5387:
5385:
5384:Ciné+ Émotion
5382:
5380:
5379:Ciné+ Frisson
5377:
5375:
5372:
5370:
5367:
5364:
5363:Mezzo Live HD
5361:
5358:
5355:
5353:
5350:
5348:
5345:
5343:
5340:
5338:
5335:
5333:
5332:Canal+ Cinéma
5330:
5328:
5327:Canal+ Séries
5325:
5323:
5320:
5318:
5315:
5313:
5310:
5308:
5305:
5303:
5300:
5298:
5295:
5293:
5290:
5288:
5285:
5284:
5282:
5278:
5274:
5271:
5269:
5268:Groupe Canal+
5265:
5259:
5256:
5254:
5251:
5249:
5246:
5245:
5243:
5239:
5233:
5230:
5229:
5226:
5222:
5215:
5210:
5208:
5203:
5201:
5196:
5195:
5192:
5186:
5183:
5181:
5177:
5174:
5170:
5166:
5161:
5160:
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5145:
5141:
5140:
5135:
5132:
5128:
5125:
5121:
5118:
5114:
5113:
5098:
5097:
5092:
5085:
5070:
5066:
5060:
5045:
5041:
5037:
5033:
5029:
5022:
5007:
5003:
4999:
4993:
4977:
4973:
4967:
4952:
4948:
4941:
4926:
4922:
4915:
4899:
4895:
4889:
4874:
4870:
4863:
4848:
4844:
4837:
4821:
4817:
4811:
4796:
4792:
4785:
4777:
4773:
4766:
4750:
4746:
4740:
4725:
4721:
4714:
4712:
4710:
4708:
4706:
4704:
4687:
4683:
4677:
4662:
4658:
4654:
4650:
4644:
4629:
4622:
4614:
4613:
4605:
4597:
4596:
4588:
4580:
4579:
4571:
4556:
4552:
4545:
4537:
4536:
4528:
4521:. p. 11.
4520:
4513:
4505:
4504:
4496:
4488:
4487:
4479:
4470:
4462:
4461:
4453:
4446:. p. 24.
4445:
4438:
4430:
4423:
4414:
4406:
4399:
4392:
4384:
4383:
4375:
4368:. p. 13.
4367:
4360:
4344:
4340:
4334:
4326:
4319:
4311:
4304:
4296:
4289:
4281:
4274:
4266:
4259:
4244:
4240:
4233:
4225:
4218:
4209:
4201:
4197:
4190:
4183:
4177:
4170:. p. g1.
4169:
4162:
4155:. p. 34.
4154:
4147:
4136:
4128:
4121:
4113:
4106:
4098:
4091:
4083:
4076:
4067:
4060:. p. 20.
4059:
4052:
4037:
4036:Screen Online
4033:
4027:
4019:
4012:
4004:
3997:
3988:
3980:
3973:
3965:
3963:9781441134981
3959:
3955:
3948:
3946:
3938:. p. B5.
3937:
3930:
3922:
3915:
3908:
3902:
3900:
3892:
3891:
3884:
3882:
3873:
3866:
3860:Forbes, p.102
3857:
3841:
3837:
3831:
3823:
3817:
3813:
3812:
3804:
3789:
3785:
3778:
3772:Forbes, p.108
3769:
3760:
3752:
3751:
3743:
3741:
3732:
3725:
3717:
3710:
3702:. p. 17.
3701:
3697:
3690:
3682:. p. 17.
3681:
3677:
3670:
3662:
3655:
3639:
3635:
3629:
3621:
3614:
3608:Forbes, p.103
3605:
3598:. p. 17.
3597:
3593:
3586:
3578:
3571:
3563:
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3547:
3539:
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3330:9780813132785
3326:
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3321:
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3018:
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3007:
3006:
3005:Wild Geese II
3002:
2999:
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2847:
2843:
2840:
2839:
2835:
2832:
2831:
2827:
2824:
2823:
2822:The Awakening
2819:
2816:
2815:
2811:
2808:
2807:
2803:
2800:
2799:
2795:
2794:
2785:
2784:
2783:Packin' It In
2780:
2777:
2776:
2772:
2769:
2768:
2764:
2761:
2760:
2756:
2753:
2752:
2748:
2745:
2744:
2740:
2737:
2736:
2732:
2729:
2728:
2724:
2721:
2720:
2716:
2713:
2712:
2708:
2705:
2704:
2700:
2697:
2696:
2692:
2689:
2688:
2684:
2681:
2680:
2676:
2673:
2672:
2668:
2665:
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2660:
2657:
2656:
2652:
2649:
2648:
2644:
2641:
2640:
2636:
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2632:
2628:
2625:
2624:
2620:
2617:
2616:
2612:
2609:
2608:
2604:
2601:
2600:
2596:
2593:
2592:
2588:
2585:
2584:
2580:
2577:
2576:
2572:
2569:
2568:
2564:
2561:
2560:
2556:
2555:
2546:
2545:
2541:
2538:
2537:
2533:
2530:
2529:
2525:
2522:
2521:
2517:
2514:
2513:
2509:
2506:
2505:
2501:
2498:
2497:
2493:
2492:
2483:
2482:
2478:
2475:
2474:
2470:
2467:
2466:
2462:
2459:
2458:
2454:
2451:
2450:
2446:
2445:
2436:
2435:
2431:
2428:
2425:
2422:
2421:
2420:Cross of Iron
2417:
2414:
2413:
2409:
2406:
2402:
2401:
2397:
2394:
2393:
2389:
2386:
2385:
2381:
2378:
2377:
2373:
2370:
2369:
2365:
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2359:
2356:
2355:
2351:
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2347:
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2339:
2335:
2332:
2331:
2327:
2324:
2323:
2319:
2316:
2313:
2310:
2309:
2305:
2303:
2301:
2297:
2294:
2293:
2289:
2286:
2285:
2281:
2278:
2277:
2273:
2270:
2269:
2265:
2262:
2261:
2257:
2254:
2253:
2252:Our Miss Fred
2249:
2246:
2245:
2244:Endless Night
2241:
2238:
2237:
2233:
2230:
2229:
2225:
2222:
2221:
2217:
2214:
2213:
2212:I Am a Dancer
2209:
2206:
2205:
2201:
2198:
2197:
2193:
2190:
2189:
2185:
2182:
2181:
2177:
2174:
2173:
2169:
2166:
2165:
2161:
2158:
2157:
2153:
2150:
2149:
2145:
2142:
2141:
2137:
2134:
2130:
2129:
2125:
2124:
2115:
2114:
2110:
2107:
2106:
2102:
2099:
2098:
2094:
2093:
2084:
2083:
2079:
2076:
2075:
2071:
2068:
2067:
2063:
2061:(1973) (AE/H)
2060:
2059:
2055:
2052:
2051:
2047:
2044:
2043:
2039:
2036:
2035:
2031:
2028:
2027:
2023:
2020:
2019:
2015:
2014:
2005:
2004:
2000:
1997:
1996:
1992:
1989:
1988:
1984:
1981:
1980:
1976:
1973:
1972:
1968:
1965:
1964:
1960:
1957:
1956:
1952:
1949:
1948:
1944:
1942:(1970) (ABPC)
1941:
1940:
1936:
1934:(1970) (ABPC)
1933:
1932:
1928:
1926:(1970) (ABPC)
1925:
1924:
1920:
1918:(1970) (ABPC)
1917:
1916:
1912:
1909:
1905:
1901:
1900:
1896:
1895:
1888:
1880:
1878:
1874:
1870:
1865:
1863:
1858:
1854:
1850:
1846:
1842:
1838:
1836:
1826:
1824:
1820:
1815:
1813:
1808:
1806:
1801:
1799:
1795:
1790:
1788:
1784:
1780:
1775:
1773:
1768:
1766:
1761:
1756:
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1750:
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1743:
1739:
1735:
1731:
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1720:
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1702:
1698:
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1663:
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1652:
1648:
1644:
1640:
1636:
1626:
1624:
1620:
1615:
1613:
1609:
1604:
1602:
1598:
1597:
1592:
1588:
1584:
1583:Jeremy Thomas
1580:
1574:
1572:
1566:
1564:
1563:
1558:
1557:
1556:Wild Geese II
1552:
1551:
1546:
1545:
1540:
1539:
1533:
1531:
1527:
1522:
1520:
1519:
1514:
1509:
1507:
1506:
1501:
1500:
1495:
1491:
1490:
1485:
1481:
1471:
1469:
1465:
1461:
1457:
1453:
1449:
1445:
1441:
1437:
1433:
1429:
1425:
1424:The Cruel Sea
1421:
1417:
1413:
1409:
1408:I Am a Dancer
1405:
1401:
1397:
1392:
1390:
1389:
1384:
1380:
1379:
1372:
1370:
1366:
1362:
1358:
1357:
1352:
1351:
1345:
1343:
1339:
1335:
1334:John Mortimer
1331:
1327:
1326:
1320:
1318:
1314:
1310:
1306:
1302:
1298:
1293:
1291:
1287:
1283:
1282:
1281:The Awakening
1277:
1273:
1270:'s biopic of
1269:
1265:
1264:
1260:(both 1980),
1259:
1258:
1253:
1249:
1248:
1237:
1234:
1232:
1231:
1226:
1221:
1219:
1218:
1217:Life of Brian
1212:
1210:
1209:
1204:
1203:
1198:
1193:
1191:
1187:
1186:
1181:
1180:
1175:
1174:
1168:
1166:
1162:
1158:
1157:
1152:
1151:
1146:
1145:
1140:
1139:
1134:
1133:
1128:
1127:
1120:
1118:
1114:
1110:
1100:
1094:
1092:
1091:Nat King Cole
1087:
1084:
1083:
1078:
1076:
1073:
1070:
1066:
1063:
1061:
1060:
1055:
1054:
1049:
1047:
1046:
1042:
1040:
1039:
1035:
1032:
1031:Cross of Iron
1028:
1025:
1022:
1018:
1015:
1013:
1010:
1009:
1008:
1005:
1003:
1002:
996:
994:
993:
992:Alfie Darling
988:
987:
982:
981:
975:
972:
967:
965:
964:
959:
958:
951:
949:
945:
941:
937:
936:
931:
921:
919:
914:
912:
908:
904:
903:The Boyfriend
900:
899:
894:
888:
886:
882:
878:
874:
864:
862:
861:
856:
852:
851:Barnardo Boys
848:
844:
843:Graham Greene
840:
839:
832:
829:
822:
818:
816:
812:
808:
801:
797:
795:
789:
787:
786:
781:
780:
775:
771:
770:
765:
764:
759:
755:
751:
750:
745:
744:
739:
738:
733:
732:
727:
726:
721:
720:
715:
707:
704:
701:
698:
695:
692:
689:
686:
683:
680:
678:
674:
671:
668:
665:
662:
659:
658:
657:
654:
648:
645:
642:
639:
636:
633:
630:
627:
624:
620:
617:
613:
610:
607:
604:
600:
597:
593:
591:(unproduced),
590:
586:
582:
579:
576:
572:
569:
566:
562:
559:
557:
554:
552:
549:
546:
543:
542:
541:
538:
535:
531:
530:Peter Sellers
525:
521:
519:
515:
510:
508:
504:
500:
496:
492:
488:
484:
480:
476:
461:
458:
454:
450:
446:
442:
438:
434:
430:
426:
421:
419:
415:
411:
407:
403:
399:
395:
391:
387:
383:
379:
375:
371:
362:
354:
350:
345:
342:
340:
336:
332:
331:Groupe Canal+
327:
322:
313:
306:
299:
297:
292:
287:
281:
277:
272:
267:
262:
257:
254:
250:
247:
244:
240:
222:
216:
212:
206:
203:
199:
195:
191:
188:
184:
181:
177:
174:
170:
167:
163:
159:
131:
127:
124:
121:
117:
103:
99:
96:
92:
89:
85:
82:
79:
75:
72:
69:
65:
47:
43:
37:
33:
19:
6672:
6660:
6573:NBCUniversal
6409:Other assets
6385:Havas London
6263:(part owner)
6255:Jacaranda FM
6226:
6219:
6211:
6052:Hodder Faith
5794:Calmann-Lévy
5789:Armand Colin
5691:Prisma Media
5505:Poland (51%)
5482:Nollywood TV
5389:Ciné+ Family
5317:Canal+ Sport
5178:(archived);
5168:
5137:
5130:
5123:
5116:
5100:. Retrieved
5094:
5084:
5072:. Retrieved
5068:
5059:
5047:. Retrieved
5035:
5031:
5021:
5009:. Retrieved
5005:
4992:
4980:. Retrieved
4975:
4966:
4954:. Retrieved
4950:
4940:
4928:. Retrieved
4924:
4914:
4902:. Retrieved
4897:
4888:
4876:. Retrieved
4872:
4862:
4850:. Retrieved
4846:
4836:
4824:. Retrieved
4819:
4810:
4798:. Retrieved
4794:
4784:
4775:
4765:
4753:. Retrieved
4748:
4739:
4727:. Retrieved
4723:
4690:. Retrieved
4685:
4676:
4664:. Retrieved
4652:
4643:
4631:. Retrieved
4621:
4610:
4604:
4593:
4587:
4576:
4570:
4558:. Retrieved
4554:
4544:
4533:
4527:
4519:The Guardian
4518:
4512:
4501:
4495:
4484:
4478:
4469:
4458:
4452:
4444:The Guardian
4443:
4437:
4429:The Guardian
4428:
4422:
4413:
4404:
4391:
4380:
4374:
4366:The Guardian
4365:
4359:
4347:. Retrieved
4342:
4333:
4327:. p. 2.
4325:The Guardian
4324:
4318:
4310:The Guardian
4309:
4303:
4297:. p. 2.
4295:The Guardian
4294:
4288:
4279:
4273:
4265:The Guardian
4264:
4258:
4248:19 September
4246:. Retrieved
4242:
4232:
4223:
4217:
4212:Deeley p 134
4208:
4199:
4189:
4181:
4176:
4167:
4161:
4152:
4146:
4135:
4127:The Guardian
4126:
4120:
4114:. p. 8.
4112:The Guardian
4111:
4105:
4096:
4090:
4081:
4075:
4066:
4057:
4051:
4039:. Retrieved
4035:
4026:
4017:
4011:
4002:
3996:
3991:Barber, p.48
3987:
3979:The Observer
3978:
3972:
3935:
3929:
3920:
3914:
3906:
3889:
3887:Sian Barber
3872:Sunday Times
3871:
3865:
3856:
3844:. Retrieved
3839:
3830:
3810:
3803:
3791:. Retrieved
3787:
3777:
3768:
3759:
3749:
3730:
3724:
3716:The Guardian
3715:
3709:
3699:
3689:
3679:
3669:
3660:
3654:
3642:. Retrieved
3638:the original
3628:
3619:
3613:
3604:
3595:
3585:
3577:The Observer
3576:
3570:
3562:The Guardian
3561:
3555:
3546:
3538:The Guardian
3537:
3531:
3522:
3516:
3508:The Observer
3507:
3501:
3492:
3486:
3478:Sunday Times
3477:
3471:
3466:Forbes, p 62
3462:
3453:
3447:
3435:. Retrieved
3431:
3405:. Retrieved
3391:
3379:. Retrieved
3365:
3353:. Retrieved
3339:
3319:
3297:. Retrieved
3292:
3266:. Retrieved
3252:
3221:
3213:
3205:
3199:Listen to Me
3197:
3186:
3178:
3172:Fresh Horses
3170:
3164:The Big Blue
3162:
3151:Warner Bros.
3073:Virgin Music
3066:
3058:
3050:
3035:
3027:
3019:
3011:
3003:
2995:
2987:
2979:
2971:
2963:
2955:
2947:
2932:
2924:
2916:
2908:
2900:
2892:
2884:
2876:
2868:
2860:
2852:
2844:
2836:
2830:Times Square
2828:
2820:
2812:
2804:
2796:
2781:
2773:
2765:
2757:
2749:
2741:
2733:
2725:
2717:
2709:
2701:
2693:
2687:Orphan Train
2685:
2677:
2669:
2661:
2658:(March 1979)
2653:
2645:
2637:
2629:
2623:Steel Cowboy
2621:
2613:
2605:
2597:
2589:
2581:
2573:
2565:
2562:(April 1977)
2557:
2542:
2534:
2526:
2518:
2510:
2502:
2496:Silver Bears
2494:
2479:
2471:
2463:
2457:The Greatest
2455:
2447:
2432:
2426:
2423:(1977) (A-E)
2418:
2410:
2398:
2390:
2382:
2374:
2366:
2360:
2352:
2344:
2336:
2328:
2320:
2314:
2306:
2300:Take Me High
2298:
2290:
2282:
2274:
2266:
2258:
2250:
2242:
2234:
2228:Up the Front
2226:
2218:
2210:
2202:
2194:
2186:
2178:
2170:
2162:
2154:
2146:
2138:
2126:
2111:
2103:
2095:
2080:
2072:
2064:
2056:
2048:
2040:
2032:
2024:
2018:On the Buses
2016:
2001:
1993:
1985:
1977:
1969:
1961:
1953:
1945:
1937:
1929:
1921:
1913:
1897:
1892:Bryan Forbes
1886:
1873:Canal+ Image
1872:
1866:
1859:
1855:
1851:
1849:programmes.
1847:
1843:
1839:
1834:
1832:
1816:
1812:Bear Stearns
1809:
1804:
1802:
1798:Warner Bros.
1791:
1787:Warner Bros.
1776:
1769:
1765:The Big Blue
1764:
1763:release was
1757:
1746:
1738:Meryl Streep
1734:Oliver Stone
1727:
1721:
1691:
1681:
1659:
1632:
1622:
1618:
1616:
1605:
1600:
1594:
1575:
1567:
1565:(all 1985).
1560:
1554:
1548:
1542:
1536:
1534:
1529:
1523:
1516:
1510:
1503:
1497:
1493:
1487:
1483:
1477:
1451:
1447:
1443:
1439:
1435:
1431:
1427:
1423:
1419:
1416:Times Square
1415:
1411:
1407:
1403:
1399:
1395:
1393:
1386:
1382:
1376:
1373:
1364:
1360:
1354:
1348:
1346:
1337:
1329:
1323:
1321:
1308:
1294:
1290:Ridley Scott
1288:directed by
1285:
1279:
1275:
1272:Maria Callas
1261:
1255:
1252:Neil Diamond
1245:
1243:
1235:
1228:
1227:, including
1222:
1215:
1213:
1206:
1200:
1197:Roger Gimbel
1194:
1190:Muhammad Ali
1188:(all 1977).
1185:The Greatest
1183:
1177:
1171:
1169:
1164:
1161:The Last Gun
1160:
1154:
1148:
1142:
1136:
1130:
1124:
1121:
1106:
1098:
1095:(never made)
1088:
1080:
1079:A remake of
1074:
1068:
1064:
1057:
1051:
1043:
1036:
1030:
1026:
1020:
1016:
1011:
1006:
999:
997:
990:
984:
978:
976:
968:
961:
957:On the Buses
955:
952:
933:
927:
915:
911:John Boorman
909:directed by
907:The Last Run
906:
902:
896:
892:
889:
870:
858:
854:
836:
834:
824:
820:
814:
810:
806:
803:
798:
790:
783:
777:
773:
767:
761:
758:Joseph Losey
747:
741:
735:
729:
723:
717:
713:
711:
699:
693:
687:
681:
676:
672:
667:The Practice
666:
661:The Impotent
660:
655:
652:
646:
640:
634:
628:
622:
615:
608:
602:
583:directed by
580:
573:directed by
570:
565:Joseph Losey
563:directed by
560:
555:
550:
544:
539:
526:
522:
518:Bryan Forbes
511:
483:Warner Bros.
472:
457:Brent Walker
445:Cannon Films
437:Canal+ Group
422:
385:
381:
377:
373:
369:
368:
359:.studiocanal
339:Subsidiaries
295:
291:Warner Bros.
275:
259:
255:
186:Headquarters
123:Bryan Forbes
67:Company type
36:
6695:StudioCanal
6637:Ciné+ Famiz
6506:Shaba Games
6416:Dailymotion
6390:Havas Media
6245:Delta Radio
6228:Paris Match
6150:Orion Books
6047:John Murray
6029:Galore Park
6019:Yellow Kite
5979:Hachette UK
5925:Basic Books
5661:See Tickets
5620:Rok Studios
5602:StudioCanal
5342:Canal+ Kids
5337:Canal+ Docs
5322:Canal+ Foot
5102:4 September
5038:: 229–260.
4998:StudioCanal
4951:latimes.com
4633:21 February
4041:21 February
3842:. 1991–1992
3644:24 December
3437:21 February
3063:(July 1988)
3045:Later films
2926:Cross Creek
2484:(June 1978)
2468:(June 1977)
2449:Nickelodeon
2376:Spanish Fly
2295:(1973) (AE)
2279:(1973) (AE)
2255:(1972) (AE)
2239:(1972) (AE)
2231:(1972) (AE)
2215:(1972) (AE)
2188:Family Life
2175:(1971) (AE)
2167:(1971) (AE)
2159:(1970) (AE)
2151:(1970) (AA)
2143:(1970) (AA)
2116:(1971) (ME)
2100:(1971) (ME)
2069:(July 1973)
2045:(July 1972)
2037:(June 1972)
2021:(July 1971)
1883:Filmography
1862:StudioCanal
1779:Peter Guber
1753:Harry Usher
1666:ABC Cinemas
1655:Peter Snell
1369:Walter Hill
1330:The Defense
1205:(1977) and
1153:(1978) and
1075:Spanish Fly
1053:The Sweeney
782:(1970) and
589:Simon Raven
534:Roger Moore
493:contractor
487:ABC Cinemas
427:, a former
425:StudioCanal
402:distributor
333:(1996–2000)
321:Time Warner
318:Cazes (5%;)
273:(1986–1988)
268:(1979–1986)
263:(1969–1979)
209:Area served
176:StudioCanal
166:StudioCanal
87:Predecessor
81:Film studio
6689:Categories
6642:Ciné+ Club
6538:Canal+ Gol
6461:Activision
6304:HDS Retail
6204:Filipacchi
6172:Bookouture
6089:Mulholland
5930:Seal Press
5888:FaithWords
5870:Book Group
5776:Publishing
5492:Novelas TV
5474:Télétoon+1
5424:Olympia TV
5404:InfoSport+
5006:Infogreffe
4560:19 January
4200:Diabolique
3432:Terramedia
3244:References
3021:Highlander
2997:Dreamchild
2949:Slayground
2642:(May 1978)
2602:(May 1978)
2528:The Driver
2395:(1976) (D)
2379:(1976) (D)
2341:(1974) (D)
2172:Up Pompeii
2097:Get Carter
1899:Eyewitness
1785:away from
1783:Jon Peters
1713:US Tobacco
1629:Denouement
1619:Dreamchild
1587:Euan Lloyd
1550:Dreamchild
1505:Dreamchild
1484:Slayground
1365:The Knight
1315:to become
1286:The Knight
1138:The Driver
963:Up Pompeii
898:Get Carter
714:Eyewitness
700:Wise Child
394:television
219:Key people
71:Subsidiary
32:EMI (film)
6501:RedOctane
6491:Neversoft
6365:Camp+King
6290:Lagardère
6261:Radio ZET
6191:Lagardère
6126:Godsfield
6072:Two Roads
5906:Voracious
5838:JC Lattès
5774:Lagardère
5683:L’Olympia
5680:Watchever
5677:MyBestPro
5577:Focus Sat
5554:Teletoon+
5527:MiniMini+
5512:Ale Kino+
5478:Thema TV
5469:Télétoon+
5302:Calédonie
5241:Directors
4661:0362-4331
4405:Billboard
4082:The Times
4018:The Times
4003:The Times
3493:The Times
3139:Universal
3029:Clockwise
2639:Deathmoon
2552:TV movies
2504:Sweeney 2
2392:Aces High
2315:Our Cissy
1805:Peter Pan
1742:Eva Perón
1670:Alan Bond
1623:Clockwise
1596:Clockwise
1319:in 1979.
1317:Thorn EMI
1305:Lew Grade
1276:Discoland
1156:Sweeney 2
1012:Aces High
930:Nat Cohen
924:Nat Cohen
860:Ned Kelly
794:Nat Cohen
776:, 1971).
688:Jam Today
507:Nat Cohen
464:EMI Films
418:Thorn EMI
414:Nat Cohen
374:EMI Films
316:UAP (8%;)
266:Thorn EMI
213:Worldwide
172:Successor
18:Anglo-EMI
6661:Category
6516:Treyarch
6481:Luxoflux
6439:(23.75%)
6421:Gameloft
6316:(France)
6292:Services
6272:Europe 2
6250:Europe 1
6202:Hachette
6160:Gollancz
6140:Philip's
6110:Octopus
6060:Chambers
6001:Headline
5868:Hachette
5827:Larousse
5818:Hachette
5710:(France)
5668:Flavorus
5654:Digitick
5564:M7 Group
5439:Planète+
5429:Comédie+
5357:Mezzo TV
5307:Caraïbes
5074:10 March
5049:10 March
5044:24296674
5011:10 March
4692:11 April
4666:11 April
4349:11 April
4343:PopOptiq
3793:2 August
3407:10 March
3381:24 April
3355:10 March
3268:10 March
3232:See also
2902:Bad Boys
2615:Betrayal
2465:The Deep
2412:Sweeney!
2403:(1976) (
2322:Stardust
2308:The Dove
2156:The Body
2131:(1970) (
1902:(1970) (
1541:(1984),
1518:WarGames
1361:Comrades
1211:(1978).
1179:The Deep
1147:(1978),
995:(1975).
760:'s film
754:Columbia
719:Hoffmann
242:Products
77:Industry
45:Formerly
6673:Commons
6375:FullSIX
6267:VIBE FM
6216:(brand)
6167:Quercus
6015:Sceptre
6011:Coronet
5995:Wayland
5942:Da Capo
5917:Perseus
5814:Grasset
5698:Capital
5610:Arthaus
5587:Télésat
5582:Skylink
5547:Sport 2
5537:Premium
5522:Kuchina
5454:Seasons
5297:Afrique
5221:Vivendi
5096:Variety
4612:Variety
4595:Variety
4578:Variety
4535:Variety
4503:Variety
4486:Variety
4460:Variety
4382:Variety
3846:30 July
3402:Variety
3376:Variety
3350:Variety
3263:Variety
2934:Handgun
2886:Frances
2583:Forever
2276:Baxter!
2180:Villain
2090:MGM-EMI
2003:Dulcima
1923:Hoffman
1266:(1981)
867:MGM-EMI
811:Hoffman
677:Villain
641:Dulcima
545:Hoffman
352:Website
347:Pixibox
150: (
137: (
129:Defunct
119:Founder
109: (
101:Founded
6605:Veolia
6595:Sport+
6543:Editis
6449:assets
6144:Spruce
6130:Hamlyn
6104:Sphere
6099:Virago
6033:Gibson
5858:Edelsa
5853:Hatier
5822:Hatier
5804:Fayard
5799:Dalloz
5532:Canal+
5503:Canal+
5434:Polar+
5414:Rugby+
5280:France
5277:Canal+
5146:
5042:
4982:2 July
4956:7 July
4930:7 July
4904:2 July
4878:2 July
4852:2 July
4826:2 July
4800:2 July
4755:2 July
4729:2 July
4659:
3960:
3818:
3327:
3299:7 July
3226:(1989)
3218:(1989)
3210:(1989)
3202:(1989)
2809:(1979)
2786:(1983)
2770:(1982)
2762:(1982)
2754:(1982)
2738:(1981)
2730:(1981)
2722:(1981)
2698:(1980)
2674:(1979)
2650:(1978)
2520:Convoy
2507:(1978)
2437:(1977)
2415:(1977)
2387:(1976)
2371:(1976)
2357:(1975)
2349:(1975)
2302:(1973)
2287:(1973)
2271:(1973)
2247:(1972)
2207:(1972)
2199:(1972)
2006:(1971)
1998:(1971)
1990:(1971)
1982:(1971)
1974:(1971)
1958:(1970)
1950:(1970)
1639:Cannon
1621:, and
1502:) and
1450:, and
1385:, and
1284:, and
1132:Convoy
853:; and
453:Cannon
386:UGC DA
384:, and
328:(1996)
314:(18%;)
202:France
190:London
6347:Havas
6257:(20%)
6094:Orbit
5970:(49%)
5912:Orbit
5848:Stock
5834:(80%)
5724:Voici
5714:Prima
5542:Sport
5464:Piwi+
5419:Golf+
5409:Foot+
5365:(50%)
5359:(50%)
5352:CStar
5347:CNews
5040:JSTOR
4401:(PDF)
2164:Percy
1732:with
1729:Evita
1250:with
1093:Story
986:Alfie
935:Percy
828:Korda
772:(US:
682:Percy
307:(5%;)
252:Owner
198:Paris
6553:Gala
6360:BETC
6213:Elle
6193:News
6123:Gaia
5843:Pika
5517:Domo
5144:ISBN
5104:2011
5076:2024
5051:2024
5013:2024
4984:2012
4958:2013
4932:2013
4906:2012
4880:2012
4854:2012
4828:2012
4802:2012
4757:2012
4731:2012
4694:2021
4668:2021
4657:ISSN
4635:2018
4562:2022
4351:2021
4250:2019
4043:2018
3958:ISBN
3848:2024
3816:ISBN
3795:2024
3646:2015
3439:2018
3409:2024
3383:2015
3357:2024
3325:ISBN
3301:2013
3270:2024
3037:Link
1904:ABPC
1819:Sony
1781:and
1711:and
1635:Rank
1601:Link
1599:and
1559:and
1466:and
1363:and
1336:and
1182:and
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1135:and
1115:and
1089:The
1056:and
971:Rank
960:and
905:and
728:and
532:and
400:and
390:film
361:.com
161:Fate
152:2006
145:2006
139:2000
132:2000
111:1969
104:1969
6770:EMI
6627:OCS
6590:SFR
6558:GVT
6277:RFM
5968:Yen
5719:VSD
5708:Geo
5374:OCS
5036:135
3193:CBS
1908:ITC
1906:) (
1740:as
1526:HBO
1367:(a
1340:by
1332:by
1301:ITC
918:CIC
885:MGM
491:ITV
479:EMI
441:UGC
431:to
406:EMI
357:www
326:UGC
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