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toward building the safe and beautiful environments. In fact, the installations of the works actually made the workers happy by recognizing them instead for their contribution to the city, instead of being invisible to the general public. April Hickox was appreciated by the islanders for drawing attention to these workers and reminding them not to take the environment for granted. April and colleagues presented the photographs to the visitors, making the social engagement and interactions between the installed photographs and viewers possible.
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the viewers of the images, questioning photography as the means for communication. The representations of women were derived based on the concept of women being the carrier of family memories over generations. However, in contemporary media, mature women usually appear invisible compared their young and beautiful counterparts, while their
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From 1997 to 2000, Hickox was the
Advisor and Training Coordinator for Arts and Crafts at Silent Voice Camp for the Deaf, in honour of her deaf daughter Alex. She simultaneously became a part of the Manitoba Mentoring Artists for Women's Art in Manitoba, CA. From 2010 to 2011, Hickox was responsible
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interview of April Hickox, it was mentioned that the City staff are an important part of the local community who produced the opportunity to relax with their hard works. According to April Hickox, these workers should be recognized for their investments in jobs physically, emotionally and spiritually
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These works picture a young girl in different moments of her life. According to Hickox, these photos of a young female represents snapshots of her daughter's life in the information age. She demonstrates her work as "I see these images not so much as a portrait of my daughter, but as a portrait of a
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are imposed by social structures and pressures, ultimately expressed through popular media of the society. There are fictional conversations constructed under the typical representational clothes from women's magazine. Barbie doll clothes largely reflected the changing trends in women's clothing and
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e". It was mentioned that the 150, small, black and white photographs of mouths embodies Hickox's fascination with the mouth and paradoxical silence. The diverse pictures of the human mouth reflect a wide range of potential identities from the deaf to the hearing. There is also a sense of associated
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make the adjustments to their makeup/hair that they felt they needed. These actions made Hickox consider about the self-being presented in the public, and that that self may be different from the ones we truly are and what we truly believe. Nevertheless, the mirrors being photographed are unable to
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This series of work consists of 9 portraits of women over 50 in age. In these black and white photographs, the women display a reflective look while closing their eyes. In this series Hickox is trying to explore the inner strength of these women and question the relationship between these women and
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Since Hickox move to the
Toronto Islands at an early age, she has experienced the frequent change of the island's environment caused by human intervention. The relationship between natural landscape and human intervention has been considered by Hickox and become a central theme of her work for over
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explores the links between the physical landscape, as it is today, and the memories of that landscape. All the sites in Hickox's photographs were once part of a thriving community whose homes were demolished in the 1950s. The photographs record how the land has changed after the demolition of the
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is a series of photos of broken tea cups or the fragments of various broken objects. They were either held by a variety of hands in various positions or being repaired and stacked in what appears to be a fragile tower. All of the broken objects belong to an older woman who had died on the
Toronto
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from which she derives much of her inspiration. Her personal experiences as a mother of a deaf daughter also contribute as inspirations for her works, such as her installation work Within
Dialogue which shows the visual representation of language and communication across individuals and cultures.
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Hickox has served as a member of several charitable and academic organizations in
Toronto from 1997 to 2013. To mark the beginning of this involvement in 1997, Hickox served as a founding member of Gallery 44 Center for Contemporary Photography, a non-profit studio in Toronto where she held the
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1994 When the Mind Hears, Vu, centre d'animation et de diffusion de la photographie, Québec When the Mind Hears, part one, Gallery 44 Centre for
Contemporary Photography, Toronto When the Mind Hears, part two, Garnet Press, Toronto When the Mind Hears, The Photographers Gallery, Saskatoon,
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1992 Roses, Wind and Other
Stories, Floating Gallery, Winnipeg, Manitoba Roses, W ind and Other Stories, Garnet Press, Toronto Roses, Wind and Other Stories, Galerie SĂ©quence, Chicoutimi Roses, Wind and Other Stories, Vu, centre d'animation et de diffusion de la photographie,
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lifestyle since their creation. Hickox borrows the Barbie doll clothes and combines them with a new narrative to present the changes in not only the representations of women over time but also the changing thoughts and life experiences of women throughout recent history.
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Hickox is also a founding member of the
Toronto-based Tenth Muse Studio, and Artscape, which she acquired the position as a committee member for the Founding board of directors in 1998. Through Artscape, Hickox directs artists' residencies and studio rentals on
446:. There is always an intimate story behind each heirloom, the objects act as reminders of loved ones who have passed away. However, all the photographic portraits from the heirlooms are rarely identified and the significance of the photos has been shifted.
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Hickox has said about her works of the last 10 years, "I think in my work, I have always worked with history, place and a sense of self, and sometimes language, communication and voice". Hickox has created works surrounding numerous themes including
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1995 Dissonance and Voice, installation and outdoor site work, curated by
Richard Rhodes, Oakville Galleries, Oakville, Ontario When the Mind Hears, Tom Thomson Art Gallery, Owen Sound, Ontario New Works, Thunder Bay Art Gallery, Thunder Bay,
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This series of work consists of over 90 public installation pieces of life-size photographs of city staff (farmers, gardeners, lifeguards, maintenance workers, etc.) on the
Toronto Islands between 2009 and 2013. In the
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This work consists of five portraits of couples gazing toward the viewers in various settings. These photographs were a commissioned work for the Toronto base 10x10 Photography Project to celebrate the
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of life and change". From this project, Hickox started to think about people who were gone, the houses that were clearly lost and what was left behind. This work eventually led into the series
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is that there are less traces and evidence of the past found in the project Point Pelee. Since people tried to plant new indigenous species in the park, the residents plants had been removed.
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in Toronto. According to April Hickox, "the garden consisted of four sensory gardens. The idea for this work came from the question of a deaf child. Adult responses impact on a child's
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homes, capturing the remaining flora and landscape that now covers the resident's old home in each photo. Hickox demonstrates this work as the "traces and evidence of the past".
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position of director for seven years. Gallery 44 is an artist-run initiative whose mission statement is providing affordable resources to support photography-based artists.
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2003 Landscape and Memory, Main Space, Leo Kamen Gallery, Toronto, Ontario Landscape and Memory: Point Pelee, an installation at the Art Gallery Of Windsor, Windsor, Ontario
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1997 Blink, street level photographic installation, Portland and Adelaide Streets, Toronto, Ontario Utopia/Dystopia, billboard project, Floating Gallery, Winnipeg, Manitoba
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2000 Within Dialogue, an installation at Leo Kamen Gallery, Toronto, Ontario; Within Dialogue, site specific installation, St. Norbert Cultural Centre, Winnipeg, Manitoba
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are also underestimated by society. From viewing the thought provoking portraits, one could reduce the misunderstanding of the mature woman from who they truly are.
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on the history of our region, environmental issues, and the way in which communities evolve over time". According to Hickox, the big difference between the project
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Heavily promotional article with too much original research. Most material is sourced by the artist's own website. Needs more independent sourcing or possibly TNT.
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Hickox often uses photography as media to record images of women or female objects from the past, she mainly focuses on how they reflect female identity and
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was produced based on Hickox's personal experience as a mother to a deaf daughter. These experiences were transformed into a site specific work outside the
268:(born 1955) is a Canadian lens-based artist, photographer, teacher and curator whose practice includes various medias, from photography, film, video and
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A lot of Hickox's work contains images of collected objects, from either people on the Toronto islands or her own collection such as the series named
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664:". Therefore, these works bridge the dialogue between this general representation of moments of a young female and many other women's life moments.
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Hickox is the founding director of Gallery 44 Centre For Contemporary Photography, as well as a founding member of Tenth Muse Studio and Artscape.
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emotional and personal experiences as the mother to a deaf daughter. April Hickox also collaborated with Tom Third on the audio component of
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has a similar history to the Toronto Island in that it was once a vibrant community before the land was purchased in the 1970s to develop a
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These works are representing different types of hand-mirrors as a traditional female object. People would use the mirrors to see their
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reflect as the mirror images are transformed into a sea of black by the scanning process. The reflection is no longer available.
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and contribute to the deeper understandings of its relationship with collective memories from human histories and activities.
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1991 Speak, Presentation House Gallery, Vancouver, B.C. 1990 So to Speak, La Centrale (Galerie Powerhouse), Montréal, Quebec
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In order to continue to explore interests in photography, Hickox went to London to study photography and graphic design in
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Between 2010 and 2013, Hickox held the position of committee member for Project 31, a fundraising auction that supports
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1998 Tracings, Prime Gallery, Toronto, Ontario Song, installation, Portland and Richmond Streets, Toronto, Ontario
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for building an online art collection as part of her role as guest curator for the Line Art Auction held by the
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is an installation work which consists of 100 photographs of mouths in the motion of communication. In 2000,
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not only records all the stories but also helps to reflect the fragility of the connection and physicality.
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and explore the relationship between the two with collective memories from human histories and activities.
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in Toronto, where she obtained an AOCA degree and further explored her interests in photography and
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https://www.caseyhouse.com/suspendisse-lacus-dolor-luctus-ut-imperdiet-sit-amet-valar-morghulis-2/
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2009 Gather, an installation of five backlit billboards. Harbourfront Centre, Toronto, Ontario
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from 1973 to 1974. Hickox returned to Canada for the 5th year graduate studies program at the
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Dault, Gary Michael (22 January 2000). "Hickox's photographs speak eloquently from silence".
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is a series of images of family heirlooms, which incorporate a photographic element. All the
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1999 Untitled, site specific installation, Portland and Richmond Streets, Toronto, Ontario
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Since Toronto Islands contains one of Toronto's oldest residential communities, the work
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1727:"LGBT Youth Line's Line Art Auction," Art Gallery of Ontario. Retrieved 15 March 2017,
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1689:"April Hickox," G44 Centre for Contemporary Photography. Retrieved 7 February 2017,
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This series of works, completed between 1972 and 1973, contains fourteen images of
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788:. Hickox has previously held academic appointments at the following institutions:
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1996 Excerpts Photography Narrative, centre d'exposition l'imagier, Aylmer, Quebec
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daughter, April Hickox started to explore the photographic works on the themes of
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1702:"April Hickox," Travelling Light: Views of Ontario. Retrieved 6 February 2017,
1676:"April Hickox," Travelling Light: Views of Ontario. Retrieved 6 February 2017,
1637:"April Hickox," Travelling Light: Views of Ontario. Retrieved 6 February 2017,
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2002 Porcelain, Crystal, Glass, Main Space, Leo Kamen Gallery, Toronto, Ontario
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Goddard, Peter (1 April 2006). "AT THE GALLERIES; From playground to prison".
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were collected from Hickox's female friends and have been passed down through
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Islands. They were collected by Hickox from a bridge that is often called the
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1993 When the Mind Hears, le mois de la photo, Complexe de la Cité, Montréal
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in Toronto's Leo Kamen Gallery in the news article Hickox's Photographs "
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Fundraising auction of Canadian Contemporary Art to support HIV/AIDS.
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She is currently employed as an associate professor of photography at
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moment in time that could exist in the lives of many women in our
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1739:"Project 31 Auction," OCAD University. Retrieved 15 March 2017,
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2012 Vantage, Main Space, Katsman Kamen Gallery,Toronto, Ontario
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Hickox' has created works surrounding numerous themes including
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2010 Compost, Leo Kamen Gallery, Project Room, Toronto, Ontario
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2001 Glance, Leo Kamen Gallery, Project Room, Toronto, Ontario
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2014 Invasive Species, Katsman Contemporary, Toronto, Ontario
1184:"APRIL HICKOX | Landscape + Memory: An Island History, 2003"
1714:"Gibraltar Point," Artscape Inc.. Retrieved 12 March 2017,
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1221:"APRIL HICKOX | Point Pelee: Landscape and Memory, 2004"
1664:"APRIL HICKOX Resume 2015," Accessed 5 February 2017,
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to provide viewers an infused experience of sound and
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As a past chair of the photography department at the
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http://www.ago.net/lgbt-youth-lines-line-art-auction
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http://www.viewsofontario.ca/april_hickox/index.html
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http://www.viewsofontario.ca/april_hickox/index.html
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http://www.viewsofontario.ca/april_hickox/index.html
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416:. In an interview, Hickox described her work as "a
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1772:"International Dawn Chorus Day Premieres April 29"
862:Works by April Hickox are held in, among others,
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994:"How you can shape the future of Toronto Island"
723:2008 Ritual, Leo Kamen Gallery, Toronto, Ontario
143:, potentially preventing the article from being
972:"Art Gallery of Windsor presents: April Hickox"
821:under the Gibraltar Point Centre for the Arts.
726:2006 Drift, Leo Kamen Gallery, Toronto, Ontario
1741:https://www2.ocadu.ca/news/project-31-auction
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844:In 2021, she was one of the participants in
891:Canadian Museum of Contemporary Photography
55:Learn how and when to remove these messages
163:reliable, independent, third-party sources
1375:"APRIL HICKOX | Lives of Girls and Women"
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199:Learn how and when to remove this message
181:Learn how and when to remove this message
111:Learn how and when to remove this message
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157:by replacing them with more appropriate
1627:. 13 January 2000 – via ProQuest.
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848:'s experimental short documentary film
311:, Ontario. She and her family moved to
140:too closely associated with the subject
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1751:Casey House," Accessed 12 March 2017,
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1258:"APRIL HICKOX | Can You Hear Flowers?"
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565:reviewed an April Hickox's exhibition
517:As an artist as well as a mother to a
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1094:"April Hickox – Toronto Island Homes"
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781:(OCAD) in Toronto from 1998 to 2007,
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507:Landscape + Memory: An Island History
468:Landscape + Memory: An Island History
460:Landscape + Memory: An Island History
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307:In 1955, April Hickox was born in
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1338:"APRIL HICKOX | Feminist Objects"
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1068:"April Hickox – With in Dialogue"
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779:Ontario College of Art and Design
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513:Language, communication and voice
503:Point Pelee: Landscape and Memory
483:Point Pelee: Landscape and Memory
476:Point Pelee: Landscape and Memory
347:Ontario College of Art and Design
324:Ontario College of Art and Design
244:Ontario College of Art and Design
36:This article has multiple issues.
1716:http://artscapegibraltarpoint.ca
1291:"APRIL HICKOX | Within Dialogue"
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320:Twickenham College of Technology
295:Early life, education and career
240:Twickenham College of Technology
138:may rely excessively on sources
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44:or discuss these issues on the
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1819:Canadian installation artists
992:Now Staff (16 October 2020).
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851:International Dawn Chorus Day
609:doll clothing to reflect how
1839:Canadian women video artists
905:Agnes Etherington Art Centre
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571:Speak Eloquently from Silenc
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868:Art Gallery of Peterborough
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224:1955 (age 68–69)
86:. The specific problem is:
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932:"APRIL HICKOX | Biography"
547:of the world around her."
315:when she was 3 years old.
1481:"APRIL HICKOX | Dialogue"
395:Crystal, Porcelain, Glass
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1547:"APRIL HICKOX | Workers"
1154:"APRIL HICKOX | Memento"
910:the Burnaby Art Gallery.
599:Lives of Girls and Women
485:was commissioned by The
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1844:Canadian women curators
1119:"APRIL HICKOX | Gather"
874:Art Gallery of Hamilton
680:Canadians in the arts.
1834:Canadian video artists
1824:Canadian photographers
1514:"APRIL HICKOX | 10x10"
1416:"APRIL HICKOX | Women"
831:Art Gallery of Ontario
798:Art Gallery of Ontario
690:Toronto Island Workers
487:Art Gallery of Windsor
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1829:Canadian art curators
1451:"APRIL HICKOX | Echo"
808:Community involvement
802:University of Toronto
537:Can You Hear Flowers?
530:Can You Hear Flowers?
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1758:6 April 2017 at the
898:Winnipeg Art Gallery
333:Hickox lives on the
93:improve this article
82:to meet Knowledge's
1654:. 15 February 2017.
378:thirty-five years.
343:associate professor
330:from 1974 to 1978.
1770:Sarah Jae Leiber,
1593:– via Vimeo.
1426:on 9 December 2016
1324:The Globe and Mail
981:– via Vimeo.
790:Ryerson University
611:gender stereotypes
563:The Globe and Mail
454:Landscape + Memory
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1780:, March 29, 2021.
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594:throughout time.
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1072:LensCulture
858:Collections
839:Casey House
804:(1985–90).
706:Exhibitions
662:Digital Age
628:experiences
601:, 1972–1973
541:Power Plant
491:Point Pelee
444:generations
414:free bridge
361:, history,
328:printmaking
280:, history,
255:aprilhickox
171:August 2018
95:if you can.
1803:Categories
1003:1 December
915:References
645:reflection
545:perception
341:She is an
155:improve it
145:verifiable
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684:Portraits
489:in 2003.
440:heirlooms
424:in 2003.
407:Porcelain
373:Landscape
359:landscape
278:landscape
236:Education
159:citations
47:talk page
1756:Archived
796:(1989),
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653:Dialogue
586:Feminism
523:language
499:dialogue
309:Oakville
230:, Canada
77:require
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580:silence
448:Memento
436:Memento
429:Memento
418:recycle
409:, Glass
403:Crystal
345:at the
250:Website
149:neutral
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765:Québec
671:, 2014
655:, 2012
641:, 2010
632:values
607:Barbie
478:, 2004
462:, 2003
431:, 2007
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388:Gather
382:Memory
367:nature
363:memory
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