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Title: Aristide
Maillol sculpture recovery Date: 1946 May 24 Physical Details: 1 photographic print : black and white; 12 x 09 cm. Description: Six men, members of the Monuments, Fine Arts & Archives section of the military, prepare Aristide Maillol's sculpture Baigneuse Ă la draperie,
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said of
Maillol, "These archaic ideas, Greek, were the great novelty Maillol brought into the tendency of modern sculpture. What you need to love from the ancients is not the antiquity, it is the sense of permanent, renewed novelty, that is due to the nature and reason."
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looted during World War II for transport to France. Sculpture is labeled with sign: Wiesbaden, no. 31. Identification on verso (handwritten): Restitution shipment to France. Creator: Unidentified Forms part of: James J. Rorimer papers, 1921-1982, bulk 1943-1950
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He died in
Banyuls at the age of eighty-two, in an automobile accident. While driving home during a thunderstorm, the car in which he was a passenger skidded off the road and rolled over. A large collection of Maillol's work is maintained at the
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He began his career as a painter and developed an early interest in the decorative arts. He became primarily interested in sculpture from his early 40s. Maillol was one of the most famous sculptors of his time. His work inspired artists such as
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of the human body, and the revival of classical forms in the 20th century. His restrained, monumental approach to the female figure influenced numerous artists, sparking discussions about form, abstraction, and the essence of sculpture itself.
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have extensively discussed
Maillol's unique place in modern sculpture. Kramer remarked that Maillol's works possess an "elemental calm" and reflect an anti-Romantic sentiment, contrasting sharply with the emotional intensity of
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City counselors voted late
Tuesday to hand six drawings by Karl Hofer, Paula Modersohn-Becker, Ernst Barlach, Aristide Maillol and Wilhelm Morgner to the heirs of Jewish collector Alfred Flechtheim, who fled to France in
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design. In 1893 Maillol opened a tapestry workshop in
Banyuls, producing works whose high technical and aesthetic quality gained him recognition for renewing this art form in France. He began making small
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Maillol's influence persists not only in sculpture but also in broader conversations about the role of classical ideals in contemporary art, inviting ongoing re-evaluation and reinterpretation.
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630:'s abstracted, rounded sculptures share a kinship with Maillol's pursuit of essential, elemental forms, though Arp pushed these ideas further into abstraction.
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in Paris, which focused on the dialogue between
Maillol and contemporary sculptors, underscore the relevance of his oeuvre in ongoing conversations about the
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607:. Maillol's figures, with their serene and stable forms, marked a return to classical simplicity and purity. This approach resonated with artists like
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emphasis on stable forms. The figurative style of his large bronzes is perceived as an important precursor to the greater simplifications of
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In July 1896, Maillol married
Clotilde Narcis, one of his employees at his tapestry workshop. Their only son, Lucian, was born that October.
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One of
Maillol's most significant contributions was his rejection of the exaggerated dynamism that characterized much of late
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sculptures in 1895, and within a few years his concentration on sculpture led to the abandonment of his work in tapestry.
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861:"Cultural Plunder by the Einsatzstab Reichsleiter Rosenberg: Database of Art Objects at the Jeu de Paume: search Maillol"
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critiqued the traditional
Western gaze and proposed a more inclusive dialogue around the representation of women in art.
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have also been said to engage with the themes of solidity and fluidity in ways that echo Maillol's approach to form.
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402:(1950–55). The third, the artist's only reference to music, is a copy of an original created for the French city of
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1005:"Aristide Maillol sculpture recovery, 1946 May 24, from the James J. Rorimer papers, 1921-1982, bulk 1943-1950"
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in 1881 to study art. After several applications and several years of living in poverty, his enrollment in the
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Solomon R. Guggenheim Museum, "Aristide Maillol, 1861-1944", New York, Solomon R. Guggenheim Foundation, 1975.
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lists thirty artworks by Maillol. The German Lost Art Foundation database lists 33 entries for Maillol. The
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artist, found inspiration in Maillol's organic forms, which he believed offered a “timeless universality.”
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457:, looted during World War II for transport to France. Sculpture is labeled with sign: Wiesbaden, no. 31."
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672:(2012), which juxtaposes classical representations of the female form with fragmented images of the
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324:(1919–1954) a grant awarded to painters, sculptors, decorators, engravers, writers, and musicians.
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Gauguin encouraged his growing interest in decorative art, an interest that led Maillol to take up
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has 13 items related to Maillol. Maillol's sculpture "Head of Flora" was found in the stash of
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exploring themes of memory, identity, and the body. The French-Lebanese contemporary artist
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Albert Elsen, *The Sculpture of Henri Matisse*, Princeton University Press, 1972, p. 102.
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The subject of nearly all of Maillol's mature work is the female body, treated with a
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structures embedded within these revered forms. In reinterpreting Maillol's figures,
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952:"Gurlitt Provenance Research Project Object record excerpt for Lost Art ID: 533054"
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133:; December 8, 1861 – September 27, 1944) was a French sculptor, painter, and
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Aristide Maillol in Cultural Plunder by the Einsatzstab Reichsleiter Rosenberg
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On Classic Ground: Picasso, Léger, de Chirico and the New Classicism 1910–1930
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Jewish art collectors whose artworks by Maillol were looted by Nazis include
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His important public commissions include a 1912 commission for a monument to
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in American public collections, on the French Sculpture Census website
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In more recent decades, Maillol's sculptures have continued to inspire
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Aristide Maillol's work has had a profound and enduring impact on both
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Musée Maillol, *Maillol et ses héritiers*, exhibition catalog, 2011.
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Oliver Aoun, "Lisa Rediviva", 2012. Personal project description.
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A photograph from May 24, 1946, shows "Six men, members of the
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201:. His early paintings show the influence of his contemporaries
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section of the military, prepare Aristide Maillol's sculpture
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804:"MoMA, The Collections, Aristide Maillol (French, 1861–1944)"
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Frèches-Thory, Claire, & Perucchi-Petry, Ursula, ed.:
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434:'s database for artworks recovered by the Allies at the
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Aristide Maillol (1925), in a photograph by Alfred Kuhn
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Furthermore, exhibitions such as the 2011 show at the
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Three of his bronzes grace the grand staircase of the
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Le Normand-Romain, Antoinette . "Maillol, Aristide".
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668:incorporated Maillol's sculptures into his project
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822:"Dues mirades a Maillol. Josep Pla i Torres MonsĂł"
193:was accepted in 1885, and he studied there under
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256:, New York) was completed in 1902, and renamed
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1248:: Database of Art Objects at the Jeu de Paume
824:, FundaciĂł Josep Pla, retrieved May 31, 2013.
757:Cowling, Elizabeth; Mundy, Jennifer (1990).
264:provided Maillol with his first exhibition.
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837:. Jewish Women's Archive, Michele Siegel.
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169:, terracotta. Exhibited at the 1913
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746:Grove Art Online. Oxford Art Online
451:Monuments, Fine Arts & Archives
400:Kneeling Woman: Monument to Debussy
122:Aristide Joseph Bonaventure Maillol
45:Aristide Joseph Bonaventure Maillol
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1216:Works by or about Aristide Maillol
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926:Gee, Malcolm (30 November 2018).
572:Legacy and Contemporary Influence
248:Maillol's first major sculpture,
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1682:20th-century French male artists
1203:The Woodcuts of Aristide Maillol
1163:Die Nabis: Propheten der Moderne
1101:"ArmonĂa (Harmonie) - Escultura"
964:from the original on 2021-06-18.
867:from the original on 2021-06-18.
761:. London: Tate Gallery. p. 148.
424:Reichsleiter Rosenberg Taskforce
345:in 1926–27. He also illustrated
331:illustrations for an edition of
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1632:People from Pyrénées-Orientales
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1078:from the original on 2016-08-17
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1049:from the original on 2014-03-07
1037:Masurovsky, Marc (2011-04-13).
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816:"ArĂstides Maillol, escultor",
748:. Oxford University Press. Web.
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316:Maillol served as a juror with
1712:Road incident deaths in France
1322:Bathing Woman with Raised Arms
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1702:École des Beaux-Arts alumni
1205:. New York: Pantheon Books.
835:"Florence Meyer Blumenthal"
496:The Mediterranean (1902-05)
420:German occupation of France
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1183:Lorquin, Bertrand (1995).
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432:German Historical Museum
388:Metropolitan Opera House
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455:Baigneuse Ă la draperie
778:Himino, Ryozo (2001).
655:mid-century minimalism
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782:. Japan: Graph, Inc.
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847:"Aristide Maillol",
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662:contemporary artists
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191:École des Beaux-Arts
177:Maillol was born in
100:École des Beaux-Arts
1585:L'Estampe originale
1485:Henri-Gabriel Ibels
1074:. Washington Post.
651:modernist sculpture
1601:Post-Impressionism
1505:Ker-Xavier Roussel
1173:(German), (French)
818:Homenots, 3a sèrie
710:. Artists such as
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396:Venus Without Arms
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357:Chansons pour elle
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1346:The Mountain
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1199:Rewald, John
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1108:. Retrieved
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207:Paul Gauguin
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120:
75:(1944-09-27)
1652:Nabis (art)
1627:1944 deaths
1622:1861 births
1520:Jan Verkade
1500:Paul Ranson
1403:Dina Vierny
1365:(1938–1943)
1306:Flora, Nude
708:abstraction
689:Oliver Aoun
685:patriarchal
666:Oliver Aoun
609:Henry Moore
510:Flora, Nude
418:During the
398:(1920), and
394:(1910–11),
377:Dina Vierny
355:(1937) and
311:World War I
289:Henry Moore
276:cast 1938,
171:Armory Show
151:Henry Moore
86:Nationality
1616:Categories
1290:Sculptures
1082:2021-06-18
1053:2021-06-18
1019:2021-06-18
990:2021-06-18
937:2021-06-18
912:2021-06-18
907:www.dhm.de
888:2021-06-18
725:References
674:Mona Lisa.
624:Surrealist
477:The Night,
462:Hugo Simon
219:terracotta
183:Roussillon
167:Bas Relief
135:printmaker
63:Roussillon
51:1861-12-08
1596:Lugné-Poe
1534:Paintings
1362:The River
1187:. Skira.
1110:9 October
601:sculpture
586:sculpture
561:(1938–43)
558:The River
481:Stuttgart
299:Josep Pla
285:classical
231:The River
228:Maillol,
165:Maillol,
157:Biography
110:Sculpture
96:Education
1591:Intimism
1453:Painters
1201:(1951).
1076:Archived
1047:Archived
1013:Archived
984:Archived
959:Archived
865:Archived
681:colonial
636:such as
616:Hans Arp
565:Harmonie
479:(1902),
363:(1939).
338:Eclogues
214:tapestry
114:painting
1577:Related
1405:(model)
1382:, Paris
1373:Museums
1218:at the
1185:Maillol
1153:Sources
780:Maillol
620:Dadaist
329:woodcut
307:CĂ©zanne
143:Picasso
126:French:
1569:(1900)
1561:(1898)
1553:(1893)
1545:(1888)
1396:People
1357:(1938)
1349:(1937)
1341:(1930)
1333:(1922)
1325:(1921)
1317:(1911)
1309:(1910)
1301:(1905)
1191:
1169:
786:
765:
706:, and
588:, the
578:modern
567:(1944)
553:(1938)
545:(1937)
537:(1930)
529:(1921)
521:(1911)
513:(1910)
505:(1905)
426:. The
392:Summer
353:Longus
333:Vergil
90:French
1446:Nabis
1354:L'Air
1338:Nymph
1088:1933.
962:(PDF)
955:(PDF)
704:space
647:Rodin
550:L'Air
534:Nymph
487:Works
373:Paris
240:Paris
187:Paris
1189:ISBN
1167:ISBN
1112:2023
784:ISBN
763:ISBN
714:and
700:body
683:and
677:Aoun
640:and
622:and
618:, a
580:and
205:and
197:and
149:and
70:Died
41:Born
628:Arp
371:in
359:by
351:by
335:'s
273:Air
238:in
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
