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of his works speak about exploitation, marginalization, alcoholism, violence, and social problems of farmers, miners, laborers and manufacturers. His texts were influenced by both the folklore and popular religion, as well as by his own, often intuitive, reading of texts, ranging from the classics, to productions framed in ideological currents of socialism and anarchism. Acevedo Hernández ventured into this kind of socially engaged theater before the publication of
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Hernández's work sought, first, to abandon the frequent imitation of theater performances that were in vogue at the time (operettas and light comedies, among others), so his background was often autobiographical. His proletarian reality formed the cornerstone of each of his creations. Therefore, most
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His funeral was grandiose. The only grandeur that there was in his life. Masses of people were stationed on the streets and threw flowers as his coffin passed. Representatives of all the political and social branches bid goodbye to his remains in the Campo Santo, thereby his lifeless body received
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Sus funerales fueron grandiosos. Lo único grandioso que tuvo en su vida. Masas de gentes se apostaron en las calles y arrojaron flores al paso del féretro. Despidieron sus restos en el Campo Santo representantes de todas las condiciones políticas y ramas sociales, recibiendo así su cuerpo sin vida
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La fuerza policial intervino en las representaciones de sus obras en varias ocasiones, ya sea por censura o porque se provocaban desórdenes dentro del teatro; en una ocasión, durante el estreno de "Los deportados" en 1931, alguien del público llegó a disparar a un actor que interpretaba a un
130:(8 March 1886 – 1 December 1962) was a Chilean writer. Hernández was a self-taught novelist, playwright and writer whose works include theater, novels, short stories, literary and journalistic chronicles, essays, poetry and popular Chilean
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The police force intervened in performances of his works repeatedly, either by censorship or because they caused unrest within the theater; on one occasion, during the premiere of
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in 1936. His work, along with that of authors like Germán Luco
Cruchaga and Armando Moock, marked the beginnings of Chilean dramaturgy.
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los honores de los más grandes, de aquellos que muchas veces quisieron negarle el derecho a la vida.
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the greatest honors, of those who often wanted to deny him the right to life.
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Enciclopedia Temática de Chile (Thematic
Encyclopedia of Chile) – Ercilla –
570:"Antonio Acevedo Hernández, representante del teatro político-social"
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caused him to gradually lose his mental faculties until his death.
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463:(in Spanish). Letras de Chile. 2007. Archived from
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619:This article about a Chilean writer or poet is a
134:. He created over 840 works, including the plays
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680:20th-century Chilean dramatists and playwrights
574:Chile Escena Memoria Activa del Teatro Chileno
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428:(The Pontifical Catholic University of Chile)
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700:20th-century Chilean non-fiction writers
695:20th-century Chilean short story writers
381:La cueca: orígenes, historia y antología
675:Chilean male dramatists and playwrights
576:(in Spanish). 2000–2010. Archived from
548:"Antonio Acevedo Hernández (1886–1962)"
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351:Algo de lo que Ud. ha cantado y canta
299:(1932). Dramatic comedy in four acts.
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527:(in Spanish). Escena Chilena. 2006
521:"Acerca Antonio Acevedo Hernández"
371:(1947). Novel. Cultural editorial.
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685:20th-century Chilean male writers
407:Grandes Personajes de la Historia
705:Chilean male short story writers
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409:(Great personalities in History)
227:(1917). Three-act comedy (1918).
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393:El triángulo tiene cuatro lados
309:Los cantores populares chilenos
25:Pedro Antonio Acevedo Hernández
690:20th-century Chilean novelists
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492:. Scarecrow Press. p. 5.
489:Historical dictionary of Chile
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550:(in Spanish). Memoria Chilena
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327:El libro de la tierra chilena
623:. You can help Knowledge by
365:(1943). Editorial Zig – Zag.
357:Canciones populares chilenas
287:(1931). Editorial Zig – Zag.
7:
486:Salvatore Bizzarro (2005).
461:"Antonio Acevedo Hernández"
387:Retablo pintoresco de Chile
345:Las aventuras del roto Juan
196:(The political theater) by
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363:La leyenda de la felicidad
323:(1934). Three-act comedy.
16:Chilean writer (1886–1962)
439:27 September 2007 at the
420:(The University of Chile)
317:(1933). Three-act comedy.
150:Premio Nacional de Teatro
128:Antonio Acevedo Hernández
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546:DIBAM, ed. (2000–2010).
305:(1933). Three-act drama.
269:(1927). Adventure Novel.
257:(1927). Three-act comedy
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160:His difficult years and
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95:Dramaturgy and Narrative
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670:Chilean male novelists
335:(1936). Six-act drama.
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148:. He was awarded the
79:Writer and playwright
725:Chilean writer stubs
525:Universidad de Chile
204:(Little Organon) by
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467:on 15 October 2009
418:La Escena Chilena
383:(1953). Editorial.
377:(1952). Editorial.
311:(1933). Editorial.
202:El pequeño Organón
194:El teatro político
710:Chilean essayists
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499:978-0-8108-4097-3
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237:La Canción Rota
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139:El Vino triste,
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720:1962 deaths
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339:Chanarcillo
315:Cardo negro
255:Arból Viejo
231:Piedra Azul
112:Chañarcillo
84:Nationality
71:Campo Santo
43:Tracacura,
664:Categories
584:11 October
554:11 October
531:11 October
471:11 October
447:References
76:Occupation
208:in 1948.
146:El Rancho
142:La Sangre
591:policía.
505:18 March
437:Archived
321:Angélica
132:folklore
400:Sources
395:(1963).
389:(1953).
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245:(1924).
103:Realism
87:Chilean
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144:, and
219:Works
156:Death
92:Genre
49:Chile
45:Angol
621:stub
586:2011
556:2011
533:2011
507:2012
494:ISBN
473:2011
261:Caín
187:Work
56:Died
40:Born
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