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657:(2012). A chamber cello concerto, a piece for piano and broken shortwave radio, and compositions inspired by warped 78 RPM records, baseball, and the industrial revolution. Performed by the Annie Gosfield Ensemble, the Flux Quartet, Real Quiet, Blair McMillen, and the Pearls Before Swine Experience.
271:
who works on the boundaries between notated and improvised music, electronic and acoustic sounds, refined timbres and noise. She composes for others and performs with her own group, taking her music to festivals, factories, clubs, art spaces and concert halls. Much of her work combines acoustic
296:
Gosfield's work includes large-scale compositions, opera, orchestral work, chamber music, electronic music, video projects, and music for dance. She uses traditional notation, improvisation and extended techniques to explore relationships between music and noise. Her music is often inspired by
513:, and compositions inspired by warped 78 rpm records, baseball, and the industrial revolution, performed by the Annie Gosfield Ensemble, Felix Fan, the Flux Quartet, Real Quiet, Blair McMillen, David Cossin, and the Pearls Before Swine Experience. Her third release,
467:, conducted by Pierre-André Valade and performed by the Athelas Sinfonietta, with Gosfield's electronic trio in a four-city U.K. tour that included the 2011 Huddersfield Contemporary Music Festival.
94:
517:, features work scored for solo violin accompanied by satellite transmissions, and solo and chamber works performed by Joan Jeanrenaud and the Flux Quartet. Her previous Tzadik CD,
447:, a concert-length piece inspired by her grandparents’ immigrant experiences in New York City during the Industrial Revolution, commissioned by the MAP Fund and premiered at
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397:, using three repurposed air raid sirens to broadcast the music to the public in satellite performances in parking lots in Downtown Los Angeles.
482:, Contemporary Music Review, Avant Magazine, Strings Magazine, MusikTexte, and in the book “Music and the Creative Spirit”. She received a 2008
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Gosfield has composed a site-specific work for a factory in
Germany, collaborated on installations with artist
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instruments with electronic sounds, incorporating unusual sources such as satellite sounds, machine sounds,
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By
Preston Wright, with Philip Blackburn of The American Composers Forum, Minnesota Public Radio, July 2002
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records, and detuned radios. She often collaborated with musicians to emphasize their unique qualities.
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in music composition. She received the Berlin Prize in music composition, and was made a Fellow at the
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blog where composers discuss their work and the issues involved in creating music in the 21st century.
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in spring 2012. She was the Paul Fromm
Composer-in-Residence at the American Academy in Rome in 2015
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635:(2004). Chamber and solo works performed by Joan Jeanrenaud, The Flux Quartet, and George Kentros.
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607:(1998). Music for detuned piano, saxophone quartet, and cello, performed by Gosfield's ensemble,
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features two pieces inspired by her 1999 residency in the factories of
Nuremberg, Germany.
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364:, Company Week, Taktlos, and three "Radical New Jewish Culture" festivals curated by
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619:(2001). Two pieces inspired by a residency in the factories of Nuremberg:
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Gosfield's writing on music has been featured in four essays published by
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Grants to
Artists Award, and has received recent fellowships from the
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or out-of-tune samples and industrial noises. Her work often contains
562:"TimeSelect", and her essay "Fiddling with Sputnik" was published in
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from 2019 to 2021. She was the
Milhaud Professor of composition at
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Gosfield's compositions have been performed internationally by The
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509:, features a chamber cello concerto, a piece for piano and broken
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Platt, Russell, "Close
Encounters" The New Yorker, 1 April 2013
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non-musical sounds, such as machines, destroyed pianos, warped
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The Wire: Unedited transcript of interview with Annie
Gosfield
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from the article and its talk page, especially if potentially
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http://www.newyorker.com/magazine/2013/04/01/close-encounters
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677:"Review: A 'Fake News' Opera on the Streets of Los Angeles"
436:, and the Duke Theater on 42nd Street. Her uncle was actor
375:
presented
Gosfield's first opera, an original setting of
627:, performed by the Flux Quartet and Talujon Percussion.
280:
and frequently uses extended techniques and/or altered
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Gosfield taught composition as a visiting lecturer at
360:, Festival Musique Actuelle, Wien Modern, OtherMinds,
348:
instruments) and many others, at festivals including
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American
Mavericks: An interview with Annie Gosfield
352:, ISCM World Music Days, Bang on a Can Marathon,
880:
792:"Civitella Ranieri Center | Annie Gosfield"
696:"Annie Gosfield, Scoring the Music of Machines"
416:. Her music for dance has been featured at the
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578:Gosfield received a 2021 Music Award from the
463:which incorporated coding systems used by the
544:in 1999. She also taught composition at the
593:, and was a 2008 Civitella Ranieri Fellow.
53:Learn how and when to remove these messages
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573:
501:Her music is featured on four solo CDs on
97:about living persons that is unsourced or
461:Floating Messages and Fading Frequencies,
237:Learn how and when to remove this message
168:Learn how and when to remove this message
939:California Institute of the Arts faculty
837:By Julian Cowley, The Wire 255, May 2005
825:New York Times profile of Annie Gosfield
623:, performed by Gosfield's ensemble, and
354:Huddersfield Contemporary Music Festival
248:
675:Walls, Seth Colter (13 November 2017).
536:in 2003 and 2005, visiting lecturer at
881:
639:A Sideways Glance from an Electric Eye
445:Daughters of the Industrial Revolution
969:21st-century American women composers
964:20th-century American women composers
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645:with works by seven other composers (
443:Her large-scale compositions include
742:. Foundation for Contemporary Arts.
632:Lost Signals and Drifting Satellites
515:Lost Signals and Drifting Satellites
179:
59:
18:
764:
13:
949:American women in electronic music
909:American women classical composers
859:Annie Gosfield (January 9, 2007).
820:Official Website of Annie Gosfield
746:from the original on March 4, 2015
540:in 2007, and a visiting artist at
519:Flying Sparks and Heavy Machinery,
389:, simultaneously performed inside
14:
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813:
694:Schweitzer, Vivien (2015-09-02).
654:Almost Truths and Open Deceptions
625:Flying Sparks and Heavy Machinery
616:Flying Sparks and Heavy Machinery
507:Almost Truths and Open Deceptions
34:This article has multiple issues.
904:21st-century classical composers
899:20th-century classical composers
492:New York Foundation for the Arts
484:Foundation for Contemporary Arts
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959:20th-century American composers
954:21st-century American composers
358:Santa Fe Chamber Music Festival
42:or discuss these issues on the
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470:Her work has been profiled in
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873:(published February 1, 2007).
767:"All Posts by Annie Gosfield"
661:
643:The Art of Virtual Rhythmicon
451:in 2011; the signature piece
259:(born September 11, 1960, in
934:Princeton University faculty
914:American classical composers
869:(Interview). Interviewed by
75:biography of a living person
7:
944:Musicians from Philadelphia
854:Other Minds: Annie Gosfield
604:Burnt Ivory and Loose Wires
580:Academy of Arts and Letters
523:Burnt Ivory and Loose Wires
432:(Rome), The Joyce Theater,
102:must be removed immediately
16:American classical composer
10:
990:
588:American Academy in Berlin
546:University of Texas Austin
385:, adapted and directed by
308:Allstars, Agon Orchestra,
193:This biographical article
426:Brooklyn Academy of Music
974:American women academics
391:Walt Disney Concert Hall
373:Los Angeles Philharmonic
924:Berlin Prize recipients
861:"Ghosts in the Machine"
574:Honors and appointments
371:In November, 2017, The
334:Silesian String Quartet
291:
919:Tzadik Records artists
609:Rova Saxophone Quartet
393:and on the streets of
340:, Talujon Percussion,
253:
89:Please help by adding
929:Mills College faculty
584:Guggenheim Fellowship
478:, and in articles in
476:National Public Radio
474:, The New Yorker, on
382:The War of the Worlds
252:
206:by revising it to be
538:Princeton University
505:. Her 2012 release,
362:Spoleto Festival USA
330:Miami String Quartet
95:Contentious material
641:(2008). Appears on
530:Columbia University
488:McKnight Foundation
480:The Wire (magazine)
282:musical instruments
846:2008-07-05 at the
700:The New York Times
681:The New York Times
568:The New York Times
558:The New York Times
550:Indiana University
496:Siemens Foundation
472:The New York Times
465:Resistance in WWII
422:Next Wave Festival
320:, Blair McMillen,
254:
647:Innova Recordings
284:. She won a 2012
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78:needs additional
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794:. Archived from
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765:Freeman, Jason.
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740:"Annie Gosfield"
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438:Maurice Gosfield
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91:reliable sources
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511:shortwave radio
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430:Teatro Olimpico
418:Venice Biennale
406:Karole Armitage
310:Joan Jeanrenaud
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871:Frank J. Oteri
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814:External links
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503:Tzadik Records
434:Jacob's Pillow
414:Susan Marshall
322:William Winant
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257:Annie Gosfield
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99:poorly sourced
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894:Living people
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798:on 2011-04-27
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534:Mills College
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350:Warsaw Autumn
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338:So Percussion
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316:, Felix Fan,
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306:Bang on a Can
302:
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289:
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279:
278:improvisation
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800:. Retrieved
796:the original
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748:. Retrieved
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711:. Retrieved
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548:in 2019 and
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471:
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460:
452:
444:
442:
410:Pam Tanowitz
399:
387:Yuval Sharon
380:
377:Orson Welles
370:
346:Harry Partch
326:FLUX Quartet
318:Roger Kleier
303:
295:
286:Berlin Prize
261:Philadelphia
256:
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220:January 2024
217:
212:encyclopedic
194:
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84:verification
77:
50:
43:
37:
36:Please help
33:
889:1960 births
866:NewMusicBox
597:Discography
449:The Kitchen
395:Los Angeles
195:is written
158:August 2010
883:Categories
802:2013-04-23
713:2023-02-10
662:References
494:, and the
314:Fred Frith
128:newspapers
39:improve it
830:The Score
776:April 25,
750:April 21,
708:0362-4331
564:Arcana II
552:in 2022.
457:Nuremberg
366:John Zorn
80:citations
45:talk page
844:Archived
744:Archived
542:Cal Arts
344:(on the
269:composer
265:New-York
106:libelous
428:(BAM),
424:at the
342:Newband
274:detuned
267:-based
263:) is a
208:neutral
202:Please
142:scholar
706:
420:, the
412:, and
332:, The
328:, the
324:, the
299:78 rpm
144:
137:
130:
123:
115:
149:JSTOR
135:books
73:This
778:2010
752:2015
704:ISSN
621:EWA7
453:EWA7
292:Work
210:and
121:news
82:for
379:'s
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649:).
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