1790:
1641:
paved the way of establishing settlements near the old port towns and gradually spreading in the interior. During the time of the second Chera
Kingdom, the old port city of Makotai (Kodungallur) had different parts occupied by these groups. For example, the cultural contact of Jews with Kerala predates the time of Solomen and by fifteenth century there were Jewish settlements in Kodungallur, Kochi and other coastal towns. The most important Jewish settlement is seen at Kochi near the Mattancherry palace. Their residential buildings resemble the Kerala type in their external appearance; nevertheless they are of a different plan concept. The ground floor rooms are used as shops or warehouses and the living rooms are planned on the first floor. The frontage of the building about the streets and the sides are continuous with adjoining buildings in the pattern of the row houses. An important historic monument of the Jew town is the Synagogue. It is a simple tall structure with a sloping tile roof but it has a rich interior with hand painted tiles from Canton, China and ancient chandeliers from Europe. This religious structure built for worship according to Judaism stands in contrast with the temples of Hindus. Jewish community however did not influence the architecture of Kerala.
813:
the quarrying, dressing and sculpting of hard stone are rare in Kerala. Laterite, on the other hand, is the most abundant stone found as outcrops in most zones. Soft laterite, which can be found at shallow depths, can be easily cut, dressed and used as building blocks. It is a rare local stone that gets stronger and more durable with exposure to atmospheric air. Laterite blocks may be bonded in mortars of shell lime, the classic binding material in traditional buildings. The strength and performance of lime mortar can be improved using admixtures of vegetable juices. Such enriched mortars were used for plastering or to serve as the base for mural painting and low-relief work. Timber is the primary structural material, being abundantly available in many varieties in Kerala – from bamboo to teak. The skillful choice of timber, accurate joinery, artful assembly and delicate carving of woodwork for columns, walls, and roof frames could be considered as unique characteristics of Kerala architecture. Clay has been used in many forms – for walling, filling the timber floors and making bricks and tiles after
1666:
finally evolved from functional consideration. Structurally the roof frame was supported on the pillars on walls erected on a plinth raised from the ground for protection against dampness and insects in the tropical climate. Often the walls were also of timbers abundantly available in the land. The roof frame consisted of the bressumer or wall plate which supported lower ends of the rafters, the upper ends being connected to the ridge. The weight of the rafters and the roof covering created a sage in the ridge when the ridge piece was made of flexible materials like bamboo. This sage however remained as the hall-mark of roof construction even when strong timber was used for the roof frame. Further gable windows were evolved at the two ends to provide attic ventilation when ceiling was incorporated for the room spaces. This ensured air circulation and thermal control for the roof. The lower ends of the rafters projected much beyond the walls to shade the walls from the sun and driving rain.
886:
Nagara style in the architectural texts. The rectangular plan is favored for the
Ananthasai Vishnu (Lord Vishnu in reclining posture) and the Sapta Matrikas (Seven Mother Goddesses). The circular plan and the apsidal plan are rare in other parts of India and unknown even in the civil architecture of Kerala, but they constitute an important group of temples. The circular plan is more common in the southern part of Kerala, in regions once under the influence of Buddhism. The apsidal plan is a combination of the semi-circle and the square, and is distributed sporadically over the whole coastal region. The circular temples belong to the Vasara category. A variation of circle-ellipse is also seen as an exception in the Siva shrine at Vaikkom. Polygonal shapes belonging to the Dravida category are rarely adopted in temple plans, but they find use as a feature of shikhara. As per the Thantrasamuchayam, every Sreekovil should be built either neutral or even-sided.
2028:
all around. For upper floor rooms balconies were adopted as a necessary feature, originating from the
Portuguese construction. The portico, the shaded spot for passage from one building to another was added. The solid wooden shutter of doors and windows underwent change to ribbed elements – Venetian blades – permitting air circulation and providing privacy simultaneously. By 1800 glazed panels came into vogue and semicircular fan light over doors and windows became fashionable features of domestic buildings. Brick arches, terracota pieces and exposed brick work in various bonding patterns became popular. With larger number and bigger size of windows, pediments or projections supported by ornamental brackets and column decoration for protecting the window opening from rain and sun also were introduced. Cast iron fences, stair balustrades and iron grills, made in England, were used to complete the bungalow architecture.
1650:
1670:
or walls are again of simple shape with no projection or recesses. The main door faces only in one cardinal direction and the windows are small and are made like pierced screens of wood. The rectangular plan is usually divided into two or three activity rooms with access from a front passage. The projecting caves cover a verandah all round. By tenth century, the theory and practice of domestic architecture were codified in books such as
Manushyalaya Chandrika and Vastu vidya. This attempt standardised the house construction suited to different socio-economic groups and strengthens the construction tradition among the craftsmen. The traditional craftsman, specially carpenters, preserved the knowledge by rigidly following the canonical rules of proportions of different elements as well as the construction details to this day.
848:
829:
buildings and on rare occasisions with tiles for palaces or temples. The exterior of the laterite walls was either left as such or plastered with lime mortar to serve as the base for mural painting. The sculpting of the stone mainly took the form of moulding in horizontal bands in the plinth portion (adhistans) whereas the carving of timber covered all elements – pillars, beams, ceiling, rafters and the supporting brackets. The Kerala murals are paintings with vegetable dyes on wet walls in subdued shades of brown. The indigenous adoption of the available raw materials and their transformation as enduring media for architectural expression thus became the dominant feature of the Kerala style.
613:
1548:
593:
305:
1989:
821:
1682:
is a courtyard type – nalukettu. The central courtyard is an outdoor living space which may house some object of cult worship such as a raised bed for tulsi or jasmine (mullathara). The four halls enclosing the courtyard, identical to the nalambalam of the temple, may be divided into several rooms for different activities such as cooking, dining, sleeping, studying, storage of grains etc. Depending on the size and importance of the household the building may have one or two upper storeys (malika) or further enclosed courtyard by repetition of the nalukettu to form ettukettu (eight halled building) or a cluster of such courtyards.
1579:
1127:
1868:
building may also be extended horizontally on all the four sides adding alindams or side rooms for activities such as cooking, dining, additional sleeping rooms, and a front hall for receiving guests. The
Chappamattam Tharavadu at Chirakkadavu is a classical example of extended Ekasala. If needed Ekasala may also be provided with ancillary buildings for cattle keeping, barn, bathing rooms near tanks, outhouse for guests, gate house etc. By such extension the building may become much larger than a Nalukettu in space, but it is still categorised as Ekasala with reference to its core unit.
1097:
composition, the width of the shrine, the open space around it, the position and sizes of the surrounding structures, are all related to the standard module. In vertical composition, this dimensional co-ordination is carried right up to the minute construction details such as the size of the pillars, wall plates, rafters etc. The canonical rules of the proportionate system are given in the treatises and preserved by the skilled craftsmen. This proportionate system has ensured uniformity in architectural style irrespective of the geographical distribution and scale of construction.
1856:
including the location of trees and paths within the compound wall were to be decided from the analysis of the site according to the prescriptions in the classic texts. This analysis involved the concept of vastupurusha mandala wherein the site (vastu) was divided into a number of grids (padam) occupied by different deities (devatha) and appropriate grids were chosen to house the suspicious structures. The site planning and building design was done by learned vishwakarma sthapathis (master builders) who synthesised the technical matters with astrological and mystical sciences.
512:
1004:
788:
walls withstand heavy monsoons, normally laid with tiles or a thatched labyrinth of palm leaves, supported on a roof frame made of hardwood and timber. Structurally the roof frames are supported on pillars on walls erected on a plinth raised from the ground for protection against dampness and insects in the tropical climate. Often the walls are also constructed using timbers that are abundantly available in Kerala. The structures came to include Dormer windows at the two ends to provide attic ventilation when the ceiling was incorporated into the room spaces.
734:
1889:
746:
281:
792:
1590:
Hindu shrine. Sometimes a gateway like the temple gopuram with a kottupura or music room on the upper storey was also provided. The Marth Mariam church at
Kuravilangad, originally built in 345 A.D had undergone renovations several times. The church has a rich collection of old relics including a statue of Virgin Mary and a cross carved in granite. The Knanaya Valiapally of Kaduthuruthy is another old church with the biggest cross formed in a single granite piece. The Valiapally of Piravom is also another old church with old Persian writings.
1085:
Kozhikode. The last phase culminated in the concept of the composite shrines. Herein two or three shrines of equal importance are seen cloistered inside a common nalambalam. The typical example of this is the
Vadakkumnatha temple at Thrissur, where in three shrines dedicated to Siva, Rama and Sankaranarayana are located inside the nalambalam. The prakara may also contain temple tanks, vedapadhasalas and dining halls. Paradoxically some shrines have not a single secondary shrine, the unique example being the Bharatha shrine at Irinjalakuda.
1514:
in Kerala at
Kodungallur, Chayil, Palur, Paravur-Kottakkavu, Kollam, Niranom and Kothamangalam, but none of these Syrian churches are now extant. It is possible that some of the temples were adapted as Syrian churches for services by the population who got converted into Syriac Christianity by St. Thomas. For example, the present Palur Syrian church has preserved the abhisheka patra (the letter of intonation) and certain shaiva symbols as the relics of the old church which is said to have been a Hindu shrine adapted for Christian worship.
1674:
2005:
by the
European style during seventeenth to nineteenth century. The influence of the Portuguese and Dutch was most predominant in the initial stages. A Portuguese architect Thomas Fernandez is credited with the construction of forts, warehouses and bungalows at Kochi, Kozhikode and Kannur. The projecting balconies, Gothic arches and cast-iron window grill work are a few of the features passed on to Kerala architecture by the Portuguese construction. Portuguese have commissioned more than 2000 office and warehouse complexes in
1771:
983:
1808:
1623:
European church architecture were introduced – the Gothic arches, the pilasters and buttresses, the rounded openings, the classic mouldings and stained glass windows making the whole composition completely different from the native architecture. Depending on the period of construction, one can also distinguish between the churches done in the simplicity of Gothic style as in the
Palayam church, Tiruvananthapuram, and the luxury of renaissance style as in the church of Our Lady of Dolorous at Trissoor.
1506:
1109:
capitals, door frames, wall plates and beams. Decorative sculptural work is seen best in the ceiling panels of the mandapas. Exquisite lacquer work in brick red and black colour was adopted for turned columns of timber. Metal craft was also used in sculpturing idols, motifs, cladding and finials. All sculptural works were done strictly according to the canons of proportions (ashtathala, navathala and dasathala system) applicable to different figures of men, gods and goddesses, prescribed in texts.
1037:
1089:
Koothambalam is a large pillared hall with a high roof. Inside the hall is a stage structure called as Rangamandapam for the performances. The stage as well as the pillars are ornately decorated. Visual and acoustic considerations are incorporated in the layout of the pillars and construction details so that the performances can be enjoyed by the spectators without discomfort and distortion. The Koothambalam design seems to have been based on the canons given in the Natyasastra of Bharata Muni.
675:
over Kerala. By the fifteenth century, Kerala was broadly covered by the suzerainty of four principal chieftains – Venad rulers in the south, Kochi Maharajas in the centre, Zamorins of Kozhikode in the north and Kolathiri Rajas in the extreme north. They were rulers who patronised architectural activities. It was during this period that Kerala Architecture started to form its own distinctive style. A regional character in construction incorporating the Dravidian craft skills, unique forms of
1187:
257:
1315:
1518:
1255:) and these models are to be adapted for the new situations. The early mosques in Kerala consequently resemble the traditional building of the region. Arabic style of architecture was introduced to the Malabar area of present-day Kerala, during the period of occupation by Hyder Ali and later by Tipu Sultan during the eighteenth century. A large number of temples were converted to mosques during this period as evidenced by the traditional Kerala style of these structures.
1820:
1658:
273:
754:
1691:
1559:
962:
1603:
1303:
1848:
3617:
1753:
297:
237:
2017:
pediments, arches and domes for public buildings, town halls, hospitals, railway stations, colleges etc. Expression of dominance was inbuilt in Doric and Ionian columns of large dimension. At the same time the purity of classic Western style gave way to the effect of style by mixing different types of columns in all sorts of buildings. For example, Corinthian columns were used mixed with Doric order in public buildings as well as residences.
1026:
65:
1231:
245:
24:
624:
1472:
2044:
6312:
5432:
2058:
1872:
be enquired by modern studies; however the system appears to be well founded on traditional computational methods and rigidly adhered to all sizes of buildings. All over Kerala and specially in villages where the building activity is still carried out under the control of traditional sthapathis, the system is still a living practice, though it has started disappearing under the impact of 'modern architecture'.
1632:
Christ College church at Irinjalakkuda. The Cathedral church of Archbishop of Varapuzha at Ernakulam is a soaring hyperbolic paraboloid in reinforced concrete with a bold expression in sharp contrast with all traditional forms. Perhaps experimentation in religious architecture is mostly manifested in church architecture as compared to that in temples or mosques which more or less adhere to old evolved forms.
1259:
974:(a hall for drum beating). The Chuttambalam normally has four gates to enter from all sides. A stone paved walkway will be seen around the Chuttambalam to allow devotees to circulate around the temple, which for some large temples is covered with a roof supported with massive pillars on both sides. The Chuttambalam will have dwajavillakku or giant lamp-posts in several places, mostly in the mukha-mandapam.
1530:
1065:
associated with Siva worship. In the north similar rock-cut temples of saiva cult are seen at Trikkur and Irunilamkode in Thrissur district. Historically, the cave architecture in India begins with Buddhism and the technique of rock-cut architecture in Kerala seems to be a continuation of similar works in Tamil Nadu under the Pandyas. The rock-cut temples are all dated prior to the eighth century A.D.
1864:
on the courtyard or anganam one may build any one of the four halls (Ekasala), a combination of two (Dwisala) or a complex of three (Thrisala) depending on the needs. The most commonly found type in Kerala is the Ekasala facing east or north. Being located on the western and southern sides of the anganam they are referred as western hall (padinjattini) and southern hall (thekkini) respectively.
909: – each with increasing height of the temple form. The total height is divided into two halves. The lower half consists of the basement, the pillar or the wall (stambha or bhithi), and the entablature (prasthara) in a ratio of 1:2:1 in height. Similarly, the upper half is divided into the neck (griva), the roof tower (shikhara), and the finial (kalasham) in the same ratio. The
918:
970:
The temple is now fully enclosed in a massive wall (kshetra-madillukal) pierced with gatehouses or gopurams. The gopuram is usually two-storeyed, which served two purposes. The ground floor was an open space generally used as a platform for temple dances such as kurathy dance or ottan thullal during festivals. The upper floor with wooden trails covering the sides functioned as a
167:
470:. The tombs are roughly oblong in shape with single or multiple-bed chambers, with a rectangular court in the east from which steps rise to ground level. Another type of burial chamber is made of four slabs placed on the edge and a fifth one covering them as a capstone. One or more such dolmens are marked by a stone circle. Among the megaliths are the umbrella stones (
1611:
type. When Vasco De Gama died in Kochi in 1524 his body was interred in this church and later removed to Lisbon in 1538. The church thus came to be known as Vasco De Gama's church. It was later seized by the Dutch and was used for reformed services. Later with British occupation of Kochi it became an Anglican church and presently it belongs to church of south India.
2013:
by the officers and engineers whose knowledge of the architectural style was essentially restricted to the classic books on renaissance architects – Vitruvious, Alberti & Palladio and executed by indigenous knowledge of traditional masons and carpenters recruited for the work. In a sense it was a compromise of antique craft and neo-classical construction needs.
1539:
was the ornamental gable facade at the nave end, surmounted by a cross. An entry porch (shala) in front of the nave was another feature of these early shrines. The baptistry was a small chamber inside the nave near the entrance. Belfries were built on one side of the nave, but in smaller churches, the bell was hung in an opening in the nave gable.
804:
of carpentry) – timber was readily available and heavily used. The concept of Thachu underlines the fact that as timber is derived from a living form, the wood, when used for construction, has its own life which must be synthesised in harmony with its surroundings and the people who dwell within it. This idea encapsulates Kochi's construction.
2024:
from the interior walls of places to the exterior of buildings also to create the superwhite buildings of marble cult. The old pan tiles were replaced by Mangalore pattern tiles and flat tiles. The roof frame of traditional type was changed to trussed roof-using King post and Queen post trusses, making it possible to span large areas.
1615:
instead images of Saints made of wood were used to adorn the riches. Generally pulpits were erected and altar pieces were ornamented in an impressive manner. Ceilings and walls were painted with religious themes in the style of European masters. Pointed and rounded arches were introduced and stained glass windows were installed.
991:
is used only by priests as a holy bath before the start of rituals as well as for various sacred rituals within the temple. In a few cases, a separate pond will be constructed to allow devotees to bath before entering in temple. Today, several temples have Mani-Kenar or Holy Well within the Nalambalam complex to get
1703:
named Vadakkini (northern block), Padinjattini (western block), Kizhakkini (eastern block) and Thekkini (southern block). The architecture was especially catered to large families of the traditional tharavadu, to live under one roof and enjoy the commonly owned facilities of the marumakkathayam homestead.
1871:
Vastuvidya texts prescribe the dimensions of different house types suitable for different classes. They also give the proportional system of measurements for different parts of the building all based on the perimeter (chuttu) of the core unit. The scientific basis of this dimensional system is yet to
1669:
The closed form of the Kerala houses was thus gradually evolved from technical considerations. One can see the striking similarity of this form with the temple structure. The plinth, the lower most part is still called adhisthana, though it is plain or less ornate. The sthambas or pillars and bhithis
1622:
In the external features the central tower or rather the Roman dome now comes at the centre of the transept imparting a classic form of European architecture. Also on either side of the main entrance in the front, rose towers to serve as belfries. In the treatment of the exterior, typical features of
1538:
However, original Syrians who had migrated to Kerala had brought with them some of the West Asian conventions in church architecture. Consequently, churches with regular chancel and nave began to be built and there evolved a distinctive style of church architecture. The peculiar feature of this style
1088:
A significant feature of big temple complexes is the presence of a theatre hall known as Koothambalam, meant for dance, musical performance and religious recitals. This is a unique edifice of Kerala architecture, distinct from the natyasabha or natyamandir seen in north Indian temples of this period.
1076:
The concept of the storeyed temple is also seen in this phase. The tower of the shrine rises to the second storey with a separate upper roof forming a dwitala (two-storied) temple. There is a unique example of thrithala (three-storeyed temple) is at Shiva shrine at Peruvanam with lower two storeys of
1072:
The middle phase of the evolution of the temples is characterised by the emergence of the Sandhara shrine. In the unitary shrine of the earlier type, Nirendhara (single level of srikovil), there is a cell with a single doorway to the cell. But in the Sandhara shrine, the cell has twin wells leaving a
990:
Every temple will have a sacred temple pond or water lake located within the temple complex. As per Vastu rules, water is considered a source of positive energy and synthesis balance of all energies. Hence a temple pond or Ambala Kulam will be made available within the temple complex. The temple pond
724:
were the first north Indian groups to cross the borders of Kerala and establish their monasteries. These religious groups were able to practise their faith and receive patronage from the local kings to build shrines and viharas. For nearly eight centuries, Buddhism and Jainism seem to have co-existed
690:
practices using locally available materials and suited to the climatic conditions was ultimately developed in Kerala. The theory and practice of architectural construction were also compiled during this period. These compilations constitute classical texts of a living tradition that continues to this
489:
The megaliths are not of particular architectural significance, but they speak to the custom of the primitive tribes erecting memorials at sites of mortuary rites. These places later became the annual meeting grounds of the tribes and gave rise to occult temples of ancestral worship. While the custom
2027:
Perhaps the adaptations of European style to the climatic needs and the synthesis with traditional style are best seen in the bungalow architecture. The comfort requirement in the hot humid climate prompted the European settlers to go in for buildings with large rooms with high ceiling with verandah
2023:
For the masonry work the media of Indo-European work remained the laterite and lime plastering. The potentiality of exposed laterite was explored in many cases from railway quarters to government offices (e.g. old Huzur office – Collectorate, Kozhikode). Lime plastering and finishing was transferred
2012:
By eighteenth century British style was being popularised in the land as a result of a large number of modern constructions directly carried out by the British rulers on the one hand and the fashion for things Western by the princely class and the rich on the other. The architectural work was guided
2004:
Portuguese were the first to introduce independent office complexes which stand away from residential quarters. This was out of necessity to make warehouses and its related offices away from residential apart as safety precautions. The public architectural development in Kerala was highly influenced
2000:
Unlike other parts of India as well as outside, most of the administrative functions under monarchical days were conducted within premises of palace complexes. Hence the concept of independent secular public structures and its architecture evolved towards later part of the 17th century, particularly
1896:
Nalukettus are primarily differentiated based on their structure. Traditionally Nalukettu has one courtyard with 4 blocks/halls constructed around it in cardinal directions. However some Nalukettus have 2 courtyards, which are known as Ettukettu (8 Blocked structure) as they have altogether 8 blocks
1863:
Nalukettu type buildings are also seen in many villages and towns, occupied by prominent people. The humbler buildings of the population are however smaller and simpler in form but basically derived from the nalukettu. Nalukettu is a combination of four halls along four cardinal directions, centered
1855:
The whole being protected with a compound wall or fence. An entrance structure (padippura) may also be constructed like the gopuram of a temple. This may contain one or two rooms for guests or occasional visitors who are not entertained in the main house. The position and sizes of various buildings,
1681:
The domestic architecture of Kerala follows the style of detached building; row houses seen in other parts of India are neither mentioned in Kerala texts nor put up in practice except in settlements (sanketam) occupied by Tamil or Konkini Brahmans. In its most developed form the typical Kerala house
1513:
The evolution of the church architecture of Kerala springs from two sources – the first from the work of Apostle St. Thomas and the Syrian Christians and second from the missionary work of European settlers. The tradition has it that St. Thomas who landed in Muziris in 52 AD had seven churches built
1100:
Temple architecture is a synthesis of engineering and decorative arts. The decorative elements of the Kerala temples are of three types – mouldings, sculptures and painting. The moulding is typically seen in the plinth where in horizontal hands of circular and rectangular projections and recesses in
934:
The Namaskara mandapa is a square-shaped pavilion with a raised platform, a set of pillars and a pyramidal roof. The size of the mandapa is decided by the width of the shrine cell. The pavilion in its simplest form has four corner pillars, but larger pavilions are provided with two sets of pillars –
803:
plays an important role in developing architectural styles. The basic underlying belief is that every structure built on earth has its own life, with a soul and personality that is shaped by its surroundings. The important science that Kerala has developed indigenously is Thachu-Shastra (the science
453:
Kerala's location has influenced social development and, indirectly, the style of construction. In ancient times the Arabian Sea and the Ghats formed impenetrable barriers that influenced the evolution of an isolated culture of Proto-Dravidians. The earliest vestiges of construction in Kerala belong
2016:
A notable feature of the early European work in India was a tendency to demonstrate military, political and cultural superiority of the west. The Greek and Roman antiquity was considered as the richest heritage of the west and the same was emphasised in the classic orders of pillars with triangular
1827:
Nadumuttom will be normally open to sky, allowing sunshine and rains to pour in. This is to allow natural energies to circulate within the house and allow positive vibrance within. A thulsi or tree will be normally planted in center of Nadumuttom, which is used to worship. Architecturally the logic
1815:
Traditionally Nadumuttom or central open courtyard is the prime center the Nalukettu. There is an open area usually square shaped in the exact middle of the house dividing the house in its four sides. Due to this four side division of the house by having a Nadumuttom. Similarly there was Ettu kettu
1618:
The subsequent development in church architecture in the British period also saw the introduction of a new church design. In place of the rectangular Basilican plan the cross shaped plan became increasingly popular especially in places where large congregation had to be accommodated. Apart from the
1059:
The first phase is that of rock-cut temples. This earliest form is contemporary to Buddhist cave temples. Rock-cut temples are mainly located in southern Kerala—at Vizhinjam and Ayirurpara near Tiruvananthapuram, Kottukal near Kollam and Kaviyoor near Alappuzha. Of these, the one at Kaviyoor is the
943:
The shrine and the mandapa building are enclosed in a rectangular structure called the Nalambalam. Functionally the rear and side halls of the Nalambalam serve various purposes related to ritualistic worship. The front hall is pierced with the entry, dividing it into two parts: Agrasalas, which are
787:
The primary elements are generally the same in all structures. The base model usually consists of a plain circular, square or rectangular shape with a ribbed roof, for functional reasons. The distinctive visual form of Kerala architecture is the long, steep sloping roof built to protect the house's
674:
The amalgamation of different cultures and religious philosophies helped to evolve the architectural styles of Kerala temples. This was conducive to the architectural development and renovation of a large number of temples. After the decline of the Cheras, several small principalities developed all
395:
rains and a high average temperature, an abundance of wildlife and vegetation is observed across Kerala. Across the uneven terrain of this region, human habitation is densley concentrated in the fertile lowlands and more sparse towards the hostile highlands. Heavy rains have created large bodies of
1859:
There are numerous buildings of the nalukettu type in different parts of Kerala, though many of them are in a poor state of maintenance. Changing socio-economic conditions have split up the joint-family system centered on the large nalukettu. The Kailasa mandiram at Kottakkal belonging to the Arya
1702:
where many generations of a matrilineal family lived. These types of buildings are typically found in the Indian state of Kerala. The traditional architecture is typically a rectangular structure where four blocks are joined with a central courtyard open to the sky. The four halls on the sides are
1665:
The evolution of domestic architecture of Kerala followed closely the trend of development in temple architecture. The primitive models were huts made of bamboo frame thatched with leaves in circular, square or rectangular plain shapes. The rectangular shape with a hipped roof appears to have been
1640:
The architectural scene of Kerala was influenced by many socio-cultural groups and religious thoughts from foreign lands. The sea board had promoted trade contacts with maritime nations such as Israel, Rome, Arabia and China even prior to the dawn of the Christian era. The trade contact would have
1589:
There was an open cross in front of the main entrance on a granite basement in the model of balikkal, the altar stone. A church also had the flag mast, (the dwajastambha) in front. In the Orthodox Syrian church at Chengannur, Peter and Paul occupy the place of dwarapalas, the guarding deities of a
1525:
Historical evidences suggest that the first wave of Christianity came from Edessa, Persia in the fourth century A.D. owing to the persecution of Syrian Christians in the Persian empire. According to the narration of Byzantine monk Cosmas, Kerala had many churches by sixth century A.D. According to
1092:
In the southernmost Kerala, the temple architecture was also influenced by the developments in Tamil Nadu. At Sucheendram and Tiruvananthapuram this influence is clearly seen. Herein lofty enclosures, sculptured corridors and ornate mandapas all in granite stone practically conceal the view of the
969:
The outer structure within the temple walls is known as a Chuttambalam. Normally, the Chuttambalam has a main pavilion known as a mukha-mandapam or thala-mandapam. The mukha-mandapam will have the Dwajastambam (sacred flag-post) in the center of it and have several pillars supporting the mandapam.
925:
The Sri-kovil is usually on a raised platform with a flight of 3, 5, or more steps. The steps are called Sopanapadi, and on the sides of the Sopanapadi, two large statues known as Dwarapalakas (door guards) are carved to guard the deity. As per Kerala ritual customs, only the main priest (Thantri)
914:
superimposed on it, made from a timber frame covered with planks and tiles. This sloping roof with its projecting caves gives a characteristic form to Kerala temples. The finial or kalasham, made of copper, provides the crowning spire denoting the focus of the shrine wherein the idol is installed.
828:
From the limitations of the materials, a mixed mode of construction was developed in Kerala architecture. The stonework was restricted to the plinth, even in important buildings such as temples. Laterite was used for walls. The roof structure in timber was covered with palm leaf thatching for most
812:
The natural building materials available for construction in Kerala are stone, timber, clay and palm leaves. Granite is a strong and durable building material; however, its availability is restricted mostly to the highlands and more scarce in other regions. For this reason, the skills required for
1631:
While the character of church architecture is generally identified with the form evolved in the medieval times, the modernistic trends in adapting new plan shapes and structural forms are visible in the Kerala scene as well. This circular plan shape with domical shell roof has been adopted in the
1614:
The Portuguese had introduced many innovations in the Kerala churches. For the first time, the dominating tower above the altar, which was the adaptation from temple architecture, was discarded. Inside the church, the granite images were not favoured owing to their association with the Hindu art;
1593:
Wood carving and mural paintings, the two decorative media of temples are seen to be adopted in ancient churches also. A famous piece of wooden carving is a large panel depicting the last supper in St. Thomas church, Mulanthuruthy. The All Saints church at Udayamperur has a beam resting on wooden
1574:
The church had a gable roof extending to the chancel, the most sacred part of the church and the sacristy by its side. The tower over the chancel soared higher than the roof of the nave similar to the shikhara over the garbhagriha in a Hindu temple. The residence of the priest and the parish hall
1064:
arranged axially facing the west. On the pillared facade as well as on the walls inside the ardhamandapa are sculptured reliefs of the donor, a bearded rishi, a seated four-armed Ganesh and dwarapalas. The other cave temples also have this general pattern of a shrine and an ante-room and they are
952:
At the entrance of the Nalambalam, a square-shaped raised stone altar called the Balithara can be seen. This altar is used to make ritualistic offerings to demi-gods and other spirits. Inside the Nalambalam, several small round stones, called Balikallukal can be seen, which are meant for the same
913:
or foundation is generally granite but the superstructure is built out of laterite. The roofs are usually taller than other temple structures. The structural roof of the shrine is constructed as a corbelled dome of masonry; however, to protect it from the vagaries of climate, a functional roof is
885:
The Sri-kovil may be built on different plan shapes – square, rectangular, circular, or apsidal. Of these, the square plan shows an even distribution throughout Kerala. The square shape is basically the form of the Vedic fire altar and strongly suggests the Vedic mooring. It is categorized as the
1789:
1610:
The Portuguese were the first to introduce European styles in the church architecture of Kerala, followed by Dutch and British. The first church of this type in India was built by the Franciscan missionaries in 1510 A.D. at Fort Kochi. It is a small unpretentious building of the medieval Spanish
1246:
of the imperial or provincial school in north India. The reason for this is not far to seek. The work of mosque construction was done by the local Hindu artisans under instructions of the Muslim religious heads who wanted to erect the places of worship. The models for places of worship were only
862:
Compared to other Indian regions, Kerala state has a large number of temples – almost 3000 – with a variety of structures. The temples of Kerala developed in strict accordance with two temple construction theses: Thantra-Samuchayam and Shilparatnam. The former deals in developing structures that
1722:
It is a structure containing a door forming part of Compound wall for the house with a tiled roof on top. It is the formal entry to the compound with the house. At present the door is not there as car will have to enter the house through the entry. Still tiled roof is provided preferably with a
1080:
In the last phase, (1300–1800 A.D.) the stylistic development reached its apogee with greater complexity in the temple layout and elaboration of detail. The vilakkumadam, the palisade structure fixed with rows of oil lamps is added beyond the nalambalam as an outer ring. The Altar stone is also
881:
The sanctum sanctorum is where the idol of the presiding deity is installed and worshiped. It is an independent structure, detached from other buildings with no connections, and sharing its roof with no other buildings. The Sri-kovil does not have any windows and has only one large door opening
608:
is a gateway within a palisade, visible in the vertical and horizontal structures of the vilakkumadam. In its most primitive form, this construction is seen in the hypaethral temples enshrining trees and later on the outer walls of the shrines proper. With the stylistic development of the Hindu
1838:
Pooja room should preferably be in the North East corner of the house. Idols can be placed facing east or west and the person praying can face west or east respectively. At present, wooden panelling is done on Pooja room walls and there is a standard design for Pooja room which can be given to
1068:
The structural temples appear in the second phase spanning the eighth to tenth centuries, and patronised by the Chera, Ay and Mushika chieftains. The earliest temples had a unitary shrine or a srikovil. In rare cases, a porch or ardhamandapa is seen attached to the shrine. A detached namaskara
2031:
Excellent examples of this synthesis are seen in the Napier museum at Tiruvananthapuram, and many government bungalows. In fact many of these features were smoothly adopted by the native builders to the extent that they are considered by most as traditional elements. The works of Public Works
1867:
The core unit of Ekasala consists of generally three rooms connected to a front passage. The central room is used as prayer room and grain store and the two side rooms are used as living rooms. The core unit may be raised to an upper storey with a steep stair located in the front passage. The
1117:
around the temple. The moulding, sculpture and painting are also taken in vertical compositions to emphasise the different storey heights, projecting dormer windows which break the sloping roof and the crowning finial. But in all cases, the decoration is secondary to the structural form. The
1108:
The sculptural work is of two types. One category is the low relief done on the outer walls of the shrine with masonry set in lime mortar and finished with plaster and painting. The second is the sculpturing of the timber elements – the rafter ends, the brackets, the timber columns and their
1096:
Technically an important feature of the temple architecture of Kerala is the construction technique using a dimensional standardisation. The nucleus of the temple plan is the shrine containing the garbhagriha cell. The width of this cell is the basic module of the dimensional system. In plan
1084:
Within the prakara but beyond the vilakkumadam, stood the secondary shrines of parivara devathas (sub-gods) in their assigned positions. These were unitary cells, in general, though in a few cases, each became a full-fledged shrine as in the case of Krishna shrine in the Siva temple at Tali,
1594:
mouldings of heads of elephants and rhinoceros. Floral figures, angels and apostles are the usual motifs of mural paintings. This form of decoration had continued in later churches as well. In St. Sebastian's church at Kanjoor a mural even depicts the fight between British and Tippu Sultan.
1619:
obvious symbolism of the cross, this plan is more suited for better visibility of the altar from all points in the church. Further, sufficient space was now available at the transepts for additional altars for services by several priests on important occasions like Christmas.
1566:
Unlike Kerala temples, there is no uniform or standard layout for all churches of Kerala. Rather most of churches have different set to architecture according to various sects and their traditions apart from experimentation of new designs. Still most of churches, particularly
1101:
varying proportions help to emphasize the form of the adhisthana. Occasionally this plinth is raised over a secondary platform – upapeedam – with similar treatment. Mouldings are also seen in the mandapam, the hand rails of the steps (sopanam) and even in the drain channel (
1069:
mandapa is generally built in front of the srikovil. A quadrangular building, nalambalam that encloses the srikovil, the namaskara mandapa, balikkal (altar stones), etc. became part of this basic plan composition of the Kerala temple and started emerging in this phase.
1533:
Syrian Christians have most of their churches built in traditional Kerala style, resembling temples of Kerala. The Old Syrian church of Chengannur has been built in Kerala style with stone lamps, and is a testimony of assimilation of Kerala Christianity with native
1903:
Likewise Nalukettus can be differentiated based on their height and number of floors. Some Nalukettus are single-storeyed and made with wood completely. Other Nalukettus are two-storeyed or sometimes even three-storeyed and have laterite-and-clay mixture as walls.
1526:
the inscription of the times of Stanu Ravi by ninth century, Syrian Christian communities enjoyed many rights and privileges. They also played a vital role in trade and commerce. The domestic buildings of the Syrian Christians were akin to the native architecture.
1417:
of Kerala construction is seen in a subtle manner in the secular architecture of Muslims. The bazar streets lined by buildings on both sides, the upper floor living rooms with view windows to the streets, the wooden screens used to provide privacy and shade in the
1290:
and nowhere else in the early ten mosques of the land. Wood was used extensively in superstructure for the construction of ceiling and roof. The roof in many cases is covered with sheets of copper incorporating finials in the ridge, completing the form of temple
428:(on carpentry) are important governing science of early traditional Kerala architectural forms. The traditional Kerala style of architecture has also further created its own branch of architectural manual texts since the medieval period; notable texts include
1178:
near the port and ear-marked the area around it for their settlement. The original mosque has undergone extensive repairs, but the traces of the original construction are seen in the plinth, the columns and the roof which are in the old traditional styles of
382:
The characteristic regional expression of Kerala architecture is a result of multiple geographical, climatic, and historical factors. Geographically, Kerala is a narrow strip of land lying on the seaboard of peninsular India and confined between the towering
1118:
sculptured walls are protected by the projecting caves which keep them in shade in sharp contrast with the bright sunlit exterior. This helps to impart the overall perceptual experience of light and shade revealing details only gradually to a keen observer.
1112:
The painting was executed in organic pigments on walls when the plaster was still wet – in soft subdued colours, making them into a class designated as Kerala murals. The theme of these paintings is invariably mythological and the epic stories unfold as one
2032:
Departments have helped to spread this type of construction all over Kerala. Further the introduction of engineering education with emphasis to the western practice of construction have promoted this trend practically displacing traditional design methods.
400:
and lagoons. These climatic factors have made significant contributions to the development of the architectural style: buildings are designed in such a way as to counter the wet climatic conditions coupled with heavy humidity and harsh tropical summers.
778:, which is seen in the majority of the residential houses. There are distinct styles in this area: the palaces and large mansions of feudal lords are different to the houses of commoners, and marked differences also exist between religious communities.
712:(Thirumangalathu Sri Neelakandan), dealing with the domestic architecture. A number of minor works based on the above texts, in Sanskrit, Manipravalam and refined Malayalam, have found popularity in Kerala with craftsmen and professionals in the field.
1778:
By the side of Chuttu verandah and Poomukham, wooden benches with carved decorative resting wooden pieces for resting the back are provided. This is called Charupady. Traditionally the family members or visitors used to sit on these charupady to talk
867:
so that positive energy flows in and negative energy does not remain stuck within the structure; the latter deals in developing stone and timber architecture in such manner that each carved structure is imbibed with a life and personality of its own.
1073:
passage in between them. Also, there are often four functional doors on all four cardinal directions and pierced windows to provide subdued light in the passage. Sometimes the functional doors on the sides and the rear are replaced by pseudo doors.
498:
temples had trees, stone symbols of mother goddesses, and other naturalistic or animistic images as objects of worship. The continuity of this early culture is seen in the folk arts, cult rituals, worship of trees, serpents and mother images in
1310:
The pulpit in the mosque present fine examples of wood carvings associated with Islamic architecture of Kerala. The Jama Masjid at Beypore and Mithqal Mosque at Kozhikode have the pulpit (mimbar) built by the ship masters of the Arab vessels.
1326:
and residences. The Arabic tradition of simplicity of plan had perhaps combined itself with the indigenous construction techniques giving rise to the unique style of mosque architecture, not found anywhere else in the world. In contrast the
1202:
and the gradual conversion of the native population in the permissive and all accommodating Indian cultural ethos and social set up of Kerala. By twelfth century AD there were at least ten major settlements of Muslims distributed from
944:
used for feeding Brahmans and performing yagas; and Koothuambalams which are used for staging temple arts such as Koothu and displaying murals. Occasionally, Koothuambalams are built as separate structures outside of the Nalambalam.
1174:. The visitors came to the port and handed over the letter to the reigning King who treated the guests with all respect and extended facilities to establish their faith in the land. The king arranged for the artisans to build the
6159:
1860:
Vaidyasala is a standing example of a three-storeyed nalukettu complex. Of the best preserved examples of this type are Mattancherry palace at Kochi and the taikottaram of the Padmanabhapuram palace near Kanyakumari.
935:
four inside and twelve outside. Pavilions of circular, elliptical and polygonal shapes are mentioned in the texts, but they are not seen in the Kerala temples. The Mandapams are used to conduct Vedic-Thantric rites.
671:. The Nannan line was a branch of the Ay originating in the Thiruvananthapuram area, and both were representatives (or vassals) under the suzerainty of the Cheras (and sometimes the Pandyas or Cholas or Pallavas).
1012:
Within Nalambalam, a separate complex will be constructed for cooking foods meant to serve the deity and distribution among devotees as holy prasadam. Such complexes are called Thevarapura, where the holy fire or
1661:
The Sree Padmanabhapuram Palace represents the most classic Kerala domestic architecture. It is also the world's largest wooden palace made on sloping roofs, granite and rosewood-teak wood work combinations.
1007:
Koothuambalams are prime venues for the conduct of temple dances and other art forms. The height of Koothuambalam's roof is similar to Pyramids, making it more majestic and giving a distant feeling from the
1741:
used to sit here in a reclining chair with thuppal kolambi (Spittoon) by the side of chair. This chair will have long rails on either side where the Karanavar will keep his legs raised for comfortable rest
1081:
housed in a pillared structure, the Balikkal mandapam in front of the agrasala (valiyambalam). A deepastambham and dwajasthambham (the lamp post and flag mast) are added in front of the balikkal mandapam.
1760:
From the Poomukham, a verandah to either side in front of the house through open passage called Chuttu Verandah. Chuttu verandah will have hanging lights in equal distance hanging from its slope roof.
1422:(specially of upper floors) etc., are a few features superposed on the traditional construction. These built forms would have been modelled in the pattern of the houses in Arab countries (such as
2156:
1797:
At the end of Chuttu verandah there used to be a small pond built with rubble on sides where lotus or Ambal used to be planted. The water bodies are maintained to synthesised energy flow inside.
1048:
rituals are performed seasonally. Noted for its standalone, singular, tile-roofed structure. All the Muthappan Madappura's are structured in a similar style. These structures are found mainly in
1299:
the Jama Masjid even has a gate built in the manner of temple gopuram, covered with copper sheeting. This mosque itself is a three-storeyed building with tiled roof crowned by five finials.
1093:
original main shrine in typical Kerala style. The entrance tower, Gopuram also rises to lofty heights in a style distinct from that of the humble two-storeyed structure seen elsewhere.
1586:
In their external feature Syrian churches retained some of the indigenous features of the Hindu style. The church and the ancillary buildings were enclosed in a massive laterite wall.
651:
and Kodagu, and the Kongu lands (present Salem and Coimbatore region). It had multiple capitals simultaneously administered by different lineages of the family, its main capital being
1551:
1318:
The Kannur Mosque symbolises the slow transit from Kerala style to Persian style with additions of Minarets and other classical Persian features in traditional Kerala style.
577:. Sculptured Kerala Jaina and Dravidian figures of Mahavira, Parswanatha and other thirthankaras have been recovered from these sites. This remained a Jain temple until 1522
1485:
1282:
all around. Generally it has a tall basement similar to the adhistana of the Brahmanical temple and often the columns are treated with square and octagonal section as in
1737:
soon after steps to the house. Traditionally it has a slope tiled roof with pillars supporting roof. Sides are open. In the earlier days, the head of the family called
6345:
1306:
The Cheraman Mosque, the world's second and sub-continent's first mosque, was originally built in Kerala style, and was renovated recently to give an Arabic touch.
1363:
as well as in most old Muslim settlements. The austere architectural features of the old mosques are however in the process of being replaced in recent times by
882:
mostly towards the east (or sometimes towards the west; a few temples have a north-facing door as their specialty, while no temples have a south-facing door).
6164:
795:
Most of Kerala buildings appear to have low height visually, due to over-sloping of roofs, which are meant to protect walls from rains and direct sunshine.
3633:
1287:
889:
For the unitary temples, the overall height is taken as 13/7 to 2 and 1/8 of the width of the shrine, and categorized into five classes –
609:
temple, this form of palisade is removed from the shrine structure (srikovil) and taken as a separate edifice beyond the temple cloister (chuttambalam).
2166:
1130:
The Mithqalpalli in Kozhikode is a classic example of Kerala's native Mosque style with gabled roofs, sloped wooden window panels and without minarets.
2276:
352:
2097:
2751:
761:
Kerala architecture can be broadly divided into two distinctive areas based on functionality, where each is guided by different set of principles:
490:
of father worship can be seen in these cases, the protecting deities of the villages were always in female form and were worshiped in open groves (
3234:
663:. At this time, the two extremities of the Kerala region were administered by two Velir families. The southernmost part was administered by the
565:
near Nagercoil, a rock-cut temple at Kallil near Perumbavoor, and remains of structural temples at Alathoor near Palakkad and at Sultanbathery.
1509:
The Kadamattom Malankara Syrian Church near Muvattupuzha, is one of the oldest churches in Kerala, built in a mix of Baroque and Kerala styles.
5602:
334:. Kerala's architectural style includes a unique Hindu temple architecture that emerged in southwestern India, and varies slightly from the
6151:
6340:
5540:
2838:
129:
6278:
6258:
4278:
2892:
2206:
474:), resembling handless palm leaf umbrellas used for covering pits enclosing burial urns. Two other types of megaliths, hat stones (
101:
1649:
5467:
185:
82:
37:
1897:
in cardinal directions. Some super structures have 4 courtyards, which then are known as Patinarukettu (16 blocked structure).
1262:
Miskal Mosque has three-storeyed gabled roofs with windows which offers an alternative to minarets in traditional Kerala style.
2376:
108:
5949:
3620:
2860:
2269:
276:"Arayum" wooden-panel walls and "Chuttu" verandah. Wooden houses follow the traditional prefabricated system of construction.
5875:
2756:
2451:
2232:
6228:
3438:
3227:
2463:
1582:
The Syro-Malabar Archbishop's Palace at Changassery is built assimilating Dutch architecture with Kerala's native styles.
1450:
etc. But basically the Muslim domestic architectures at large follow the traditional Hindu styles. Both "ekasalas" and "
115:
2994:
2783:
2458:
847:
5607:
817:
and tempering with admixtures. Palm leaves were used effectively to thatch the roofs and for making partition walls.
725:
in Kerala as important spiritual traditions, contributing to the social and architectural development of the region.
221:
203:
148:
51:
5645:
3606:
2865:
2845:
2712:
2626:
2296:
2262:
97:
2142:
4291:
2734:
1339:
and created highly ornamental style in the north India. The typical Kerala mosques are seen at Kollampalli, near
1996:
architecture draws influences from traditional Kerala architecture, it was built during colonial period in 1855.
542:
in the far southwest is significantly different. Very large temples are rare, and sloping roofs with projecting
5701:
4306:
4286:
3573:
3530:
3220:
2962:
2920:
2746:
2672:
2491:
2414:
86:
1900:
While Nalukettus and Ettukettus are more common, Pathinarukettu are extremely rare, due to its enormous size.
612:
6288:
6238:
5650:
5622:
3509:
3380:
2850:
2768:
2763:
2621:
2536:
2521:
2329:
6233:
1547:
4747:
4311:
4301:
3375:
3358:
3055:
2999:
2855:
2815:
2798:
2788:
2692:
2687:
1286:
pillars. The walls are made of laterite blocks. The arch form is seen only in one exceptional case for the
304:
3314:
342:. The architecture of Kerala is derived from the Indian Vedic architectural tradition and forms a part of
6171:
5617:
5612:
5594:
5460:
4296:
3655:
3647:
3504:
3484:
3257:
2957:
2825:
2773:
2682:
2419:
2324:
1490:
1399:
1219:
was converted to Islam. The primacy in trade, the spread of the faith and the experience of the sea made
592:
177:
43:
2020:
This trend was however moderated very much in Kerala owing to the limitations of materials and climate.
5673:
5108:
3499:
3267:
3111:
2935:
2915:
2870:
2833:
2778:
2667:
2662:
2364:
2359:
454:
to this period, dating between 3000 BC and 300 BC. They can be grouped into two types – tomb cells and
2337:
5766:
5751:
5731:
3545:
3514:
3494:
3474:
3409:
3400:
3169:
3152:
3116:
2972:
2808:
2741:
2556:
2531:
2516:
1988:
1880:
Nalukettus can be differentiated based on structure kind as well as based on caste of its occupants.
1387:
1328:
1243:
820:
597:
2187:
B.S. Baliga. (1995) Madras District Gazetteers: Kanniyakumari District. Superintendent, Govt. Press.
122:
5726:
5668:
4897:
4822:
4321:
4238:
4218:
3880:
2590:
2468:
1912:
The actual terms used for Nalukettus differ based on the caste and social status of its occupants.
589:, known as Ganapati vattam, which is an example of a cloistered temple built entirely of granite.
6335:
5835:
3665:
3555:
3535:
3469:
3431:
3343:
3262:
3186:
3060:
2729:
2486:
2381:
2301:
2285:
1969:
656:
652:
308:
75:
3584:
2342:
5786:
5453:
4384:
3938:
3748:
3560:
3550:
3464:
3370:
3334:
3324:
3147:
3070:
3050:
2987:
2616:
2406:
2354:
2319:
2071:
1568:
360:
343:
335:
1578:
1126:
5678:
5640:
5635:
5515:
5418:
5334:
4872:
4459:
4028:
3540:
3353:
3329:
3294:
3284:
3243:
3159:
3142:
3137:
3004:
2496:
2401:
2369:
2349:
566:
528:
6283:
6268:
6146:
5939:
5756:
5590:
4168:
3933:
3793:
3599:
3489:
3390:
3385:
3309:
3196:
3191:
3132:
3080:
3009:
2977:
2652:
2551:
2546:
2511:
2446:
2441:
2436:
2431:
2426:
1414:
1364:
1336:
1332:
1239:
1175:
1170:, he fell sick and died. But he had given introductory letters for the party to proceed to
864:
370:
are all architectural treatises that have had an impact on the architecture of Kerala. The
6198:
3616:
1438:) having contact with this region. This trend is most conspicuous in market towns such as
8:
6176:
5890:
5807:
5794:
5721:
5693:
5630:
5575:
5505:
4123:
3768:
3758:
3700:
3426:
3419:
3414:
3395:
3348:
3201:
3164:
3034:
3019:
2925:
2803:
2702:
2631:
2568:
2541:
2501:
2076:
2049:
1480:
1395:
1227:. Consequently, by fifteenth century Islamic constructions reached considerable heights.
1003:
511:
2210:
1056:
In its stylistic development, the temple architecture can be divided into three phases.
757:
Vadakumnatha Temple, Trissur, is a fine example of Kerala Style Dravidian architecture.
733:
6203:
6077:
6067:
5895:
5711:
5683:
5570:
5545:
5525:
5510:
4263:
4108:
4088:
3788:
3720:
3705:
3685:
3670:
3638:
3365:
3299:
3289:
3024:
2967:
2585:
2161:
1955:
1888:
1403:
1322:
All other construction work was done by the same local craftsmen who were building the
280:
791:
749:
The gabled roof and ceiling works are the prime feature of Kerala architectural style.
6248:
6243:
6223:
6208:
6190:
5929:
5907:
5885:
5855:
5817:
5790:
5771:
5716:
5580:
5560:
5487:
5403:
5279:
5199:
5113:
4927:
4614:
4193:
4068:
3798:
3783:
3753:
3743:
3695:
3690:
3675:
3448:
3181:
3174:
2982:
2722:
2707:
2636:
2580:
1723:
traditional type lamp below the roof. Instead of door of entry, we now have the Gate
1199:
1135:
1060:
best example. The Kaviyoor cave temple dedicated to Siva comprises a shrine room and
769:
745:
636:
619:
gateway of Kidangoor Subramanya Swami Temple located on the banks of Meenachil river.
562:
558:
467:
397:
1673:
1406:
is the classic example of this new trend. Similar structures are coming up all over
6005:
5865:
5565:
5386:
5349:
5043:
4827:
4802:
4118:
3803:
3763:
3710:
3101:
2717:
1943:
1816:
and Pathinaru kettu which are quite rare with two and four Nadumuttom respectively
1114:
687:
1770:
982:
6097:
6082:
6072:
5550:
5479:
5408:
4742:
4569:
3993:
3830:
3778:
3773:
3730:
3715:
3680:
3660:
3592:
2697:
2677:
2196:"They Manage the Wealth of the Gods". The Times of India. 4 September 2012. p. 3.
2009:
area, apart from several European styled castles and private residential villas.
1939:
1391:
1167:
668:
519:
temple is a major historic Krishna temple in Kerala, built in the classical style
2236:
1807:
6120:
6087:
5944:
5934:
5919:
5827:
5706:
5149:
5083:
4867:
4832:
4644:
4609:
4584:
4574:
4564:
4424:
4188:
4158:
4018:
3988:
3983:
3870:
3846:
3822:
3738:
2930:
2657:
2393:
1851:
The exterior of Kanakakkunnu Palace built in Kerala style with Dutch influences
1575:
were located on one side of the church and the cemetery was on the other side.
1505:
582:
524:
339:
1190:
An example of traditional Kerala style of Mosque at Thazhathangady in Kottayam
1036:
6329:
5776:
5736:
5520:
5500:
5495:
5396:
5391:
5304:
5269:
5239:
5234:
5139:
5028:
4762:
4539:
4524:
4364:
4183:
4173:
4133:
4023:
3973:
3953:
3913:
2887:
2820:
2793:
2563:
1993:
1151:
1049:
1029:
992:
851:
717:
384:
356:
347:
5368:
1793:
Almost every Nalukettu has its own Kulam or Pond for bathing of its members.
1186:
256:
6316:
6218:
6125:
5995:
5985:
5880:
5840:
5761:
5746:
5436:
5354:
5339:
5289:
5229:
5224:
5214:
5194:
5098:
5053:
5048:
5033:
4973:
4922:
4882:
4862:
4772:
4767:
4707:
4639:
4549:
4514:
4469:
4454:
4399:
4243:
4208:
4148:
4113:
4083:
4048:
4033:
4013:
3978:
3963:
3948:
3903:
3304:
3085:
3065:
2940:
2063:
1352:
1323:
1296:
1267:
1248:
1180:
1061:
319:
2254:
1819:
1521:
A Syro-Malabar Church with a mixture of Portuguese and Kerala architecture
1517:
1451:
300:
Eloborate "Padippura" is a compound gateway used in domestic architecture.
6293:
6041:
6036:
5980:
5954:
5850:
5555:
5535:
5376:
5294:
5284:
5164:
5023:
5013:
4907:
4902:
4887:
4752:
4727:
4717:
4654:
4624:
4589:
4534:
4509:
4484:
4444:
4409:
4233:
4098:
4063:
4058:
4008:
3443:
3277:
3272:
3029:
2877:
2595:
2573:
2006:
1657:
1454:" are seen adopted for this. These buildings with extensive alindams and
1314:
1171:
824:
The typical wood carvings made on ceilings of Sree Padmanabhapuram Palace
660:
586:
570:
388:
272:
240:
Traditional features of Kerala architecture with low roofs and wood work.
3212:
6109:
5990:
5812:
5413:
5324:
5314:
5244:
5179:
5159:
5154:
5103:
5078:
5038:
5008:
5003:
4952:
4942:
4877:
4837:
4777:
4659:
4634:
4629:
4619:
4519:
4489:
4439:
4434:
4374:
4223:
4213:
4203:
4198:
4093:
4078:
3968:
3923:
2897:
2882:
2116:
1690:
1558:
1458:
are also seen generally surrounding the mosques in Muslim settlements.
1447:
1443:
1238:
The mosque architecture of Kerala exhibits none of the features of the
961:
926:
and second priest (Melshanti) are allowed to enter into the Sri-kovil.
753:
664:
554:
rainfall. There is usually a stone core below a timber superstructure.
495:
486:), have no burial appendages and appear instead to be memorial stones.
366:
1847:
1752:
1602:
1552:
Kottakkavu Mar Thoma Syro-Malabar Roman Catholic Church, North Paravur
1302:
1211:
in the north each centered on the mosque. Also a branch of the ruling
631:
of the Dravidian Kovil of Padmanabhaswamy Temple in Thiruvananthapuram
346:, one of the three styles of temple mentioned in the ancient books on
6273:
6062:
6046:
5970:
5660:
5144:
5134:
5118:
5073:
5063:
4993:
4857:
4842:
4792:
4782:
4712:
4544:
4479:
4464:
4429:
4419:
4394:
4379:
4369:
4359:
4339:
4138:
4103:
4053:
4043:
3998:
3943:
3928:
3918:
3908:
3862:
3106:
2611:
1948:
1932:
1917:
1699:
1439:
1360:
1348:
1344:
1208:
855:
648:
516:
331:
327:
296:
236:
1025:
374:, a work devoted to domestic architecture, has its roots in Kerala.
64:
5802:
5741:
5344:
5274:
5259:
5254:
5249:
5219:
5209:
5169:
5068:
5058:
4983:
4968:
4852:
4847:
4812:
4797:
4787:
4757:
4737:
4702:
4664:
4604:
4579:
4554:
4529:
4504:
4474:
4449:
4414:
4354:
4349:
4258:
4228:
4163:
4153:
4143:
4128:
4073:
4038:
3854:
3319:
3075:
3014:
2947:
1455:
1419:
1371:
1292:
1279:
1212:
1147:
814:
676:
667:
chieftains of Thiruvananthapuram and the northernmost parts by the
574:
463:
459:
455:
420:
1230:
986:
The temple pond or Ambala-Kulam at Ambalappuzha Sri Krishna Temple
244:
6298:
6253:
6130:
6115:
6000:
5975:
5870:
5860:
5381:
5329:
5319:
5309:
5264:
5189:
5184:
5174:
5093:
5088:
4998:
4932:
4892:
4817:
4807:
4732:
4722:
4697:
4674:
4599:
4594:
4494:
4334:
4268:
4253:
4178:
3893:
3838:
3614:
2952:
1734:
1383:
1356:
1283:
1224:
1163:
1102:
1045:
628:
623:
551:
546:
dominate the outline, often arranged in a number of tiers. As in
479:
392:
5445:
1892:
Korean visitors looking at an Ettukettu Architecture in Mattanur
6263:
6105:
6031:
5845:
5476:
5204:
5018:
4988:
4978:
4947:
4937:
4669:
4559:
4499:
4404:
4248:
3958:
3624:
1930:
and other feudal lords, most of the Nalukettus are referred as
1529:
1407:
1340:
1271:
1258:
1220:
1216:
1204:
1195:
1143:
644:
547:
539:
506:
323:
2043:
6213:
6021:
5822:
5530:
5299:
4912:
4649:
4389:
4344:
4329:
4003:
3898:
3888:
1927:
1597:
1427:
1423:
1379:
1275:
1155:
1139:
800:
721:
684:
680:
543:
414:
2001:
due to the contributions made by colonial powers in Kerala.
1606:
The assimilated Dutch style in Kerala architectural patterns
1410:
in the modification of old mosques during the last decades.
1223:
a prominent class and dear to the rulers, especially of the
1150:
or even before. As local Muslim legends and tradition go, a
917:
6026:
4917:
1435:
1431:
1375:
1368:
1159:
1014:
716:
Kerala is referred to as one of the border kingdoms of the
1694:
A classic Nalukettu of Kerala built in Kerala architecture
1653:
Traditional houses on display at Charithra Malika, Kerala.
1554:
is a mixture of Portuguese, Kerala and Dutch architecture.
871:
2311:
1542:
440:. These Vastu and carpentry texts are unique to Kerala.
1626:
458:. The rock-cut tomb cells are generally located in the
1571:
churches of Kerala, do share several common features.
1839:
clients interested in having traditional Pooja room.
1823:
A classic Nadumuttom with holy thulsi in center of it
2039:
1077:
square plan and the third storey of octagonal form.
311:
is a type of wayside public resting place in Kerala.
2157:"15th-century Jain temple in Kerala to be reopened"
1146:coast from very early times, as far as the time of
573:located at Jainimedu, 3 km from the centre of
89:. Unsourced material may be challenged and removed.
2233:"Kerala Architecture – a knol by Thomas Viruvelil"
1774:The typical wooden windows and charupady of Kerala
6165:Samastha Kerala Jem-iyyathul Ulama (1989–present)
6327:
1983:
1828:is allow tree to act as a natural air purifier.
1756:The wooden Gabled windows of Krishnapuram Palace
6346:Indian architecture by state or union territory
581:AD before being consecrated as a Hindu temple.
538:The version of Dravidian architecture found in
180:for grammar, style, cohesion, tone, or spelling
6160:Samastha Kerala Jem-iyyathul Ulama (1926–1989)
1920:communities, their residences are referred as
1677:The classic roof decors made in Kerala Palaces
1390:are being projected as the visible symbols of
772:as well as several old churches, mosques, etc.
404:
5461:
3600:
3228:
2270:
1198:through the migration of new groups from the
921:The flag post normally seen in Kerala temples
1044:(stand alone Kovil) from North Kerala where
728:
507:Hindu, Jain and Buddhist Kerala architecture
2284:
1479:It has been suggested that this section be
702:(Sreekumara), covering temple architecture.
52:Learn how and when to remove these messages
5468:
5454:
3607:
3593:
3235:
3221:
2277:
2263:
2149:
1946:, most of the Nalukettus were referred as
1698:Nālukettu is the traditional homestead of
1598:Colonial influences in church architecture
1234:Muchundi Mosque with classic Kerala styles
647:ruled all of present-day Kerala, parts of
410:Thatchu Shasthra, the Science of Carpentry
3242:
1162:. On his return trip accompanied by many
837:
533:
222:Learn how and when to remove this message
204:Learn how and when to remove this message
149:Learn how and when to remove this message
6279:List of tourist attractions in Kozhikode
1987:
1887:
1846:
1818:
1811:A typical Nadumuttom of Kerala Nalukettu
1806:
1788:
1769:
1751:
1706:
1689:
1672:
1656:
1648:
1644:
1601:
1577:
1557:
1546:
1528:
1516:
1504:
1313:
1301:
1257:
1229:
1185:
1125:
1035:
1024:
1002:
981:
960:
916:
846:
819:
790:
752:
744:
732:
622:
611:
591:
557:The Jain monuments are more numerous in
510:
462:zones of central Kerala, for example at
318:is a style of architecture found in the
303:
295:
279:
271:
255:
243:
235:
1121:
872:Elements and features of Kerala temples
6328:
1635:
1543:Elements of Kerala church architecture
1461:
1020:
842:
264:surrounded by woodwork windows called
6152:Sree Narayana Dharma Paripalana Yogam
5449:
3588:
3216:
2258:
1883:
1875:
1483:out into another article titled
1266:In plan the mosque comprises a large
929:
1627:Modern trends in church architecture
1465:
720:. It is possible that Buddhists and
396:water in the form of lakes, rivers,
160:
87:adding citations to reliable sources
58:
17:
2095:
1972:, their residences are referred as
1958:, their residences are referred as
1142:also had direct trade contact with
698:(Chennas Narayanan Namboodiri) and
550:, this is an adaption to the heavy
248:The temple entrance gateway called
13:
6341:Buildings and structures in Kerala
5377:Kolathunadu (Kingdom of Cannanore)
2140:
2114:
2096:Tom, Binumol (20 September 2018).
448:
14:
6357:
5475:
2143:"Traditional Kerala Architecture"
1907:
768:, which is primarily used in the
33:This article has multiple issues.
6310:
6234:Places of Interest in Malappuram
5430:
3615:
2056:
2042:
1470:
683:times and canonical theories of
561:. They include rock shelters at
165:
63:
22:
6249:Tourist attractions of Palakkad
5674:2001 Kadalundi Train derailment
3396:Thantra-Samuchayam/Shilparatnam
2115:Centre, UNESCO World Heritage.
1842:
1278:is west to Kerala) and covered
977:
956:
691:day. Four important books are:
655:, which is associated with the
74:needs additional citations for
41:or discuss these issues on the
5702:Agasthyamala Biosphere Reserve
3574:Category:Architecture in India
2225:
2199:
2190:
2181:
2134:
2108:
2089:
1331:drew its inspiration from the
998:
782:
741:(gable) and Charupadi windows.
679:buildings, design concepts of
639:says that by the first century
1:
6289:Tourism in Thiruvananthapuram
6239:Tourist attractions in Kannur
2537:Anatolian Seljuk architecture
2165:. 12 May 2013. Archived from
2082:
1984:Public structure architecture
938:
260:Traditional courtyard called
2121:UNESCO World Heritage Centre
1685:
947:
876:
832:
807:
7:
6172:Kerala Nadvathul Mujahideen
2035:
1274:on the western wall (since
1176:first mosque at Kodungallur
995:for purposes of Abisekham.
405:Early texts on architecture
338:observed in other parts of
284:Traditional rafters called
10:
6362:
1486:Kerala church architecture
1386:of the imperial school of
1244:Indo-Islamic architectures
627:The ornate multi-storeyed
585:also has the remains of a
522:
443:
377:
6307:
6189:
6139:
6096:
6055:
6014:
5963:
5915:
5906:
5896:colleges and universities
5785:
5752:Nilgiri Biosphere Reserve
5692:
5659:
5589:
5486:
5427:
5367:
5127:
4961:
4690:
4683:
4320:
4277:
3879:
3812:
3729:
3646:
3631:
3569:
3523:
3457:
3250:
3125:
3094:
3043:
2908:
2645:
2604:
2479:
2392:
2310:
2292:
2207:"www.keralahistory.ac.in"
1413:Perhaps the influence of
1388:Indo-Islamic architecture
1329:Indo-Islamic architecture
1164:Islamic religious leaders
965:The Goppuram or Gatehouse
729:Composition and structure
387:to its east and the vast
5727:Eravikulam National Park
5679:2016 Paravur temple fire
3656:Thiruvananthapuram KL-01
418:, along with texts like
98:"Architecture of Kerala"
5836:Saint Thomas Christians
5646:United Democratic Front
2302:History of construction
2286:History of architecture
6140:Organisations/Agencies
5964:Dance / Drama / Cinema
5747:Nelliampathi Mountains
4385:Chittur-Thathamangalam
4279:Municipal corporations
2297:Architectural timeline
2072:Padmanabhapuram Palace
1997:
1893:
1852:
1824:
1812:
1794:
1775:
1757:
1695:
1678:
1662:
1654:
1607:
1583:
1569:Saint Thomas Christian
1563:
1555:
1535:
1522:
1510:
1319:
1307:
1263:
1251:or the theatre halls (
1235:
1191:
1131:
1105:) or the shrine cell.
1053:
1033:
1009:
987:
966:
922:
859:
838:Religious architecture
825:
796:
766:Religious Architecture
758:
750:
742:
710:Manushyalaya Chandrika
632:
620:
601:
534:Dravidian architecture
520:
434:Manushyalaya-Chandrika
372:Manushyalaya Chandrika
361:Manushyalaya Chandrika
344:Dravidian architecture
336:Dravidian architecture
326:, and in parts of the
312:
301:
293:
277:
269:
253:
241:
5641:Left Democratic Front
5576:Perumpadapu Swaroopam
5516:Chovvanur burial cave
4460:Kothamangalam, Kerala
3244:Architecture of India
2839:America and Australia
2459:Medieval Scandinavian
1991:
1891:
1850:
1822:
1810:
1792:
1773:
1755:
1707:Elements of Nalukettu
1693:
1676:
1660:
1652:
1645:Domestic architecture
1605:
1581:
1561:
1550:
1532:
1520:
1508:
1317:
1305:
1261:
1233:
1189:
1129:
1039:
1028:
1006:
985:
964:
920:
850:
823:
799:The belief system of
794:
776:Domestic Architecture
756:
748:
736:
669:Nannans of Ezhilmalai
626:
615:
595:
567:Jainimedu Jain temple
529:Jainism in Tamil Nadu
514:
307:
299:
283:
275:
259:
247:
239:
6284:Estuaries of Paravur
6269:Muzhappilangad Beach
6259:Tourism in Kasaragod
6147:Nair Service Society
5669:1988 Perumon tragedy
5618:Legislative Assembly
5536:Kingdom of Cannanore
3666:Pathanamthitta KL-03
3081:Critical regionalism
1944:older Malabar region
1562:Altar-Kanjoor Church
1365:Islamic architecture
1343:, Panthalayani near
1122:Islamic architecture
391:to its west. Due to
252:in Aranmula, Kerala.
83:improve this article
6177:Syro-Malabar Church
5631:Saptakakshi Munnani
5506:Ariyannur Umbrellas
3020:Stripped Classicism
2995:International style
2978:Rationalist-Fascist
2627:Portuguese Colonial
2377:Pre-Islamic Persian
2077:Krishnapuram Palace
2050:Architecture portal
1636:Jewish architecture
1462:Church architecture
1295:with the stupi. At
1021:Phases of evolution
843:Temple architecture
737:Traditional ornate
316:Kerala architecture
6204:Athirappilly Falls
6078:Suriyani Malayalam
6068:Malayalam calendar
5712:Kavvayi Backwaters
5684:2018 Kerala floods
5571:Vaikom Satyagraham
5546:Battle of Kulachal
5526:Zamorin of Calicut
5511:Kudakkallu Parambu
5369:Historical regions
4287:Thiruvananthapuram
4219:Thiruvananthapuram
3639:Thiruvananthapuram
3025:Postconstructivism
2968:Streamline Moderne
2239:on 13 October 2011
2162:The Times of India
2098:"Ground realities"
1998:
1956:Samantha Kshatriya
1894:
1884:Based on structure
1876:Types of Nalukettu
1853:
1825:
1813:
1795:
1784:Ambal Kulam (Pond)
1776:
1758:
1696:
1679:
1663:
1655:
1608:
1584:
1564:
1556:
1536:
1523:
1511:
1404:Thiruvananthapuram
1337:Persian traditions
1320:
1308:
1264:
1236:
1225:Kozhikode Zamorins
1213:kingdom at Arakkal
1192:
1132:
1054:
1034:
1010:
988:
967:
930:Namaskara Mandapam
923:
860:
826:
797:
759:
751:
743:
633:
621:
602:
598:Peruvanam Mahadeva
596:Central shrine of
569:is a 15th-century
521:
430:Tantra Samucchayam
313:
302:
294:
278:
270:
254:
242:
184:You can assist by
6323:
6322:
6244:Islands of Kollam
6224:Kerala Backwaters
6209:Beaches in Kerala
6185:
6184:
5950:Triumvirate poets
5856:Jainism in Kerala
5772:Sasthamcotta Lake
5581:Malabar Migration
5561:Anglo-Mysore Wars
5443:
5442:
5419:Travancore–Cochin
5363:
5362:
3582:
3581:
3210:
3209:
1970:Syrian Christians
1503:
1502:
1498:
1288:mosque at Ponnani
1242:nor those of the
1200:Arabian Peninsula
1160:a voyage to Mecca
1136:Arabian Peninsula
1052:region of Kerala.
1032:Nalukettu complex
770:temples of Kerala
696:Thantrasamuchayam
637:Sangam literature
563:Chitral Jain cave
468:Thrissur district
232:
231:
224:
214:
213:
206:
159:
158:
151:
133:
56:
6353:
6317:India portal
6315:
6314:
6313:
6006:Cinema of Kerala
5913:
5912:
5876:Scheduled Tribes
5566:Battle of Quilon
5470:
5463:
5456:
5447:
5446:
5437:India portal
5435:
5434:
5433:
5350:Thalayolaparambu
5109:Sreekrishnapuram
5044:Sreemoolanagaram
4688:
4687:
3701:Malappuram KL-10
3619:
3609:
3602:
3595:
3586:
3585:
3237:
3230:
3223:
3214:
3213:
3102:Deconstructivism
2861:Spanish Colonial
2622:Spanish Colonial
2522:Western Chalukya
2330:Ancient Egyptian
2279:
2272:
2265:
2256:
2255:
2249:
2248:
2246:
2244:
2235:. Archived from
2229:
2223:
2222:
2220:
2218:
2209:. Archived from
2203:
2197:
2194:
2188:
2185:
2179:
2178:
2176:
2174:
2153:
2147:
2146:
2138:
2132:
2131:
2129:
2127:
2112:
2106:
2105:
2093:
2066:
2061:
2060:
2059:
2052:
2047:
2046:
1938:For some of the
1733:It is the prime
1717:
1716:
1494:
1474:
1473:
1466:
1207:in the south to
1194:Islam spread in
1138:, the cradle of
708:(anonymous) and
657:Thiruvanchikulam
642:
580:
227:
220:
209:
202:
198:
195:
189:
169:
168:
161:
154:
147:
143:
140:
134:
132:
91:
67:
59:
48:
26:
25:
18:
6361:
6360:
6356:
6355:
6354:
6352:
6351:
6350:
6326:
6325:
6324:
6319:
6311:
6309:
6303:
6181:
6135:
6092:
6083:Judeo-Malayalam
6073:Arabi Malayalam
6051:
6010:
5959:
5902:
5793:
5789:
5781:
5767:Protected areas
5732:Flora and fauna
5688:
5655:
5608:Chief Ministers
5593:
5585:
5551:Arakkal kingdom
5531:Venad Swaroopam
5482:
5474:
5444:
5439:
5431:
5429:
5423:
5409:Venad (kingdom)
5359:
5123:
4957:
4823:Kottappadi Part
4679:
4316:
4273:
3875:
3831:Indian elephant
3808:
3725:
3721:Kasaragod KL-14
3706:Kozhikode KL-11
3686:Ernakulam KL-07
3671:Alappuzha KL-04
3642:
3627:
3613:
3583:
3578:
3565:
3519:
3453:
3376:Badami Chalukya
3246:
3241:
3211:
3206:
3121:
3090:
3039:
2973:Totalitarianism
2963:New Objectivity
2904:
2757:Serbo-Byzantine
2752:Russo-Byzantine
2641:
2600:
2475:
2452:Islamic Persian
2388:
2306:
2288:
2283:
2253:
2252:
2242:
2240:
2231:
2230:
2226:
2216:
2214:
2213:on 21 July 2011
2205:
2204:
2200:
2195:
2191:
2186:
2182:
2172:
2170:
2169:on 15 June 2013
2155:
2154:
2150:
2141:Philip, Boney.
2139:
2135:
2125:
2123:
2117:"Western Ghats"
2113:
2109:
2094:
2090:
2085:
2062:
2057:
2055:
2048:
2041:
2038:
1986:
1940:Mappila Muslims
1910:
1886:
1878:
1845:
1747:Chuttu verandah
1714:
1713:
1709:
1688:
1647:
1638:
1629:
1600:
1545:
1499:
1475:
1471:
1464:
1392:Islamic culture
1168:Malik ibn Dinar
1124:
1115:circumambulates
1023:
1001:
980:
959:
950:
941:
932:
879:
874:
845:
840:
835:
810:
785:
731:
640:
578:
536:
531:
509:
451:
449:Prehistoric era
446:
407:
380:
353:Tantrasamuchaya
228:
217:
216:
215:
210:
199:
193:
190:
183:
170:
166:
155:
144:
138:
135:
92:
90:
80:
68:
27:
23:
12:
11:
5:
6359:
6349:
6348:
6343:
6338:
6336:Arts of Kerala
6321:
6320:
6308:
6305:
6304:
6302:
6301:
6296:
6291:
6286:
6281:
6276:
6271:
6266:
6261:
6256:
6251:
6246:
6241:
6236:
6231:
6226:
6221:
6216:
6211:
6206:
6201:
6195:
6193:
6187:
6186:
6183:
6182:
6180:
6179:
6174:
6169:
6168:
6167:
6162:
6154:
6149:
6143:
6141:
6137:
6136:
6134:
6133:
6128:
6123:
6121:Panchari melam
6118:
6113:
6102:
6100:
6094:
6093:
6091:
6090:
6088:Irula language
6085:
6080:
6075:
6070:
6065:
6059:
6057:
6053:
6052:
6050:
6049:
6044:
6039:
6034:
6029:
6024:
6018:
6016:
6012:
6011:
6009:
6008:
6003:
5998:
5993:
5988:
5983:
5978:
5973:
5967:
5965:
5961:
5960:
5958:
5957:
5952:
5947:
5945:Sarpam Thullal
5942:
5937:
5935:Kalarippayattu
5932:
5927:
5922:
5916:
5910:
5904:
5903:
5901:
5900:
5899:
5898:
5888:
5883:
5878:
5873:
5868:
5863:
5858:
5853:
5848:
5843:
5838:
5833:
5830:
5825:
5820:
5815:
5810:
5805:
5799:
5797:
5783:
5782:
5780:
5779:
5774:
5769:
5764:
5759:
5754:
5749:
5744:
5739:
5734:
5729:
5724:
5719:
5714:
5709:
5707:Ashtamudi Lake
5704:
5698:
5696:
5690:
5689:
5687:
5686:
5681:
5676:
5671:
5665:
5663:
5657:
5656:
5654:
5653:
5648:
5643:
5638:
5633:
5628:
5620:
5615:
5610:
5605:
5599:
5597:
5587:
5586:
5584:
5583:
5578:
5573:
5568:
5563:
5558:
5553:
5548:
5543:
5538:
5533:
5528:
5523:
5518:
5513:
5508:
5503:
5498:
5492:
5490:
5484:
5483:
5473:
5472:
5465:
5458:
5450:
5441:
5440:
5428:
5425:
5424:
5422:
5421:
5416:
5411:
5406:
5401:
5400:
5399:
5394:
5384:
5379:
5373:
5371:
5365:
5364:
5361:
5360:
5358:
5357:
5352:
5347:
5342:
5337:
5332:
5327:
5322:
5317:
5312:
5307:
5302:
5297:
5292:
5287:
5282:
5277:
5272:
5267:
5262:
5257:
5252:
5247:
5242:
5237:
5232:
5227:
5222:
5217:
5212:
5207:
5202:
5197:
5192:
5187:
5182:
5177:
5172:
5167:
5162:
5157:
5152:
5150:Chirayinkeezhu
5147:
5142:
5137:
5131:
5129:
5125:
5124:
5122:
5121:
5116:
5111:
5106:
5101:
5096:
5091:
5086:
5084:Vadakkencherry
5081:
5076:
5071:
5066:
5061:
5056:
5051:
5046:
5041:
5036:
5031:
5026:
5021:
5016:
5011:
5006:
5001:
4996:
4991:
4986:
4981:
4976:
4971:
4965:
4963:
4959:
4958:
4956:
4955:
4950:
4945:
4940:
4935:
4930:
4925:
4920:
4915:
4910:
4905:
4900:
4895:
4890:
4885:
4880:
4875:
4870:
4868:Muzhappilangad
4865:
4860:
4855:
4850:
4845:
4840:
4835:
4833:Padinharethara
4830:
4825:
4820:
4815:
4810:
4805:
4800:
4795:
4790:
4785:
4780:
4775:
4770:
4765:
4760:
4755:
4750:
4745:
4740:
4735:
4730:
4725:
4720:
4715:
4710:
4705:
4700:
4694:
4692:
4685:
4681:
4680:
4678:
4677:
4672:
4667:
4662:
4657:
4652:
4647:
4645:Thrippunithura
4642:
4637:
4632:
4627:
4622:
4617:
4612:
4610:Sreekandapuram
4607:
4602:
4597:
4592:
4587:
4585:Perinthalmanna
4582:
4577:
4575:Pathanamthitta
4572:
4567:
4565:Parappanangadi
4562:
4557:
4552:
4547:
4542:
4537:
4532:
4527:
4522:
4517:
4512:
4507:
4502:
4497:
4492:
4487:
4482:
4477:
4472:
4467:
4462:
4457:
4452:
4447:
4442:
4437:
4432:
4427:
4425:Karunagappalli
4422:
4417:
4412:
4407:
4402:
4397:
4392:
4387:
4382:
4377:
4372:
4367:
4362:
4357:
4352:
4347:
4342:
4337:
4332:
4326:
4324:
4322:Municipalities
4318:
4317:
4315:
4314:
4309:
4304:
4299:
4294:
4289:
4283:
4281:
4275:
4274:
4272:
4271:
4266:
4261:
4256:
4251:
4246:
4241:
4236:
4231:
4226:
4221:
4216:
4211:
4206:
4201:
4196:
4191:
4189:Sultan Bathery
4186:
4181:
4176:
4171:
4169:Perinthalmanna
4166:
4161:
4156:
4151:
4146:
4141:
4136:
4131:
4126:
4121:
4116:
4111:
4106:
4101:
4096:
4091:
4086:
4081:
4076:
4071:
4066:
4061:
4056:
4051:
4046:
4041:
4036:
4031:
4026:
4021:
4016:
4011:
4006:
4001:
3996:
3991:
3989:Karunagappalli
3986:
3984:Karthikappally
3981:
3976:
3971:
3966:
3961:
3956:
3951:
3946:
3941:
3936:
3934:Chirayinkeezhu
3931:
3926:
3921:
3916:
3911:
3906:
3901:
3896:
3891:
3885:
3883:
3877:
3876:
3874:
3873:
3871:Papilio buddha
3868:
3865:
3860:
3857:
3852:
3849:
3844:
3841:
3836:
3833:
3828:
3825:
3823:Great hornbill
3820:
3816:
3814:
3810:
3809:
3807:
3806:
3801:
3796:
3791:
3786:
3781:
3776:
3771:
3766:
3761:
3756:
3751:
3746:
3741:
3735:
3733:
3727:
3726:
3724:
3723:
3718:
3713:
3708:
3703:
3698:
3696:Palakkad KL-09
3693:
3691:Thrissur KL-08
3688:
3683:
3678:
3676:Kottayam KL-05
3673:
3668:
3663:
3658:
3652:
3650:
3644:
3643:
3632:
3629:
3628:
3612:
3611:
3604:
3597:
3589:
3580:
3579:
3577:
3576:
3570:
3567:
3566:
3564:
3563:
3558:
3553:
3548:
3543:
3538:
3533:
3527:
3525:
3521:
3520:
3518:
3517:
3512:
3507:
3502:
3497:
3492:
3487:
3482:
3477:
3472:
3467:
3461:
3459:
3455:
3454:
3452:
3451:
3446:
3441:
3439:Indo-Saracenic
3436:
3435:
3434:
3429:
3424:
3423:
3422:
3407:
3406:
3405:
3404:
3403:
3398:
3393:
3388:
3383:
3378:
3366:Hindu-southern
3363:
3362:
3361:
3356:
3351:
3346:
3341:
3340:
3339:
3338:
3337:
3332:
3327:
3317:
3312:
3300:Hindu-northern
3297:
3292:
3287:
3282:
3281:
3280:
3275:
3265:
3260:
3258:Ancient Indian
3254:
3252:
3248:
3247:
3240:
3239:
3232:
3225:
3217:
3208:
3207:
3205:
3204:
3199:
3194:
3189:
3184:
3179:
3178:
3177:
3167:
3162:
3157:
3156:
3155:
3150:
3140:
3135:
3129:
3127:
3123:
3122:
3120:
3119:
3114:
3109:
3104:
3098:
3096:
3092:
3091:
3089:
3088:
3083:
3078:
3073:
3068:
3063:
3058:
3053:
3047:
3045:
3041:
3040:
3038:
3037:
3032:
3027:
3022:
3017:
3012:
3007:
3002:
2997:
2992:
2991:
2990:
2985:
2980:
2970:
2965:
2960:
2958:Constructivism
2955:
2950:
2945:
2944:
2943:
2933:
2931:Prairie School
2928:
2923:
2918:
2912:
2910:
2906:
2905:
2903:
2902:
2901:
2900:
2895:
2890:
2885:
2875:
2874:
2873:
2868:
2863:
2858:
2853:
2848:
2843:
2842:
2841:
2836:
2828:
2823:
2818:
2813:
2812:
2811:
2806:
2801:
2791:
2786:
2781:
2776:
2771:
2766:
2761:
2760:
2759:
2754:
2739:
2738:
2737:
2727:
2726:
2725:
2720:
2715:
2710:
2705:
2700:
2695:
2690:
2685:
2680:
2675:
2670:
2665:
2660:
2649:
2647:
2643:
2642:
2640:
2639:
2634:
2629:
2624:
2619:
2614:
2608:
2606:
2602:
2601:
2599:
2598:
2593:
2588:
2583:
2578:
2577:
2576:
2566:
2561:
2560:
2559:
2554:
2549:
2544:
2539:
2534:
2526:
2525:
2524:
2519:
2514:
2506:
2505:
2504:
2499:
2494:
2483:
2481:
2477:
2476:
2474:
2473:
2472:
2471:
2464:Pre-Romanesque
2461:
2456:
2455:
2454:
2449:
2444:
2439:
2434:
2424:
2423:
2422:
2417:
2409:
2404:
2398:
2396:
2394:1st millennium
2390:
2389:
2387:
2386:
2385:
2384:
2374:
2373:
2372:
2367:
2362:
2352:
2347:
2346:
2345:
2340:
2332:
2327:
2322:
2316:
2314:
2308:
2307:
2305:
2304:
2299:
2293:
2290:
2289:
2282:
2281:
2274:
2267:
2259:
2251:
2250:
2224:
2198:
2189:
2180:
2148:
2133:
2107:
2087:
2086:
2084:
2081:
2080:
2079:
2074:
2068:
2067:
2053:
2037:
2034:
1985:
1982:
1981:
1980:
1966:
1952:
1936:
1924:
1909:
1908:Based on caste
1906:
1885:
1882:
1877:
1874:
1844:
1841:
1836:
1835:
1805:
1804:
1787:
1786:
1768:
1767:
1750:
1749:
1731:
1730:
1720:
1719:
1708:
1705:
1687:
1684:
1646:
1643:
1637:
1634:
1628:
1625:
1599:
1596:
1544:
1541:
1501:
1500:
1478:
1476:
1469:
1463:
1460:
1123:
1120:
1022:
1019:
1000:
997:
979:
976:
958:
955:
949:
946:
940:
937:
931:
928:
878:
875:
873:
870:
844:
841:
839:
836:
834:
831:
809:
806:
784:
781:
780:
779:
773:
730:
727:
714:
713:
703:
583:Sultan Bathery
535:
532:
525:Tamil Buddhism
508:
505:
450:
447:
445:
442:
406:
403:
379:
376:
357:Thachu-Shastra
340:southern India
230:
229:
212:
211:
173:
171:
164:
157:
156:
71:
69:
62:
57:
31:
30:
28:
21:
9:
6:
4:
3:
2:
6358:
6347:
6344:
6342:
6339:
6337:
6334:
6333:
6331:
6318:
6306:
6300:
6297:
6295:
6292:
6290:
6287:
6285:
6282:
6280:
6277:
6275:
6272:
6270:
6267:
6265:
6262:
6260:
6257:
6255:
6252:
6250:
6247:
6245:
6242:
6240:
6237:
6235:
6232:
6230:
6227:
6225:
6222:
6220:
6217:
6215:
6212:
6210:
6207:
6205:
6202:
6200:
6197:
6196:
6194:
6192:
6188:
6178:
6175:
6173:
6170:
6166:
6163:
6161:
6158:
6157:
6155:
6153:
6150:
6148:
6145:
6144:
6142:
6138:
6132:
6129:
6127:
6124:
6122:
6119:
6117:
6114:
6111:
6107:
6104:
6103:
6101:
6099:
6095:
6089:
6086:
6084:
6081:
6079:
6076:
6074:
6071:
6069:
6066:
6064:
6061:
6060:
6058:
6054:
6048:
6045:
6043:
6040:
6038:
6035:
6033:
6030:
6028:
6025:
6023:
6020:
6019:
6017:
6013:
6007:
6004:
6002:
5999:
5997:
5994:
5992:
5989:
5987:
5984:
5982:
5979:
5977:
5974:
5972:
5969:
5968:
5966:
5962:
5956:
5953:
5951:
5948:
5946:
5943:
5941:
5938:
5936:
5933:
5931:
5928:
5926:
5923:
5921:
5918:
5917:
5914:
5911:
5909:
5905:
5897:
5894:
5893:
5892:
5889:
5887:
5884:
5882:
5879:
5877:
5874:
5872:
5869:
5867:
5864:
5862:
5859:
5857:
5854:
5852:
5849:
5847:
5844:
5842:
5839:
5837:
5834:
5831:
5829:
5826:
5824:
5821:
5819:
5816:
5814:
5811:
5809:
5806:
5804:
5801:
5800:
5798:
5796:
5792:
5788:
5784:
5778:
5777:Vembanad Lake
5775:
5773:
5770:
5768:
5765:
5763:
5760:
5758:
5757:Nilgiri Hills
5755:
5753:
5750:
5748:
5745:
5743:
5740:
5738:
5737:Malabar Coast
5735:
5733:
5730:
5728:
5725:
5723:
5720:
5718:
5715:
5713:
5710:
5708:
5705:
5703:
5700:
5699:
5697:
5695:
5691:
5685:
5682:
5680:
5677:
5675:
5672:
5670:
5667:
5666:
5664:
5662:
5658:
5652:
5649:
5647:
5644:
5642:
5639:
5637:
5636:Aikya Munnani
5634:
5632:
5629:
5627:
5625:
5621:
5619:
5616:
5614:
5611:
5609:
5606:
5604:
5601:
5600:
5598:
5596:
5592:
5588:
5582:
5579:
5577:
5574:
5572:
5569:
5567:
5564:
5562:
5559:
5557:
5554:
5552:
5549:
5547:
5544:
5542:
5541:Kerala school
5539:
5537:
5534:
5532:
5529:
5527:
5524:
5522:
5519:
5517:
5514:
5512:
5509:
5507:
5504:
5502:
5501:Edakkal Caves
5499:
5497:
5496:Sangam period
5494:
5493:
5491:
5489:
5485:
5481:
5478:
5471:
5466:
5464:
5459:
5457:
5452:
5451:
5448:
5438:
5426:
5420:
5417:
5415:
5412:
5410:
5407:
5405:
5402:
5398:
5397:South Malabar
5395:
5393:
5392:North Malabar
5390:
5389:
5388:
5385:
5383:
5380:
5378:
5375:
5374:
5372:
5370:
5366:
5356:
5353:
5351:
5348:
5346:
5343:
5341:
5338:
5336:
5333:
5331:
5328:
5326:
5323:
5321:
5318:
5316:
5313:
5311:
5308:
5306:
5305:Kanjirappally
5303:
5301:
5298:
5296:
5293:
5291:
5288:
5286:
5283:
5281:
5278:
5276:
5273:
5271:
5270:Vadasserikara
5268:
5266:
5263:
5261:
5258:
5256:
5253:
5251:
5248:
5246:
5243:
5241:
5238:
5236:
5233:
5231:
5228:
5226:
5223:
5221:
5218:
5216:
5213:
5211:
5208:
5206:
5203:
5201:
5198:
5196:
5193:
5191:
5188:
5186:
5183:
5181:
5178:
5176:
5173:
5171:
5168:
5166:
5163:
5161:
5158:
5156:
5153:
5151:
5148:
5146:
5143:
5141:
5140:Balaramapuram
5138:
5136:
5133:
5132:
5130:
5126:
5120:
5117:
5115:
5114:Lakkidi-Perur
5112:
5110:
5107:
5105:
5102:
5100:
5097:
5095:
5092:
5090:
5087:
5085:
5082:
5080:
5077:
5075:
5072:
5070:
5067:
5065:
5062:
5060:
5057:
5055:
5052:
5050:
5047:
5045:
5042:
5040:
5037:
5035:
5032:
5030:
5029:Chottanikkara
5027:
5025:
5022:
5020:
5017:
5015:
5012:
5010:
5007:
5005:
5002:
5000:
4997:
4995:
4992:
4990:
4987:
4985:
4982:
4980:
4977:
4975:
4972:
4970:
4967:
4966:
4964:
4960:
4954:
4951:
4949:
4946:
4944:
4941:
4939:
4936:
4934:
4931:
4929:
4926:
4924:
4921:
4919:
4916:
4914:
4911:
4909:
4906:
4904:
4901:
4899:
4896:
4894:
4891:
4889:
4886:
4884:
4881:
4879:
4876:
4874:
4871:
4869:
4866:
4864:
4861:
4859:
4856:
4854:
4851:
4849:
4846:
4844:
4841:
4839:
4836:
4834:
4831:
4829:
4826:
4824:
4821:
4819:
4816:
4814:
4811:
4809:
4806:
4804:
4801:
4799:
4796:
4794:
4791:
4789:
4786:
4784:
4781:
4779:
4776:
4774:
4771:
4769:
4766:
4764:
4763:Kunnamangalam
4761:
4759:
4756:
4754:
4751:
4749:
4746:
4744:
4741:
4739:
4736:
4734:
4731:
4729:
4726:
4724:
4721:
4719:
4716:
4714:
4711:
4709:
4706:
4704:
4701:
4699:
4696:
4695:
4693:
4689:
4686:
4682:
4676:
4673:
4671:
4668:
4666:
4663:
4661:
4658:
4656:
4653:
4651:
4648:
4646:
4643:
4641:
4638:
4636:
4633:
4631:
4628:
4626:
4623:
4621:
4618:
4616:
4613:
4611:
4608:
4606:
4603:
4601:
4598:
4596:
4593:
4591:
4588:
4586:
4583:
4581:
4578:
4576:
4573:
4571:
4568:
4566:
4563:
4561:
4558:
4556:
4553:
4551:
4548:
4546:
4543:
4541:
4540:North Paravur
4538:
4536:
4533:
4531:
4528:
4526:
4525:Neyyattinkara
4523:
4521:
4518:
4516:
4513:
4511:
4508:
4506:
4503:
4501:
4498:
4496:
4493:
4491:
4488:
4486:
4483:
4481:
4478:
4476:
4473:
4471:
4468:
4466:
4463:
4461:
4458:
4456:
4453:
4451:
4448:
4446:
4443:
4441:
4438:
4436:
4433:
4431:
4428:
4426:
4423:
4421:
4418:
4416:
4413:
4411:
4408:
4406:
4403:
4401:
4398:
4396:
4393:
4391:
4388:
4386:
4383:
4381:
4378:
4376:
4373:
4371:
4368:
4366:
4365:Changanassery
4363:
4361:
4358:
4356:
4353:
4351:
4348:
4346:
4343:
4341:
4338:
4336:
4333:
4331:
4328:
4327:
4325:
4323:
4319:
4313:
4310:
4308:
4305:
4303:
4300:
4298:
4295:
4293:
4290:
4288:
4285:
4284:
4282:
4280:
4276:
4270:
4267:
4265:
4262:
4260:
4257:
4255:
4252:
4250:
4247:
4245:
4242:
4240:
4237:
4235:
4232:
4230:
4227:
4225:
4222:
4220:
4217:
4215:
4212:
4210:
4207:
4205:
4202:
4200:
4197:
4195:
4192:
4190:
4187:
4185:
4182:
4180:
4177:
4175:
4172:
4170:
4167:
4165:
4162:
4160:
4157:
4155:
4152:
4150:
4147:
4145:
4142:
4140:
4137:
4135:
4134:North Paravur
4132:
4130:
4127:
4125:
4124:Neyyattinkara
4122:
4120:
4117:
4115:
4112:
4110:
4107:
4105:
4102:
4100:
4097:
4095:
4092:
4090:
4087:
4085:
4082:
4080:
4077:
4075:
4072:
4070:
4067:
4065:
4062:
4060:
4057:
4055:
4052:
4050:
4047:
4045:
4042:
4040:
4037:
4035:
4032:
4030:
4029:Kothamangalam
4027:
4025:
4022:
4020:
4017:
4015:
4012:
4010:
4007:
4005:
4002:
4000:
3997:
3995:
3992:
3990:
3987:
3985:
3982:
3980:
3977:
3975:
3974:Kanjirappally
3972:
3970:
3967:
3965:
3962:
3960:
3957:
3955:
3952:
3950:
3947:
3945:
3942:
3940:
3937:
3935:
3932:
3930:
3927:
3925:
3922:
3920:
3917:
3915:
3914:Changanassery
3912:
3910:
3907:
3905:
3902:
3900:
3897:
3895:
3892:
3890:
3887:
3886:
3884:
3882:
3878:
3872:
3869:
3866:
3864:
3861:
3858:
3856:
3853:
3850:
3848:
3845:
3842:
3840:
3837:
3834:
3832:
3829:
3826:
3824:
3821:
3818:
3817:
3815:
3811:
3805:
3802:
3800:
3797:
3795:
3792:
3790:
3787:
3785:
3782:
3780:
3777:
3775:
3772:
3770:
3767:
3765:
3762:
3760:
3757:
3755:
3752:
3750:
3747:
3745:
3742:
3740:
3737:
3736:
3734:
3732:
3728:
3722:
3719:
3717:
3714:
3712:
3711:Wayanad KL-12
3709:
3707:
3704:
3702:
3699:
3697:
3694:
3692:
3689:
3687:
3684:
3682:
3679:
3677:
3674:
3672:
3669:
3667:
3664:
3662:
3659:
3657:
3654:
3653:
3651:
3649:
3645:
3641:
3640:
3635:
3630:
3626:
3622:
3618:
3610:
3605:
3603:
3598:
3596:
3591:
3590:
3587:
3575:
3572:
3571:
3568:
3562:
3559:
3557:
3554:
3552:
3549:
3547:
3544:
3542:
3539:
3537:
3534:
3532:
3529:
3528:
3526:
3522:
3516:
3513:
3511:
3510:Uttar Pradesh
3508:
3506:
3503:
3501:
3498:
3496:
3493:
3491:
3488:
3486:
3483:
3481:
3478:
3476:
3473:
3471:
3468:
3466:
3463:
3462:
3460:
3456:
3450:
3447:
3445:
3442:
3440:
3437:
3433:
3430:
3428:
3425:
3421:
3418:
3417:
3416:
3413:
3412:
3411:
3408:
3402:
3399:
3397:
3394:
3392:
3389:
3387:
3384:
3382:
3379:
3377:
3374:
3373:
3372:
3369:
3368:
3367:
3364:
3360:
3357:
3355:
3352:
3350:
3347:
3345:
3342:
3336:
3333:
3331:
3328:
3326:
3323:
3322:
3321:
3318:
3316:
3313:
3311:
3308:
3307:
3306:
3303:
3302:
3301:
3298:
3296:
3293:
3291:
3288:
3286:
3283:
3279:
3276:
3274:
3271:
3270:
3269:
3266:
3264:
3261:
3259:
3256:
3255:
3253:
3249:
3245:
3238:
3233:
3231:
3226:
3224:
3219:
3218:
3215:
3203:
3200:
3198:
3195:
3193:
3190:
3188:
3185:
3183:
3180:
3176:
3173:
3172:
3171:
3168:
3166:
3163:
3161:
3158:
3154:
3151:
3149:
3146:
3145:
3144:
3141:
3139:
3136:
3134:
3131:
3130:
3128:
3124:
3118:
3115:
3113:
3112:New Classical
3110:
3108:
3105:
3103:
3100:
3099:
3097:
3093:
3087:
3084:
3082:
3079:
3077:
3074:
3072:
3069:
3067:
3064:
3062:
3059:
3057:
3056:Structuralism
3054:
3052:
3049:
3048:
3046:
3042:
3036:
3033:
3031:
3028:
3026:
3023:
3021:
3018:
3016:
3013:
3011:
3008:
3006:
3003:
3001:
3000:Functionalism
2998:
2996:
2993:
2989:
2986:
2984:
2981:
2979:
2976:
2975:
2974:
2971:
2969:
2966:
2964:
2961:
2959:
2956:
2954:
2951:
2949:
2946:
2942:
2939:
2938:
2937:
2936:Expressionism
2934:
2932:
2929:
2927:
2924:
2922:
2919:
2917:
2914:
2913:
2911:
2907:
2899:
2896:
2894:
2891:
2889:
2888:Liberty style
2886:
2884:
2881:
2880:
2879:
2876:
2872:
2869:
2867:
2864:
2862:
2859:
2857:
2854:
2852:
2849:
2847:
2844:
2840:
2837:
2835:
2832:
2831:
2829:
2827:
2824:
2822:
2821:Neo-Manueline
2819:
2817:
2814:
2810:
2807:
2805:
2802:
2800:
2797:
2796:
2795:
2794:Monumentalism
2792:
2790:
2787:
2785:
2784:Mediterranean
2782:
2780:
2777:
2775:
2772:
2770:
2767:
2765:
2762:
2758:
2755:
2753:
2750:
2749:
2748:
2745:
2744:
2743:
2740:
2736:
2733:
2732:
2731:
2728:
2724:
2721:
2719:
2716:
2714:
2711:
2709:
2706:
2704:
2701:
2699:
2696:
2694:
2691:
2689:
2686:
2684:
2681:
2679:
2676:
2674:
2671:
2669:
2666:
2664:
2661:
2659:
2656:
2655:
2654:
2651:
2650:
2648:
2644:
2638:
2635:
2633:
2630:
2628:
2625:
2623:
2620:
2618:
2615:
2613:
2610:
2609:
2607:
2603:
2597:
2594:
2592:
2589:
2587:
2584:
2582:
2579:
2575:
2572:
2571:
2570:
2567:
2565:
2564:Romano-Gothic
2562:
2558:
2555:
2553:
2550:
2548:
2545:
2543:
2540:
2538:
2535:
2533:
2530:
2529:
2527:
2523:
2520:
2518:
2515:
2513:
2510:
2509:
2507:
2503:
2500:
2498:
2495:
2493:
2490:
2489:
2488:
2485:
2484:
2482:
2478:
2470:
2467:
2466:
2465:
2462:
2460:
2457:
2453:
2450:
2448:
2445:
2443:
2440:
2438:
2435:
2433:
2430:
2429:
2428:
2425:
2421:
2418:
2416:
2413:
2412:
2410:
2408:
2405:
2403:
2400:
2399:
2397:
2395:
2391:
2383:
2380:
2379:
2378:
2375:
2371:
2368:
2366:
2365:Ancient Roman
2363:
2361:
2360:Ancient Greek
2358:
2357:
2356:
2353:
2351:
2348:
2344:
2341:
2339:
2336:
2335:
2333:
2331:
2328:
2326:
2323:
2321:
2318:
2317:
2315:
2313:
2309:
2303:
2300:
2298:
2295:
2294:
2291:
2287:
2280:
2275:
2273:
2268:
2266:
2261:
2260:
2257:
2238:
2234:
2228:
2212:
2208:
2202:
2193:
2184:
2168:
2164:
2163:
2158:
2152:
2144:
2137:
2122:
2118:
2111:
2103:
2099:
2092:
2088:
2078:
2075:
2073:
2070:
2069:
2065:
2054:
2051:
2045:
2040:
2033:
2029:
2025:
2021:
2018:
2014:
2010:
2008:
2002:
1995:
1994:Napier Museum
1990:
1979:
1975:
1971:
1967:
1965:
1961:
1957:
1953:
1951:
1950:
1945:
1941:
1937:
1935:
1934:
1929:
1925:
1923:
1919:
1915:
1914:
1913:
1905:
1901:
1898:
1890:
1881:
1873:
1869:
1865:
1861:
1857:
1849:
1840:
1834:
1831:
1830:
1829:
1821:
1817:
1809:
1803:
1800:
1799:
1798:
1791:
1785:
1782:
1781:
1780:
1772:
1766:
1763:
1762:
1761:
1754:
1748:
1745:
1744:
1743:
1740:
1736:
1729:
1726:
1725:
1724:
1718:
1711:
1710:
1704:
1701:
1692:
1683:
1675:
1671:
1667:
1659:
1651:
1642:
1633:
1624:
1620:
1616:
1612:
1604:
1595:
1591:
1587:
1580:
1576:
1572:
1570:
1560:
1553:
1549:
1540:
1534:architecture.
1531:
1527:
1519:
1515:
1507:
1497:
1492:
1488:
1487:
1482:
1477:
1468:
1467:
1459:
1457:
1453:
1449:
1445:
1441:
1437:
1433:
1430:(present day
1429:
1425:
1421:
1416:
1411:
1409:
1405:
1401:
1397:
1393:
1389:
1385:
1381:
1377:
1373:
1370:
1367:. The use of
1366:
1362:
1358:
1354:
1350:
1346:
1342:
1338:
1334:
1330:
1325:
1324:Hindu temples
1316:
1312:
1304:
1300:
1298:
1294:
1289:
1285:
1281:
1277:
1273:
1269:
1260:
1256:
1254:
1250:
1249:Hindu temples
1245:
1241:
1232:
1228:
1226:
1222:
1218:
1214:
1210:
1206:
1201:
1197:
1188:
1184:
1182:
1181:Hindu temples
1177:
1173:
1169:
1165:
1161:
1157:
1153:
1149:
1145:
1141:
1137:
1128:
1119:
1116:
1110:
1106:
1104:
1098:
1094:
1090:
1086:
1082:
1078:
1074:
1070:
1066:
1063:
1057:
1051:
1050:North Malabar
1047:
1043:
1038:
1031:
1027:
1018:
1016:
1005:
996:
994:
993:sacred waters
984:
975:
973:
963:
954:
945:
936:
927:
919:
915:
912:
908:
904:
900:
896:
892:
887:
883:
869:
866:
857:
853:
852:Madhur Temple
849:
830:
822:
818:
816:
805:
802:
793:
789:
777:
774:
771:
767:
764:
763:
762:
755:
747:
740:
735:
726:
723:
719:
718:Maurya empire
711:
707:
704:
701:
697:
694:
693:
692:
689:
686:
682:
678:
672:
670:
666:
662:
658:
654:
650:
646:
638:
630:
625:
618:
614:
610:
607:
599:
594:
590:
588:
584:
576:
572:
568:
564:
560:
555:
553:
549:
545:
541:
530:
526:
518:
513:
504:
502:
497:
493:
487:
485:
481:
477:
473:
469:
465:
461:
457:
441:
439:
435:
431:
427:
423:
422:
417:
416:
411:
402:
399:
394:
390:
386:
385:Western Ghats
375:
373:
369:
368:
363:
362:
358:
354:
349:
348:Vastu Shastra
345:
341:
337:
333:
329:
325:
321:
317:
310:
306:
298:
291:
287:
282:
274:
267:
263:
258:
251:
246:
238:
234:
226:
223:
208:
205:
197:
187:
181:
179:
174:This article
172:
163:
162:
153:
150:
142:
131:
128:
124:
121:
117:
114:
110:
107:
103:
100: –
99:
95:
94:Find sources:
88:
84:
78:
77:
72:This article
70:
66:
61:
60:
55:
53:
46:
45:
40:
39:
34:
29:
20:
19:
16:
6219:Chembra Peak
6126:Panchavadyam
5996:Ottamthullal
5986:Mohiniyattam
5925:Architecture
5924:
5881:Kerala model
5841:Kerala Iyers
5808:Namboothiris
5787:Demographics
5762:Palakkad Gap
5623:
5355:Kaduthuruthy
5340:Kuravilangad
5290:Ambalappuzha
5230:Kozhencherry
5225:Kulathupuzha
5215:Pathanapuram
5195:Sasthamkotta
5099:Puthunagaram
5049:Nedumbassery
5034:Udayamperoor
4974:Vandiperiyar
4923:Vellarikundu
4883:Pappinisseri
4863:Anjarakkandy
4773:Thiruvambady
4768:Thamarassery
4708:Puthanathani
4640:Thrikkakkara
4515:Muvattupuzha
4470:Kottarakkara
4455:Kuthuparamba
4400:Irinjalakuda
4264:Vellarikundu
4244:Udumbanchola
4209:Thamarassery
4149:Pathanapuram
4114:Muvattupuzha
4109:Mukundapuram
4089:Manjeshwaram
4084:Mananthavady
4049:Kozhencherry
4034:Kottarakkara
3904:Ambalappuzha
3749:Demographics
3716:Kannur KL-13
3681:Idukki KL-06
3661:Kollam KL-02
3637:
3479:
3410:Indo-Islamic
3401:Vijayanagara
3315:Māru-Gurjara
3170:Mesoamerican
3117:Contemporary
3095:2000–present
3086:Neo-futurism
3066:Blobitecture
2893:Modern Style
2809:Neoclassical
2557:Indo-Islamic
2532:Great Seljuk
2517:Vijayanagara
2411:East Slavic
2325:Mesopotamian
2241:. Retrieved
2237:the original
2227:
2215:. Retrieved
2211:the original
2201:
2192:
2183:
2171:. Retrieved
2167:the original
2160:
2151:
2136:
2124:. Retrieved
2120:
2110:
2101:
2091:
2064:India portal
2030:
2026:
2022:
2019:
2015:
2011:
2003:
1999:
1977:
1973:
1963:
1959:
1947:
1931:
1921:
1911:
1902:
1899:
1895:
1879:
1870:
1866:
1862:
1858:
1854:
1843:Key features
1837:
1832:
1826:
1814:
1801:
1796:
1783:
1777:
1764:
1759:
1746:
1738:
1732:
1727:
1721:
1712:
1697:
1680:
1668:
1664:
1639:
1630:
1621:
1617:
1613:
1609:
1592:
1588:
1585:
1573:
1565:
1537:
1524:
1512:
1496:(March 2020)
1495:
1484:
1415:Arabic style
1412:
1321:
1309:
1265:
1253:koothambalam
1252:
1240:Arabic style
1237:
1193:
1133:
1111:
1107:
1099:
1095:
1091:
1087:
1083:
1079:
1075:
1071:
1067:
1062:ardhamandapa
1058:
1055:
1041:
1017:is invoked.
1011:
989:
978:Ambala-Kulam
971:
968:
957:Chuttambalam
951:
942:
933:
924:
910:
906:
902:
898:
894:
890:
888:
884:
880:
865:energy flows
861:
827:
811:
798:
786:
775:
765:
760:
738:
715:
709:
705:
699:
695:
673:
635:Early Tamil
634:
616:
605:
603:
556:
537:
500:
491:
488:
483:
475:
471:
452:
437:
433:
429:
425:
419:
413:
409:
408:
381:
371:
365:
351:
320:Indian state
315:
314:
289:
285:
265:
261:
249:
233:
218:
200:
191:
178:copy editing
176:may require
175:
145:
139:October 2015
136:
126:
119:
112:
105:
93:
81:Please help
76:verification
73:
49:
42:
36:
35:Please help
32:
15:
6294:Vallam kali
6042:Eid al-Adha
6037:Eid al-Fitr
5981:Koodiyattam
5955:Vallam kali
5851:Cochin Jews
5813:Ambalavasis
5651:Politicians
5556:Lakshadweep
5335:Puthuppally
5295:Mararikulam
5285:Charummoodu
5165:Chathannoor
5024:Malayattoor
5014:Kunnathunad
4908:Cheruvathur
4903:Thrikaripur
4888:Kalliasseri
4753:Vallikkunnu
4728:Kuttippuram
4718:Angadipuram
4684:Other towns
4655:Tirurangadi
4625:Taliparamba
4590:Perumbavoor
4535:Nileshwaram
4510:Mavelikkara
4485:Kunnamkulam
4445:Kodungallur
4410:Kalamassery
4239:Tirurangadi
4194:Taliparamba
4099:Mavelikkara
4064:Kunnathunad
4059:Kunnamkulam
4009:Kodungallur
3847:Golden rain
3531:Bhubaneswar
3505:Uttarakhand
3485:Maharashtra
3030:PWA Moderne
2916:Rationalism
2878:Art Nouveau
2866:Territorial
2846:Renaissance
2830:Queen Anne
2703:Elizabethan
2596:Plateresque
2591:Renaissance
2574:Sondergotik
2469:Carolingian
2415:Kievan Rus'
2007:Fort Cochin
1396:Jama Masjid
1268:prayer hall
1172:Kodungallur
999:Thevarapura
783:Composition
700:Silpiratnam
661:Kodungallur
587:Jaina basti
571:Jain temple
484:pulachikkal
389:Arabian Sea
6330:Categories
6110:Thayambaka
5991:Margamkali
5940:Literature
5866:Dravidians
5717:Backwaters
5591:Government
5414:Travancore
5325:Karukachal
5315:Mundakayam
5245:Mallapally
5180:Neendakara
5160:Parippally
5155:Kilimanoor
5104:Malampuzha
5079:Chelakkara
5039:Varappuzha
5009:Puthencruz
5004:Kolenchery
4953:Manjeshwar
4943:Mangalpady
4878:Cherukunnu
4838:Meenangadi
4778:Kodencheri
4660:Valanchery
4635:Thodupuzha
4630:Thiruvalla
4620:Thalassery
4520:Nedumangad
4490:Malappuram
4440:Kayamkulam
4435:Kattappana
4375:Chengannur
4224:Thodupuzha
4214:Thiruvalla
4204:Thalassery
4199:Thalapilly
4119:Nedumangad
4094:Mannarkkad
4079:Mallapally
3969:Kanayannur
3924:Chengannur
3794:Government
3500:Tamil Nadu
3432:Qutb Shahi
3344:Hemadpanti
3187:Portuguese
3061:Postmodern
3010:Organicism
2898:Modernisme
2883:Jugendstil
2742:Revivalism
2730:Industrial
2713:Portuguese
2487:Romanesque
2382:Achaemenid
2126:31 October
2083:References
1960:kovilakoms
1833:Pooja Room
1802:Nadumuttom
1452:nālukettus
1448:Kasaragode
1444:Thalassery
1166:including
1152:Chera King
939:Nalambalam
911:adhisthana
907:savakamika
706:Vastuvidya
523:See also:
496:hypaethral
476:thoppikkal
438:Silparatna
398:backwaters
367:Silparatna
330:region of
309:Kalithattu
262:Nadumuttom
186:editing it
109:newspapers
38:improve it
6274:Peruvanam
6199:Alappuzha
6156:Samastha
6063:Malayalam
6056:Languages
6047:Christmas
6015:Festivals
5971:Kathakali
5891:Education
5818:Samanthas
5803:Malayalis
5722:Districts
5694:Geography
5661:Incidents
5626:elections
5624:Panchayat
5613:Governors
5200:Kunnathur
5145:Kattakada
5135:Parassala
5119:Thrithala
5074:Pavaratty
5064:Puthukkad
4994:Devikulam
4858:Dharmadom
4843:Panamaram
4793:Nadapuram
4783:Balussery
4713:Kottakkal
4545:Ottapalam
4480:Koyilandy
4465:Kottakkal
4430:Kasaragod
4420:Kanhangad
4395:Guruvayur
4380:Cherthala
4370:Chavakkad
4360:Chalakudy
4340:Alappuzha
4292:Kozhikode
4139:Ottapalam
4104:Meenachil
4069:Kunnathur
4054:Kozhikode
4044:Koyilandy
3999:Kattakada
3994:Kasaragod
3944:Devikulam
3929:Cherthala
3919:Chavakkad
3909:Chalakudy
3863:Jackfruit
3769:Geography
3759:Education
3648:Districts
3546:Hyderabad
3515:Telangana
3495:Rajasthan
3475:Karnataka
3371:Dravidian
3148:Dravidian
3107:Neomodern
3071:High-tech
3051:Brutalism
3044:1950–2000
2988:Stalinist
2921:Mycenaean
2909:1900–1950
2747:Byzantine
2723:Ukrainian
2708:Naryshkin
2673:Edwardian
2646:1750–1900
2617:Palladian
2612:Manueline
2605:1500–1750
2480:1000–1500
2420:Muscovite
2407:Byzantine
2355:Classical
2343:Mycenaean
2320:Neolithic
2102:The Hindu
1964:kottarams
1949:tharavadu
1933:tharavadu
1918:Nambudiri
1765:Charupady
1739:Karanavar
1728:Poomukham
1715:Padippura
1700:Tharavadu
1686:Nalukettu
1456:verandahs
1440:Kozhikode
1420:verandahs
1361:Kasargode
1349:Kozhikode
1345:Koyilandy
1209:Mangalore
1158:and made
1154:embraced
1042:Madappura
972:kottupura
953:purpose.
948:Balithara
895:purshtika
877:Sri-kovil
863:regulate
856:Kasaragod
833:Structure
808:Materials
649:Tulu Nadu
517:Guruvayur
494:). These
456:megaliths
332:Karnataka
328:Tulu Nadu
266:Charupadi
194:July 2023
44:talk page
5871:Adivasis
5828:Mappilas
5795:Religion
5742:Marayoor
5603:Agencies
5595:Politics
5345:Uzhavoor
5275:Parumala
5260:Kulanada
5255:Aranmula
5250:Kumbanad
5220:Thenmala
5210:Kadakkal
5170:Kottiyam
5069:Manaloor
5059:Kodakara
4984:Rajakkad
4969:Peermade
4873:Azhikode
4853:Peravoor
4848:Pulpally
4813:Chundale
4798:Kuttiady
4788:Perambra
4758:Olavanna
4738:Areekode
4703:Thavanur
4665:Vatakara
4605:Shoranur
4580:Payyanur
4555:Palakkad
4530:Nilambur
4505:Mattanur
4475:Kottayam
4450:Kondotty
4415:Kalpetta
4355:Attingal
4350:Angamaly
4307:Thrissur
4259:Vatakara
4229:Thrissur
4164:Peermade
4159:Payyanur
4154:Pattambi
4144:Palakkad
4129:Nilambur
4074:Kuttanad
4039:Kottayam
4019:Kondotty
3855:Karimeen
3789:Wildlife
3458:By state
3381:Chalukya
3359:Rock-cut
3354:Nilachal
3320:Shikhara
3295:Harappan
3285:Buddhist
3160:Japanese
3138:Colonial
3126:Regional
3076:Arcology
3015:Art Deco
3005:Futurism
2948:De Stijl
2851:Romanian
2769:Egyptian
2764:Colonial
2718:Siberian
2528:Islamic
2497:Ottonian
2492:Galician
2402:Sasanian
2370:Herodian
2350:Etruscan
2036:See also
1384:minarets
1369:arcuated
1293:shikhara
1280:verandah
1148:Muhammad
891:santhika
858:, Kerala
739:Mukhappu
677:Buddhist
575:Palakkad
472:kudakkal
464:Porkulam
460:laterite
426:Mayamata
421:Manasara
286:Kazhukol
6299:Wayanad
6254:Kovalam
6191:Tourism
6131:Sopanam
6116:Kolkali
6001:Theyyam
5976:Kolkali
5930:Cuisine
5908:Culture
5886:Tourism
5861:Pulayar
5846:Ezhavas
5832:Thiyyas
5791:Economy
5488:History
5387:Malabar
5382:Zamorin
5330:Pampady
5320:Vazhoor
5310:Erumely
5265:Omallur
5190:Oachira
5185:Chavara
5175:Kundara
5094:Nemmara
5089:Alathur
4999:Adimali
4962:Central
4933:Karadka
4928:Parappa
4898:Alakode
4893:Irikkur
4818:Meppadi
4808:Vythiri
4803:Lakkidi
4748:Vengara
4743:Wandoor
4733:Karipur
4723:Mankada
4698:Edappal
4675:Varkala
4600:Punalur
4595:Ponnani
4570:Paravur
4495:Manjeri
4335:Anthoor
4269:Vythiri
4254:Varkala
4179:Punalur
4174:Ponnani
3954:Hosdurg
3939:Chittur
3894:Alathur
3839:Coconut
3813:Symbols
3799:Tourism
3784:History
3754:Economy
3744:Culture
3634:Capital
3556:Lucknow
3536:Chennai
3524:By city
3470:Gujarat
3391:Kadamba
3386:Hoysala
3335:Sekhari
3325:Bhumija
3310:Kalinga
3197:Spanish
3192:Russian
3133:Chinese
2953:Bauhaus
2856:Russian
2834:Britain
2816:Moorish
2799:Baroque
2789:Mission
2735:British
2698:Petrine
2693:Maltese
2688:Italian
2678:English
2653:Baroque
2552:Ottoman
2547:Timurid
2512:Hoysala
2508:Indian
2447:Fatimid
2442:Abbasid
2437:Moorish
2432:Umayyad
2427:Islamic
2334:Aegean
2173:20 July
1942:of the
1735:portico
1491:Discuss
1400:Palayam
1357:Ponnani
1333:Turkish
1284:mandapa
1270:with a
1221:Muslims
1103:pranala
1046:Theyyam
1030:Paliyam
903:achudha
815:pugging
643:AD the
629:Gopuram
617:Gopuram
606:Thorana
600:temple.
552:monsoon
480:menhirs
444:History
393:monsoon
378:Origins
290:Uttaram
250:Gopuram
123:scholar
6264:Munnar
6229:Kollam
6106:Chenda
6032:Pooram
5480:topics
5477:Kerala
5404:Cochin
5280:Mannar
5205:Anchal
5019:Kalady
4989:Munnar
4979:Kumily
4948:Uppala
4938:Kumbla
4828:Muttil
4670:Vaikom
4560:Panoor
4500:Maradu
4405:Iritty
4312:Kannur
4302:Kollam
4249:Vaikom
4014:Kollam
3979:Kannur
3964:Iritty
3959:Idukki
3949:Eranad
3881:Taluks
3867:Insect
3843:Flower
3827:Animal
3804:Sports
3731:Topics
3625:Kerala
3561:Mumbai
3551:Jaipur
3490:Odisha
3480:Kerala
3465:Bengal
3427:Sharqi
3420:Akbari
3415:Mughal
3349:Meitei
3330:Latina
3305:Nagara
3268:Bengal
3202:Somali
3182:Newari
3165:Korean
3143:Indian
3035:Googie
2941:Cubism
2926:Modern
2826:Pueblo
2804:Rococo
2774:Gothic
2683:French
2658:Andean
2632:Mughal
2569:Gothic
2542:Mamluk
2502:Norman
2338:Minoan
2243:28 May
2217:28 May
1978:veedus
1922:illams
1434:) and
1408:Kerala
1394:. The
1341:Kollam
1272:mihrab
1217:Kannur
1205:Kollam
1196:Kerala
1144:Kerala
1008:temple
905:, and
899:yayada
688:Agamic
653:Vanchi
645:Cheras
641:
579:
559:Kerala
548:Bengal
540:Kerala
478:) and
364:, and
350:. The
324:Kerala
125:
118:
111:
104:
96:
6214:Bekal
6098:Music
6022:Vishu
5823:Nairs
5521:Chera
5300:Aroor
5240:Ranni
5235:Konni
5128:South
4913:Bekal
4691:North
4650:Tirur
4615:Tanur
4390:Eloor
4345:Aluva
4330:Adoor
4297:Kochi
4234:Tirur
4184:Ranni
4024:Konni
4004:Kochi
3899:Aluva
3889:Adoor
3859:Fruit
3779:Ports
3774:Roads
3621:State
3541:Delhi
3290:Dzong
3278:Ratna
3273:Chala
3263:Assam
3251:Types
3153:Hindu
2871:Tudor
2779:Mayan
2668:Dutch
2663:Czech
2586:Aztec
2581:Incan
1974:medas
1928:Nairs
1481:split
1428:Basra
1424:Egypt
1380:minar
1376:domes
1372:forms
1353:Tanur
1297:Tanur
1276:Mecca
1156:Islam
1140:Islam
801:Vastu
722:Jains
685:Hindu
681:Vedic
659:near
544:eaves
501:kavus
466:, in
415:Vastu
130:JSTOR
116:books
6027:Onam
5920:Arts
5054:Mala
4918:Udma
4550:Pala
3851:Fish
3835:Tree
3819:Bird
3764:Film
3739:Arts
3449:Sikh
3444:Jain
3175:Maya
2983:Nazi
2637:Sikh
2245:2011
2219:2011
2175:2013
2128:2023
1992:The
1976:and
1968:For
1954:For
1926:For
1916:For
1436:Iran
1432:Iraq
1378:and
1359:and
1335:and
1134:The
1015:Agni
527:and
515:The
492:kavu
436:and
424:and
412:and
288:and
102:news
3623:of
2312:BCE
1962:and
1489:. (
1398:at
322:of
85:by
6332::
3636::
2159:.
2119:.
2100:.
1493:)
1446:,
1442:,
1426:,
1402:,
1374:,
1355:,
1351:,
1347:,
1215:,
1183:.
1040:A
901:,
897:,
893:,
854:,
665:Ay
604:A
503:.
432:,
359:,
355:,
47:.
6112:)
6108:(
5469:e
5462:t
5455:v
3608:e
3601:t
3594:v
3236:e
3229:t
3222:v
2278:e
2271:t
2264:v
2247:.
2221:.
2177:.
2145:.
2130:.
2104:.
1382:-
482:(
292:.
268:.
225:)
219:(
207:)
201:(
196:)
192:(
188:.
182:.
152:)
146:(
141:)
137:(
127:·
120:·
113:·
106:·
79:.
54:)
50:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.