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146:(1918–1920). As a result of over 20 years devoted to art, Fetvadjian produced no less than 2,000 works, varying from pencil drawings to watercolors, that depicted historically significant churches, monasteries, chapels and palaces. A considerable number of his other works were also portraits of Armenians at the turn of the 20th century.
238:, a city which boasted several of the most outstanding examples of Armenian architecture of the High Middle Ages. Some of his most memorable works come from the watercolor paintings of the chapels, palaces, churches and monasteries at Ani which are "factual and literal depictions of the buildings."
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gives credence to that belief, stating "Many valuable relics of
Armenian art and architecture of the sixth to thirteenth century, which had escaped the ravages of time were destroyed during the last incursions of 1917-1921, and would have been eventually forgotten had it not been for Fetvadjian's
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Fetvadjian's works were highly valued for preserving a visual memory of
Armenian artwork that otherwise might have been lost forever during the turbulent years following the end of the Russian Empire. Armenian historian
266:), the life and the natural landscape of Armenia (e.g., "Oriental Mail", "Mount Aragats," "Lake Sevan"), and portraits of Armenians and other ethnic peoples. As one of the first artists to depict the
189:, he participated in art exhibitions and joined the Russian Artists' Society. Throughout the early 20th century, he continued to hold exhibitions, and his artwork was seen on displays at the
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166:, which had only been recently opened by an Armenian sculptor named Yervand Voskan. Fetvadjian graduated from the academy in 1887 and pursued higher learning abroad: he left for
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Fetvadjian's artistic talents were brought into the public spotlight when he participated in the
Italian national art exhibition in 1891. His studies would later take him to
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was completing its conquest of the republic and by
December 1920, the Armenian state was finally absorbed by the Soviets. The banknotes were never put into circulation.
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in 1947. Although approached by several prestigious
American universities to publish his works, Fetvadjian ultimately donated all of his paintings and drawings to the
162:. He attended a national art institute in the city of his birth and continued his studies at the State Fine Arts School (Imperial Academy of Art) in the capital at
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in 1922 and lived there for the remainder of his years. He continued to paint and was inducted to the art societies of the universities of
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302:) and stamps for the nascent state. The printing was conducted in Europe, and some of Fetvadjian's attractive designs featured animal
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in 1918, the members of the country's
Finance Ministry commissioned Fetvadjian to draw up the new currency (to replace the Russian
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In addition to the historical monuments of Ani, Fetvadjian's paintings also documented other
Armenian cultural monuments of the
274:"). The painting shows a woman breastfeeding her child, a rifle in hand, with the child in the painting representing Armenia.
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230:. In the early 1900s, Fetvadjian had the opportunity to participate in the excavations led by Russian archaeologist
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and was admitted to the San Luca Art
Academy, where he was taken under the wing of Italian painter and sculptor
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that were found on the decorations in Ani. But just as the banknotes were being printed in Paris,
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in art, one of
Fetvajian's most famous paintings is the "Sasuntsi Kin" ("The Woman of
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Kazan
Visiting Professor Levon Chookaszian Gives His Second Lecture On Armenian Art
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700:. VirtualANI.org - Dedicated to the Deserted Medieval Armenian City of Ani .
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paintings of the architectural monuments of the medieval Armenian city of
586:. New York: Armenian General Benevolent Union of America. p. 346.
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The Republic of Armenia, Vol. II: From Versailles to London, 1919-1920
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482:. Yerevan: Armenian Academy of Sciences, 1986, vol. 12, pp. 623-624.
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After Fetvadjian completed his studies in Europe, he traveled to
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686:. Teşvikiye, İstanbul: Matüsalem Uzmanlık ve Yayıncılık, 2004.
535:. December 2006, Vol. 28, № 2 (96). Accessed January 29, 2009.
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note designed for the First Republic of Armenia by Fetvadjian.
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Fetvadjian, Arshak A. "Շրջագայություն նկարչաց աշխարհին մեջ."
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Arshag Fetvadjian: Masters and Treasures of Armenian Art 1
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Emigrants from the Ottoman Empire to the Russian Empire
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With the fall of the republic, Fetvadjian moved to the
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artist, painter and designer. He is best known for his
554:. Berkeley: University of California Press. p.
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Some of the stamps that Fetvadjian designed for the
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130:; October 1, 1866 – October 7, 1947) was an
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677:The Painter Arshak Fetvadjian
679:) Beirut: Sevan Press, 1966.
480:Armenian Soviet Encyclopedia
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629:. Yerevan: Printinfo, 2011.
262:(e.g., "Tekor basilica" in
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16:Armenian artist (1866–1947)
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641:. № 1-6, 1892; 9-11, 1893.
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195:Victoria and Albert Museum
120:Arshak Abrahami Fetvadjian
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154:Fetvadjian was born in
673:Նկարիչ Արշակ Ֆեթվաճյան
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181:(1891–1895) and later
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193:(1919, 1920) and the
158:in 1866, in the then
584:A History of Armenia
278:Banknotes and stamps
734:People from Trabzon
647:_________________.
520:Tiftick, Caitlin. "
144:Republic of Armenia
109:Watercolors of Ani
623:Chookaszian, Levon
608:History of Armenia
527:2008-10-10 at the
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112:The Woman of Sasun
35:Arshak Fetvadjian.
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653:My Thoughts
88:Nationality
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606:Kurkjian.
218:cities as
136:watercolor
47:1866-10-01
610:, p. 346.
156:Trebizond
150:Biography
96:Education
55:Trebizond
649:Իմ մտքեր
582:(1958).
548:(1982).
525:Archived
328:Columbia
260:Caucasus
242:Caucasus
132:Armenian
124:Armenian
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366:Gallery
360:Yerevan
342:of the
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324:Harvard
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406:(1905)
314:Legacy
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288:ruble
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220:Batum
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185:. In
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330:and
286:100
264:Kars
228:Baku
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66:Died
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