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which had a garden of fruit trees with a banquet table and a chamber of hanging lights. Above
Paradise, an angelic bureau where the good deeds and sins of humanity are written by the angelic scribes in large books, and the voice of God being conversed with angelic entities. An extreme punishing area
162:; the seventh gate, a passageway that leads to punishment areas. Anastasia is then taken back to the throne only to witness an accusation and intercession scene but is taken by the angel to the main punishment area which consists of wells, ovens, foaming, and fiery rivers. She is taken up to
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surrounded by
Biblical features and figures. At the same vantage point and without interaction, she not only sees the seven gates of heaven, but also describes what is beyond the gates. The text though gives no description for Gates five and six. The first gate contains the sources for
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was in a state of renewal and reconstruction from the second half of the ninth century to the end of the tenth century. Old manuscripts of ancient texts were being surveyed and collected in a campaign commissioned usually by imperil authority. In the process of
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focuses on what is beyond the ending of the material world; the transmission process of revelations and the process of divine intercessory assistance. Taken to the heavens by
Michael, Anastasia describes a blinding light from afar which she sees through, the
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is then shown to
Anastasia where the emperors, priest, bishops, and other high officials go. Anastasia returns to the living, and the text is concluded with moral exhortations and
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in her time of being dead for three days, and after her resurrection, she explains the marvelous and terrible things she had encountered. The text was originally written in
106:, yet they were often confused with the other; and in the late tenth century, Anastasia of Sirmium had a strong cult-following. The church of Anastasia was used as a
195:. This process allowed extensive content to be copied and recopied more efficiently. Transliteration can be viewed on the parchment of the oldest manuscript of the
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by an anonymous author and is dated either to the early tenth century or the early eleventh century. The genre of the text is that of touring
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apocalyptic text pertaining to the nun
Anastasia, and her near-death experience. Anastasia explores the "otherworld" with the Archangel
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will use. Anastasia is also the first protagonist to actually enter the otherworld dead in the genre of
Apocalyptic texts. She is not
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figure and is depicted as a modest nun. The author does not identify her with any saint. Anastasia's name is feminine and means
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The text purports
Anastasia and her visions in the sixth century, but the text is dated to the tenth century in the reign of
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in the late tenth century. Anastasia of
Sirmium herself appears in her church as depicted in the first vision of
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158:'s rays to selected degrees which could cause rain, sunshine, drought, or flooding, all at the command of
393:"The Byzantine apocalyptic tradition a fourteenth-century Serbian version of the Apocalypse of Anastasia"
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was compiled from four earlier manuscripts which consisted of two-tenth century liturgical works, an
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which lead him to become a fool for Christ at the start of the first four months he spent in chains.
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which are immense pools; the second, bitter rain; the third, the
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and its fictitious allegorical heroine is the first and last the
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The
Armenian Apocalyptic Tradition: A Comparative Perspective
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dated near the turn of the eleventh century which the
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328:Bardakjian, Kevork; La Porta, Sergio (2014).
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427:The Serpent Column: A Cultural Biography
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22:(abbreviated as "ApAnas.") is a
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370:Gerolemou, Maria (2018).
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216:Apocalypse of Anastasia
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197:Apocalypse of Anastasia
134:Apocalypse of Anastasia
117:Life of Andrew the Fool
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96:Apocalypse of Anastasia
82:confronting his killer
19:Apocalypse of Anastasia
60:Mary, mother of Jesus
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66:About Anastasia
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397:Balcanica
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226:Citations
193:minuscule
152:firmament
169:doxology
164:Paradise
154:and the
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24:medieval
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