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Title: Aristide
Maillol sculpture recovery Date: 1946 May 24 Physical Details: 1 photographic print : black and white; 12 x 09 cm. Description: Six men, members of the Monuments, Fine Arts & Archives section of the military, prepare Aristide Maillol's sculpture Baigneuse Ă la draperie,
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said of
Maillol, "These archaic ideas, Greek, were the great novelty Maillol brought into the tendency of modern sculpture. What you need to love from the ancients is not the antiquity, it is the sense of permanent, renewed novelty, that is due to the nature and reason."
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looted during World War II for transport to France. Sculpture is labeled with sign: Wiesbaden, no. 31. Identification on verso (handwritten): Restitution shipment to France. Creator: Unidentified Forms part of: James J. Rorimer papers, 1921-1982, bulk 1943-1950
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He died in
Banyuls at the age of eighty-two, in an automobile accident. While driving home during a thunderstorm, the car in which he was a passenger skidded off the road and rolled over. A large collection of Maillol's work is maintained at the
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He began his career as a painter and developed an early interest in the decorative arts. He became primarily interested in sculpture from his early 40s. Maillol was one of the most famous sculptors of his time. His work inspired artists such as
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of the human body, and the revival of classical forms in the 20th century. His restrained, monumental approach to the female figure influenced numerous artists, sparking discussions about form, abstraction, and the essence of sculpture itself.
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have extensively discussed
Maillol's unique place in modern sculpture. Kramer remarked that Maillol's works possess an "elemental calm" and reflect an anti-Romantic sentiment, contrasting sharply with the emotional intensity of
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City counselors voted late
Tuesday to hand six drawings by Karl Hofer, Paula Modersohn-Becker, Ernst Barlach, Aristide Maillol and Wilhelm Morgner to the heirs of Jewish collector Alfred Flechtheim, who fled to France in
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design. In 1893 Maillol opened a tapestry workshop in
Banyuls, producing works whose high technical and aesthetic quality gained him recognition for renewing this art form in France. He began making small
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Maillol's influence persists not only in sculpture but also in broader conversations about the role of classical ideals in contemporary art, inviting ongoing re-evaluation and reinterpretation.
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in Paris, which focused on the dialogue between
Maillol and contemporary sculptors, underscore the relevance of his oeuvre in ongoing conversations about the
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emphasis on stable forms. The figurative style of his large bronzes is perceived as an important precursor to the greater simplifications of
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In July 1896, Maillol married
Clotilde Narcis, one of his employees at his tapestry workshop. Their only son, Lucian, was born that October.
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One of
Maillol's most significant contributions was his rejection of the exaggerated dynamism that characterized much of late
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sculptures in 1895, and within a few years his concentration on sculpture led to the abandonment of his work in tapestry.
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872:"Cultural Plunder by the Einsatzstab Reichsleiter Rosenberg: Database of Art Objects at the Jeu de Paume: search Maillol"
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critiqued the traditional
Western gaze and proposed a more inclusive dialogue around the representation of women in art.
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have also been said to engage with the themes of solidity and fluidity in ways that echo Maillol's approach to form.
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413:(1950–55). The third, the artist's only reference to music, is a copy of an original created for the French city of
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1016:"Aristide Maillol sculpture recovery, 1946 May 24, from the James J. Rorimer papers, 1921-1982, bulk 1943-1950"
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in 1881 to study art. After several applications and several years of living in poverty, his enrollment in the
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Solomon R. Guggenheim Museum, "Aristide Maillol, 1861-1944", New York, Solomon R. Guggenheim Foundation, 1975.
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lists thirty artworks by Maillol. The German Lost Art Foundation database lists 33 entries for Maillol. The
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artist, found inspiration in Maillol's organic forms, which he believed offered a “timeless universality.”
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468:, looted during World War II for transport to France. Sculpture is labeled with sign: Wiesbaden, no. 31."
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683:(2012), which juxtaposes classical representations of the female form with fragmented images of the
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335:(1919–1954) a grant awarded to painters, sculptors, decorators, engravers, writers, and musicians.
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Gauguin encouraged his growing interest in decorative art, an interest that led Maillol to take up
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has 13 items related to Maillol. Maillol's sculpture "Head of Flora" was found in the stash of
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939:"The 'Gurlitt case': how a routine customs check uncovered a sensational Nazi-era art hoard"
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exploring themes of memory, identity, and the body. The French-Lebanese contemporary artist
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Albert Elsen, *The Sculpture of Henri Matisse*, Princeton University Press, 1972, p. 102.
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The subject of nearly all of Maillol's mature work is the female body, treated with a
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structures embedded within these revered forms. In reinterpreting Maillol's figures,
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963:"Gurlitt Provenance Research Project Object record excerpt for Lost Art ID: 533054"
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Aristide Maillol in Cultural Plunder by the Einsatzstab Reichsleiter Rosenberg
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On Classic Ground: Picasso, Léger, de Chirico and the New Classicism 1910–1930
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Jewish art collectors whose artworks by Maillol were looted by Nazis include
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His important public commissions include a 1912 commission for a monument to
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in American public collections, on the French Sculpture Census website
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In more recent decades, Maillol's sculptures have continued to inspire
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Aristide Maillol's work has had a profound and enduring impact on both
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Musée Maillol, *Maillol et ses héritiers*, exhibition catalog, 2011.
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Oliver Aoun, "Lisa Rediviva", 2012. Personal project description.
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A photograph from May 24, 1946, shows "Six men, members of the
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section of the military, prepare Aristide Maillol's sculpture
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815:"MoMA, The Collections, Aristide Maillol (French, 1861–1944)"
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Frèches-Thory, Claire, & Perucchi-Petry, Ursula, ed.:
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445:'s database for artworks recovered by the Allies at the
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Aristide Maillol (1925), in a photograph by Alfred Kuhn
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Furthermore, exhibitions such as the 2011 show at the
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Three of his bronzes grace the grand staircase of the
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Le Normand-Romain, Antoinette . "Maillol, Aristide".
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833:"Dues mirades a Maillol. Josep Pla i Torres MonsĂł"
204:was accepted in 1885, and he studied there under
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267:, New York) was completed in 1902, and renamed
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1259:: Database of Art Objects at the Jeu de Paume
835:, FundaciĂł Josep Pla, retrieved May 31, 2013.
768:Cowling, Elizabeth; Mundy, Jennifer (1990).
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848:. Jewish Women's Archive, Michele Siegel.
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757:Grove Art Online. Oxford Art Online
462:Monuments, Fine Arts & Archives
411:Kneeling Woman: Monument to Debussy
133:Aristide Joseph Bonaventure Maillol
56:Aristide Joseph Bonaventure Maillol
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937:Gee, Malcolm (30 November 2018).
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259:Maillol's first major sculpture,
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1214:The Woodcuts of Aristide Maillol
1174:Die Nabis: Propheten der Moderne
1112:"ArmonĂa (Harmonie) - Escultura"
975:from the original on 2021-06-18.
878:from the original on 2021-06-18.
772:. London: Tate Gallery. p. 148.
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356:in 1926–27. He also illustrated
342:illustrations for an edition of
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1643:People from Pyrénées-Orientales
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1089:from the original on 2016-08-17
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1048:Masurovsky, Marc (2011-04-13).
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827:"ArĂstides Maillol, escultor",
759:. Oxford University Press. Web.
447:Munich Central Collecting Point
327:Maillol served as a juror with
1723:Road incident deaths in France
1333:Bathing Woman with Raised Arms
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1683:19th-century French painters
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1713:École des Beaux-Arts alumni
1216:. New York: Pantheon Books.
846:"Florence Meyer Blumenthal"
507:The Mediterranean (1902-05)
431:German occupation of France
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443:German Historical Museum
399:Metropolitan Opera House
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789:Himino, Ryozo (2001).
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793:. Japan: Graph, Inc.
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858:"Aristide Maillol",
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188:Maillol was born in
111:École des Beaux-Arts
1596:L'Estampe originale
1496:Henri-Gabriel Ibels
1085:. Washington Post.
662:modernist sculpture
1612:Post-Impressionism
1516:Ker-Xavier Roussel
1184:(German), (French)
829:Homenots, 3a sèrie
721:. Artists such as
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407:Venus Without Arms
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368:Chansons pour elle
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479:and many others.
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451:Cornelius Gurlitt
359:Daphnis and Chloe
210:Alexandre Cabanel
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1491:Hermann-Paul
1371:
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1357:The Mountain
1355:
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1210:Rewald, John
1195:
1173:
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1119:. Retrieved
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1097:
1091:. Retrieved
1082:
1073:
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1028:. Retrieved
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893:
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222:
218:Paul Gauguin
187:
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132:
131:
86:(1944-09-27)
1663:Nabis (art)
1638:1944 deaths
1633:1861 births
1531:Jan Verkade
1511:Paul Ranson
1414:Dina Vierny
1376:(1938–1943)
1317:Flora, Nude
719:abstraction
700:Oliver Aoun
696:patriarchal
677:Oliver Aoun
620:Henry Moore
521:Flora, Nude
429:During the
409:(1920), and
405:(1910–11),
388:Dina Vierny
366:(1937) and
322:World War I
300:Henry Moore
287:cast 1938,
182:Armory Show
162:Henry Moore
97:Nationality
1627:Categories
1301:Sculptures
1093:2021-06-18
1064:2021-06-18
1030:2021-06-18
1001:2021-06-18
948:2021-06-18
923:2021-06-18
918:www.dhm.de
899:2021-06-18
736:References
685:Mona Lisa.
635:Surrealist
488:The Night,
473:Hugo Simon
230:terracotta
194:Roussillon
178:Bas Relief
146:printmaker
74:Roussillon
62:1861-12-08
1607:Lugné-Poe
1545:Paintings
1373:The River
1198:. Skira.
1121:9 October
612:sculpture
597:sculpture
572:(1938–43)
569:The River
492:Stuttgart
310:Josep Pla
296:classical
242:The River
239:Maillol,
176:Maillol,
168:Biography
121:Sculpture
107:Education
1602:Intimism
1464:Painters
1212:(1951).
1087:Archived
1058:Archived
1024:Archived
995:Archived
970:Archived
876:Archived
692:colonial
647:such as
627:Hans Arp
576:Harmonie
490:(1902),
374:(1939).
349:Eclogues
225:tapestry
125:painting
1588:Related
1416:(model)
1393:, Paris
1384:Museums
1229:at the
1196:Maillol
1164:Sources
791:Maillol
631:Dadaist
340:woodcut
318:CĂ©zanne
154:Picasso
137:French:
18:Maillol
1580:(1900)
1572:(1898)
1564:(1893)
1556:(1888)
1407:People
1368:(1938)
1360:(1937)
1352:(1930)
1344:(1922)
1336:(1921)
1328:(1911)
1320:(1910)
1312:(1905)
1202:
1180:
797:
776:
717:, and
599:, the
589:modern
578:(1944)
564:(1938)
556:(1937)
548:(1930)
540:(1921)
532:(1911)
524:(1910)
516:(1905)
437:. The
403:Summer
364:Longus
344:Vergil
101:French
1457:Nabis
1365:L'Air
1349:Nymph
1099:1933.
973:(PDF)
966:(PDF)
715:space
658:Rodin
561:L'Air
545:Nymph
498:Works
384:Paris
251:Paris
198:Paris
1200:ISBN
1178:ISBN
1123:2023
795:ISBN
774:ISBN
725:and
711:body
694:and
688:Aoun
651:and
633:and
629:, a
591:and
216:and
208:and
160:and
81:Died
52:Born
639:Arp
382:in
370:by
362:by
346:'s
284:Air
249:in
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